Folk Women And Indirection In Morrison Í Dhuibhne Hurston And Lavin
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Folk Women and Indirection in Morrison, N?huibhne, Hurston, and Lavin by Jacqueline Fulmer Pdf
Focusing on the lineage and traditions of pivotal African American and Irish women writers, Jacqueline Fulmer traces the line of descent from Mary Lavin to Éilís Ní Dhuibhne and from Zora Neale Hurston to Toni Morrison. She argues that these authors adopt strategies of indirection influenced by folklore, such as signifying, masking, sly civility, and the grotesque. Their magical and magisterial folk women characters entice readers toward controversial subjects.
Folk Women and Indirection in Morrison, Í Dhuibhne, Hurston, and Lavin by Jacqueline Fulmer Pdf
"Focusing on the lineage of pivotal African American and Irish women writers, Jacqueline Fulmer argues that these authors often employ strategies of indirection, via folkloric expression, when exploring unpopular topics. This strategy holds the attention of readers who would otherwise reject the subject matter. Fulmer traces the line of descent from Mary Lavin to Éilís í Dhuibhne and from Zora Neale Hurston to Toni Morrison, showing how obstacles to free expression, though varying from those Lavin and Hurston faced, are still encountered by Morrison and í Dhuibhne. The basis for comparing these authors lies in the strategies of indirection they use, as influenced by folklore. The folkloric characters these authors depict-wild denizens of the Otherworld and wise women of various traditions-help their creators insert controversy into fiction in ways that charm rather than alienate readers. Forms of rhetorical indirection that appear in the context of folklore, such as signifying practices, masking, sly civility, and the grotesque or bizarre, come out of the mouths and actions of these writers' magical and magisterial characters. Old traditions can offer new ways of discussing issues such as sexual expression, religious beliefs, or issues of reproduction. As differences between times and cultures affect what "can" and "cannot" be said, folkloric indirection may open up a vista to discourses of which we as readers may not even be aware. Finally, the folk women of Morrison, í Dhuibhne, Hurston, and Lavin open up new points of entry to the discussion of fiction, rhetoric, censorship, and folklore."--Provided by publisher.
New Crops, Old Fields by Conor Caldwell,Eamon Byers Pdf
In the twenty-first century, the rich traditions of Irish folklore are engaged in a constant process of regeneration, where the old and the new, the oral, the textual and the visual intermingle. This volume examines the variety of ways in which folklore traditions are re-purposed and reinvented in contemporary Ireland.
Locating Irish Folklore by Diarmuid Ó Giolláin Pdf
The first of its kind, Irish Folklore is a key text that uses Nordic ethnography methods and Latin American culture theory to explain how differing groups legitimise their own identities by identifying with notions drawn from folklore.
In early 1994 Marina Warner delivered the prestigious Reith Lectures for the BBC. In a series of six lectures, she takes areas of contemporary concern and relates them to stories from mythology and fairy tale which continue to grip the modern imagination. She analyses the fury about single mothers and the anxiety about masculinity in the light of ideals about male heroism and control; the current despair about children and the loss of childhood innocence; the changing attitude of myths about wild men and beasts and the undertow of racism which is expressed in myths about savages and cannibals. The last lecture, on home, brings the themes together to examine ideas about who we are and where we belong, with reference to the British nation and its way of telling its own history. Using a range of examples from video games to Turner's paintings, from popular films to Keats, Marina Warner interweaves her critique of fantasy, dream and prejudice.
Lauri Honko (1932-2002) was among the leading folklorists of his time. In particular, he developed theories and concepts relating to folk belief, genre and epic. The present collection represents a selection of Honko's key articles, which he considered worthy of republication himself. They relate to Honko's own research, to the debates and discussions he took part in; some are introductions to article collections produced by groups of researchers. Honko's writings combine a typically strong empiricism with clear theoretical thought. His own theoretical framework was above all one of functionalism, within which he united other currents within folkloristics, such as 'composition in performance', 'ecology of tradition' and 'textualisation'. He was occupied by the question of how the individual performer used folklore, be he a teller of proverbs or jokes, a singer of oral poetry or a producer of written epic. Honko was at no stage a representative of the traditional 'Finnish school' of folklore research, and origins and developments were a research challenge to him particularly from the perspective of how folklore adapts in different ways to its setting and circumstances of performance by means of variation, and how regularity may be discerned within this.
An Irish Literature Reader by Maureen O'Rourke Murphy,James MacKillop Pdf
In a volume that has become a standard text in Irish studies and serves as a course-friendly alternative to the Field Day anthology, editors Maureen O’Rourke Murphy and James MacKillop survey thirteen centuries of Irish literature, including Old Irish epic and lyric poetry, Irish folksongs, and drama. For each author the editors provide a biographical sketch, a brief discussion of how his or her selections relate to a larger body of work, and a selected bibliography. In addition, this new volume includes a larger sampling of women writers.
Folklore and Modern Irish Writing by Anne Markey,Anne O'Connor Pdf
Exploring the fascination of Irish folklore and storytelling for collectors, scholars, writers, and readers, this book offers a comprehensive overview of the complex relationship between oral traditions and literary practices in Ireland. The rich contributions build upon existing studies of the nature and importance of Irish folklore, acknowledging the symbiotic relationship that exists between storytellers of oral narrative on the one hand, and literary storytellers on the other. The book deepens our understanding of the creative use of oral traditions by leading Irish writers, such as W.B. Yeats, Padraig Pearse, Peig Sayers, Nuala Ni Dhomhnaill, and Anne Enright. Fresh perspectives are offered on the continuing evolution of folklore collection and scholarship in Ireland, while new contexts are provided for evaluating the diverse ways in which Irish writers have drawn on traditional narratives, beliefs, and practices, exemplified by the blending of folklore and individual creativity. This collection is a timely treasury for those interested in Irish writing, identity, life, and ideas. *** "Two sections immediately captured this reviewer's attention: the essays on the modernist project in creating the National Folklore Collection fascinate, and Margaret O'Neill offers tremendous insight into Anne Enright's postmodern work utilizing a psychoanalytic lens, particularly regarding the funeral tradition of keening." - Choice, July 2015, Vol. 51, No.11 [Subject: Irish Studies, Literary Criticism, Folklore]
Jim Crow New York by David N. Gellman,David Quigley Pdf
A Choice Outstanding Academic Title (2004) In 1821, New York’s political leaders met for over two months to rewrite the state’s constitution. The new document secured the right to vote for the great mass of white men while denying all but the wealthiest African-American men access to the polls. Jim Crow New York introduces students and scholars alike to this watershed event in American political life. This action crystallized the paradoxes of free black citizenship, not only in the North but throughout the nation: African Americans living in New York would no longer be slaves. But would they be citizens? Jim Crow New York provides readers with both scholarly analysis and access to a series of extraordinary documents, including extensive excerpts from the resonant speeches made at New York’s 1821 constitutional convention and additional documents which recover a diversity of voices, from lawmakers to African-American community leaders, from newspaper editors to activists. The text is further enhanced by extensive introductory essays and headnotes, maps, illustrations, and a detailed bibliographic essay.
The work of one of the most formidable figures in American intellectual life." -- Washington Post Book World The seventeen essays collected in this volume prove that Ralph Ellison was not only one of America's most dazzlingly innovative novelists but perhaps also our most perceptive and iconoclastic commentator on matters of literature, culture, and race. In Going to the Territory, Ellison provides us with dramatically fresh readings of William Faulkner and Richard Wright, along with new perspectives on the music of Duke Ellington and the art of Romare Bearden. He analyzes the subversive quality of black laughter, the mythic underpinnings of his masterpiece Invisible Man, and the extent to which America's national identity rests on the contributions of African Americans. Erudite, humane, and resounding with humor and common sense, the result is essential Ellison.
Gaelic Prose in the Irish Free State by Philip O'Leary Pdf
This is an authoritative account of the a major, but neglected aspect of the Irish cultural renaissance- prose literature of the Gaelic Revival. The period following the War of Independence and Civil War saw an outpouring of book-length works in Irish from the state publishing agency An Gum. The frequency and production of new plays, both original and translated, have never been approached since. This book investigates all of these works as well as journalism and manuscript material and discusses them in a lively and often humorous manner. -- Publisher description
A Visitation of Spirits by Randall Kenan,Randall, Kenan Pdf
“With A Visitation of Spirits, Randall Kenan continues James Baldwin’s legendary tradition of ‘telling it on the mountain.’”—San Francisco Chronicle When A Visitation of Spirits was published, Randall Kenan (1963-2020) was instantly recognized as a writer of significance, and one who brought into literary fiction the southern Black, gay experience, one of the first such writers to achieve mainstream success. His groundbreaking first novel, A Visitation of Spirits, is the powerful story of Horace Cross, a popular and high-achieving sixteen-year-old boy, who wrestles with the guilt of discovering who he is, a young man attracted to other men and yearning to escape the narrow confines of the small town of Tims Creek, North Carolina, where he grew up. Raised on stories of prophets, revelations, and dreams, his internal struggles take shape in his mind as demons and angels battling for his soul, culminating in one night of horrible and tragic transformation. A Visitation of Spirits established Randall Kenan as a literary master, and his influence continues to be felt. Now in Grove paperback and with an introduction by Tarell Alvin McCraney, Oscar-winning writer of Moonlight, A Visitation of Spirits is a classic novel of growing up from a literary giant.
Journey through Wales en route for Scotland. The protagonist follows his impulses, getting into various absurd situations. What appears on the surface as a simple road-trip is really one man's journey into his inner soul and his generous humanity
