Ford Madox Ford S Cosmopolis Psycho Geography Flânerie And The Cultures Of Paris
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Ford Madox Ford’s Cosmopolis: Psycho-geography, Flânerie and the Cultures of Paris by Anonim Pdf
Ford Madox Ford’s Cosmopolis explores and celebrates Ford’s internationalism, underlining his lifelong commitment to an international, transmedial approach to the arts. It brings to life his commitment to cosmopolitanism living, and thinking, and his vibrant intellectual networks spiralling around Paris.
The Wounded Hero in Contemporary Fiction by Susana Onega,Jean-Michel Ganteau Pdf
The Wounded Hero in Contemporary Fiction tracks the emergence of a new type of physically and/or spiritually wounded hero(ine) in contemporary fiction. Editors, Susana Onega and Jean-Michel Ganteu bring together some of the top minds in the field to explore the paradoxical lives of these heroes that have embraced, rather than overcome, their suffering, alienation and marginalisation as a form of self-definition.
This book aligns concepts and methods from book history with new literary research on a globally studied writer. An innovative three-part approach, combining close reading the evidence of reading, scrutiny of international book distribution circuits, and of Conrad's many fictional representations of reading, illuminates his childhood, maritime and later shore-based reading. After an overview of the empirical evidence of Conrad's reading, his sparsely documented twenty years reading at sea and in port is reconstructed. An examination the reading practices of his famous narrator Marlow then serves to link Conrad's own maritime and shore-based reading. Conrad's subsequent networked reading, shared with his closest male friends, and with literate multilingual women, is examined within the context of Edwardian reading practices. His fictional representations of reading and material texts are highlighted throughout, including genre trends, periodical reading, reading spaces and their lighting, and the use of reading as therapy. The book should appeal both to Conrad scholars and to historians of reading.
Eleven-year-old Harrison Opoku, the second best runner in Year 7, races through his new life in England with his personalised trainers - the Adidas stripes drawn on with marker pen - blissfully unaware of the very real threat around him. Newly-arrived from Ghana with his mother and older sister Lydia, Harri absorbs the many strange elements of city life, from the bewildering array of Haribo sweets, to the frightening, fascinating gang of older boys from his school. But his life is changed forever when one of his friends is murdered. As the victim's nearly new football boots hang in tribute on railings behind fluorescent tape and a police appeal draws only silence, Harri decides to act, unwittingly endangering the fragile web his mother has spun around her family to keep them safe.
Ford Madox Ford by Andrzej Gąsiorek,Daniel Moore Pdf
The controversial British writer Ford Madox Ford (1873-1939) is increasingly recognized as a major presence in early twentieth-century literature. This series of International Ford Madox Ford Studies was founded to reflect the recent resurgence of interest in him. Each volume is based upon a particular theme or issue; and relates aspects of Ford's work, life, and contacts, to broader concerns of his time. The present book is part of a large-scale reassessment of his roles in literary history. Ford is best-known for his fiction, especially The Good Soldier, long considered a modernist masterpiece; and Parade's End, which Anthony Burgess described as 'the finest novel about the First World War'; and Samuel Hynes has called 'the greatest war novel ever written by an Englishman'. In these, as in most of his books, Ford renders and analyses the crucial transformations in modern society and culture. One of the most striking features of his career is his close involvement with so many of the major international literary groupings of his time. In the South-East of England at the fin-de-siècle, he collaborated for a decade with Joseph Conrad, and befriended Henry James and H. G. Wells. In Edwardian London he founded the English Review, publishing these writers alongside his new discoveries, Ezra Pound, D. H. Lawrence, and Wyndham Lewis. After the war he moved to France, founding the transatlantic review in Paris, taking on Hemingway as a sub-editor, discovering another generation of Modernists such as Jean Rhys and Basil Bunting, and publishing them alongside Joyce and Gertrude Stein. Besides his role as contributor and enabler to various versions of Modernism, Ford was also one of its most entertaining chroniclers. This volume includes twelve new essays on Ford's engagement with the literary networks and cultural shifts of his era, by leading experts and younger scholars of Ford and Modernism. Two of the essays are by well-known creative writers: the novelist Colm Tóibín, and the novelist and cultural commentator Zinovy Zinik.
An award-winning novel of urban boyhood: “No other . . . comes as close as this to Catcher in the Rye.” —The Literary Review A Man Booker Prize–winning author brings us inside the head of a young boy in a novel that offers a “splendid evocation of childhood in mid-20th-century Glasgow” (The Washington Post). Here is the story of a boyhood in a large industrial city during a time of great social change. Kieron grows from age five to early adolescence amid the general trauma of everyday life—the death of a beloved grandparent, the move to a new home. A whole world is brilliantly realized: sectarian football matches; ferryboats on the river; the unfairness of being a younger brother; climbing drainpipes, trees, and roofs; dogs, cats, sex, and ghosts—all rendered in the unmistakable perspective of youth, offering “a vivid reminder that childhood is a foreign country” (Kirkus Reviews). “A book full of the wonder of growing up . . . A magnificent and important novel.” —Financial Times “Recalls the modernist experiments of Joyce and Woolf . . . Kelman is a writer of singular will and sincerity.” —The New York Times Book Review “As an urban coming-of-age, the novel also reminded me of A Tree Grows in Brooklyn. . . . This funny, sad and deeply entrancing novel works as dreams do: by seduction, by raising strange spirits, and by delivering a world entire. It represents a triumph for Kelman, as hard and uproarious as a Glasgow Saturday night.” —The Washington Post “Kelman’s raw, blunt narration drives home all of Kieron’s loneliness, sadness and feelings of inadequacy. If you can roll with the Scots dialect, the narrative is rewarding, bleak and marvelous.” —Publishers Weekly
Ford Madox Ford's The Good Soldier by Max Saunders,Sara Haslam Pdf
This volume marks the centenary of Ford Madox Ford s masterpiece "The Good Soldier." It includes groundbreaking work on the novel s narrative technique, chronology, and genre; pioneering work on bodies and minds; eugenics; poison; and surveillance; and innovative comparative studies."
Pets and Domesticity in Victorian Literature and Culture by Monica Flegel Pdf
Addressing the significance of the pet in the Victorian period, this book examines the role played by the domestic pet in delineating relations for each member of the "natural" family home. Flegel explores the pet in relation to the couple at the head of the house, to the children who make up the family’s dependents, and to the common familial "outcasts" who populate Victorian literature and culture: the orphan, the spinster, the bachelor, and the same-sex couple. Drawing upon both animal studies and queer theory, this study stresses the importance of the domestic pet in elucidating normative sexuality and (re)productivity within the familial home, and reveals how the family pet operates as a means of identifying aberrant, failed, or perverse familial and gender performances. The family pet, that is, was an important signifier in Victorian familial ideology of the individual family unit’s ability to support or threaten the health and morality of the nation in the Victorian period. Texts by authors such as Clara Balfour, Juliana Horatia Ewing, E. Burrows, Bessie Rayner Parkes, Anne Brontë, George Eliot, Frederick Marryat, and Charles Dickens speak to the centrality of the domestic pet to negotiations of gender, power, and sexuality within the home that both reify and challenge the imaginary structure known as the natural family in the Victorian period. This book highlights the possibilities for a familial elsewhere outside of normative and restrictive models of heterosexuality, reproduction, and the natural family, and will be of interest to those studying Victorian literature and culture, animal studies, queer studies, and beyond.
I intend to give an account of some odd occurrences in my life. Some have been exquisite, some queer Recollecting them, I am myself in doubt if I have not dreamed them. I have known a Gascon cabalist, of whom I could not say that he was wise, because he perished miserably, but he delivered sublime discourses to me, on a certain night on the Isle of Swans, speeches [Footnote: The original manuscript, written in a fine hand, of the eighteenth century, bears the sub-heading "Vie et Opinions de M. l'AbbŽ JŽr™me Coignard" I was happy enough to keep in my memory, and careful enough to put into writing. Those speeches referred to magic and to occult sciences, with which people were very much infatuated in my days. Everyone speaks of naught else but Rosicrucian mysteries.[Footnote: This writing dates from the second half of the eighteenth century. Besides I do not myself expect to gain great honour by these revelations. Some will say that everything is of my own invention, and that it is not the true doctrine, others that I only said what one had already known. I own that I am not very learned in cabalistic lore, my master having perished at the beginning of my initiation. But, little as I have learned of his craft, it makes me vehemently suspect that all of it is illusion, deception and vanity. I think it quite sufficient to repudiate magic with all my strength, because it is contrary to religion. But still I believe myself to be obliged to explain concerning one point of this false science, so that none may judge me to be more ignorant than I really am. I know that cabalists generally think that Sylphs, Salamanders, Elves, Gnomes and Gnomides are born with a soul perishable like their bodies and that they acquire immortality by intercourse with the magicians. [Footnote: This opinion is especially supported in a little book of the AbbŽ Montfaucon de Villars, "Le Comte de Gabalis au Entretiens sur les sciences secr�tes et mystŽrieuses suivant les principes des anciens mages ou sages cabbalistes," of which several editions are extant. I only mention the one published at Amsterdam (Jacques Le Jeune, 1700, 18mo, with engravings), which contains a second part not included in the original edition On the contrary my cabalist taught me that eternal life does not fall to the lot of any creature, earthly or aerial. I follow his sentiment without presuming myself to judge it.
Ford Madox Ford's Modernity by Robert Hampson,Max Saunders Pdf
Ford Madox Ford's Modernity explores the relation between modern writing and modern experience. It examines how his prose registers the impact on society and the arts of new technologies, such as railways and telephones. It demonstrates how Ford's writing reflects, and elaborates, new conceptions of subjectivity, gender, nation and empire. And it establishes his contribution to the growing sense of crisis in the fields of history, epistemology, and representation. It includes essays by twenty leading Ford scholars on a wide range of his fiction and criticism, giving particular attention to The Good Soldier and to his responses to modern war.
The controversial British writer Ford Madox Ford (1873-1939) is increasingly recognized as a major presence in early twentieth-century literature. This series of International Ford Madox Ford Studies was founded to reflect the recent resurgence of interest in him. Each volume is based upon a particular theme or issue; and relates aspects of Ford’s work, life, and contacts, to broader concerns of his time. Ford is best-known for his fiction, especially The Good Soldier, long considered a modernist masterpiece; and Parade’s End, which Anthony Burgess described as ‘the finest novel about the First World War’, Samuel Hynes has called ‘the greatest war novel ever written by an Englishman’, and which has been adapted by Tom Stoppard for the BBC and HBO. Ford’s America, like the other places he wrote about extensively such as England or France, is a place of the imagination as much as the real place in which he lived and travelled. This volume is the first extended treatment of Ford’s lifelong contacts with American literature and culture. It combines contributions from British and American experts on Ford and Modernism. It has five closely inter-connected sections which display, between them, the range of Ford’s creative relationships with American writers and American territory. The first explores the transatlantic dimension of Ford’s modernism, from his involvement with Americans like James and Pound in Britain before the war, through the Paris days among the Americans in the transatlantic review circle such as Hemingway and Stein, to his time in America in the 20s and 30s, and the American care for his reputation after his death. The second section focuses on New York, and the publishing world portrayed in Ford’s only novel set mainly in the US, When the Wicked Man. A third section, discussing culture, politics, and journalism in his writing of the 1930s, is followed by two examples of his commentary on contemporary American culture, both published here for the first time. The final section juxtaposes two examples of the many American writers who have paid tribute to Ford: an essay tracking Robert Lowell’s regular recollections of his encounters with him; and Mary Gordon’s celebration of his life with the Polish-American painter Janice Biala. The volume also contains fourteen illustrations, including artwork by Biala and photographs of Ford.
"Ford Madox Ford and the City assembles fourteen pioneering essays, by new as well as established European and American scholars, exploring Ford's representations of real and ideal cities, across the full range of his work, from his earliest verse, to his post-war prose and poetry of the 1920s and 1930s."--BOOK JACKET.