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Author : Ingmar Bergman
Publisher : Unknown
Page : 128 pages
File Size : 46,5 Mb
Release : 1975
Category : Electronic
ISBN : OCLC:711211850
Author : Ingmar Bergman
Publisher : Unknown
Page : 0 pages
File Size : 43,8 Mb
Release : 1984
Category : Electronic
ISBN : OCLC:861470582
Author : Ingmar Bergman
Publisher : Facsimiles-Garl
Page : 400 pages
File Size : 53,9 Mb
Release : 1985
Category : Performing Arts
ISBN : STANFORD:36105040711207
Author : Birgitta Steene
Publisher : Amsterdam University Press
Page : 1151 pages
File Size : 41,9 Mb
Release : 2005
Category : Performing Arts
ISBN : 9789053564066
Exhaustive compendium by one of the world's foremost experts on the Swedish master covers Bergman's life, his cultural background, his entire artistic career and extensive annotated bibliographies of interviews and critical writings on Bergman.
Author : Ingmar Bergman
Publisher : Penguin Adult Hc/Tr
Page : 200 pages
File Size : 54,9 Mb
Release : 1972
Category : Motion picture plays
ISBN : UCSC:32106011199202
Ingmar Bergman is still the doyen of cinema. He is known for masterpieces of controlled human emotion, exploring every facet of the personality in relentless detail. He wrote: "I had the possibility of corresponding with the world around me in a language that is literally spoken from soul to soul." These two screenplays, liberally illustrated with production stills featuring actors, including his favourite actress, ex wife, Liv Ullman, are classics of the screen. They will be sought after by film students, and lovers of his films, New interest in Bergman is being generated by the recent release of Faithless, Liv Ullman's 2001 masterpiece, with a screenplay by Bergman. Born in Sweden in 1918, Ingmar Bergman is still contributing to his canon of work.
Author : Lloyd Michaels
Publisher : Cambridge University Press
Page : 208 pages
File Size : 46,9 Mb
Release : 2000
Category : Performing Arts
ISBN : 0521656982
The essays collected in this volume use a variety of methodologies to explore Bergman's Persona.
Author : Birgitta Steene
Publisher : Unknown
Page : 156 pages
File Size : 48,5 Mb
Release : 1968
Category : Dramatists, Swedish
ISBN : STANFORD:36105002666001
Author : Barbara Young
Publisher : Rowman & Littlefield
Page : 252 pages
File Size : 45,9 Mb
Release : 2015-10-15
Category : Performing Arts
ISBN : 9781442245662
Born to a mother who did not want him and a father who humiliated him during his upbringing, Ingmar Bergman somehow endured his dysfunctional family to become one of the great artists of the twentieth century. However, the scars left from his early agony affected him both physically and emotionally. He suffered with a disabling psychosomatic gastrointestinal illness and serious problems in his interpersonal relationships. In The Persona of Ingmar Bergman: Conquering Demons through Film, Barbara Young looks at how the director’s personal life shaped his creative output. A practicing psychiatrist and psychoanalyst, Young probes Bergman’s relationships with his parents, his wives, his children, and his colleagues to explore the meanings of his many films. As Bergman gradually began to work through his psychological problems, he accomplished something that few people have ever done—he analyzed himself. The films examined in this study include the majority of his features, including The Seventh Seal, Wild Strawberries, The Virgin Spring, Through a Glass Darkly, The Hour of the Wolf, The Passion of Anna, Cries and Whispers, Face to Face, Autumn Sonata, Fanny and Alexander, and Persona. Young also draws upon recorded interviews and Bergman's autobiographical novels to provide further insight into the director's creative process. While many books have been written about Bergman and analysts have studied particular films, this volume represents a unique attempt approach to understanding an artist through his art. The Persona of Ingmar Bergman will appeal to film and art students, as well as those in the psychotherapy profession, and of course, the director’s fans throughout the world.
Author : Marc Gervais
Publisher : McGill-Queen's Press - MQUP
Page : 336 pages
File Size : 45,9 Mb
Release : 1999-11-15
Category : Performing Arts
ISBN : 9780773567795
Ingmar Bergman has long been revered as a master craftsman of the cinema, a film poet who has created works that are intensely revealing of himself while resonating mysteriously and powerfully with his audience. In Ingmar Bergman Marc Gervais explores what has largely been taken for granted - how Bergman achieves this cinematic magic through his specific choices in the use of film language and the texturing and structuring of his images, sounds, and rhythms. Gervais shows also how Bergman's work resonates in a much broader sphere than the personal. His films, which are without equal in the history of cinema in quality, consistency, and relevance, are crucial moments in an ongoing conversation with western culture in its frenetic evolution since World War II. Gervais situates Bergman within the tensions of modernism and the western tradition that have manifested themselves in the twentieth century from existentialism, through deconstruction, and into postmodernism. Bergman's films are experienced as incarnations, meditations, explorations, and aesthetic objects that reflect, comment on, conflict with, or embrace the movements that produced them.
Author : Philip Mosley
Publisher : Marion Boyars Publishers
Page : 198 pages
File Size : 43,7 Mb
Release : 1981
Category : Biography & Autobiography
ISBN : UOM:39015020639707
Kritische studie over de films van de Zweedse cineast
Author : S. Price
Publisher : Springer
Page : 278 pages
File Size : 46,9 Mb
Release : 2013-11-26
Category : Performing Arts
ISBN : 9781137315700
The screenplay is currently the focus of extensive critical re-evaluation, however, as yet there has been no comprehensive study of its historical development. International in scope and placing emphasis on the development and variety of screenplay texts themselves, this book will be an important and innovative addition to the current literature.
Author : Irving Singer
Publisher : MIT Press
Page : 253 pages
File Size : 52,7 Mb
Release : 2009-09-18
Category : Photography
ISBN : 9780262264815
The development of themes, motifs, and techniques in Bergman's films, from the first intimations in the early work to the consummate resolutions in the final movies. Known for their repeating motifs and signature tropes, the films of Ingmar Bergman also contain extensive variation and development. In these reflections on Bergman's artistry and thought, Irving Singer discerns distinctive themes in Bergman's filmmaking, from first intimations in the early work to consummate resolutions in the later movies. Singer demonstrates that while Bergman's output is not philosophy on celluloid, it attains an expressive and purely aesthetic truthfulness that can be considered philosophical in a broader sense. Through analysis of both narrative and filmic effects, Singer probes Bergman's mythmaking and his reliance upon the magic inherent in his cinematic techniques. Singer traces throughout the evolution of Bergman's ideas about life and death, and about the possibility of happiness and interpersonal love. In the overtly self-referential films that he wrote or directed (The Best Intentions, Fanny and Alexander, Sunday's Children) as well as the less obviously autobiographical ones (including Wild Strawberries, The Seventh Seal, and the triad that begins with Through a Glass Darkly) Bergman investigates problems in his existence and frequently reverts to childhood memories. In such movies as Smiles of a Summer Night, Scenes from a Marriage, and Saraband, Bergman draws upon his mature experience and depicts the troubled relationships between men who are often weak and women who are made to suffer by the damaged men with whom they live. In Persona, Cries and Whispers, and other works, his experiments with the camera are uniquely masterful. Inspecting the panorama of Bergman's art, Singer shows how the endless search for human contact motivates the content of his films and reflects Bergman's profound perspective on the world.
Author : Alexis Luko
Publisher : Routledge
Page : 292 pages
File Size : 50,8 Mb
Release : 2015-08-11
Category : Music
ISBN : 9781135022747
Sonatas, Screams, and Silence: Music and Sound in the Films of Ingmar Bergman is the first musical examination of Bergman’s style as an auteur filmmaker. It provides a comprehensive examination of all three aspects (music, sound effects, and voice) of Bergman’s signature soundtrack-style. Through examinations of Bergman’s biographical links to music, the role of music, sound effects, silence, and voice, and Bergman’s working methods with sound technicians, mixers, and editors, this book argues that Bergman’s soundtracks are as superbly developed as his psychological narratives and breathtaking cinematography. Interdisciplinary in nature, this book bridges the fields of music, sound, and film.
Author : L. Hubner
Publisher : Springer
Page : 189 pages
File Size : 52,8 Mb
Release : 2007-02-07
Category : Performing Arts
ISBN : 9780230801387
Laura Hubner is one of the first critics to analyse the elements of 'illusion' in key films by Bergman and relate these to cultural and artistic influences on his creative output, the phenomenon of Bergman as 'art film' director, and debates about modernism, postmodernism and emerging feminist discourses on gender and multiplicity.
Author : Maaret Koskinen
Publisher : University of Washington Press
Page : 220 pages
File Size : 54,5 Mb
Release : 2011-07-01
Category : Performing Arts
ISBN : 9780295801957
Ingmar Bergman's 1963 film The Silence was made at a point in his career when his stature as one of the great art-film directors allowed him to push beyond the boundaries of what was acceptable to censorship boards in Sweden and the United States. The film's depiction of sexuality was, as Judith Crist wrote at the time in the New York Herald-Tribune, "not for the prudish." Yet Bergman's notebooks and screenplays reveal his tendency for self-censorship, both to dampen the literary quality of his screenwriting and to alter portions of the script that Bergman ultimately deemed too provocative. Maaret Koskinen, a professor of cinema studies and film critic for Sweden's largest national daily newspaper, was the first scholar given access to Bergman's private papers during the last years of his life. Bergman's notebooks reveal the difficulties he experienced in writing for the medium of moving images and his meditations on the relationship (or its lack) between moving images and the spoken or written word. Koskinen's attention to this intermedial framework is anchored in a close reading of the film, focusing on the many-faceted relationships between images and dialogue, music, sound, and silence. The Silence offers filmgoers an entryway into the cinematic, cultural, and sociopolitical issues of its time, but remains a classic - rich enough for scrutiny from a variety of perspectives and methodologies. Koskinen draws a picture of Bergman that challenges the traditional view of him as an auteur, revealing his attempts to overcome his own image as a creator of serious art films by making his work relevant to a new generation of filmgoers. Her exploration of the film touches on issues of censorship and the cinema of small nations, while shedding new light on the shifting views of Bergman and auteurist film, high art, and popular culture.