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Author : Carl Philipp Emanuel Bach Publisher : Alfred Music Page : 64 pages File Size : 44,7 Mb Release : 2001-07-19 Category : Music ISBN : 1457470411
This new Kalmus edition offers C.P.E. Bach's sonatas in G major, E minor, A minor, and A major. It is great repertoire for any flutist and is perfect for recitals. Included are separate piano, flute, and continuo parts.
Sonatas for One Piano, Four Hands by Wolfgang Amadeus Mozart,Charles Timbrell Pdf
Mozart's four sonatas for one piano, four hands, are the first important works in the piano duet literature. This carefully researched edition contains historical information, in-depth notes on performing Mozart's piano music, editorial fingering and metronome marks, as well as realizations of many ornaments. Titles: * Sonata in D Major, K. 381 (123a) * Sonata in B-flat Major, K. 358 (186c) * Sonata in F Major, K. 497 * Sonata in C Major, K. 521
DigiCat Publishing presents to you this special edition of "The Pianoforte Sonata" (Its Origin and Development) by J. S. Shedlock. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
Author : Ludwig van Beethoven,Stewart Gordon Publisher : Alfred Music Page : 192 pages File Size : 49,8 Mb Release : 2005-09-19 Category : Music ISBN : 9781457421174
Beethoven Piano Sonatas, Volume 2 (Nos. 9-15) by Ludwig van Beethoven,Stewart Gordon Pdf
Beethoven wrote 32 sonatas for piano. Volume 2, edited by Stewart Gordon, includes Sonatas 9--15 (Op. 14, Nos. 1--2; Op. 22; Op. 26; Op. 27, Nos. 1--2; and Op. 28), written between 1798 and 1801 and published shortly after they were written. Of the sonatas in this volume, autographs exist for Op. 26; Op. 27, No. 2 (the first and final pages are missing); and Op. 28. This edition is based on the existing autographs and the first editions, published by various Viennese engravers. Dr. Gordon discusses a variety of topics including Beethoven's life; the pianos of his time and their limitations; Beethoven's use of articulation, ornamentation, tempo; and the age-old challenge of attempting to determine the definitive interpretation of Beethoven's music. Valuable performance recommendations, helpful fingering suggestions and ornament realizations are offered in this comprehensive critical body of Beethoven's sonatas. Where performance options are open to interpretation, other editors' conclusions are noted, enabling students and teachers to make informed performance decisions.
Six Sonatas for Two Persons at One Keyboard by Bernard Brauchli Pdf
First Published in 1997. Seydelmann's four-hand sonatas are delightful pieces of music, written for the intimate pleasure of both performers. The two parts are consistently of equal technical difficulty and interest, the balance of the dialogue being carefully maintained throughout. They are extremely varied and well-written, with most pleasing melodies. William S. Newman, agreeing with Richard Englander, rightly considered them "among the best examples of this genre from the 18th century."
Concert Life in Eighteenth-Century Britain by Susan Wollenberg Pdf
In recent years there has been a considerable revival of interest in music in eighteenth-century Britain. This interest has now expanded beyond the consideration of composers and their music to include the performing institutions of the period and their relationship to the wider social scene. The collection of essays presented here offers a portrayal of concert life in Britain that contributes greatly to the wider understanding of social and cultural life in the eighteenth century. Music was not merely a pastime but was irrevocably linked with its social, political and literary contexts. The perspectives of performers, organisers, patrons, audiences, publishers, copyists and consumers are considered here in relation to the concert experience. All of the essays taken together construct an understanding of musical communities and the origins of the modern concert system. This is achieved by focusing on the development of music societies; the promotion of musical events; the mobility and advancement of musicians; systems of patronage; the social status of musicians; the repertoire performed and published; the role of women pianists and the 'topography' of concerts. In this way, the book will not only appeal to music specialists, but also to social and cultural historians.
The Instrumental Music of Schmeltzer, Biber, Muffat and their Contemporaries by Professor Charles E Brewer Pdf
Based on primary sources, many of which have never been published or examined in detail, this book examines the music of the late seventeenth-century composers, Biber, Schmeltzer and Muffat, and the compositions preserved in the extensive Moravian archives in Kromeriz. These works have never before been fully examined in the cultural and conceptual contexts of their time. Charles E. Brewer sets these composers and their music within a framework that first examines the basic Baroque concepts of instrumental style, and then provides a context for the specific works. The dances of Schmeltzer, for example, functioned both as incidental music in Viennese operas and as music for elaborate court pantomimes and balls. These same cultural practices also account for some of Biber's most programmatic music, which accompanied similar entertainments in Kromeriz and Salzburg. The many sonatas by these composers have also been misunderstood by not being placed in a context where it was normal to be entertained in church and edified in court. Many of the works discussed here remain unpublished but have, in recent years, been recorded. This book enhances our understanding and appreciation of these recordings by providing an analysis of the context in which the works were first performed.