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Everything was arranged for Sunday to be a perfect football day for private detective Rhia and her hotshot criminal lawyer boyfriend Destin-that is, until the phone rings. On the other end is Tangy, a stunning female acquaintance of Destin's, who has suddenly found herself needing representation after her boyfriend's corpse is found slumped outside her apartment door. Rhia decides to immediately take on the case and soon realizes she has her work cut out for her. Tangy's boyfriend Todd has a hole in the side of his head and there is no murder weapon to be found. Without any witnesses to question, Rhia knows time is not on her side as the police are ready to charge Tangy with the murder even though they have no real evidence other than a dead body outside her door. As clues begin to surface, Rhia knows she must find out the truth at all cost. Anything can happen as Rhia relies on all her investigative skills to solve the case, but if she's not careful, she may just sacrifice her life in the process.
For the young men of Dunbar—the low-income, historically segregated neighborhoods of Fort Myers, Florida—avoiding the path that leads to easy money as a drug dealer often means choosing complete devotion to football and dreams of NFL stardom. While such dreams remain out of reach for most, an astonishing number of Dunbar athletes, including NFL idols Deion Sanders, Jevon Kearse, and Earnest Graham, have achieved massive success. Fourth Down in Dunbar is the story of how one community, plagued by drugs and violence, where many children are fatherless, gave rise to so many stellar youth athletes. Using Sanders as the centerpiece of the story, David Dorsey explores Dunbar’s history to show how the same drug culture that ruined so many promising futures also served as motivation for football success. As a reporter for the Fort Myers News-Press, Dorsey had exclusive access to the players and their relatives. He shows the success of the wildly talented as well as the regrets of those who took the wrong path, while highlighting hope for the future of Dunbar. In this poignant tale of heartbreak and triumph, Dorsey reveals the true nature of these men who overcame the obstacles in their lives and made their families and their hometown proud.
Once Ed Buck, sports reporter, and Adam Benson, star quarterback for the Chicago Bears, played football on the same college team. Years later, they are still close friends. In New York for a game against the Giants, Benson hands Buck the biggest story of his career. Gambling on football is one of the country's leading "industries," and the mob's been forcing Benson to throw games. The quarterback has had enough. Sunday, he tells Buck, he's playing to win, and to hell with the mob. After the game, Buck can run with the story. Adam Benson never makes it off the field alive, and Ed Buck suspects his friend was murdered. Buck knows barely enough to convince a police detective to look into Benson's death--but more than enough to set the mob on his tail. As Lt. Gerry Keegan probes the tangled connections between the dead quarterback and the head of an organized crime family, uncovering drug dealing, murder, blackmail, prostitution, and double- and triple-crosses, Ed Buck and his fiancee run for their lives. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
Andy Hayes, everyone's not-so-favorite former Buckeye quarterback, thinks retrieving a laptop with a damning video should be easy enough--until bodies start to pile up and the case gets personal.
Fourth Down and 50 by James Leon "Jimmy" Wilson,Andrea Williams Pdf
From a murder charge to the San Diego Chargers—defensive back Jimmy Wilson spent more than two years in jail before he was acquitted of murder. In this motivational coming-of-age memoir, he shares the inspiring story of how faith in God and the love of his family helped him turn his life around and achieve his NFL dreams. Jimmy Wilson knew he shouldn’t have gone to his Aunt Opal’s house on the eve of his return to the University of Montana, where he was a star football player and preseason candidate for All-American. But when he learned her partner had badly beaten her, his primary concern was for the safety of her and her two young children. Growing up a biracial kid in the San Diego projects, Wilson was always fighting. Kids tested him, and he relied on his physical prowess. Tussling with his aunt’s abuser on the lawn of her home, trying to defend himself from the man’s gun, Wilson was in his element—until a shot accidentally rang out, changing the game. Wilson was labeled a murderer, and his football dreams all but faded. The next two years in jail opened his eyes to another world. When he was finally acquitted, he felt adrift back in his old neighborhood. But through his faith and the support of those who believed in him, Wilson made it back to Montana and eventually to the NFL. This is his uplifting story of growing from a boy to a man and how one bad decision that threatened to end his life became a catalyst for complete transformation.
The origins of literature’s finest crime fighters, told by their creators themselves Their names ring out like gunshots in the dark of a back alley, crime fighters of a lost era whose heroic deeds will never be forgotten. They are men like Lew Archer, Pierre Chambrun, Flash Casey, and the Shadow. They are women like Mrs. North and the immortal Nancy Drew. These are detectives, and they are some of the only true heroes the twentieth century ever knew. In this classic volume, Otto Penzler presents essays written by the authors who created these famous characters. We learn how Ed McBain killed—and resurrected—the hero of the 87th Precinct, how international agent Quiller wrote his will, and how Dick Tracy first announced that “crime does not pay.” Some of these heroes may be more famous than others, but there is not one whom you wouldn’t like on your side in a courtroom, a shootout, or an old-fashioned barroom brawl.
Private Eyes by Robert Allen Baker,Michael T. Nietzel Pdf
Private Eyes is the complete map to what Raymond Bhandler called "the mean streets," the exciting world of the fictional private eye. It is intended to entertain current PI fans and to make new ones.
These stories, written over the past 13 or so years, after Jim Huston retired from the practice of law, deal with a variety of subjects, characters, and life issues. They represent and contain the author's FURTHER THOUGHTS about the human condition.
This is not a biography of John Harvey Sorrells. I expect there'll never be one of those, and that's probably just as well. Sometimes I think a writer's work is his own best autobiography, certainly, and as much biography as he needs. But I'm doing this because of two things: one simple, the other far from it. My late oldest brother, John, sent me a couple of boxes back in 1993 chock-a-block with manuscript and newspaper printed "stuff" written by our father. I looked through it quickly and was intrigued right away, but didn't have the time to do anything with it. Over a period of about a year I managed to root around considerably more--along with my son, daughter, and wife--and eventually I knew I'd have to mess with it in a much more formal and intentional way. But that was the simple part: reading all the material; lifting this bit from here and combining it with that shard from there to create a whole that didn't injure the narra-tive; deciding to stick with the newspaperman's spellings of words like thru, and cigaret, along with standard newspaper punctuation; deciding how to include not just the "best" stuff, but the typical as well. All that simply comes with the turf of editing someone else's material. The much harder part, though, was the realization that I was in some ways on a fool's errand. My father died about five weeks before his fifty-second birthday. At the time, we were living in New York City. That is, my parents were. I was the youngest of four children; fifteen; and, with my older brother, Bill, a high school student in Virginia. In spite of its rampant self-absorption, crudities, cynicisms, vulgarities, and erupting juices of sexuality, fifteen is a tender age. Maybe vulnerable is more accurate. In any event, it's an age when a boy--even a boy/man--really needs his father. It's a fragile time, because the boy coming into manhood is coming into a period when he's just about ready to start knowing his father as another man, as a person, as a human being, as a wonderfully imperfect critter he can love in a way that transcends the boy/Dad relationship. It's always going to be father/son, but when the two are adults, that relationship changes, deepens, transforms. At least, that's what I've seen and heard from those who got to go through it, and as I've experienced it from the father side with my own son. But I was suddenly and unexpectedly cut off from that chance. One night my father was alive, sitting at a card table in the living room reading, as I recall my mother telling it--likely a mystery novel--in the apartment in New York, when he got bushwhacked by a massive heart attack. My mother, who was in their bedroom in the rear of the apartment, said she heard some-thing fall. Hurrying out to see what had happened, she found him on the floor. She knelt by him and said he kept looking up at her asking, "What's wrong? What's wrong?" as though something had happened to her. Within five minutes he was dead. What these days might be called a lack of "closure" absolutely overwhelmed me, and one way or another I have been looking for my father ever since. One way or another his wrenching disappearance has informed virtually everything I myself have ever written. So when I saw the mass of stuff in those boxes my brother sent me, I was againcon-sciously for the first time in years--on the gossamer trail of my father, hoping to find out some-thing, trying to learn something, circling like a dog before she flops, anxious to discover some-hing that would do . . . what? Easy: It would let me know my father just as though he hadn't died when I was a boy; just as though he hadn't been a-moldering in a Graceland Cemetery grave in Pine Bluff, Arkansas, for more than forty-five years. . . . While all that was going on, another part of me was looking at the stuff, fascinated by the man's insights, intrigued with how his mind worked, embarrassed by his p
Presents a comprehensive guide for mystery and detective fiction, compiling over 2,500 titles from more than 200 authors and including plot overviews, a history of the genre, and a discussion on collection development.
Pitts looks at the celluloid careers of more than three dozen sleuths, including Arsene Lupin, Hercule Poirot, Mike Hammer, Miss Jane Marple, Perry Mason, Philip Marlowe, The Shadow, Sherlock Holmes, and The Whistler, and a number of screen gumshoes with brief movie careers and TV detectives. Each chapter highlights a different detective, covering the character's films, the performers who played him or her, the character's image in other media (stage, radio, television, recordings, etc.), plus a detailed filmography and a bibliography of the fictional works about each detective. With additions and corrections to the base volume and scores of photographs.