Frederic Remington Paintings Drawings And Sculpture In The Amon Carter Museum And The Sid W Richardson Foundation Collections
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Peter H. Hassrick,Frederic Remington,Amon Carter Museum of Western Art,Sid W. Richardson Foundation
Author : Peter H. Hassrick,Frederic Remington,Amon Carter Museum of Western Art,Sid W. Richardson Foundation Publisher : [New York] : Abrams Page : 218 pages File Size : 50,8 Mb Release : 1973 Category : Art ISBN : 0810904446
Frederic Remington: Paintings, Drawings, and Sculpture in the Amon Carter Museum and the Sid W. Richardson Foundation Collections by Peter H. Hassrick,Frederic Remington,Amon Carter Museum of Western Art,Sid W. Richardson Foundation Pdf
Paintings, drawing and sculpture in the Amon Carter Museum and the Sid W. Richardson Foundation Collection.
Author : Peter H. Hassrick Publisher : University of Oklahoma Press Page : 329 pages File Size : 46,8 Mb Release : 2016-05-31 Category : Art ISBN : 9780806154787
One of America’s most popular and influential American artists, Frederic Remington (1861–1909) is renowned for his depictions of the Old West. Through paintings, drawings, and sculptures, he immortalized a dynamic world of cowboys and American Indians, hunters and horses, landscapes and wildlife. Frederic Remington: A Catalogue Raisonné II is a comprehensive presentation of the artist’s body of flat work, both in print and on this book’s companion website. Beautifully illustrated with more than 150 figures and 100 color plates, this book offers insightful essays by notable art historians who explore Remington’s experiences in Taos, New Mexico, and other parts of the West. The chapters include analyses of Remington’s artistic development from an illustrator to a fine art painter, his search for and understanding of “men with the bark on,” his relationship with the famed illustrator Howard Pyle, and the shared imagery of Remington and “Buffalo Bill” Cody. A chapter considering Remington’s enduring bond with the horse and its representation in his paintings follows an examination of Remington’s ties to Theodore Roosevelt that reveals how the two men helped move the American conscience toward wildlife preservation. An assessment of the authentication process for evaluating Remington’s works opens the collection: Remington is perhaps the most frequently faked American artist. The book features a unique keycode granting access to a companion website that brings together more than 3,000 reproductions of the artist’s flat works, including the complete original 1996 edition of the Catalogue Raisonné and nearly 300 previously unknown or relocated pieces. Each entry includes the title, date, medium, size, inscriptions, provenance, and exhibition and publication history of the work, as well as select commentary. The online catalogue is fully searchable and will be continuously updated as new information becomes available. Based on decades of scholarship and research, the revised Remington Catalogue Raisonné is an essential resource for scholars, collectors, museum curators, historians of the American West, and anyone seeking definitive information on the art of Frederic Remington. Frederic Remington: A Catalogue Raisonné II is published in cooperation with the Buffalo Bill Center of the West, Cody, Wyoming.
Metropolitan Museum of Art (New York, N.Y.),Doreen Bolger,Natalie Spassky
Author : Metropolitan Museum of Art (New York, N.Y.),Doreen Bolger,Natalie Spassky Publisher : Metropolitan Museum of Art Page : 674 pages File Size : 44,6 Mb Release : 1980 Category : Painting ISBN : 9780870992445
First published in 1997. For this second edition of Art Books: A Basic Bibliography of Monographs on Artists, the vast number of new books published since 1985 was surveyed and evaluated. This has resulted in the selection of 3,395 additional titles. These selections, reflective of the increase in the monographic literature on artists during the last ten years, are evidence of the activities of a larger number of art historians in more countries worldwide, of the increasingly diverse and ambitious exhibition programs of museums whose number has also increased dramatically, and also of a lively international art market and the attendant gallery activities. The selections of the first edition have been reviewed, errors have been corrected and important new editions and reprints have been noted. The second edition contains 278 names of artists not represented in the first edition.
From reviews of the first edition: "Richly illustrated . . . this handsome volume presents the rugged beauty and rowdy spirit of life on the frontier, as captured by two master painters." —Art Gallery International ". . . large color plates beautifully reproduce dashing, romantic scenes of frontier life created by two of the West's foremost portrayers." —American West "The many devotees of Remington and Russell and of Western art in general will want to add this handsome volume to their collection." —Arizona Highways "... the University of Texas Press, as one would expect, has produced a beautiful book ...." —Montana Since its original publication in 1982, Remington and Russell has become an essential introduction to the work of these artists, and this revision substantially enhances the book's strengths. Every painting in the Sid Richardson Collection has been rephotographed for this edition, including one Russell and five Remington paintings not included previously. Numerous black-and-white illustrations have also been added to give insight into the evolution of the paintings. Brian Dippie has considerably amplified his commentaries on each painting with new information. His revised introduction places Remington and Russell in the historical and cultural contexts of their time and draws intriguing comparisons between the two artists.
For nearly half a century, celebrated historian Ron Tyler has researched, interpreted, and exhibited western American art. This splendid volume, gleaned from Tyler’s extensive career of connoisseurship, brings together eight of the author’s most notable essays, reworked especially for this volume. Beautifully illustrated with more than 150 images, Western Art, Western History tells the stories of key artists, both famous and obscure, whose provocative pictures document the people and places of the nineteenth-century American West. The artists depicted in these pages represent a variety of personalities and artistic styles. According to Tyler, each of them responded in unique ways to the compelling and exotic drama that unfolded in the West during the nineteenth century—an age of exploration, surveying, pleasure travel, and scientific discovery. In eloquent and engaging prose, Tyler unveils a fascinating cast of characters, including the little-known German-Russian artist Louis Choris, who served as a draftsman on the second Russian circumnavigation of the globe; the exacting and precise Swiss artist Karl Bodmer, who accompanied Prince Maximilian of Wied on his sojourn up the Missouri River; and the young American Alfred Jacob Miller, whose seemingly frivolous and romantic depictions of western mountain men and American Indians remained largely unknown until the mid-twentieth century. Other artists showcased in this volume are John James Audubon, George Caleb Bingham, Alfred E. Mathews, and, finally, Frederic Remington, who famously sought to capture the last glimmers of the “old frontier.” A common thread throughout Western Art, Western History is the important role that technology—especially the development of lithography—played in the dissemination of images. As the author emphasizes, many works by western artists are valuable not only as illustrations but as scientific documents, imbued with cultural meaning. By placing works of western art within these broader contexts, Tyler enhances our understanding of their history and significance.
Window on the West by Judith A. Barter,Art Institute of Chicago Pdf
This book depicts a group of Chicago patrons who sought to shape the city's identity and foster a uniquely American style, by supporting local artists who depicted the West.
From the worship of Michael Jordan to the downfall of O.J. Simpson, it has become clear that sports and sports heroes have assumed a role in American society far out of proportion to their traditional value. In this powerful critique of present-day American popular culture, Robert J. Higgs examines the complex and increasingly pervasive control that sports wield in shaping the national self-image. He provides a thoughtful history and analysis of how sports and religion have become intertwined and offers a stinging indictment of the sports-religion-media-education complex. Beginning with the place of sports in Puritan life, Higgs traces the contributions of various individuals and institutions to the present circumstances in which sports and religion are joined. He discusses the transfer of the Puritan ideal to the New World and then moves to the revolutionary period of the national hero and manifest destiny, through the classic period of education for a sound mind in a sound body, to the imperial phase of American supremacy. In the process of tracing this history Higgs makes clear the growing influence of "muscular" Christianity, from circuit-riding evangelists to pulpit-pounding televangelists, from Billy Sunday to Billy Graham, from the YMCA to the Fellowship of Christian Athletes. Finally he arrives at our present Low Roman or "bread and circuses" period in which sports simultaneously serve the purposes of entertainment, religious proselytism, distraction of the masses, and political propaganda, all under the colorful banner of Christian knighthood as seen in the stadium revivals of Billy Graham and the sporting enthusiasm of Jerry Falwell. In brief, sports and Christianity have followed similar paths. In the beginning they were nationalized, then Hellenized, then Romanized, and, in our own time, televised. The result is that spectator sports have become the reigning American religion, one sharply at odds with a traditional shepherd ethos. This well-written and innovative book makes clear the dangerous power wielded by the sports-religion-media-education complex over the minds and energies of the American people. It is a call for recognition and reevaluation of our present situation that will concern anyone interested in the future of American culture.
