Frederick The Great And His Musicians The Viola Da Gamba Music Of The Berlin School

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Frederick the Great and his Musicians: The Viola da Gamba Music of the Berlin School

Author : Michael O'Loghlin
Publisher : Routledge
Page : 238 pages
File Size : 40,7 Mb
Release : 2017-07-05
Category : Music
ISBN : 9781351566551

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Frederick the Great and his Musicians: The Viola da Gamba Music of the Berlin School by Michael O'Loghlin Pdf

After decades of stagnation during the reign of his father, the 'Barracks King', the performing arts began to flourish in Berlin under Frederick the Great. Even before his coronation in 1740, the crown prince commenced recruitment of a group of musician-composers who were to form the basis of a brilliant court ensemble. Several composers, including C.P.E. Bach and the Graun brothers, wrote music for the viola da gamba, an instrument which was already becoming obsolete elsewhere. They were encouraged in this endeavour by the presence in the orchestra from 1741 of Ludwig Christian Hesse, one of the last gamba virtuosi, who was described in 1766 as 'unquestionably the finest gambist in Europe'. This study shows how the unique situation in Berlin produced the last major corpus of music written for the viola da gamba, and how the more virtuosic works were probably the result of close collaboration between Hesse and the Berlin School composers. The reader is also introduced to the more approachable pieces which were written and arranged for amateur viol players, including the king's nephew and ultimate successor, Frederick William II. O'Loghlin argues that the aesthetic circumstances which prevailed in Berlin brought forth a specific style that is reflected not only in the music for viola da gamba. Characteristics of this Berlin style are identified with reference to a broad selection of original written sources, many of which are hardly accessible to English-speaking readers. There is also a discussion of the rather contradictory reception history of the Berlin School and some of its composers. The book concludes with a complete thematic catalogue of the Berlin gamba music, with a listing of original manuscript sources and modern publications. The book will appeal to professional and amateur viola da gamba players as well as to scholars of eighteenth-century German music.

Frederick the Great and his Musicians: The Viola da Gamba Music of the Berlin School

Author : Michael O'Loghlin
Publisher : Routledge
Page : 272 pages
File Size : 53,6 Mb
Release : 2017-07-05
Category : Music
ISBN : 9781351566568

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Frederick the Great and his Musicians: The Viola da Gamba Music of the Berlin School by Michael O'Loghlin Pdf

After decades of stagnation during the reign of his father, the 'Barracks King', the performing arts began to flourish in Berlin under Frederick the Great. Even before his coronation in 1740, the crown prince commenced recruitment of a group of musician-composers who were to form the basis of a brilliant court ensemble. Several composers, including C.P.E. Bach and the Graun brothers, wrote music for the viola da gamba, an instrument which was already becoming obsolete elsewhere. They were encouraged in this endeavour by the presence in the orchestra from 1741 of Ludwig Christian Hesse, one of the last gamba virtuosi, who was described in 1766 as 'unquestionably the finest gambist in Europe'. This study shows how the unique situation in Berlin produced the last major corpus of music written for the viola da gamba, and how the more virtuosic works were probably the result of close collaboration between Hesse and the Berlin School composers. The reader is also introduced to the more approachable pieces which were written and arranged for amateur viol players, including the king's nephew and ultimate successor, Frederick William II. O'Loghlin argues that the aesthetic circumstances which prevailed in Berlin brought forth a specific style that is reflected not only in the music for viola da gamba. Characteristics of this Berlin style are identified with reference to a broad selection of original written sources, many of which are hardly accessible to English-speaking readers. There is also a discussion of the rather contradictory reception history of the Berlin School and some of its composers. The book concludes with a complete thematic catalogue of the Berlin gamba music, with a listing of original manuscript sources and modern publications. The book will appeal to professional and amateur viola da gamba players as well as to scholars of eighteenth-century German music.

The Viola da Gamba

Author : Bettina Hoffmann
Publisher : Routledge
Page : 355 pages
File Size : 40,8 Mb
Release : 2018-04-19
Category : Music
ISBN : 9781315284231

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The Viola da Gamba by Bettina Hoffmann Pdf

The viola da gamba was a central instrument in European music from the late 15th century well into the late 18th. In this comprehensive study, Bettina Hoffmann offers both an introduction to the instrument -- its construction, technique and history -- for the non-specialist, interweaving this information with a wealth of original archival scholarship that experts will relish. The book begins with a description of the instrument, and here Hoffmann grapples with the complexity of various names applied to this and related instruments. Following two chapters on the instrument's construction and ancestry, the core of the book is given to a historical and geographical survey of the instrument from its origins into the classical period. The book closes with a look at the revival of interest in the 19th and 20th centuries.

Style and Performance for Bowed String Instruments in French Baroque Music

Author : Mary Cyr
Publisher : Routledge
Page : 281 pages
File Size : 50,5 Mb
Release : 2016-04-01
Category : Music
ISBN : 9781317048824

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Style and Performance for Bowed String Instruments in French Baroque Music by Mary Cyr Pdf

Mary Cyr addresses the needs of researchers, performers, and informed listeners who wish to apply knowledge about historically informed performance to specific pieces. Special emphasis is placed upon the period 1680 to 1760, when the viol, violin, and violoncello grew to prominence as solo instruments in France. Part I deals with the historical background to the debate between the French and Italian styles and the features that defined French style. Part II summarizes the present state of research on bowed string instruments (violin, viola, cello, contrebasse, pardessus de viole, and viol) in France, including such topics as the size and distribution of parts in ensembles and the role of the contrebasse. Part III addresses issues and conventions of interpretation such as articulation, tempo and character, inequality, ornamentation, the basse continue, pitch, temperament, and "special effects" such as tremolo and harmonics. Part IV introduces four composer profiles that examine performance issues in the music of Élisabeth Jacquet de La Guerre, Marin Marais, Jean-Baptiste Barrière, and the Forquerays (father and son). The diversity of compositional styles among this group of composers, and the virtuosity they incorporated in their music, generate a broad field for discussing issues of performance practice and offer opportunities to explore controversial themes within the context of specific pieces.

Bach Perspectives 11

Author : Mary Oleskiewicz
Publisher : University of Illinois Press
Page : 208 pages
File Size : 52,8 Mb
Release : 2017-11-07
Category : Music
ISBN : 9780252050084

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Bach Perspectives 11 by Mary Oleskiewicz Pdf

Among his numerous children, Johann Sebastian Bach sired five musically gifted sons. The eleventh volume of Bach Perspectives presents essays that explore these men's lives and careers via distinctive and, in several cases, alternative and interdisciplinary methodologies. Robert L. Marshall traces how each of the sons grappled with ”and at times suffocated beneath ”their illustrious father's legacy. Mary Oleskiewicz's essay investigates the Bach family's connections to historical keyboard instruments and musical venues at the Prussian court, while David Schulenberg looks at Carl Philipp Emanuel Bach's diverse and innovative keyboard works. Evan Cortens digs into everything from performance materials to pay stubs to offer a detailed view of the business of Carl Philipp Emanuel Bach's liturgical music. Finally, Christine Blanken discusses how the rediscovery of Bach family musical manuscripts in the Breitkopf archive opens up new perspectives on familiar topics.

Life After Death

Author : Peter Holman
Publisher : Boydell & Brewer
Page : 434 pages
File Size : 51,8 Mb
Release : 2010
Category : Music
ISBN : 9781843835745

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Life After Death by Peter Holman Pdf

New research throws light on the history of the viol after Purcell, including its revival in the late eighteenth century through Charles Frederick Abel.

Sara Levy's World

Author : Rebecca Cypess,Nancy Sinkoff
Publisher : Boydell & Brewer
Page : 304 pages
File Size : 47,7 Mb
Release : 2018
Category : Biography & Autobiography
ISBN : 9781580469210

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Sara Levy's World by Rebecca Cypess,Nancy Sinkoff Pdf

A rich interdisciplinary exploration of the world of Sara Levy, a Jewish salonnière and skilled performing musician in late eighteenth-century Berlin, and her impact on the Bach revival, German-Jewish life, and Enlightenment culture.

Italian Opera in the Age of the American Revolution

Author : Pierpaolo Polzonetti
Publisher : Cambridge University Press
Page : 397 pages
File Size : 55,5 Mb
Release : 2011-03-17
Category : Music
ISBN : 9780521897082

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Italian Opera in the Age of the American Revolution by Pierpaolo Polzonetti Pdf

Polzonetti reveals how revolutionary America inspired eighteenth-century European audiences, and how it can still inspire and entertain us.

Representing Duchess Anna Amalia's Bildung

Author : Christina K. Lindeman
Publisher : Taylor & Francis
Page : 231 pages
File Size : 50,8 Mb
Release : 2017-04-21
Category : Art
ISBN : 9781351768061

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Representing Duchess Anna Amalia's Bildung by Christina K. Lindeman Pdf

The cultural milieu in the “Age of Goethe” of eighteenth-century Germany is given fresh context in this art historical study of the noted writers’ patroness: Anna Amalia, Duchess of Weimar-Sachsen-Eisenach. An important noblewoman and patron of the arts, Anna Amalia transformed her court into one of the most intellectually and culturally brilliant in Europe; this book reveals the full scope of her impact on the history of art of this time and place. More than just biography or a patronage study, this book closely examines the art produced by German-speaking artists and the figure of Anna Amalia herself. Her portraits demonstrate the importance of social networks that enabled her to construct scholarly, intellectual identities not only for herself, but for the region she represented. By investigating ways in which the duchess navigated within male-dominated institutions as a means of advancing her own self-cultivation – or Bildung – this book demonstrates the role accorded to women in the public sphere, cultural politics, and historical memory. Cumulatively, Christina K. Lindeman traces how Anna Amalia, a woman from a small German principality, was represented as an active participant in enlightened discourses. The author presents a novel and original argument concerned with how a powerful woman used art to shape her identity, how that identity changed over time, and how people around her shaped it – an approach that elucidates the power of portraiture in eighteenth- and early nineteenth-century Europe.

The Music of Wilhelm Friedemann Bach

Author : David Schulenberg
Publisher : University Rochester Press
Page : 356 pages
File Size : 47,7 Mb
Release : 2010
Category : Music
ISBN : 9781580463591

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The Music of Wilhelm Friedemann Bach by David Schulenberg Pdf

The first book in nearly a century dedicated to a close examination of the musical works of Wilhelm Friedemann Bach, first son of Johann Sebastian Bach.

New Perspectives on Marc-Antoine Charpentier

Author : Shirley Thompson
Publisher : Ashgate Publishing, Ltd.
Page : 418 pages
File Size : 48,5 Mb
Release : 2010
Category : Music
ISBN : 0754665798

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New Perspectives on Marc-Antoine Charpentier by Shirley Thompson Pdf

The tercentenary of Marc-Antoine Charpentier's death in 2004 stimulated a surge of activity on the part of performers and scholars, confirming the modern assessment of Charpentier (1643-1704) as one of the most important and inventive composers of the French Baroque. The present book illustrates not only the sheer variety of research strands currently pursued, but also the way in which these strands frequently intertwine and generate the potential for future research. Between them, they examine facets of the composer's compositional language and process, aspects of his performance practice and notation, the contexts within which he worked, and the nature of his legacy. The appendix contains a transcription of the inventory of Charpentier's manuscripts prepared when their sale to the Royal Library was negotiated in 1726 - an invaluable research tool, as numerous chapters in the book demonstrate. The wide variety of topics covered here will appeal both to readers interested in Charpentier's music and to those with a broader interest in the music and culture of the French Baroque, including aspects of patronage, church and theatre. Far from treating his output in isolation, this book places it in the wider context alongside such composers as Lully, Lalande, Marais, François Couperin and Rameau; it also views the composer in relation to his Italian training. In the process, the under-examined question of influence - who influenced Charpentier? whom did he influence? - repeatedly comes to the fore.

The Music of Carl Philipp Emanuel Bach

Author : David Schulenberg
Publisher : Boydell & Brewer
Page : 436 pages
File Size : 43,6 Mb
Release : 2014
Category : Literary Criticism
ISBN : 9781580464819

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The Music of Carl Philipp Emanuel Bach by David Schulenberg Pdf

Of the four sons of J. S. Bach who became composers, Carl Philipp Emanuel (1714-88) was the most prolific, the most original, and the most influential both during and after his lifetime. This first full-length English-language study critically surveys his output, examining not only the famous keyboard sonatas and concertos but also the songs, chamber music, and sacred works, many of which resurfaced in 1999 and have not previously been evaluated. The book also outlines the composer's career from his student days at Leipzig and Frankfurt (Oder) to his nearly three decades as court musician to Prussian King Frederick "the Great" and his last twenty years as cantor at Hamburg. Focusing on the composer's choices within his social and historical context, the book shows how C. P. E. Bach deliberately avoided his father's style while adopting the manner of his Berlin colleagues, derived from Italian opera. A new perspective on the composer emerges from the demonstration that C. P. E. Bach, best known for his virtuoso keyboard works, refashioned himself as a writer of vocal music and popular chamber compositions in response to changing cultural and aesthetic trends. Supplementary texts and musical examples are included on a companion website. David Schulenberg is professor of music at Wagner College and teaches historical performance at the Juilliard School. He is the author of The Music of Wilhelm Friedemann Bach (University of Rochester Press, 2010).

The Courtly Consort Suite in German-speaking Europe, 1650-1706

Author : Michael Robertson
Publisher : Ashgate Publishing, Ltd.
Page : 304 pages
File Size : 47,8 Mb
Release : 2009
Category : Music
ISBN : 0754664511

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The Courtly Consort Suite in German-speaking Europe, 1650-1706 by Michael Robertson Pdf

Dance music at the courts of seventeenth-century Germany is a genre that is still largely unknown. Dr Michael Robertson sets out to redress the balance and study the ensemble dance suites that were played at the German courts between the end of the Thirty Years War and the early years of the eighteenth century. The book examines the dissemination of dance music, the influence of Jean-Baptiste Lully, instrumentation and performance practice, and the differences between the French and Italian styles. It also studies the courtly suites before the advent of Lullism and the differences between the suites of court composers and town musicians.

Baroque Music

Author : Peter Walls
Publisher : Routledge
Page : 588 pages
File Size : 53,7 Mb
Release : 2017-07-05
Category : History
ISBN : 9781351574723

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Baroque Music by Peter Walls Pdf

Research in the 20th and 21st centuries into historical performance practice has changed not just the way performers approach music of the 17th and 18th centuries but, eventually, the way audiences listen to it. This volume, beginning with a 1915 Saint-Sa lecture on the performance of old music, sets out to capture musicological discussion that has actually changed the way Baroque music can sound. The articles deal with historical instruments, pitch, tuning, temperament, the nexus between technique and style, vibrato, the performance implications of musical scores, and some of the vexed questions relating to rhythmic alteration. It closes with a section on the musicological challenges to the ideology of the early music movement mounted (principally) in the 1990s. Leading writers on historical performance practice are represented. Recognizing that significant developments in historically-inspired performance have been led by instrument makers and performers, the volume also contains representative essays by key practitioners.

The Archive of the Sing-Akademie zu Berlin. Catalogue

Author : Axel Fischer,Matthias Kornemann
Publisher : Walter de Gruyter
Page : 777 pages
File Size : 51,6 Mb
Release : 2009-12-22
Category : Music
ISBN : 9783598441745

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The Archive of the Sing-Akademie zu Berlin. Catalogue by Axel Fischer,Matthias Kornemann Pdf

With The Archive of the Sing-Akademie zu Berlin. Catalogue a complete catalogue of the music archive of the Sing-Akademie zu Berlin is now available for the first time since the archive, which disappeared during World War II, was rediscovered in 1999. (The whole work is complete in English and German). Since 2001 the more than 260,000 pages of music manuscripts, copies and first prints (from 17th to early 19th cent.) were revised by two musicologists which compiled an index of shelf marks and an index of composers. Thus detailed searches in the holdings of the archive (which were filmed since 2002 in severeal parts on microfiche at K. G. Saur) are possible for the first time. The Catalogue lists 9,735 works of 1.008 different composers. It provides also a concordance signature – microfiche and therefore serves as a cumulated guide to the microfiche editions, all the more the registers have been revised and improved. The unique collection is introduced by a number of articles by the following musicologists: Axel Fischer (Archive of the Sing-Akademie, Berlin), Christoph Henzel (Hochschule für Musik, Würzburg), Klaus Hortschansky (University of Münster), Matthias Kornemann (Archive of the Sing-Akademie, Berlin), Ulrich Leisinger (Mozarteum, Salzburg), Mary Oleskiewicz (University of Massachusetts Boston), Ralph-J. Reipsch (Zentrum für Telemann-Pflege und -Forschung, Magdeburg), Tobias Schwinger (Berlin).