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Author : Robert J. Hanlon,Kenneth Christie Publisher : University of Toronto Press Page : 288 pages File Size : 49,7 Mb Release : 2016-05-18 Category : Political Science ISBN : 9781442609600
Freedom from Fear, Freedom from Want by Robert J. Hanlon,Kenneth Christie Pdf
Adopting an interdisciplinary perspective, Freedom from Fear, Freedom from Want is a brief introduction to human security, conflict, and development. The book analyzes such key human security issues as climate change, crimes against humanity, humanitarian intervention, international law, poverty, terrorism, and transnational crime, among others. The authors encourage readers to critically assess emerging threats while evaluating potential mechanisms of deterrence such as conflict resolution, economic development, diplomacy, peacekeeping, international law, and restorative justice. Concise yet comprehensive, Freedom from Fear, Freedom from Want is an ideal text for human security courses.
Deftly combining intellectual, cultural, and political history, Freedom from Want sheds new light on the ways in which Americans reconceptualized the place of the consumer in society and the implications of these shifting attitudes for the philosophy ofliberalism and the role of government in safeguarding the material welfare of the people.
"Life, liberty and the pursuit of happiness" is a quote from the U.S. Constitution most Americans know by heart. The right to have a healthy peacetime life-- to be free from want, hunger, disease -- is one of the rights that defines happiness. Read why this right is important for young people today. Learn how societies around the world fare in providing freedom from want to all people. And discover ways to help deliver critical basic needs to others. Book features: Table of Contents; Glossary; Additional Resources including books, web sites, interactive sites, and source notes; Index; Photos and captions.
There is, literally, a world of difference between the statements "Everyone should have adequate food," and "Everyone has the right to adequate food." In George Kent's view, the lofty rhetoric of the first statement will not be fulfilled until we take the second statement seriously. Kent sees hunger as a deeply political problem. Too many people do not have adequate control over local resources and cannot create the circumstances that would allow them to do meaningful, productive work and provide for themselves. The human right to an adequate livelihood, including the human right to adequate food, needs to be implemented worldwide in a systematic way. Freedom from Want makes it clear that feeding people will not solve the problem of hunger, for feeding programs can only be a short-term treatment of a symptom, not a cure. The real solution lies in empowering the poor. Governments, in particular, must ensure that their people face enabling conditions that allow citizens to provide for themselves. In a wider sense, Kent brings an understanding of human rights as a universal system, applicable to all nations on a global scale. If, as Kent argues, everyone has a human right to adequate food, it follows that those who can empower the poor have a duty to see that right implemented, and the obligation to be held morally and legally accountable, for seeing that that right is realized for everyone, everywhere.
Author : Robert J. Hanlon,Kenneth Christie Publisher : University of Toronto Press Page : 289 pages File Size : 44,5 Mb Release : 2016-01-01 Category : Political Science ISBN : 9781442609570
A NEW YORK TIMES BOOK REVIEW NOTABLE BOOK OF THE YEAR A FINALIST FOR THE LOS ANGELES TIMES BOOK PRIZE IN BIOGRAPHY AND SHORTLISTED FOR THE PEN/JACQUELINE BOGRAD WELD AWARD FOR BIOGRAPHY "Welcome to Rockwell Land," writes Deborah Solomon in the introduction to this spirited and authoritative biography of the painter who provided twentieth-century America with a defining image of itself. As the star illustrator of The Saturday Evening Post for nearly half a century, Norman Rockwell mingled fact and fiction in paintings that reflected the we-the-people, communitarian ideals of American democracy. Freckled Boy Scouts and their mutts, sprightly grandmothers, a young man standing up to speak at a town hall meeting, a little black girl named Ruby Bridges walking into an all-white school—here was an America whose citizens seemed to believe in equality and gladness for all. Who was this man who served as our unofficial "artist in chief" and bolstered our country's national identity? Behind the folksy, pipe-smoking façade lay a surprisingly complex figure—a lonely painter who suffered from depression and was consumed by a sense of inadequacy. He wound up in treatment with the celebrated psychoanalyst Erik Erikson. In fact, Rockwell moved to Stockbridge, Massachusetts so that he and his wife could be near Austen Riggs, a leading psychiatric hospital. "What's interesting is how Rockwell's personal desire for inclusion and normalcy spoke to the national desire for inclusion and normalcy," writes Solomon. "His work mirrors his own temperament—his sense of humor, his fear of depths—and struck Americans as a truer version of themselves than the sallow, solemn, hard-bitten Puritans they knew from eighteenth-century portraits." Deborah Solomon, a biographer and art critic, draws on a wealth of unpublished letters and documents to explore the relationship between Rockwell's despairing personality and his genius for reflecting America's brightest hopes. "The thrill of his work," she writes, "is that he was able to use a commercial form [that of magazine illustration] to thrash out his private obsessions." In American Mirror, Solomon trains her perceptive eye not only on Rockwell and his art but on the development of visual journalism as it evolved from illustration in the 1920s to photography in the 1930s to television in the 1950s. She offers vivid cameos of the many famous Americans whom Rockwell counted as friends, including President Dwight Eisenhower, the folk artist Grandma Moses, the rock musician Al Kooper, and the generation of now-forgotten painters who ushered in the Golden Age of illustration, especially J. C. Leyendecker, the reclusive legend who created the Arrow Collar Man. Although derided by critics in his lifetime as a mere illustrator whose work could not compete with that of the Abstract Expressionists and other modern art movements, Rockwell has since attracted a passionate following in the art world. His faith in the power of storytelling puts his work in sync with the current art scene. American Mirror brilliantly explains why he deserves to be remembered as an American master of the first rank.
The Fight for the Four Freedoms by Harvey J. Kaye Pdf
An inspiring call to redeem the progressive legacy of the greatest generation, now under threat as never before. On January 6, 1941, the Greatest Generation gave voice to its founding principles, the Four Freedoms: Freedom from want and from fear. Freedom of speech and religion. In the name of the Four Freedoms they fought the Great Depression. In the name of the Four Freedoms they defeated the Axis powers. In the process they made the United States the richest and most powerful country on Earth. And, despite a powerful, reactionary opposition, the men and women of the Greatest Generation made America freer, more equal, and more democratic than ever before. Now, when all they fought for is under siege, we need to remember their full achievement, and, so armed, take up again the fight for the Four Freedoms.
Experience the uplifting power of art on this breathtaking visual tour of 2,500 paintings and sculptures created by more than 700 artists from Michelangelo to Damien Hirst. This beautiful book brings you the very best of world art from cave paintings to Neoexpressionism. Enjoy iconic must-see works, such as Leonardo da Vinci's Last Supper and Monet's Waterlilies and discover less familiar artists and genres from all parts of the globe. Art That Changed the World covers the full sweep of world art, including the Ming era in China, and Japanese, Hindu, and Indigenous Australian art. It analyses recurring themes such as love and religion, explaining key genres from Romanesque to Conceptual art. Art That Changed the World explores each artist's key works and vision, showing details of their technique, such as Leonardo's use of light and shade. It tells the story of avant-garde works like Manet's Le Dejeuner sur l'herbe (Lunch on the Grass), which scandalized society, and traces how one genre informed another - showing how the Impressionists were inspired by Gustave Courbet, for example, and how Van Gogh was influenced by Japanese prints. Lavishly illustrated throughout, look no further for your essential guide to the pantheon of world art.
In this book, George McGovern lays out a workable and affordable five-point program to end world hunger. And in the midst of this heated debate one compelling moral issue is clear--every major religion and ethical formulation commands its adherents to feed the hungry. We feed the hungry because it is right. McGoven contends that it will also be economically beneficial to all.
Designed to generate impulse sales, titles in this line are carefully balanced for gift giving, self-purchase, or collecting. Little Books may be small in size, but they're big in titles and sales.
"The specter of global war loomed large in President Franklin Roosevelt's mind as he prepared to present his 1941 State of the Union address. He believed the United States had a role to play in the battle against Nazi and fascist aggression already underway in Europe, yet his rallying cry to the nation was about more than just national security or why Americans should care about a fight still far overseas ... Roosevelt framed America's role in the conflict, and ultimately its role in forging the post-war world to come, as a fight for freedom. Four freedoms, to be exact: freedom of speech, freedom from want, freedom of religion, and freedom from fear"--
Since September 11, 2001, the Bush administration has relentlessly invoked the word "freedom." The United States can strike preemptively because "freedom is on the march." Social security should be privatized in order to protect individual freedoms. In the 2005 presidential inaugural speech, the words "freedom," "free," and "liberty" were used forty-nine times. "Freedom" is one of the most contested words in American political discourse, the keystone to the domestic and foreign policy battles that are racking this polarized nation. For many Democrats, it seems that President Bush's use of the word is meaningless and contradictory—deployed opportunistically to justify American military action abroad and the curtailing of civil liberties at home. But in Whose Freedom?, George Lakoff, an adviser to the Democratic party, shows that in fact the right has effected a devastatingly coherent and ideological redefinition of freedom. The conservative revolution has remade freedom in its own image and deployed it as a central weapon on the front lines of everything from the war on terror to the battles over religion in the classroom and abortion. In a deep and alarming analysis, Lakoff explains the mechanisms behind this hijacking of our most cherished political idea—and shows how progressives have not only failed to counter the right-wing attack on freedom but have failed to recognize its nature. Whose Freedom? argues forcefully what progressives must do to take back ground in this high-stakes war over the most central idea in American life.
The Hill Times: Best Books of 2016 A bold call for a Canadian foreign policy that advances the basic freedoms that enable peace, stability, development, and security. What ends should a democratic country’s foreign policy serve? Avoiding diplomatic disputes? Keeping allies happy? Promoting national and global security? While a qualified yes is the logical answer to all of these secondary questions, Two Freedoms argues for something more, something that reflects Canada’s commitment, at home and abroad, to the two key freedoms: freedom from want and freedom from fear. Two Freedoms examines the costs of allowing these freedoms to die or diminish and at how a country can design a foreign policy that makes the pursuit of these freedoms real and practical. To design a genuine foreign policy of purpose and substance, a country must look at what it would mean for its diplomats, its military, its development aid, and its relations with important multilateral organizations like the U.N. To achieve a goal, a foreign policy needs good strategy, tactics, and design. These key elements are all found in Two Freedoms.
