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Freeman - a Novella in Screenplay Form by Brian McDonald Pdf
Freeman, an original screenplay, is western about a former slave, living out West with his wife and child, building a new life. Accused of stealing, he is forced to become a fugitive. To evade the posse on his trail, he finds himself using the same tricks he used as a runaway slave. Problem is, Freeman's also being hunted by an expert tracker by the name of Cage who's a former profession? Slave-catcher. And he knows all the tricks. This taut page-turner is followed by the author's insightful notes on the screenplay's construction. This book will help authors navigate the maze that is story construction as well as teaching how to affect one's audience deeply.
The Middle Ages and the Movies by Robert Bartlett Pdf
From Ingmar Bergman’s The Seventh Seal to Monty Python, an investigation into how eight key films have shaped our understanding of the medieval world. In The Middle Ages and the Movies, eminent historian Robert Bartlett takes a fresh, cogent look at how our view of medieval history has been shaped by eight significant films of the twentieth century. The book ranges from the concoction of sex and nationalism in Mel Gibson’s Braveheart, to Fritz Lang’s silent epic Siegfried, the art-house classic The Seventh Seal, and the epic historical drama El Cid. Bartlett examines the historical accuracy of these films, as well as other salient aspects—how was Umberto Eco’s Name of the Rose translated from page to screen? Why is Monty Python and the Holy Grail funny? And how was Eisenstein’s Alexander Nevsky shaped by the Stalinist tyranny under which it was filmed?
When Adam Freedman - a straight, cis teen from Piedmont, California - goes to stay with his older sister, Casey, in Brooklyn, he fantasizes about a summer of freedom, new friends, and falling in love. He's in for a surprise. It's 2006, and Casey has thrown herself into NYC's lesbian and trans activist scene. Adam tags along, having fun in places he'd never have expected, but he's surrounded by lesbians, and it seems like the last thing he'll find is a girlfriend. That is, until he meets Gillian. Adam is soon hopelessly, desperately in love - only there's just one small problem. Gillian thinks he's a trans man
Literature and Film as Modern Mythology by William K. Ferrell Pdf
Novels and films record and codify the cultural experiences of their people. This book explores the relationship between contemporary literature and film of the past fifty years and the ancient myths of Judeo-Christian, Greek, Celtic, and Eastern origin. Following a detailed description and explanation of both literary and film devices, stories that inform to a mythic tradition are analyzed to identify what they reveal about modern culture. This work explores such diverse subjects as heroism, coming of age, and morality. This approach to literature and film explores how contemporary fiction and film fulfill a continuum in our never-ending search to understand how life ought to be lived. Encompassing a broad spectrum of modern film and fiction, a variety of authors and directors are represented. Included are novels from such writers as Stephen King, Alice Walker, Ken Kesey, Jerzy Kosinski, Robert Penn Warren, and Michael Ondaatje. Film directors include Stephen Spielberg, Hal Ashby, Phil Alden Robinson, George Stevens, Robert Rossen, and Milos Forman. As a valuable resource for film and literature classes alike, this work also provides suggestions for student projects.
The Erotic Thriller in Contemporary Cinema by Linda Ruth Williams Pdf
This bold and original book examines in detail a relatively new genre of film--the erotic thriller. Linda Ruth Williams traces the genre's exploitation of pornography and noir, discusses mainstream stars (including Michael Douglas and Sharon Stone) as well as genre-branded direct-to-video stars, charts the work of key producers and directors, and considers home videos as a distinct form of viewing pleasure. She maps the history of the genre, analyzing hundreds of movies from blockbusters such as Basic Instinct, Fatal Attraction, and In the Cut to straight-to-video film titles such as Carnal Crimes, Sins of Desire, and Night Eyes. Williams's witty and illuminating readings tell the story of this sensational genre and contribute to the analysis of mainstream screen sex--and its censorship--at the beginning of the 21st century. She shows that as the erotic thriller plays out the sexual fantasies of contemporary America, it also provides a vehicle for marketing those fantasies globally.
THE INSTANT NATIONAL BESTSELLER “One of the more surprising double-reverse plot twists...in some time.” —The New York Times In this “propulsive, page-turning, compelling, fragmentation grenade of a debut thriller” (C.J. Box, #1 New York Times bestselling author), a deadly plot against the president’s life emerges from the shadows of the Deep State. Recently elected President Richard Monroe—populist, controversial, and divisive—is at the center of an increasingly polarized Washington, DC. Never has the partisan drama been so tense or the paranoia so rampant. In the midst of contentious political turf wars, the White House chief of staff is found dead in his house and West Wing intern and ex-Army grunt Hayley Chill is positive that it’s not from natural causes. Determined to find the truth, Hayley uncovers shocking evidence that a wide-ranging conspiracy is running beneath the surface of DC in an effort to undermine the rule of law—and democracy itself. Soon, Hayley is in a race against time to reveal the truth and save the life of the next victim: the president. “Deep State rings eerily true [and] will keep you turning pages well into the night” (Jack Carr, former Navy SEAL and author of The Terminal List).
The Golden Theme is the study of writing's essential commonality-the question of what makes writing and storytelling vital to human nature-by award-winning writer/director/producer Brian McDonald.
Imaginative Resistance, Queer Fiction and the Law by Aleardo Zanghellini Pdf
Imaginative Resistance, Queer Fiction and the Law develops a novel account of how heteronormative sociolegal orders undermine the well-being of same-sex attracted people, even when these normative orders may fall short of coercively interfering with their choices. Queer well-being is generally studied from psychological perspectives, through the concept of ‘minority stress.’ Taking four texts of mid-century Anglo-American queer fiction as illustrative case studies, this book argues – in a philosophical rather than a psychological register – that heteronormativity also affects queer well-being in more intangible ways. The central claim is that heteronormativity shackles the imagination: it curtails no less the imaginative reach of authors of queer fiction, than our ability – engaged as we are in projects of self-authorship – to make-believe personal futures in which same-sex intimacy is brought to bear on our well-being. The book’s central claim re-works a concept central to the philosophy of fiction – ‘imaginative resistance’ – and puts it into service of questions raised in moral philosophy. Apart from its political and normative implications – strengthening the case for at least some global gay rights – and from challenging some of queer theory’s orthodoxies, the book also makes contributions to queer literary history, criticism and biography. Drawing on archival material and personal interviews, fresh readings are offered of Charles Jackson’s The Fall of Valor (1946), Gillian Freeman’s The Leather Boys (1961), and Patricia Highsmith’s The Price of Salt (1952) and The Talented Mr Ripley (1955), making a case for their inclusion in the queer literary canon. Imaginative Resistance, Queer Fiction and the Law will appeal to students of literary criticism, queer sociolegal history, law & literature, the philosophy of fiction, and queer theory, politics and ethics.
The future: a dying Earth has been abandoned, the poor and weak left behind. While Earth's elite survivors colonized Mars, its outcasts--the miscreants, criminals, fringe-dwellers, crackpot scientists, and sociopaths--fled inward, to Venus ("a place fit for scumbags"). Three generations later, the denizens of Venus, strengthened by hardship forged in brutality and hellish conditions, are thriving. Attracted by the successful launch of Venus's second floating "cloud city," the corporate fascists of the Mars Council launch an insurgency for control of Venus... but Braxton, the third generation leader of this colony of outlaws, will fight to save his family dynasty. Previously published in Dark Horse Presents, this is the collection--and continuation--of Ken Pisani and Arturo Lauria's highly praised sci-fi drama Colonus. "COLONUS quenches its audience's thirst for intelligent science fiction via a cocktail of killer art, grounded characters, and unique world building--finished off with a splash of subversion." -Nicole Perlman, Guardians of the Galaxy screenwriter "Loved it! COLONUS is another fresh take on what the future holds for mankind. This is the kind of sci-fi I live for." --Jimmy Palmiotti, Harley Quinn, Painkiller Jane "A hell of a story with echoes of Arthur C. Clarke and Greek tragedy, one that gives us an image of our own times." --Denny O'Neil, Batman, Green Lantern/Green Arrow "Big, expansive, filled with a rich curiosity of distant worlds and people, all of which become vehicles for examining humanity in its barest form." --Michael Moreci, Hoax Hunters, Roche Limit "Bada bing! A mob war in space! Bad ass and righteous--even Tony's crew would not f*ck with these guys!" --Joe Gannascoli, The Sopranos "Total Recall on steroids. If Frank Miller and Mike Mignola had a love child, his name would be Arturo Lauria. I'm drooling for the next chapter." --Monkeys Fighting Robots "5 out of 5 stars! Pisani creates a world that is so immediately believable that it's almost too scary to read. And speaking of horrific, Lauria's artwork is amazing and terrifying and compelling all in one." --comicbooked.com "High concept...but also effortless. FANTASTIC premise, an incredible, brilliant allegory on the growth of nations into power. Arturo Lauria's artwork is striking a bold." --The Beat: Comics Culture "A great balance of sci-fi, a touch of horror, and a perfect dash of quirk. Gritty...with just the right amount of deadpan humor mixed in." --Comics Grinder "Arturo Lauria has created a future full of hard edges, sharp angles, and hard contrast. It's strange, but...beautiful (granted, in a dark, terrifying way)." --All Geek to Me "Fun, smart sci-fi with a striking visual style. We need more sci-fi like COLONUS in comics!" -Fred Van Lente, X-Men Noir, Spider-man, Archer & Armstrong "An intergalactic good time." -expertcomics.com
Dana Andrews, arguably the finest minimalist actor of his generation, as one critic commented, could convey more with one look than many actors could with a soliloquy. In a film career spanning nearly five decades, Andrews appeared in some of Hollywood's most prestigious productions, including The Ox-Bow Incident (1943) and The Best Years of Our Lives (1946). His unique screen presence was shown at its best in such film noir classics as Laura (1944) and Where the Sidewalk Ends (1950). Beginning with an absorbing biographical chapter, this critical survey of Dana Andrews' screen career features a complete filmography with synopses, reviews, behind-the-scenes anecdotes and insightful comments from Andrews and his coworkers. A chronological list of television, radio and theater credits is included.
Invisible Ink is a helpful, accessible guide to the essential elements of the best storytelling by award-winning writer/director/producer Brian McDonald. Readers learn techniques for building a compelling story around a theme, engaging audiences with writing, creating appealing characters, and much more.
Stephen King's fiction has formed the basis of more motion picture adaptations than any other living author. Over half a century since his earliest publications, Hollywood filmmakers continue to reinvent, reimagine, remake, and reboot King's stories, with mixed results. This book, volume 1 in a series, examines the various screen adaptations of King's first three novels: Carrie, Salem's Lot, and The Shining. Reaching further than questions of fidelity to the author and adherence to directorial visions, it charts the development of each individual adaptation from first option to final cut. Through old and new interviews with the writers, producers, and directors of these films--as well as in-depth analyses of produced and unproduced screenplays--it illuminates the adaptation process as an intricately collaborative endeavor. Rather than merely synopsize the resulting stories, its goal is to compare, contrast, and contextualize each of these adaptations as the products of their creators.
