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From 1973 to 1987, Fright Night was a fixture of the late Saturday evening schedule on independent New York television station WOR-TV. A genre fan's nightmare come true, the modestly produced showcase featured horror films both classic and obscure, from Universal's Frankenstein series to such lesser-known delights as Beast of Blood and The Living Coffin. Fright Night suffered no delusions of grandeur and never claimed to be anything more than what it was: great entertainment on a Saturday night. This thorough if affectionate tribute to Fright Night's glory days includes a complete listing of all films shown on the series, as well as discussion of WOR-TV's other horror movie programs from the 1970s and 1980s. Also featured are interviews with the major surviving players, including Fright Night creator Lawrence P. Casey.
In October 1957, Screen Gems made numerous horror movies available to local television stations around the country as part of a package of films called Shock Theater. These movies became a huge sensation with TV viewers, as did the horror hosts who introduced the films and offered insight--often humorous--into the plots, the actors, and the directors. This history of hosted horror walks readers through the best TV horror films, beginning with the 1930s black-and-white classics from Universal Studios and ending with the grislier color films of the early 1970s. It also covers and explores the horror hosts who presented them, some of whom faded into obscurity while others became iconic within the genre.
From the horrific to the heroic, cinematic werewolves are metaphors for our savage nature, symbolizing the secret, bestial side of humanity that hides beneath our civilized veneer. Examining acknowledged classics like The Wolf Man (1941) and The Howling (1981), as well as overlooked gems like Dog Soldiers (2011), this comprehensive filmography covers the highs and lows of the genre. Information is provided on production, cast and filmmakers, along with critical discussion of the tropes and underlying themes that make the werewolf a terrifying but fascinating figure.
The author was born in the South Bronx in 1970, a time when chaos and despair wreaked havoc on the community, in a place where crime ruled the streets, where hope and poverty lived on the same side of the block. A young mother decided to take her baby boy and ran. She packed up and moved to a better place, a town called Springfield. It was a new home, where the butterflies hummed and the hummingbirds chirped to a new melody. The young boy lived his younger years in a state of bliss, that is until the dark clouds rolled in. The family fell on hard times. The author's biggest worries were where was the next meal coming from or how to stay warm in a frigid apartment. Times were tough, but the young boy kept his resolve and was undeterred by all the misery around him. He found a better place, a place inside himself. Even though everything around him was falling apart--including his family life, school, and friendships--he never faltered and kept his chin up. When you hit rock bottom, there is only one way to go: up. Like the saying goes, "Seven times down, eight times up." Throughout the years, the author was able to overcome great adversity and make a better life for himself. He has owned and operated several martial arts schools in the New York City area. The author also founded the Kids of New York, an organization which holds free events for city youth including breaking (breakdance) and martial arts. Hope is what gives us direction. Passion is the wings beneath are feet. Anything is possible despite the obstacles we may face. Just keep moving forward, and you will surely reach a better place. Karate, Anthony.
American International Pictures was in many ways the "missing link" between big-budget Hollywood studios, "poverty-row" B-movie factories and low-rent exploitation movie distributors. AIP first targeted teen audiences with science fiction, horror and fantasy, but soon grew to encompass many genres and demographics--at times, it was indistinguishable from many of the "major" studios. From Abby to Zontar, this filmography lists more than 800 feature films, television series and TV specials by AIP and its partners and subsidiaries. Special attention is given to American International Television (the TV arm of AIP) and an appendix lists the complete AITV catalog. The author also discusses films produced by founders James H. Nicholson and Samuel Z. Arkoff after they left the company.
The 1990s produced some of the greatest artists and hits in dance music history. And the decade was among the genre's most successful in terms of energy, sales and global popularity. In this retrospective, 29 singers, songwriters, producers, DJs and industry professionals who enjoyed stardom on the club circuit and on pop radio candidly discuss their careers. Interviewed artists include Richard and Fred Fairbrass of Right Said Fred ("I'm Too Sexy"), Nicki French ("Total Eclipse of the Heart"), Haddaway ("What Is Love"), Lane McCray of La Bouche ("Be My Lover"), Martha Wash, vocalist of C+C Music Factory ("Gonna Make You Sweat [Everybody Dance Now]"), Robin S ("Show Me Love"), Frank Peterson, formerly of Enigma ("Sadeness, Part I"), CeCe Peniston ("Finally"), Dr. Alban ("It's My Life"), Thea Austin, formerly of Snap! ("Rhythm Is a Dancer") and many more. Commentaries are provided by former Billboard dance music editor Larry Flick, renowned producers/songwriters The Berman Brothers (Real McCoy's "Another Night") and acclaimed DJ Susan Morabito.
Stars of 21st Century Dance Pop and EDM by James Arena Pdf
Dance music has seen an unprecedented explosion in the 21st century as a stampede of subgenres, such as dance pop and EDM (electronic dance music), have come to define the pop music scene worldwide. In this collection of original interviews, 33 hitmakers from 11 countries discuss their lives and careers in this still-unfolding new age--including Alcazar's Andreas Lundstedt, Dave Aude, Bart & Baker, Bimbo Jones, Chris Cox, Darude, Inaya Day, Deepend, Freemasons, D.O.N.S./Warp Brothers' Oliver Goedicke, Xenia Ghali, Gryffin, Harrison, In-Grid, Kimberley Locke, Paul Oakenfold, Suzanne Palmer, Ralphi Rosario, Sak Noel, Richard Vission and more. Special commentary provided by Moto Blanco's Danny Harrison and clubland queen Martha Wash.
Europe's Stars of '80s Dance Pop by James Arena Pdf
Beginning early in the 1980s, a dance music revolution swept across Europe and Britain, merging rock, new wave, disco and worldbeat sounds. The resulting explosion of high-energy, increasingly electronic dance-pop caused a sensation worldwide. In this book of original interviews, 32 of the era's most celebrated artists, producers and industry professionals discuss their lives and careers: Thomas Anders (Modern Talking's "You're My Heart, You're My Soul"), Pete Burns (Dead or Alive's "You Spin Me Round (Like a Record)"), Desireless ("Voyage Voyage"), Phil Harding (PWL Mixmaster), Junior ("Mama Used to Say"), Leee John (Imagination's "Just an Illusion"), Liz Mitchell (Boney M.'s 1988 "Megamix"), Fab Morvan (Milli Vanilli's "Girl You Know It's True"), Taco ("Putting On the Ritz"), Jennifer Rush ("The Power of Love"), Sabrina ("Boys"), Spagna ("Call Me"), Amii Stewart ("Knock on Wood"), Yazz ("The Only Way Is Up") and many more. Includes special commentary by Academy Award winner Mel Brooks and Audrey Landers, star of Dallas.
Vampira and Her Daughters by Robert Michael “Bobb” Cotter Pdf
From Vampira to Elvira, Mistress of the Dark, female horror movie hosts have long been a staple of late-night television. Broadcast on local stations and cable access channels, characters such as Moona Lisa, Stella, Crematia Mortem and Tarantula Ghoul brought an entertaining blend of macabre camp and after-prime-time sexuality to American living rooms in the 1950s through 1990s. Despite a near total lack of local programming today, the tradition continues on the Internet and Roku and other modern media. Featuring exclusive interviews and rare photographs, this book covers dozens of “dream ghouls” with alphabetical entries, from Aunt Gertie to Veronique Von Venom.
This whip-smart piece of pop culture details the life of the cult horror figure, as well as the much wider story of 1950s America, its treatment of women and sex, and a fascinating swath of Hollywood history. In Vampira, Poole gives us the eclectic life of the dancer, stripper, actress, and artist Maila Nurmi, who would reinvent herself as Vampira during the backdrop of 1950s America, an era of both chilling conformity and the nascent rumblings of the countercultural response that led from the Beats and free jazz to the stirring of the LGBT movement and the hardcore punk scene in the bohemian enclave along Melrose Avenue. A veteran of the New York stage and late nights at Hollywood's hipster hangouts, Nurmi would eventually be linked to Elvis, Orson Welles, and James Dean, as well as stylist and photographer Rudi Gernreich, founder of the Mattachine Society and designer of the thong. Thanks to rumors of a romance between Vampira and James Dean, his tragic death inspired the circulation of stories that she had cursed him and, better yet, had access to his dead body for use in her dark arts. In Poole's expert hands, Vampira is more than the story of a highly creative artist continually reinventing herself, but a parable of the runaway housewife bursting the bounds of our straight-laced conventions with an exuberant display of camp, sex, and creative individuality that owed something to the morbid New Yorker cartoons of Charles Addams, the evil queen from Disney's Snow White, and the popular, underground bondage magazine Bizarre, and forward to the staged excesses of Madonna and Lady Gaga. Vampira is a wildly compelling tour through a forgotten piece of pop cultural history, one with both cultish and literary merit, sure to capture the imagination of Vampira fans new and old.
In this candid retrospective of the disco era, 40 men and women who reigned over the dance music industry of the 1970s and 1980s recall their lives and careers before, during and after the genre’s explosion. Artists interviewed include Alfa Anderson, formerly of Chic (“Good Times”); Ed Cermanski and Robert Upchurch of The Trammps (“Disco Inferno”); Sarah Dash (“Sinner Man”); producer John Davis (“Ain’t That Enough for You”); Janice Marie Johnson of A Taste of Honey (“Boogie Oogie Oogie”); France Joli (“Come to Me”); Denis LePage of Lime (“Babe, We’re Gonna Love Tonite”); Randy Jones of the Village People (“Y.M.C.A.”); Rob Parissi of Wild Cherry (“Play That Funky Music”); producer Warren Schatz (“Turn the Beat Around”); Debbie, Joni and Kim Sledge of Sister Sledge (“We Are Family”); and many more.
From December 1957 through October 1959, Chicago TV viewers were held in thrall by "Marvin," the ghoulishly hilarious host of WBKB-TV's late-night horror film series Shock Theatre. Marvin and his lady friend "Dear" (her face ever hidden from the camera) introduced thousands of Chicagoland youngsters to such classic Universal chillers as Frankenstein, Dracula and The Wolf Man. This history of Shock Theatre focuses on the series and its creator, Marvin himself--in real life, the multi-talented Terry Bennett, whose wife Joy played "Dear." Terry's son Kerry Bennett provides an affectionate foreword, while celebrated horror host Count Gore De Vol (Dick Dyszel) supplies the afterword. Included are dozens of photos and vintage advertisement reproductions, as well as two appendices featuring a resume of Terry Bennett's career and a list of films telecast during his two-year Shock Theatre run.
The woman behind the icon known as Elvira, Mistress of the Dark, the undisputed Queen of Halloween, reveals her full story filled with intimate bombshells—told by the bombshell herself. On Good Friday in 1953, at only 18 months old, 25 miles from the nearest hospital in Manhattan, Kansas, Cassandra Peterson reached for a pot on the stove and doused herself in boiling water. Third-degree burns covered 35% of her body, and the prognosis wasn't good. But she survived. Burned and scarred, the impact stayed with her and became an obstacle she was determined to overcome. Feeling like a misfit led to her love of horror. While her sisters played with Barbie dolls, Cassandra built model kits of Frankenstein and Dracula, and idolized Vincent Price. Due to a complicated relationship with her mother, Cassandra left home at 14, and by age 17 she was performing at the famed Dunes Hotel in Las Vegas. Run-ins with the likes of Frank Sinatra, Sammy Davis Jr., and Tom Jones helped her grow up fast. Then a chance encounter with her idol Elvis Presley, changed the course of her life forever, and led her to Europe where she worked in film and traveled Italy as lead singer of an Italian pop band. She eventually made her way to Los Angeles, where she joined the famed comedy improv group, The Groundlings, and worked alongside Phil Hartman and Paul "Pee-wee" Reubens, honing her comedic skills. Nearing age 30, a struggling actress considered past her prime, she auditioned at local LA channel KHJ as hostess for the late night vintage horror movies. Cassandra improvised, made the role her own, and got the job on the spot. Yours Cruelly, Elvira is an unforgettably wild memoir. Cassandra doesn't shy away from revealing exactly who she is and how she overcame seemingly insurmountable odds. Always original and sometimes outrageous, her story is loaded with twists, travails, revelry, and downright shocking experiences. It is the candid, often funny, and sometimes heart-breaking tale of a Midwest farm girl's long strange trip to become the world's sexiest, sassiest Halloween icon. Instant New York Times Bestseller, Los Angeles Times Bestseller, USA Today Bestseller, Publishers Weekly Bestseller A New York Times Best Books to Give This Season selection
Police Officer Garreth Mikaelian investigates a very peculiar murder which brings him face to face with Lane Barber, a vampire. Now a vampire too, How can he keep is humanity and bring Barber to justice?