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100 Essential Indian Films by Rohit K. Dasgupta,Sangeeta Datta Pdf
This book offers a comprehensive view of the 100 most significant films ever produced in Bollywood. Each entry includes cast and crew information, language, date of release, a short description of the film’s plot, and most significantly, the importance of the film in the Indian canon.
From Aan to Lagaan and Beyond by K. Moti Gokulsing,Wimal Dissanayake Pdf
This guide to studying Indian film covers the vast range of cinemas of India, including the rise of Bollywood, and presents key theoretical approaches. It examines the filmmaking process, showing how an Indian movie is made, explaining the technology entailed, and discussing all major issues.
An alternative introduction to cinema, focusing on the stories of 50 key films that consciously questioned the boundaries, challenged the status quo and made shockwaves we are still feeling today.
Rituparno Ghosh by Sangeeta Datta,Kaustav Bakshi,Rohit K. Dasgupta Pdf
An iconic filmmaker and inheritor of the legendary Satyajit Ray’s legacy, Rituparno Ghosh was one of the finest auteurs to emerge out of contemporary Bengal. His films, though rooted firmly in middle-class values, desires and aspirations, are highly critical of hetero-patriarchal power structures. From the very outset, Ghosh displayed a strong feminist sensibility which later evolved into radical queer politics. This volume analyses his films, his craft, his stardom and his contribution to sexual identity politics. In this first scholarly study undertaken on Rituparno Ghosh, the essays discuss the cultural import of his work within the dynamics of a rapidly evolving film industry in Bengal and more largely the cinematic landscape of India. The anthology also contains a conversation section (interviews with the filmmaker and with industry cast and crew) drawing a critical and personal portrait of this remarkable filmmaker.
Directory of World Cinema: India by Adam Bingham Pdf
Indian cinema teems with a multitude of different voices. The Directory of World Cinema: India provides a broad overview of this rich variety, highlighting distinctions among India’s major cinematic genres and movements while illuminating the field as a whole. This volume’s contributors – many of them leading experts in the fields – approach film in India from a variety of angles, furnishing in-depth essays on significant directors and major regions; detailed historical accounts; considerations of the many faces of India represented in Indian cinema; and explorations of films made in and about India by European directors including Jean Renoir, Peter Brook, and Powell and Pressburger. Taken together, these multifaceted contributions show how India’s varied local film industries throw into question the very concept of a national cinema. The resulting volume will provide a comprehensive introduction for newcomers to Indian cinema while offering a fresh perspective sure to interest seasonal students and scholars.
Masculinity and Its Challenges in India by Rohit K. Dasgupta,K. Moti Gokulsing Pdf
This volume of new interdisciplinary essays provides insights into the emerging field of masculinities and the challenges it poses to the Indian male. Masculinities research has evolved considerably and demonstrates that men are not an homogenous group but are instead diverse--there are many "masculinities." Manliness can no longer be studied from just a North American or European perspective but from those of every part of the world. Covering an array of topics such as the construction of identity and the negotiation of power and sexuality, these essays aim to show how masculinities are experienced and embodied within India.
Queering Visual Cultures by Subashish Bhattacharjee Pdf
The contemporary popular cultural space has leveraged the queer in the same format of representation as its presentation in the 1990s. Although the queer is portrayed in a less perverse light than a decade ago, popular cultural representations of the queer in the visual culture genres are still on the level of the banal. While popular culture has become more encouraging towards the queer, the broader cultural opinion about the queer has been progressively more skeptical, compromised by the idea that the queer is encroaching on spaces reserved exclusively for heteronormative recreation. The essays in this volume look closely at how the queer is portrayed across media and throughout the world.
In this unique study of the star, Sunny Singh examines Amitabh Bachchan's film performances and his star persona, locating them in the context of cultural phenomena and global branding, and explores the reasons behind the longevity of his stardom. This illuminating analysis assesses the full range of Bachchan's work, personality and influence - political, social, economic and technological. With in-depth analyses of key films and their wide-ranging social contexts, Singh offers a provocative and in-depth study of the superstar, his extensive career to date as well as the nature of Indian, Asian, and global stardom. An ideal resource for undergraduate and postgraduate students of film and television studies, this fascinating guide will also appeal to film lovers and anyone interested in this famed actor's transnational career.
Identity conflicts, a prominent feature of our times, a phenomenon of belonging somewhere yet belonging nowhere, are increasingly finding their way into cinema. This book looks at the representations of identity conflicts in India on the canvas of Indian cinema, connecting them with broader socio-political developments in contemporary India. Starting with the historical background of how political developments in Europe like the emergence of Nation states, secularism, modernity influenced socio-political developments in India in the past century, the book looks at how those developments have shaped modern India. While looking at the cinematic representations of a variety of identity conflicts through the lens of cultural and political analysis, it provides insights into how the construct of an Identity and the inherent conflicts associated with it evolve and manifest themselves through the medium of a film.
Routledge Handbook of Indian Cinemas by K. Moti Gokulsing,Wimal Dissanayake Pdf
India is the largest film producing country in the world and its output has a global reach. After years of marginalisation by academics in the Western world, Indian cinemas have moved from the periphery to the centre of the world cinema in a comparatively short space of time. Bringing together contributions from leading scholars in the field, this Handbook looks at the complex reasons for this remarkable journey. Combining a historical and thematic approach, the Handbook discusses how Indian cinemas need to be understood in their historical unfolding as well as their complex relationships to social, economic, cultural, political, ideological, aesthetic, technical and institutional discourses. The thematic section provides an up-to-date critical narrative on diverse topics such as audience, censorship, film distribution, film industry, diaspora, sexuality, film music and nationalism. The Handbook provides a comprehensive and cutting edge survey of Indian cinemas, discussing Popular, Parallel/New Wave and Regional cinemas as well as the spectacular rise of Bollywood. It is an invaluable resource for students and academics of South Asian Studies, Film Studies and Cultural Studies.
Postcolonial Screen Adaptation and the British Novel by Vivian Y. Kao Pdf
This book brings film adaptation of literature to bear on the question of how nineteenth-century imperial ideologies of progress continue to inform power inequalities in a global capitalist age. Not simply the promotion of general betterment for all, improvement in the British colonial context licensed a superior “master race” to “uplift” its colonized populations—morally, socially, and economically. This book argues that, on the one hand, film adaptations of nineteenth-century novels reveal the arrogance and coercive intentions that underpin contemporary notions of development, humanitarianism, and modernity—improvement’s post-Victorian guises. On the other hand, the book also argues that the films use their nineteenth-century source texts to criticize these same legacies of imperialism. By bringing together film adaptation, postcolonial theory, and literary studies, the book demonstrates that adaptation, as both method and cultural product, provides a way to engage with the baggage of ideological heritage in our contemporary global media environment.
Styling South Asian Youth Cultures by Lipi Begum,Rohit K. Dasgupta,Reina Lewis Pdf
For South Asia, fashion and consumption have come to play an increasingly important role in the lives of young people and in the formation of youth cultures. Afghanistan, Bangladesh, Bhutan, India, Maldives, Nepal, Pakistan and Sri Lanka have all, in related and distinctive ways, been producing confident young fashion consumers, who are proving to be an important market for fashion.This book explores South Asian youth cultures and fashion across the countries of this region and their diasporas from a transnational perspective. Through visual and textual analysis of film, photography and digital cultures, as well as ethnographic fieldwork, the expert contributors look at how gender, sexuality, class, the media and faith intersect with and style youth cultures. By establishing the heterogeneous nature of South Asia and its youth cultures, they also dismantle grand western narratives that tend to understand the region's diverse cultural modernity through the lens of homogeneity.
Mapping Queer Space(s) of Praxis and Pedagogy by Elizabeth McNeil,James E. Wermers,Joshua O. Lunn Pdf
This book explores intersections of theory and practice to engage queer theory and education as it happens both in and beyond the university. Furthering work on queer pedagogy, this volume brings together educators and activists who explore how we see, write, read, experience, and, especially, teach through the fluid space of queerness. The editors and contributors are interested in how queer-identified and -influenced people create ideas, works, classrooms, and other spaces that vivify relational and (eco)systems thinking, thus challenging accepted hierarchies, binaries, and hegemonies that have long dominated pedagogy and praxis.
Digital Queer Cultures in India by Rohit K. Dasgupta Pdf
Sexuality in India offers an expression of nationalist anxieties and is a significant marker of modernity through which subjectivities are formed among the middle class. This book investigates the everyday experience of queer Indian men on digital spaces. It explores how queer identities are formed in virtual spaces and how the existence of such spaces challenge and critique ‘Indian’-ness. It also looks at the role of class and intimacy within the discourse. This work argues that new media, social networking sites (SNSs), both web and mobile, and related technologies do not exist in isolation; rather they are critically embedded within other social spaces. Similarly, online queer spaces exist parallel to and in conjunction with the larger queer movement in the country. This book will be of great interest to scholars and researchers of gender studies, especially men's and masculinity studies, queer and LGBT studies, media and cultural studies, particularly new media and digital culture, sexuality and identity, politics, sociology and social anthropology, and South Asian studies.
Chromatic Cinema Color permeates film and its history, but study of its contribution to film has so far been fragmentary. Chromatic Cinema provides the first wide-ranging historical overview of screen color, exploring the changing uses and meanings of color in moving images, from hand painting in early skirt dance films to current trends in digital color manipulation. In this richly illustrated study, Richard Misek offers both a history and a theory of screen color. He argues that cinematic color emerged from, defined itself in response to, and has evolved in symbiosis with black and white. Exploring the technological, cultural, economic, and artistic factors that have defined this evolving symbiosis, Misek provides an in-depth yet accessible account of color’s spread through, and ultimate effacement of, black-and-white cinema.
