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Author : Gino Severini
Publisher : Unknown
Page : 218 pages
File Size : 55,5 Mb
Release : 2001
Category : Art and science
ISBN : 1903427053
Author : David Cottington
Publisher : Manchester University Press
Page : 350 pages
File Size : 52,8 Mb
Release : 2004
Category : Art
ISBN : 0719050049
Cubism was the most influential artistic movement of the 20th century, yet just what cubism was, or stood for, is still in dispute. This book offers a way beyond this confusion through a narrative of cubism's beginnings, consolidation and dissemination.
Author : Olivier Berggruen,Pablo Picasso,Anunciata von Liechtenstein
Publisher : Skira Editore
Page : 256 pages
File Size : 44,9 Mb
Release : 2018-02-13
Category : Art, Modern
ISBN : 8857236935
One hundred years later, this book evokes Picasso_s journey to Rome and Naples with Jean Cocteau, Igor Stravinsky and the company of Sergei Djagilev_s Ballet Russes . lt was during this trip that he met and fell in love with the company_s leading dancer, Olga Khokhlova, who would become his first wife. In addition to the few extraordinary weeks spent in ltaly, which were pivotal in the development of Picasso_s art during the post-war years, the monograph also examines his production immediately after this ltalian experience, with particular reference to the ballets Parade and Pulcinella , as well as those paintings indebted to the iconographic and cultural world that these two works had introduced him to. The book focuses on Picasso_s ability to experiment in different genres, from still-life to portraiture, from the playful and decorative collages executed during the Great War, to the sophisticated realism of the years of his association with Djagilev. It also documents the long-term impact of his ltalian journey on Picasso_s art, which necessarily involves the study of some of the works of Classical inspiration executed in later years. With over 100 works including iconic paintings, drawings and photographs, the book shows masterpieces and key works of this period of Picasso_s production (1915-1925), with the aim of pointing out hidden links, temporary resurfocings or originai pre existence of Classical elements throughout the artist_s career.
Author : Emily Braun,Rebecca A. Rabinow
Publisher : Metropolitan Museum of Art
Page : 394 pages
File Size : 54,7 Mb
Release : 2014-10-09
Category : Art
ISBN : 9780300208078
This beautifully illustrated volume tells the story of Cubism through twenty-two essays that explore the most significant private holding of Cubist art in the world today, the Leonard A. Lauder Collection, now a promised gift to The Metropolitan Museum of Art. The eighty works featured in this volume—by Georges Braque, Juan Gris, Fernand Léger, and Pablo Picasso‐are among the most important and visually arresting in the movement’s history. These masterpieces, critical to the development of Cubism, include such groundbreaking paintings as Braque’s Trees at L’Estaque, considered one of the very first Cubist pictures; Picasso’s Still Life with Fan: “L’Indépendant,” one of the first to introduce typography; Gris’s noirish, uncanny The Man at the Café, one of his most celebrated collages; and Léger’s uniquely ambitious Composition (The Typographer). Written by renowned experts on this subject, the essays trace the evolution of Cubism from its origins in the still lifes, portraits, and collages of Braque and Picasso through the precisely delineated compositions by Gris that prefigure the Synthetic Cubism of the war years to Léger’s distinctive intersections of spherical, cylindrical, and cubic forms that evoke the syncopated rhythms of modern life. Also included are a fascinating interview in which Leonard Lauder discusses his approach to collecting, an investigative essay on the information gleaned from the backs of the works themselves, and an authoritative catalogue that further establishes the lives of these magnificent objects. A publication to place alongside the great histories of Modernism, this comprehensive book will stand as the resource for understanding Cubism for many years to come. -
Author : Günter Berghaus,Monica Jansen,Luca Somigli
Publisher : Walter de Gruyter GmbH & Co KG
Page : 547 pages
File Size : 46,5 Mb
Release : 2022-01-19
Category : Literary Criticism
ISBN : 9783110752489
This volume explores the fraught relationship between Futurism and the Sacred. Like many fin-de-siècle intellectuals, the Futurists were fascinated by various forms of esotericism such as theosophy and spiritualism and saw art as a privileged means to access states of being beyond the surface of the mundane world. At the same time, they viewed with suspicion organized religions as social institutions hindering modernization and ironically used their symbols. In Italy, the theorization of "Futurist Sacred Art" in the 1930s began a new period of dialogue between Futurism and the Catholic Church. The essays in the volume span the history of Futurism from 1909 to 1944 and consider its different configurations across different disciplines and geographical locations, from Polish and Spanish literature to Italian art and American music.
Author : Peter Nicholls
Publisher : Bloomsbury Publishing
Page : 424 pages
File Size : 45,6 Mb
Release : 2017-10-07
Category : Literary Criticism
ISBN : 9781137114921
Peter Nicholls provides original analytic accounts of the main Modernist movements. Close readings of key texts monitor the histories of Futurism, Expressionism, Cubism, Dadaism and Surrealism. This new edition includes discussion of the recent research trends, examination of developments in the US, and a new chapter on African-American Modernisms.
Author : Giovanni Casini
Publisher : Penn State Press
Page : 348 pages
File Size : 40,9 Mb
Release : 2023-06-19
Category : Electronic
ISBN : 9780271096018
Author : Karl Ruhrberg,Klaus Honnef,Manfred Schneckenburger,Christiane Fricke
Publisher : Taschen
Page : 850 pages
File Size : 47,5 Mb
Release : 2000
Category : Performing Arts
ISBN : 3822859079
The original edition of this ambitious reference was published in hardcover in 1998, in two oversize volumes (10x13"). This edition combines the two volumes into one; it's paperbound ("flexi-cover"--the paper has a plastic coating), smaller (8x10", and affordable for art book buyers with shallower pockets--none of whom should pass it by. The scope is encyclopedic: half the work (originally the first volume) is devoted to painting; the other half to sculpture, new media, and photography. Chapters are arranged thematically, and each page displays several examples (in color) of work under discussion. The final section, a lexicon of artists, includes a small bandw photo of each artist, as well as biographical information and details of work, writings, and exhibitions. Ruhrberg and the three other authors are veteran art historians, curators, and writers, as is editor Walther. c. Book News Inc.
Author : David Cottington
Publisher : Yale University Press
Page : 286 pages
File Size : 45,7 Mb
Release : 1998-01-01
Category : Art
ISBN : 0300075294
This groundbreaking book provides a major reassessment of the history and significance of cubism. David Cottington examines the cubist movement and sets it within the complex political, economic, and cultural forces of pre-World War I France. Cubism, as a part of the Parisian artistic avant-garde, played an integral role in the turbulent Belle Epoque. The author focuses on cubisms relation to the particular discourses?of nationalism, aestheticism, gender, the social purpose of art?that gave meaning to the experience of modernity in Paris in the decade before the war. In Part I of the book, the author discusses the "cubist conjuncture," the years that followed the collapse of the Bloc des Gauches. The Bloc, more than a parliamentary alliance, represented an effort of collaboration between the liberal middle class and sectors of the working class led by Parisian intellectuals and artists (future cubists among them). In the wake of the Blocs failure, workers withdrew into trade unionism and artists into aesthetic avant-gardism. Cottington analyzes this consolidation of the artistic avant-garde, its relation to the expanding dealer-centered art market, and the dominant and counter discourses of the day. In Part II, he considers specific aspects of cubist art and the cubist movement?from the conservative modernism of the paintings of Le Fauconnier and Gleizes to the aestheticism of Picassos papiers-collés to the collective architectural and interior design project of the "cubist house." These examples and others, Cottington concludes, reveal cubism as a contradictory and unstable constellation of interests and practices, sometimes complicit with dominant social and political forces, sometimes opposed to them, but in every case shaped by them.
Author : Chinghsin Wu
Publisher : University of California Press
Page : 247 pages
File Size : 46,9 Mb
Release : 2019-11-12
Category : Art
ISBN : 9780520299825
This significant historical study recasts modern art in Japan as a “parallel modernism” that was visually similar to Euroamerican modernism, but developed according to its own internal logic. Using the art and thought of prominent Japanese modern artist Koga Harue (1895–1933) as a lens to understand this process, Chinghsin Wu explores how watercolor, cubism, expressionism, and surrealism emerged and developed in Japan in ways that paralleled similar trends in the west, but also rejected and diverged from them. In this first English-language book on Koga Harue, Wu provides close readings of virtually all of the artist’s major works and provides unprecedented access to the critical writing about modernism in Japan during the 1920s and 1930s through primary source documentation, including translations of period art criticism, artist statements, letters, and journals.
Author : Klare Scarborough,Susan Dixon
Publisher : Lulu.com
Page : 226 pages
File Size : 40,5 Mb
Release : 2015-10
Category : Art
ISBN : 9780988999961
The scholarly essays in this book focus on the theme of art and social change in Western art from the Renaissance to about 1950. The edited volume includes contributions by scholars with a range of professional backgrounds and affiliations. Their essays address some aspect of the theme and engage with one or more artworks in the collection of La Salle University Art Museum. Topics include religious iconography, portraiture, landscape, journal illustrations, and Modernist abstraction. These essays on the collection add to the body of scholarship which situates works of art in contexts that help reveal and explain changes in social, political or cultural values. The book is lavishly illustrated, with 104 color illustrations.
Author : Megan A. Sullivan
Publisher : Yale University Press
Page : 233 pages
File Size : 51,7 Mb
Release : 2022-08-23
Category : Art
ISBN : 9780300254020
A timely reassessment of some of the most daring projects of abstraction from South America. Emphasizing the open-ended and self-critical nature of the projects of abstraction in South America from the 1930s through the mid-1960s, this important new volume focuses on the artistic practices of Joaquín Torres-García, Tomás Maldonado, Alejandro Otero, and Lygia Clark. Megan A. Sullivan positions the adoption of modernist abstraction by South American artists as part of a larger critique of the economic and social transformations caused by Latin America’s state-led programs of rapid industrialization. Sullivan thoughtfully explores the diverse ways this skepticism of modernization and social and political change was expressed. Ultimately, the book makes it clear that abstraction in South America was understood not as an artistic style to be followed but as a means to imagine a universalist mode of art, a catalyst for individual and collective agency, and a way to express a vision of a better future for South American society.
Author : Sergei Eisenstein
Publisher : Bloomsbury Publishing
Page : 448 pages
File Size : 48,6 Mb
Release : 2010-06-30
Category : Performing Arts
ISBN : 9780857717436
I.B.Tauris is delighted to announce the reissue in paperback in three volumes of the definitive, most comprehensive edition, in the finest translations and fully annotated, of the writings of this great filmmaker, theorist and teacher of film - and one of the most original aesthetic thinkers of the twentieth century. The name of Sergei Eisenstein (1898-1948) is synonymous with the idea of montage, as exemplified in his silent classics such as "The Battleship Potemkin" (1925) and "October" (1927). In the 1930s his style changed, partly to accommodate the arrival of sound, and his ideas on audio-visual counterpoint developed. Between 1937 and 1940 he elaborated his ideas on montage in a series of essays, most of which remained unpublished until after his death and which are published in English for the first time in this volume. They present the essence of Eisenstein's thinking on cinema and aesthetics more generally and reveal him as one of the most significant philosophers of art of the twentieth century.
Author : Mikhail Lifshitz
Publisher : BRILL
Page : 203 pages
File Size : 55,8 Mb
Release : 2018-06-12
Category : Art
ISBN : 9789004366558
Mikhail Lifshitz is a major forgotten figure in the tradition of Marxist philosophy and art history. The Crisis of Ugliness (1968), published here in English for the first time, is a compact broadside against modernism in the visual arts that resists the dogmatic complacencies of Stalinist aesthetics.
Author : Anthony Grafton,Glenn W. Most,Salvatore Settis
Publisher : Harvard University Press
Page : 1188 pages
File Size : 41,8 Mb
Release : 2010-10-25
Category : History
ISBN : 0674035720
The legacy of ancient Greece and Rome has been imitated, resisted, misunderstood, and reworked by every culture that followed. In this volume, some five hundred articles by a wide range of scholars investigate the afterlife of this rich heritage in the fields of literature, philosophy, art, architecture, history, politics, religion, and science.
