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In November 1965, Ian Smith's white minority government in Southern Rhodesia (now Zimbabwe) made a unilateral declaration of independence, breaking with Great Britain. With a European population of a few hundred thousand dominating an African majority of several million, Rhodesia's racial structure echoed the apartheid of neighboring South Africa. Smith's declaration sparked an escalating guerrilla war that claimed thousands of lives. Across the Atlantic, President Lyndon B. Johnson nervously watched events in Rhodesia, fearing that racial conflict abroad could inflame racial discord at home. Although Washington officially voiced concerns over human rights violations, an attitude of tolerance generally marked U.S. relations with the Rhodesian government: sanctions were imposed but not strictly enforced, and hundreds, perhaps thousands, of American mercenaries joined white Rhodesia's side in battle with little to fear from U.S. laws. Despite such tacit U.S. support, Smith's regime fell in 1980, and the independent state of Zimbabwe was born. The first comprehensive account of American involvement in the war against Zimbabwe, this compelling work also explores how our relationship with Rhodesia helped define interracial dynamics in the United States, and vice versa.
Georgia 2001. "Your mission, Jo, should you choose to accept it, is to find out what young Georgians want," said the man from the Foreign and Commonwealth Office, or words to that effect. "We're keen to know what will happen when President Shevardnadze moves on." Jo Seaman went to the South Caucasus as director of the British Council in Georgia at a time of political uncertainty and turmoil. In attempting to fulfill her mission of cultural diplomacy she rubs shoulders with ballerinas and border guards, ambassadors and activists, ministers and musicians, despots and dodgy officials. Jo's intimate descriptions of a culture only relatively recently emerged from the shadow of the Iron Curtain are underpinned with a genuine warmth and compassion for the Georgian people. A consummate diplomat, Jo needs all her skills as she ventures out into the fraught and often amusing sphere of international relations, and is drawn into the heady events of the Rose Revolution. And life at home is far from uneventful...
DAISY IN A GUN BARREL PEACE AND FREEDOM, LOVE AND WAR, ROCK AND ROLL THE 1960s ~ Penelope Fox If you happen to be an “American Idol” fan, recognize Eric Clapton or Bob Dylan in television commercials, listen to classic rock, or follow the clash of conservatives and liberals in Congress, you know that the 1960s remain with us, even fifty years after the impact of the era. The dilemmas of that decade continue to confound us as we grapple with the ideologies that entered the consciousness of the nation during those years. A cascade of front page news marks the period: the election of youthful, progressive, President John F. Kennedy and the fear-mongering, strangle-hold of the CIA and FBI; peace movements versus military efforts; marijuana-smoking, long haired Hippies in loose fashions clashing with strait-laced, buttoned up, conservative law enforcement; Dr. Martin Luther King Jr. and civil rights, followed by women’s rights, workers’ rights and everyone wondering what was right. More incongruities arose from international oil production and giant factory output clashing with breakthrough biological science and environmental concerns. Satellite communication battled with censorship in broadcasting. Youthful interest in the Third World, especially Asia, was shattered by a horrific, undeclared war that lasted for fifteen years and created a generational divide that has never been breached. A background of iconic music continues to remind us of the colorful history of the 60s. But what about the everyday lives of young people thrust into that psychedelic and political maelstrom? What was it like for the individuals trying to be heard over the roar of questionable politics? One answer lies in the collective voice of music that framed a lyrical diary of their experiences. “Daisy in a Gun Barrel” is the story of Dianna, a teacher, and Randall, a musician, who find romance in college, and shortly thereafter are torn apart by war and circumstances. It is a story of people coming to terms with personal and political beliefs, only to find that society clashes with their viewpoints at every turn. Theirs is a generation determined to change the world into a better, kinder, more democratic place. Little did they know the impact of their ideals, or the real and metaphorical ammunition that would be leveled against the beliefs they viewed as right, moral, and constitutional. Rock and roll with Dianna and Randall through the tumultuous and exciting years of 1962 through 1970, and consider the impact of their generation. Smile at their optimism, weep with their losses, and celebrate the memorable songs that grace the years. Join the characters as they encounter turning points and question authority. This is history, alive and kicking, with a strong appeal to the curious young, who were not there, and to the post flower children who would like to remember. Light the incense, slip into something tie-dyed, and revel in the events that illuminate this carefully researched and truly American story, before time and historians erase the vibrant, human essence of this powerful decade. You must be the change you wish to see in the world. ~ Mahatma Gandhi
The Writer's Guide to Weapons by Benjamin Sobieck Pdf
When it comes to writing weapons, most authors shoot from the hip--and miss. The Writer's Guide to Weapons will help you hit your target every time. Firearms and knives have starring roles in a wide range of genres--crime, thriller, war, mystery, Western, and more. Unfortunately, many depictions of weapons in novels and film are pure fiction. Knowing the difference between a shotshell and a slug, a pistol and a revolver, or a switchblade and a butterfly knife is essential for imbuing your story with authenticity--and gaining popularity with discerning readers. Inside you'll find: • An in-depth look at the basics of firearms and knives: how they work, why they work, what they look like, and how to depict them accurately in your stories. • The biggest weapons myths in fiction, TV, and film. • A surefire guide for choosing the correct weapon for your characters, no matter their skill level, strength, or background. • A review of major gun and knife laws, weapons safety tips,and common police tactics. • "The Hit List," showcasing the most popular weapons for spies, detectives, gunslingers, gangsters, military characters, and more. • Examples highlighting inaccurate vs. accurate weapons depictions. • An insightful foreword by David Morrell, the award-winning creator of Rambo. Equal parts accessible, humorous, and practical, The Writer's Guide to Weapons is the one resource you need to incorporate firearms and knives into your fiction like a seasoned professional.
Confronted with problems associated with the continual upgrading of field guns, reducing the number of different items in supply and lowering overall costs, the Department of the Army has need for improved methods of reducing erosion and extending the wear life of long range cannon. The National Materials Advisory Board was asked to consider all facets of this need and to make recommendations. Erosion in Large Gun Barrels assesses the nature of the bore erosion problem; identifies fruitful areas of research; assesses the state of technology of materials and methods in areas which may become significant to gun tubes of improved performance; and suggests experimental techniques, devices, and instruments and methods of reducing data to enhance the continuing coordination of the activities of the three Services.
Scloppetaria or Considerations on the Nature and Use of Rifled Barrel Guns by Henry Beaufoy Pdf
Originally published in 1808. The author not only appreciated the advantage of the rifle in war, he also gives an exceptionally lucid account of its origins, operation and mechanics. The well illustrated contents will prove of great value to the historian, soldier and gun enthusiast. Contents Include: Of Projectiles in General Theory of Spiral Motion Qualities of the Rifle History of the Rifle Construction and Perfections of the Rifle Appendages of the Rifle Modes of Using the Rifle General Hints Loading, Aiming, Cleaning etc. Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. Home Farm Books are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.
This provocative book debunks the myth that American gun culture was intentionally created by gun makers and demonstrates that gun ownership and use have been a core part of American society since our colonial origins. Revisionist historians argue that American gun culture and manufacturing are relatively recent developments. They further claim that widespread gun violence was largely absent from early American history because guns of all types, and especially handguns, were rare before 1848. According to these revisionists, American gun culture was the creation of the first mass production gun manufacturers, who used clever marketing to sell guns to people who neither wanted nor needed them. However, as proven in this first scholarly history of "gun culture" in early America, gun ownership and use have in fact been central to American society from its very beginnings. Lock, Stock, and Barrel: The Origins of American Gun Culture shows that gunsmithing and gun manufacturing were important parts of the economies of the colonies and the early republic and explains how the American gun industry helped to create our modern world of precision mass production and high wages for workers.
Watch a 700-year history unfold, from the medieval "hand-gonne" to today's technologically advanced assault weapons. Discover how gun design influenced warfare, from the 15th century when the arquebus defeated swordsmen, to the 20th century when the submachinegun gave the military vastly increased firepower. Guns: A Visual History shows in unique visual detail on how gun design evolved. It features more than 300 iconic examples, including the military AK-47 assault rifle and the pistol used by many police forces - the Glock 17. Each weapon is shown in close up with details of its design, barrel, calibre, and firepower. This comprehensive volume also features sporting guns, anti-tank weaponry and concealed assassin spy guns, such as the umbrella gun that killed Georgi Markov in 1978. It takes you inside iconic firearm firms such as Biretta, Colt and Lee Enfield, and tells stories of infamous sharpshooters from Dick Turpin to Al Capone. Whether you collect firearms or enjoy field sports and military history, Guns: A Visual History is an unmissable reference title.
This provocative book debunks the myth that American gun culture was intentionally created by gun makers and demonstrates that gun ownership and use have been a core part of American society since our colonial origins. Revisionist historians argue that American gun culture and manufacturing are relatively recent developments. They further claim that widespread gun violence was largely absent from early American history because guns of all types, and especially handguns, were rare before 1848. According to these revisionists, American gun culture was the creation of the first mass production gun manufacturers, who used clever marketing to sell guns to people who neither wanted nor needed them. However, as proven in this first scholarly history of "gun culture" in early America, gun ownership and use have in fact been central to American society from its very beginnings. Lock, Stock, and Barrel: The Origins of American Gun Culture shows that gunsmithing and gun manufacturing were important parts of the economies of the colonies and the early republic and explains how the American gun industry helped to create our modern world of precision mass production and high wages for workers.
A colorful, wide-ranging memoir of danger and adventure in wars around the world. Anybody who says that the pen is mightier than the sword hasn’t spent time in Somalia . . . So begins this memoir of a career spent examining warfare—on the ground and as the bullets are flying. While many are intrigued by these violent conflicts, Al Venter feels compelled to see them in person, preferably at the center of the action. Born in South Africa, Venter has found no shortage of horrific battles on his own continent, from Rhodesia to Biafra and Angola to Somalia. He has ridden with the legendary mercenary group Executive Outcomes; jumped into combat with South Africa’s crack Parachute Regiment, the Parabats; and traipsed through jungles with both guerrillas and national troops. During Sierra Leone’s civil war, he flew in the government’s lone Mi-24 helicopter gunship as it blasted apart rebel villages and convoys, complaining that the Soviet-made craft leaked when it rained. In the Mideast, he went into Lebanon with the Israeli army as it encountered resistance from multiple militant groups, including the newly formed Hezbollah. Curious about the other side of the hill, he joined up with General Aoun’s Christian militias while that conflict was at its height. Touching down in Croatia during the Balkan wars, and in Congo during their perpetual one, as well as the Uganda of Idi Amin, Venter never lost his lust for action, even as he sometimes had to put down his camera or notebook to pick up an AK-47. In his journeys, Venter associated with an array of similarly daring soldiers and journalists, from “Mad Mike” Hoare to Danny Pearl, as well as elite soldiers from around the world, many of whom, he sadly relates, never emerged from the war zones they entered. A renowned journalist and documentarian who has worked with the BBC, PBS, Jane’s, and other outlets, Al Venter here offers the reader his own personal experiences with combat.
