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The fourth release in the Young Art Board Book Series showcasing young Indigenous artists In the bush is a playful ensemble of Australian creatures, and an exciting illustrative debut from teenage artist, Kiara Honeychurch. Hailing from Tasmania, Kiara is inspired by the bush creatures she encounters in her rural home out of Hobart. With bold and sophisticated pops of colour, Kiara unleashes the beauty and character of each creature and reimagines its unpredictable tones in a changing light from sunrise to sunset. Kiara's warm and creative understanding of the animals she sees is a lively showcase of her talent. This board book for Early Childhood will capture the hearts of young readers and readers young at heart.
Winner of The CAA–Birks Family Foundation Award for Biography The 2000 Ottawa-Carlton Book Award The (U.S.) Rutstrum Award for Best Wilderness Book “A portrait of a true original.”—The Hamilton Spectator In 1929, at the age of twenty-two, Duncan MacGregor, the son of a lumberman, great-grandson of a voyageur, and an avid reader and baseball fan, headed off into the largest tract of preserved bush in the world: Ontario’s Algonquin Park. When he got there, he was home for the rest of his life. From the true nature of fishing to the harsh realities of raising a family in the woods, from the role of fear in the bush to the small nuances of family relationships, A Life in the Bush is painted on a canvas both vast and richly detailed. A story that captures the tough physical demands, the rich life of the senses, and the unselfconscious freedom that comes from living apart from town and city. In this beautifully crafted memoir of his father, Roy MacGregor paints an intimate portrait of an unusual man and spins a spellbinding tale of a boy’s complex relationship with his father. He also evokes, perhaps for the first time in Canadian literature, the bush the way bush people see it, an insider's view of life in the totemic Canadian wilderness.
Highlights the life and career of the New Orleans Saints running back, from his childhood and college athletic careers to his stellar professional career and prominent public life.
WINNER OF THE 2020 RBC TAYLOR PRIZE • "Readers might well wonder if Jonathan Swift at his edgiest has been at work."—RBC Taylor Prize Jury Citation • "A remarkable biography of an even more remarkable 17th-century individual ... Beautifully written and endlessly thought-provoking."—Maclean’s Murderer. Salesman. Pirate. Adventurer. Cannibal. Co-founder of the Hudson's Bay Company. Known to some as the first European to explore the upper Mississippi, and widely as the namesake of ships and hotel chains, Pierre-Esprit Radisson is perhaps best described, writes Mark Bourrie, as “an eager hustler with no known scruples.” Kidnapped by Mohawk warriors at the age of fifteen, Radisson assimilated and was adopted by a powerful family, only to escape to New York City after less than a year. After being recaptured, he defected from a raiding party to the Dutch and crossed the Atlantic to Holland—thus beginning a lifetime of seized opportunities and frustrated ambitions. A guest among First Nations communities, French fur traders, and royal courts; witness to London’s Great Plague and Great Fire; and unwitting agent of the Jesuits’ corporate espionage, Radisson double-crossed the English, French, Dutch, and his adoptive Mohawk family alike, found himself marooned by pirates in Spain, and lived through shipwreck on the reefs of Venezuela. His most lasting venture as an Artic fur trader led to the founding of the Hudson’s Bay Company, which operates today, 350 years later, as North America’s oldest corporation. Sourced from Radisson’s journals, which are the best first-hand accounts of 17th century Canada, Bush Runner tells the extraordinary true story of this protean 17th-century figure, a man more trading partner than colonizer, a peddler of goods and not worldview—and with it offers a fresh perspective on the world in which he lived.
Most Australians live in cities and cling to the coastal fringe, yet our sense of what an Australian is – or should be – is drawn from the vast and varied inland called the bush. But what do we mean by 'the bush', and how has it shaped us? Starting with his forebears' battle to drive back nature and eke a living from the land, Don Watson explores the bush as it was and as it now is: the triumphs and the ruination, the commonplace and the bizarre, the stories we like to tell about ourselves and the national character, and those we don't. Via mountain ash and mallee, the birds and the beasts, slaughter, fire, flood and drought, swagmen, sheep and their shepherds, the strange and the familiar, the tragedies and the follies, the crimes and the myths and the hope – here is a journey that only our leading writer of non-fiction could take us on. At once magisterial in scope and alive with telling, wry detail, The Bush lets us see our landscape and its inhabitants afresh, examining what we have made, what we have destroyed, and what we have become in the process. No one who reads it will look at this country the same way again. 'Nothing he has written quite matches the wonders of The Bush . . . There is no dull page or even lifeless sentence between its covers and my urge is that if anyone wants a full blast of what Australia is, was, or might be, thrust The Bush into their hands. Watson seems to have been preparing to write it all his life, from when he was a small boy (born 1949) open to wonders on his family's Gippsland dairy farm . . . It's the unalloyed wonder of that small boy . . . that guides the reader most of all . . . a fountaining freshness of spirit that gives everything he sees and does the vivacity of being sighted for the first time.' Roger McDonald, The Age 'Flawlessly elegant writing . . . But this is excellent, hard-headed history, too . . . Utterly mesmerising and entrancing . . . A challenge to contemplate what it really is about this country that makes us who we think we are . . . A literary-historical odyssey.' Paul Daley, The Guardian (Australia) 'A loving rumination on Australia, the landmass, and those who live on it and from it . . . Watson refuses to be captured by easy categorisations or received opinion . . . The writing is crisp, witty and sardonic . . . Watson is an original, with an authentic, prophetic voice.' John Hirst, The Monthly 'An overwhelmingly affectionate portrait, one that's never sentimental or indulgently nostalgic, and one that defiantly resists lamentation . . . There is no doubt that The Bush stands with Bill Gammage's The Biggest Estate on Earth as one of the most important books published on the history of this country in recent years . . . The Bush is the crown in Watson's oeuvre, a magnificent, sprawling ode to the best in Australia, a challenge to us all to find new ways of loving the country.' The Saturday Paper 'Don Watson's magnificent, celebratory, contradictory study of the Australian bush will challenge the national imagination . . . An amiable, learned, playful and engrossing book . . . [A] great, succulent magic pudding of a book . . . Most of what we read is nothing like we would have expected . . . There is a sense that an amiable and eloquent uncle is telling us everything piquant he knows about theology and culture and land use and the beasts and flora and families of the bush.' Thomas Keneally, Weekend Australian 'The power of this book does come from the way Watson positions himself as both an insider and outsider to the Australian bush . . . A meditation on Australia itself through a reflection on the bush.' Frank Bongiorno, Australian Book Review 'A sprawling, fascinating book . . . Watson has pulled off a marvel, a book that educates and fascinates at the same time as it calls for action to preserve some things before they're lost. The best part, though, is his prose: bare and dry, with a dark sense of humour. A bit like the country he's describing.' Margot Lloyd, The Advertiser (Adelaide) 'Every now and again a book comes out that is so groundbreaking it causes you to think about a particular subject in a radically different light. Don Watson's The Bush: Travels in The Heart of Australia is one such work; a masterpiece of research, inquiry and poetry that challenges our basic assumptions of the Outback. Watson . . . has pulled off a dazzling achievement with The Bush, blending philosophy with science and storytelling . . . A beautifully written and thoughtful book.' Johanna Leggatt, Weekly Times 'Elegant, intricate, sprawling and sometimes harsh . . . [Watson] explores the bush with a mix of academic insight and campfire yarn . . . In a word: hypnotic.' Jeff Maynard, Herald Sun 'His romantic prose moves seamlessly through autobiographical tales to discuss the landscapes and histories that have shaped Australia.' National Geographic 'One of my favourite reads this year. What a writer he is . . . You find yourself sneaking off from others to be with it.' Kathleen Noonan, Courier-Mail 'Vast in scope, richly sourced, soaring and poetic, this journey to the heart of Australia has been rightly compared in significance to Bill Gammage's The Biggest Estate on Earth.' Barbara Farrelly, South Coast Register 'The Bush is his homage to Australia's mythic hinterland. Watson travels through the Mallee and the Murray-Darling, to WA's wheat belt and beyond, meeting people, talking, listening. Good writing that engages with Australia's past is a rare beast, too often bound up in the need for ''balance''. Watson has the freedom to ignore the rules; he allows himself to opine and he yarns at will. A delightful read.' Mark MacLean, Newcastle Herald
Poetry. Indigenous Australian Poetry. When Teena McCarthy told me she had constructed this book from poems, lines, phrases and images that she had written on odd-sized pieces of paper and had gathered them until they formed a manuscript, I immediately thought of Emily Dickinson, who also wrote many of her poems on the backs of envelopes and scraps that had been used as shopping lists. The connection is not far-fetched: McCarthy connects startling images to form intense visions that vibrate with arresting music. The poems in BUSH MARY work on multiple levels 'Äì woven from history, life experience and metaphor are visionary chords made of words. Images appear gradually, sometimes over several pages, like photographic prints forming in developing chemicals. I want to use the word--mystical' here--harsh and beautiful, these poems ache with reality and seem to bring poetry back to life again. This book reads as if written by a poet working before the last century of modernism; albeit aware of that era, it comes from the pre-dawn of poetry before it became clogged with the 'Äòanxiety of influence' and experimental verse. Maybe the poems trace mystic notes. McCarthy's visions and dreams--abstract stories--bristle with a technique and meaning that became a triumph. It's the confidence of a poet who has nailed it, then shaped her season in hell into an instrument that sings. It is poetry created from transformed traumas, and importantly, effortless praise, for both survivors and old ghosts that flash behind the present moment or line from the past. As we read, yesterday, today and tomorrow mix, and a generous spirit is revealed that doesn't grow bitter even after every rotten deal has been broken and served up to the poet and her people. There's only the poem, only the new life to be written and lived out, only the song that strikes into your soul, reinventing love and compassion by its flashing words and naked statements. In the fifth century, Saint Augustine said, A virgin conceives, yet remains a virgin: a virgin is heavy with child; a virgin brings forth her child, yet she is always a virgin. McCarthy, almost 2000 years later, replies, We can no longer escape / into the truth of Bush Mary, / we're non-virgin, / used by carnal. / She is every body. / Bush Mary blood'. Then, like Eurydice, 'ÄòShe has no voice. McCarthy creates that voice in profoundly visual poems, and answers the colonising First Fleet and its following Christians: She is a single mother / with a bush / She is the fucking Holy Ghost. Robert Adamson
“George W. Bush is a liar. He has lied large and small, directly and by omission. He has mugged the truth—not merely in honest error, but deliberately, consistently, and repeatedly.” —from the Introduction All American presidents have lied, but George W. Bush has relentlessly abused the truth. In this scathing indictment of the president and his inner circle, David Corn, the Washington editor of The Nation, reveals and examines the deceptions at the heart of the Bush presidency. In a stunning work of journalism, he details and substantiates the many times the Bush administration has knowingly and intentionally misled the American public to advance its own interests and agenda, including: * Brazenly mischaracterizing intelligence and resorting to deceptive arguments to whip up public support for war with Iraq * Misrepresenting the provisions and effects of the president’s supersized tax cuts * Offering misleading explanations— instead of telling the full truth — about the 9/11 attacks * Lying about connections to corporate crooks * Presenting deceptive and disingenuous claims to sell controversial policies on the environment, stem cell research, missile defense, Social Security, white-collar crime, abortion, energy, and other crucial issues * Running a truth-defying, down-and-dirty campaign during the 2000 presidential contest and recount drama The Lies of George W. Bush is not a partisan whine—it is instead a carefully constructed, fact-based account that clearly denotes how Bush has relied on deception—from the campaign trail to the Oval Office—to win political and policy battles. With wit and style, Corn explains how Bush has managed to get away with it and explores the dangerous consequences of such presidential deceit in a perilous age.
Author : Terry H. Anderson Publisher : Oxford University Press Page : 312 pages File Size : 40,6 Mb Release : 2011-07-01 Category : History ISBN : 9780199831883
From journalistic accounts like Fiasco and Imperial Life in the Emerald City to insider memoirs like Jawbreaker and Three Cups of Tea, the books about America's wars in Iraq and Afghanistan could fill a library. But each explores a narrow slice of a whole: two wars launched by a single president as part of a single foreign policy. Now noted historian Terry Anderson examines them together, in a single comprehensive overview. Shortly after the terrorist attacks of September 11, 2001, President George W. Bush told advisor Karl Rove, "I am here for a reason, and this is how we're going to be judged." Anderson provides this judgment in this sweeping, authoritative account of Bush's War on Terror and his twin interventions. He begins with historical surveys of Iraq and Afghanistan-known respectively as "the improbable country" and "the graveyard of empires," and he examines US policies toward those and other nations in the Middle East from the 1970s to 2000. Then Anderson focuses on the Bush Administration, carrying us through such events as the terrorist's attacks of 9/11, the invasion of Afghanistan and the siege of Tora Bora, the "Axis of Evil" speech, the invasion of Iraq and capture of Baghdad, and the eruption of insurgency in Iraq. He ranges from RPGs slamming into Abrams tanks to cabinet meetings, vividly portraying both soldiers in the field and such policymakers as Dick Cheney and Condoleezza Rice. Anderson describes the counter-insurgency strategy embodied by the "surge" in Iraq, and the simultaneous revival of the Taliban. He concludes with an assessment of the prosecution of the wars in the first years of Barack Obama's presidency. Carefully researched and briskly narrated, Bush's Wars provides the single-volume balanced history that we have waited for. This new paperback edition takes the story through the first Obama term, covering our exit from Iraq and the ongoing drawdown in Afghanistan.
A largely self indulgent narration describing the early days of an Aussie boys life. From growing up in the big City and in the Bush there are no expectations of grandeur from the author. I have put into writing the way I see life, sometimes the good, sometimes not so good. Interspersed with just ordinary rhyming prose, the reader will need to decipher my thoughts, a poet I am not.
Author : Wesley G. Phelps Publisher : University of Georgia Press Page : 264 pages File Size : 49,6 Mb Release : 2014 Category : Community development ISBN : 9780820346700
Phelps investigates the on-the-ground implementation of President Lyndon Johnson's War on Poverty during the 1960s and 1970s and argues that the fluid interaction between federal policies, urban politics, and grassroots activists created a significant site of conflict over the meaning of American democracy.