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Muqarnas is sponsored by The Aga Khan Program for Islamic Architecture at Harvard University and the Massachusetts Institute of Technology, Cambridge, Massachusetts. In Muqarnas articles are being published on all aspects of Islamic visual culture, historical and contemporary, as well as articles dealing with unpublished textual primary sources.
Frontiers of Islamic Art and Architecture by Gülru Neci̇poğlu,Julia Bailey Pdf
"Muqarnas" is sponsored by The Aga Khan Program for Islamic Architecture at Harvard University and the Massachusetts Institute of Technology, Cambridge, Massachusetts. In "Muqarnas" articles are being published on all aspects of Islamic visual culture, historical and contemporary, as well as articles dealing with unpublished textual primary sources.
Oleg Grabar, On Catalogues, Exhibitions, and Complete Works ;Jonathan M. Bloom, The Mosque of the Qarafa in Cairo ;Leonor Fernandes, The Foundation of Baybars al-Jashankir: Its Waqf, History, and Architecture ;Howard Crane, Some Archaeological Notes on Turkish Sardis ;Nancy Shatzman Steinhardt, Siyah Qalem and Gong Kai: An Istanbul Album Painter and a Chinese Painter of the Mongolian Period ;Do gan Kuban, The Style of Sinan's Domed Structures ;Yasser Tabbaa, Bronze Shapes in Iranian Ceramics of the Twelfth and Thirteenth Centuries ;Mehrdad Shokoohy and Natalie H. Shokoohy, The Architecture of Baha al-Din Tughrul in the Region of Bayana, Rajasthan ;Glenn D. Lowry, Humayun's Tomb: Form, Function, and Meaning in Early Mughal Architecture ;Peter Alford Andrews, The Generous Heart or the Mass of Clouds: The Court Tents of Shah Jahan ;Priscilla P. Soucek, Persian Artists in Mughal India: Influences and Transformations ;A.J. Lee, Islamic Star Patterns ;
Ifriqiya. Thirteen Centuries of Art and Architecture in Tunisia by Jamila Binous,Naceur Baklouti,Ali Zouari Pdf
Ifriqiya: Thirteen Centuries of Art and Architecture in Tunisia is a voyage through the history of the Islamic architecture of the Maghreb, to uncover a millenary civilisation that made works of art of its most important spaces. The great Islamic dynasties - Abbasids, Aghlabids, Fatimids, Zirids, Almohads, Hafsids, Ottomans - and Islamic religious schools and movements left the mark of their artistic expression over the centuries. Islamic art in Tunisia is a cultural crossroad, widely influenced by local artistic customs, by Andalusian and eastern architectural and decorative elements, by Arab, Roman and Berber traditions and by the variety of its natural landscape. Eleven itineraries invite you to discover 108 museums, monuments and sites in Tunis, Sidi Bou Said, Bizerte, Testour, Al-Kef, Kairouan, Mahdia, Sfax, Tozeur and Gabes (among others).
Islamic Art and Architecture by Henri Stierlin,Anne Stierlin Pdf
More than five hundred full-color illustrations and reproductions capture a panoramic array of Islamic art and architecture in a study that examines the sources, forms, themes, and symbolism of Islamic artistry, as exemplified in mosques, palaces, landscape architecture, caligraphy, miniature painting, tapestries and textiles, and other artforms.
An Architecture of Light. Islamic Art in Algeria. by Benouis, Farida,Chérid, Houria,Drias, Lakhdar,Semar, Amine Pdf
An Architecture of Light / Islamic Art in Algeria is the most recent title to be published in our series Islamic Art in the Mediterranean. This illustrated book is a thorough guide to Algeria’s Islamic artistic heritage, from the earliest trading routes in the Sahara to the cosmopolitan port of Algiers. It can be enjoyed as an armchair guide to Algeria’s museum collections and architecture, which are described in exquisite detail, or to inform travellers as they follow one or more of five different itineraries. The guide begins with an overview of the expansive cultural influence of Islam around the Mediterranean, beginning in the seventh century, and its transformation of art and architecture. The development of Islamic art through successive dynasties, from Damascus to Lisbon, is summarised through an examination of religious and secular architecture. A separate historical introduction revisits centuries of local religious and political strife in the region we now call Algeria, and their enduring legacies. Competing sects, rulers, tribes, militias, and profiteers all left their marks on diverse populations and indigenous cultures. The itineraries include excursions to mosques, museums, fortresses, tombs, and palaces in cities and rural areas. Regional customs, crafts and musical traditions are described in essays by local authors. On almost every page, vivid photographs of minarets, arches, carvings, tiles, jewellery, and landscapes accompany the text. Diagrams and building plans show both great and humble structures of daily life in cities and villages. From a sumptuous palace in Algiers to a hand-built dam in the highlands, from an adobe house in a remote valley to a whitewashed minaret in the plains, this guide takes the reader to places that document diverse cultural movements and their enduring monuments. Each site is described and illustrated, and side trips and scenic detours are suggested. Museum With No Frontiers is pleased to present this wide-ranging work. We hope that people around the world might use it to discover the Central Maghreb’s rich past. 192 colour illustrations | 17 black and white illustrations | 26 plans of monuments | 250 pages
A Companion to Islamic Art and Architecture by Finbarr Barry Flood,Gulru Necipoglu Pdf
The two-volume Companion to Islamic Art and Architecture bridges the gap between monograph and survey text by providing a new level of access and interpretation to Islamic art. The more than 50 newly commissioned essays revisit canonical topics, and include original approaches and scholarship on neglected aspects of the field. This two-volume Companion showcases more than 50 specially commissioned essays and an introduction that survey Islamic art and architecture in all its traditional grandeur Essays are organized according to a new chronological-geographical paradigm that remaps the unprecedented expansion of the field and reflects the nuances of major artistic and political developments during the 1400-year span The Companion represents recent developments in the field, and encourages future horizons by commissioning innovative essays that provide fresh perspectives on canonical subjects, such as early Islamic art, sacred spaces, palaces, urbanism, ornament, arts of the book, and the portable arts while introducing others that have been previously neglected, including unexplored geographies and periods, transregional connectivities, talismans and magic, consumption and networks of portability, museums and collecting, and contemporary art worlds; the essays entail strong comparative and historiographic dimensions The volumes are accompanied by a map, and each subsection is preceded by a brief outline of the main cultural and historical developments during the period in question The volumes include periods and regions typically excluded from survey books including modern and contemporary art-architecture; China, Indonesia, Sub-Saharan Africa, Sicily, the New World (Americas)
This fascinating new series will present 12 Exhibition Trails in 11 countries, which follow the chronology of the spread of Islamic art in that area. The Museum With No Frontiers programme is based on the novel idea of organising exhibitions without transporting the works of art, instead allowing the visitor to discover the artefacts, architecture and museums in their original environment and within their historical and cultural context. This concept makes it possible for the Islamic art academic or enthusiast to experience art as a living illustration of social history. Each Exhibition Trail is divided into a number of itineraries that provide detailed information on the history and significance of each structure or work and offer practical information on guided tours, transportation and cultural activities. The beautifully illustrated descriptions of the archaeological sites, artworks and architecture are written by experts in the field who live in the specified area itself. Visit the virtual gallery www.mwnf.org for further information. The exhibition is devoted to significant monuments from the reign of the Umayyad caliphs (660-750 AD) in an area that stretched from Amman to Mo
Islamic Art and Architecture 650-1250 by Richard Ettinghausen,Oleg Grabar,Professor Emeritus of Islamic Art and Architecture Oleg Grabar,Marilyn Jenkins Pdf
This richly illustrated book provides an unsurpassed overview of Islamic art and architecture from the seventh to the thirteenth centuries, a time of the formation of a new artistic culture and its first, medieval, flowering in the vast area from the Atlantic to India. Inspired by Ettinghausen and Grabar’s original text, this book has been completely rewritten and updated to take into account recent information and methodological advances. The volume focuses special attention on the development of numerous regional centers of art in Spain, North Africa, Egypt, Syria, Anatolia, Iraq, and Yemen, as well as the western and northeastern provinces of Iran. It traces the cultural and artistic evolution of such centers in the seminal early Islamic period and examines the wealth of different ways of creating a beautiful environment. The book approaches the arts with new classifications of architecture and architectural decoration, the art of the object, and the art of the book. With many new illustrations, often in color, this volume broadens the picture of Islamic artistic production and discusses objects in a wide range of media, including textiles, ceramics, metal, and wood. The book incorporates extensive accounts of the cultural contexts of the arts and defines the originality of each period. A final chapter explores the impact of Islamic art on the creativity of non-Muslims within the Islamic realm and in areas surrounding the Muslim world.
"The Islamic world has a rich artistic tradition, with particular strengths in calligraphy, illuminated manuscripts, architecture, and the decorative arts. This reference traces the development of Islamic art and architecture from the Umayyad dynasty to the present day. Readers will learn about the art of the Fatimids, Seljuqs, Mamluks, Mongols, Ottomans, Safavids, Mughals, and more. Eye-catching photographs of gorgeous mosques, delicate manuscript paintings, and colorful ceramics give readers glimpses of the works being discussed. A great resource both for those interested in art history and those hoping to learn more about the long, rich history of Islamic culture."
DISCOVER ISLAMIC ART in the Mediterranean by Benabed, Aicha; Bisheh, Ghazi; Al-Asad, Mohammad Pdf
The great Islamic Dynasties of the Mediterranean are the protagonists of this book, together with their fascinating artistic and cultural legacy. Thirty-nine scholars, museum curators and experts in cultural heritage, from 14 countries in Europe, North Africa and the Middle East, are the authors of the 22 chapters that take the reader through 13 centuries of Islamic history from the period of the Prophet Muhammad up until the end of the Ottoman Empire (1922). Discover Islamic Art in the Mediterranean is a collaborative work that was written for all those who share our idea that there is not only one history, but that at least as many histories as peoples exist. The idea of this book is to contribute to a historically more accurate and thus more authentic understanding of Islam by offering different perspectives of interpreting history, art and culture. This Book is published to complement the www.discoverislamicart.org Virtual Museum and its cycle of 18 Virtual Exhibitions Discover Islamic Art in the Mediterranean.
Grove Encyclopedia of Islamic Art & Architecture: Three-Volume Set by Jonathan Bloom,Sheila Blair Pdf
The Grove Encyclopedia of Islamic Art and Architecture is the most comprehensive reference work in this complex and diverse area of art history. Built on the acclaimed scholarship of the Grove Dictionary of Art, this work offers over 1,600 up-to-date entries on Islamic art and architecture ranging from the Middle East to Central and South Asia, Africa, and Europe and spans over a thousand years of history. Recent changes in Islamic art in areas such as Afghanistan, Iran, and Iraq are elucidated here by distinguished scholars. Entries provide in-depth art historical and cultural information about dynasties, art forms, artists, architecture, rulers, monuments, archaeological sites and stylistic developments. In addition, over 500 illustrations of sculpture, mosaic, painting, ceramics, architecture, metalwork and calligraphy illuminate the rich artistic tradition of the Islamic world. With the fundamental understanding that Islamic art is not limited to a particular region, or to a defined period of time, The Grove Encyclopedia of Islamic Art and Architecture offers pathways into Islamic culture through its art.
Muqarnas: An Annual on the Visual Cultures of the Islamic World is sponsored by The Aga Khan Program for Islamic Architecture at Harvard University and the Massachusetts Institute of Technology, Cambridge, Massachusetts. In Muqarnas articles are published on all aspects of Islamic visual culture, historical and contemporary, as well as articles dealing with unpublished textual primary sources.
