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Fundamentals of Musical Acoustics by Arthur H. Benade Pdf
Landmark book hailed for exceptionally clear, delightfully readable explication of everything acoustically important to music-making. Includes over 300 illustrations. Examples, experiments, and questions conclude each chapter.
Horns, Strings, and Harmony by Arthur H. Benade Pdf
Engaging, accessible introduction to structure and sound-making capacities of piano, violin, trumpet, bugle, oboe, flute, saxophone, many other instruments. Also, how to build your own trumpet, flute, clarinet. Includes 76 illustrations. Bibliography.
Principles of Musical Acoustics by William M. Hartmann Pdf
Principles of Musical Acoustics focuses on the basic principles in the science and technology of music. Musical examples and specific musical instruments demonstrate the principles. The book begins with a study of vibrations and waves, in that order. These topics constitute the basic physical properties of sound, one of two pillars supporting the science of musical acoustics. The second pillar is the human element, the physiological and psychological aspects of acoustical science. The perceptual topics include loudness, pitch, tone color, and localization of sound. With these two pillars in place, it is possible to go in a variety of directions. The book treats in turn, the topics of room acoustics, audio both analog and digital, broadcasting, and speech. It ends with chapters on the traditional musical instruments, organized by family. The mathematical level of this book assumes that the reader is familiar with elementary algebra. Trigonometric functions, logarithms and powers also appear in the book, but computational techniques are included as these concepts are introduced, and there is further technical help in appendices.
An Introduction to Acoustics by Robert H. Randall Pdf
No branch of classical physics is older in its origins yet more modern in its applications than acoustics. Courses on acoustics very naturally begin with a study of vibrations, as a preliminary to the introduction of the wave equations. Both vibrations and waves, of course, are vastly important to all branches of physics and engineering. But it is very helpful to students to gain an understanding of mechanical waves before trying to comprehend the more subtle and abstract electromagnetic ones. This undergraduate-level text opens with an overview of fundamental particle vibration theory, and it proceeds to examinations of waves in air and in three dimensions, interference patterns and diffraction, and acoustic impedance, as illustrated in the behavior of horns. Subsequent topics include longitudinal waves in different gases and waves in liquids and solids; stationary waves and vibrating sources, as demonstrated by musical instruments; reflection and absorption of sound waves; speech and hearing; sound measurements and experimental acoustics; reproduction of sound; and miscellaneous applied acoustics. Supplementary sections include four appendixes and answers to problems. Introduction. Appendixes. List of Symbols. References. Index. Answers to Problems.
Physics and Music by Harvey E. White,Donald H. White Pdf
Comprehensive and accessible, this foundational text surveys general principles of sound, musical scales, characteristics of instruments, mechanical and electronic recording devices, and many other topics. More than 300 illustrations plus questions, problems, and projects.
Music, Physics and Engineering by Harry F. Olson Pdf
This extraordinarily comprehensive text, requiring no special background, discusses the nature of sound waves, musical instruments, musical notation, acoustic materials, elements of sound reproduction systems, and electronic music. Includes 376 figures.
Author : John Backus Publisher : W W Norton & Company Incorporated Page : 368 pages File Size : 52,5 Mb Release : 1977 Category : Music ISBN : 0393090965
The Acoustical Foundations of Music by John Backus Pdf
Explores music's scientific principles, the physiological properties of sound, how the ear perceives music, the effect of the acoustic environment, how instruments produce their sounds, and new computer applications in music
Fundamentals of Physical Acoustics by David T. Blackstock Pdf
AN AUTHORITATIIVE, UP-TO-DATE INTRODUCTION TO PHYSICAL ACOUSTICS Easy to read and understand, Fundamentals of Physical Acoustics fills a long-standing need for an acoustics text that challenges but does not overpower graduate students in engineering and physics. Mathematical results and physical explanations go hand in hand, and a unique feature of the book is the balance it strikes between time-domain and frequency-domain presentations. Fundamentals of Physical Acoustics is intended for a two-semester, first-year graduate course, but is also suitable for advanced undergraduates. Emphasis on plane waves in the first part of the book keeps the mathematics simple yet accommodates a broad range of topics: propagation, reflection and transmission, normal modes and simple waveguides for rectilinear geometries, horns, inhomogeneous media, and sound absorption and dispersion. The second part of the book is devoted to a more rigorous development of the wave equation, spherical and cylindrical waves (including the more advanced mathematics required), advanced waveguides, baffled piston radiation, diffraction (treated in the time domain), and arrays. Applications and examples are drawn from: * Atmospheric acoustics * Noise control * Underwater acoustics * Engineering acoustics * Acoustical measurements Supplemented with more than 300 graphs and figures as well as copious end-of-chapter problems, Fundamentals of Physical Acoustics is also an excellent professional reference for engineers and scientists.
The book presents the fundamentals of music science, followed by a discussion on the historical evolution of music. An introduction to the analysis of signals in time and frequency is presented, which includes sound and noise. Features and mathematical aspects of the sound are discussed, including vibration and timbre. The book presents a review of existing voice models and discusses the voice production, sound perception, music characteristics and acoustics, tempo, rhythm and harmony. Musical theory is presented, including staff, notes, alterations, keys and intervals, tones and associated frequencies and wavelengths. The creation of major and minor scales is emphasized, along with a study on consonance and dissonance, measure, metric, tempo markings, dynamics, modulation. The book also explains the chord formation, and discusses melody and composition. The book has four appendices, including an appendix on the basic differentiation and integration theorems, another with useful Fourier tables, and an appendix featuring the notes, their frequencies and wavelengths. The book also has a glossary of music terms.
How do we understand culture and shape its future? How do we cross the bridge between culture as ideas and feelings and physical, cultural objects, all this within the endless variety and complexity of modern and traditional societies? This book proposes a Physical Culture Theory, taking culture as a self-organizing impulse pattern of electric forces. Bridging the gap to consciousness, the Physical Culture Theory proposes that consciousness content, what we think, hear, feel, or see is also just this: spatio-temporal electric fields. Music is a perfect candidate to elaborate on such a Physical Culture Theory. Music is all three, musical instrument acoustics, music psychology, and music ethnology. They emerge into living musical systems like all life is self-organization. Therefore the Physical Culture Theory knows no split between nature and nurture, hard and soft sciences, brains and musical instruments. It formulates mathematically complex systems as Physical Models rather than Artificial Intelligence. It includes ethical rules for maintaining life and finds culture and arts to be Human Rights. Enlarging these ideas and mathematical methods into all fields of culture, ecology, economy, or the like will be the task for the next decades to come.
The Physics of Musical Instruments by Neville H. Fletcher,Thomas D. Rossing Pdf
While the history of musical instruments is nearly as old as civilisation itself, the science of acoustics is quite recent. By understanding the physical basis of how instruments are used to make music, one hopes ultimately to be able to give physical criteria to distinguish a fine instrument from a mediocre one. At that point science may be able to come to the aid of art in improving the design and performance of musical instruments. As yet, many of the subtleties in musical sounds of which instrument makers and musicians are aware remain beyond the reach of modern acoustic measurements. This book describes the results of such acoustical investigations - fascinating intellectual and practical exercises. Addressed to readers with a reasonable grasp of physics who are not put off by a little mathematics, this book discusses most of the traditional instruments currently in use in Western music. A guide for all who have an interest in music and how it is produced, as well as serving as a comprehensive reference for those undertaking research in the field.
