Fusion Of Critical Horizons In Chinese And Western Language Poetics Aesthetics

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Fusion of Critical Horizons in Chinese and Western Language, Poetics, Aesthetics

Author : Ming Dong Gu
Publisher : Springer Nature
Page : 371 pages
File Size : 51,5 Mb
Release : 2021-07-07
Category : Literary Criticism
ISBN : 9783030737306

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Fusion of Critical Horizons in Chinese and Western Language, Poetics, Aesthetics by Ming Dong Gu Pdf

This book begins with a reflection on dichotomies in comparative studies of Chinese and Western literature and aesthetics. Critiquing an oppositional paradigm, Ming Dong Gu argues that despite linguistic and cultural differences, the two traditions share much common ground in critical theory, aesthetic thought, metaphysical conception, and reasoning. Focusing on issues of language, writing, and linguistics; metaphor, metonymy, and poetics; mimesis and representation; and lyricism, expressionism, creativity, and aesthetics, Gu demonstrates that though ways of conception and modes of expression may differ, the two traditions have cultivated similar aesthetic feelings and critical ideas capable of fusing critical and aesthetic horizons. With a two-way dialogue, this book covers a broad spectrum of critical discourses and uncovers fascinating connections among a wide range of thinkers, theorists, scholars, and aestheticians, thereby making a significant contribution to bridging the aesthetic divide and envisioning world theory and global aesthetics.

The Nature and Rationale of Zen/Chan and Enlightenment

Author : Ming Dong Gu
Publisher : Taylor & Francis
Page : 297 pages
File Size : 45,7 Mb
Release : 2023-07-14
Category : Religion
ISBN : 9781000916355

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The Nature and Rationale of Zen/Chan and Enlightenment by Ming Dong Gu Pdf

This book initiates a paradigm shift away from Zen/Chan as quintessentially Buddhist and examines what makes Chan thought and practice unique and original through an interdisciplinary investigation of the nature and rationale of Chan and its enlightenment. Exploring how enlightenment is achieved through Chan practice and how this differs from other forms of Buddhism, the book offers an entirely new view of Chan that embraces historical scholarship, philosophical inquiry, textual analysis, psychological studies, Chan practice, and neuroscientific research and locates the core of Chan in its founder Huineng’s theory of no thinking which creatively integrates the Taoist ideas of zuowang (forgetting in seated meditation) and xinzhai (fast of heart-mind) with his personal experiences of enlightenment. It concludes that Chan is the crystallization of an innovative synthesis of Buddhism, Daoism, and Confucianism as well as other resources of somatic and spiritual cultivation, and that enlightenment is a momentary return to the mental state of a baby before birth. This book will appeal to students and scholars of religion, philosophy, and neuroscience. It will also offer new insights to thinkers, writers, artists, therapists and neuroscientists as well as those practicing Zen, Mindfulness, and psychotherapy.

The Problem of a Chinese Aesthetic

Author : Haun Saussy
Publisher : Stanford University Press
Page : 316 pages
File Size : 43,5 Mb
Release : 1995-01-01
Category : Literary Criticism
ISBN : 9780804766616

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The Problem of a Chinese Aesthetic by Haun Saussy Pdf

The Problem of a Chinese Aesthetic calls for and applies a new model of comparative literature - one that, instead of taking for granted the commensurability of traditions and texts, gives incompatibility and contradiction their due. Exposing contemporary literary theory to the risks of ancient Chinese literature (and vice versa), this book considers a linked series of case studies. To what degree does the translation between languages and texts that we call comparative literature depend on allegory or translation within a single text or language? The author offers an important, new perspective on the reading of the Shih-ching or Book of Odes and the question of allegory and metaphor in the Chinese poetic tradition.

Configurations of Comparative Poetics

Author : Zong-qi Cai
Publisher : University of Hawaii Press
Page : 378 pages
File Size : 43,5 Mb
Release : 2001-12-30
Category : Literary Criticism
ISBN : 9780824861964

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Configurations of Comparative Poetics by Zong-qi Cai Pdf

This comprehensive comparative study of Western and Chinese poetics begins with broad examinations of the two traditions over more than two and a half millennia. From these parallel surveys, a series of important theoretical questions arises: How do Western and Chinese critics conceptualize the nature, origin, and function of literature? What are the fundamental differences, if any, in their ways of thinking about literature? Can we account for these differences by examining Western truth-based and Chinese process-based cosmological paradigms? What are the major distinctive concepts of literature developed within Western and Chinese poetics? How have these concepts impacted the development of the two traditions at various times? After considering a wide range of major critical texts, Configurations of Comparative Poetics presents bold and cogent answers to these questions while shedding light on the distinctive orientations of Western and Chinese poetics. The second half of the book features four comparative case studies: Plato and Confucius on poetry; Wordsworth and Liu Xie on the creative process; the twentieth-century "Imagists" and their earlier Chinese counterparts on the relationship of the Chinese written character to poetics; and Derrida and the Madhyamika Buddhists on language and onto-theology. The author not only identifies an array of critical concerns shared by Western and Chinese critics, but also differentiates the conceptual models used by each and traces them to cosmological paradigms.

Canadian-Daoist Poetics, Ethics, and Aesthetics

Author : John Z. Ming Chen,Yuhua Ji
Publisher : Springer
Page : 208 pages
File Size : 52,6 Mb
Release : 2015-10-09
Category : Social Science
ISBN : 9783662479599

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Canadian-Daoist Poetics, Ethics, and Aesthetics by John Z. Ming Chen,Yuhua Ji Pdf

This monograph takes an interdisciplinary and cross-cultural approach to 20th and 21st -century Canadian Daoist poetry, fiction and criticism in comparative, innovative and engaging ways. Of particular interest are the authors’ refreshing insights into such holistic and topical issues as the globalization of concepts of the Dao, the Yin/Yang, the Heaven-Earth-Humanity triad, the Four Greats, Five Phases, Non-action and so on, as expressed in Canadian literature and criticism – which produces Canadian-constructed Daoist poetics, ethics and aesthetics. Readers will come to understand and appreciate the social and ecological significance of, formal innovations, moral sensitivity, aesthetic principles and ideological complexity in Canadian-Daoist works.

The Interlingual Critic

Author : James J. Y. Liu
Publisher : Unknown
Page : 168 pages
File Size : 48,5 Mb
Release : 1982
Category : Literary Criticism
ISBN : UVA:X000369779

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The Interlingual Critic by James J. Y. Liu Pdf

This is a scholarly examination of the validity of corss-cultural, cross-language literary analysis of Chinese poetry.

The Chinese Written Character as a Medium for Poetry

Author : Ernest Fenollosa,Ezra Pound,Jonathan Stalling,Lucas Klein
Publisher : Fordham Univ Press
Page : 240 pages
File Size : 50,9 Mb
Release : 2009-08-25
Category : Literary Collections
ISBN : 9780823228706

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The Chinese Written Character as a Medium for Poetry by Ernest Fenollosa,Ezra Pound,Jonathan Stalling,Lucas Klein Pdf

First published in 1919 by Ezra Pound, Ernest Fenollosa’s essay on the Chinese written language has become one of the most often quoted statements in the history of American poetics. As edited by Pound, it presents a powerful conception of language that continues to shape our poetic and stylistic preferences: the idea that poems consist primarily of images; the idea that the sentence form with active verb mirrors relations of natural force. But previous editions of the essay represent Pound’s understanding—it is fair to say, his appropriation—of the text. Fenollosa’s manuscripts, in the Beinecke Library of Yale University, allow us to see this essay in a different light, as a document of early, sustained cultural interchange between North America and East Asia. Pound’s editing of the essay obscured two important features, here restored to view: Fenollosa’s encounter with Tendai Buddhism and Buddhist ontology, and his concern with the dimension of sound in Chinese poetry. This book is the definitive critical edition of Fenollosa’s important work. After a substantial Introduction, the text as edited by Pound is presented, together with his notes and plates. At the heart of the edition is the first full publication of the essay as Fenollosa wrote it, accompanied by the many diagrams, characters, and notes Fenollosa (and Pound) scrawled on the verso pages. Pound’s deletions, insertions, and alterations to Fenollosa’s sometimes ornate prose are meticulously captured, enabling readers to follow the quasi-dialogue between Fenollosa and his posthumous editor. Earlier drafts and related talks reveal the developmentof Fenollosa’s ideas about culture, poetry, and translation. Copious multilingual annotation is an important feature of the edition. This masterfully edited book will be an essential resource for scholars and poets and a starting point for a renewed discussion of the multiple sources of American modernist poetry.

Sinologism

Author : Ming Dong Gu
Publisher : Routledge
Page : 292 pages
File Size : 54,8 Mb
Release : 2013
Category : History
ISBN : 9780415626545

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Sinologism by Ming Dong Gu Pdf

This book is a study of knowledge production about China and the Chinese civilization and as such it is a critique of the ways in which knowledge about the Chinese civilization is produced. It is not primarily intended as one that sets out to expose biases and prejudices against China, correct errors and misrepresentations of Chinese civilization, and dispute misperceptions and misinterpretations of Chinese materials, although all these issues do occur in the book. The overall objective is to get behind and beneath all these problems in order to uncover the motivations, mental frameworks, attitudes, and reasons for the abovementioned phenomena, which the author terms "Sinologism".

The Chinese Aesthetic Tradition

Author : Zehou Li
Publisher : University of Hawaii Press
Page : 282 pages
File Size : 42,7 Mb
Release : 2009-11-12
Category : History
ISBN : 9780824833077

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The Chinese Aesthetic Tradition by Zehou Li Pdf

Li Zehou (b. 1930) has been an influential thinker in China since the 1950s. Before moving to the U.S. in the wake of the Tiananmen Square protests of 1989, Li published works on Kant and traditional and contemporary Chinese philosophy. The present volume, a translation of his Huaxia meixue (1989), is considered among Li’s most significant works. Apart from its value as an introduction to the philosophy of one of contemporary China’s foremost intellectuals, The Chinese Aesthetic Tradition fills an important gap in the literature of Chinese aesthetics in English. It presents Li’s synthesis of the entire trajectory of Chinese aesthetic thought, from ancient times to the early modern period, incorporating pre-Confucian and Confucian ideas, Daoism, Chan Buddhism, and the influence of Western philosophy during the late-imperial period. As one of China’s As one of China's major contemporary philosophers and preeminent authority on Kant, Li is uniquely positioned to observe this trajectory and make it intelligible to today’s readers. The Chinese Aesthetic Tradition touches on all areas of artistic activity, including poetry, painting, calligraphy, architecture, and the "art of living." Right government, the ideal human being, and the path to spiritual transcendence all come under the provenance of aesthetic thought. According to Li this was the case from early Confucian explanations of poetry as that which gives expression to intent, through Zhuangzi’s artistic depictions of the ideal personality who discerns the natural way of things and lives according to it, to Chan Buddhist-inspired notions that nature and words can come together to yield insight and enlightenment. In this enduring and stimulating work, Li demonstrates conclusively the fundamental role of aesthetics in the development of the cultural and psychological structures in Chinese culture that define "humanity."

The Poetics of Repetition in English and Chinese Lyric Poetry

Author : Cecile Chu-chin Sun
Publisher : University of Chicago Press
Page : 304 pages
File Size : 54,8 Mb
Release : 2011-01-15
Category : Literary Criticism
ISBN : 9780226780221

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The Poetics of Repetition in English and Chinese Lyric Poetry by Cecile Chu-chin Sun Pdf

For more than half a century, Chinese-Western comparative literature has been recognized as a formal academic discipline, but critics and scholars in the field have done little to develop a viable, common basis for comparison between these disparate literatures. In this pioneering book, Cecile Chu-chin Sun establishes repetition as the ideal perspective from which to compare the poetry and poetics from these two traditions. Sun contends that repetition is at the heart of all that defines the lyric as a unique art form and, by closely examining its use in Chinese and Western poetry, she demonstrates howone can identify important points of convergence and divergence. Through a representative sampling of poems from both traditions, she illustrates how the irreducible generic nature of the lyric transcends linguistic and cultural barriers but also reveals the fundamental distinctions between the traditions. Most crucially, she dissects the two radically different conceptualizations of reality—mimesis and xing—that serve as underlying principles for the poetic practices of each tradition. Skillfully integrating theory and practice, The Poetics of Repetition in English and Chinese Lyric Poetryprovides a much-needed model for future study of Chinese and English poetry as well as lucid, succinct interpretations of individual poems.

The Nature and Rationale of Zen/Chan and Enlightenment

Author : Mingdong Gu
Publisher : Unknown
Page : 0 pages
File Size : 46,5 Mb
Release : 2023
Category : Enlightenment (Zen Buddhism)
ISBN : 1032497653

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The Nature and Rationale of Zen/Chan and Enlightenment by Mingdong Gu Pdf

"This book initiates a paradigm shift away from Zen/Chan as quintessentially Buddhist and examines what makes Chan thought and practice unique and original through an interdisciplinary investigation of the nature and rationale of Chan and its enlightenment. Exploring how enlightenment is achieved through Chan practice and how this differs from other forms of Buddhism, the book offers an entirely new view of Chan that embraces historical scholarship, philosophical inquiry, textual analysis, psychological studies, Chan practice, and neuroscientific research and locates the core of Chan in its founder Huineng's theory of no thinking which creatively integrates the Taoist ideas of zuowang (forgetting in seated meditation) and xinzhai (fast of heart-mind) with his personal experiences of enlightenment. It concludes that Chan is the crystallization of an innovative synthesis of Buddhism, Daoism, and Confucianism as well as other resources of somatic and spiritual cultivation, and enlightenment is a momentary return to the mental state of a baby before birth. This book will appeal to students and scholars of religion, philosophy and neuroscience. It will also offer new insights to thinkers, writers, artists, therapists and neuroscientists as well as those practicing Zen, Mindfulness and psychotherapy"--

Baudelaire in China

Author : Gloria Bien
Publisher : Unknown
Page : 0 pages
File Size : 54,9 Mb
Release : 2013
Category : Chinese literature
ISBN : 1611493897

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Baudelaire in China by Gloria Bien Pdf

The book examines the reception of Baudelaire in China by translators, critics, scholars, and individual writers. It reveals not only the protean qualities of Baudelaire's work, but developments and trends in Chinese poetry, literary history, and criticism, as well as political and historical context throughout the twentieth and into the twenty-first century.

Poetics of Relation

Author : Édouard Glissant
Publisher : University of Michigan Press
Page : 260 pages
File Size : 50,6 Mb
Release : 1997
Category : Foreign Language Study
ISBN : 0472066293

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Poetics of Relation by Édouard Glissant Pdf

A major work by this prominent Caribbean author and philosopher, available for the first time in English

Chinese Theories of Fiction

Author : Ming Dong Gu
Publisher : SUNY Press
Page : 304 pages
File Size : 47,8 Mb
Release : 2007-06-01
Category : Literary Criticism
ISBN : 9780791481486

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Chinese Theories of Fiction by Ming Dong Gu Pdf

In this innovative work, Ming Dong Gu examines Chinese literature and traditional Chinese criticism to construct a distinctly Chinese theory of fiction and places it within the context of international fiction theory. He argues that because Chinese fiction, or xiaoshuo, was produced in a tradition very different from that of the West, it has formed a system of fiction theory that cannot be adequately accounted for by Western fiction theory grounded in mimesis and realism. Through an inquiry into the macrocosm of Chinese fiction, the art of formative works, and theoretical data in fiction commentaries and intellectual thought, Gu explores the conceptual and historical conditions of Chinese fiction in relation to European and world fiction. In the process, Gu critiques and challenges some accepted views of Chinese fiction and provides a theoretical basis for fresh approaches to fiction study in general and Chinese fiction in particular. Such masterpieces as the Jin Ping Mei (The Plum in the Golden Vase) and the Hongloumeng (The Story of the Stone) are discussed at length to advance his notion of fiction and fiction theory.

Detour and Access

Author : François Jullien
Publisher : Mit Press
Page : 0 pages
File Size : 41,9 Mb
Release : 2000
Category : Philosophy
ISBN : 1890951110

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Detour and Access by François Jullien Pdf

An exploration of the central role of indirect modes of expression in ancient China. In what way do we benefit from speaking of things indirectly? How does such a distancing allow us better to discover--and describe--people and objects? How does distancing produce an effect? What can we gain from approaching the world obliquely? In other words, how does detour grant access? Thus begins Francois Jullien's investigation into the strategy, subtlety, and production of meaning in ancient and modern Chinese aesthetic and political texts and events. Moving between the rhetorical traditions of ancient Greece and China, Jullien does not attempt a simple comparison of the two civilizations. Instead, he uses the perspective provided by each to gain access into a culture considered by many Westerners to be strange--"It's all Chinese to me"--and whose strangeness has been eclipsed through the assumption of its familiarity. He also uses the comparison to shed light on the role of Greek thinking in Western civilization. Jullien rereads the major texts of Chinese thought--The Book of Songs, Confucius's Analects, and the work of Mencius and Lao-Tse. He addresses the question of oblique, indirect, and allusive meaning in order to explore how the techniques of detour provide access to subtler meanings than are attainable through direct approaches. Indirect speech, Jullien concludes, yields a complex mode of indication, open to multiple perspectives and variations, infinitely adaptable to particular situations and contexts. Concentrating on that which is not said, or which is spoken only through other means, Jullien traces the benefits and costs of this rhetorical strategy in which absolute truth is absent.