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An investigation of how American poetry since Whitman makes its beginnings, with what means and to which political and aesthetic ends, and how it addresses fundamental questions about what the future is and how it may be affectednow.
'A compelling vision, an urgent necessity, and not beyond reach' Noam Chomsky The past is forgotten, and the future is without hope. Dystopia has become a reality. This is the new normal in our apocalyptic politics - but if we accept it, our helplessness is guaranteed. To bring about real change, argues activist and political philosopher Srecko Horvat, we must first transform our mindset. Ranging through time and space, from the partisan liberation movements of Nazi-occupied Yugoslavia to the contemporary culture, refugee camps and political frontlines of 21st century Europe, Horvat shows that the problems we face today are of an unprecedented nature. To solve them, he argues in this passionate call for a new radical internationalism, we must move beyond existing ways of thinking: beyond borders, national identities and the redundant narratives of the past. Only in this way can we create new models for living and, together, shape a more open and optimistic future.
Lost Loss in American Elegiac Poetry by Toshiaki Komura Pdf
Lost Loss in American Elegiac Poetry: Tracing Inaccessible Grief from Stevens to Post-9/11 examines contemporary literary expressions of losses that are “lost” on us, inquiring what it means to “lose” loss and what happens when dispossessory experiences go unacknowledged or become inaccessible. Toshiaki Komura analyzes a range of elegiac poetry that does not neatly align with conventional assumptions about the genre, including Wallace Stevens’s “The Owl in the Sarcophagus,” Sylvia Plath’s last poems, Elizabeth Bishop’s Geography III, Sharon Olds’s The Dead and the Living, Louise Glück’s Averno, and poems written after 9/11. What these poems reveal at the intersection of personal and communal mourning are the mechanism of cognitive myth-making involved in denied grief and its social and ethical implications. Engaging with an assortment of philosophical, psychoanalytic, and psychological theories, Lost Loss in American Elegiac Poetry elucidates how poetry gives shape to the vague despondency of unrecognized loss and what kind of phantomic effects these equivocal grieving experiences may create.
Opera in Seventeenth-Century Venice by Ellen Rosand Pdf
"In this elegantly constructed study of the early decades of public opera, the conflicts and cooperation of poets, composers, managers, designers, and singers—producing the art form that was soon to sweep the world and that has been dominant ever since—are revealed in their first freshness."—Andrew Porter "This will be a standard work on the subject of the rise of Venetian opera for decades. Rosand has provided a decisive contribution to the reshaping of the entire subject. . . . She offers a profoundly new view of baroque opera based on a solid documentary and historical-critical foundation. The treatment of the artistic self-consciousness and professional activities of the librettists, impresarios, singers, and composers is exemplary, as is the examination of their reciprocal relations. This work will have a positive effect not only on studies of 17th-century, but on the history of opera in general."—Lorenzo Bianconi
Writing Plural Worlds in Contemporary U.S. Poetry by J. Keller Pdf
This book reveals how poets within the U.S. multi-ethnic avant-garde give up the goal of narrating one comprehensive, rooted view of cultural reality in favour of constructing coherent accounts of relational, local selves and worlds.
WALT WHITMAN Ultimate Collection: 500+ Works in Poetry & Prose by Walt Whitman Pdf
This meticulously edited Walt Whitman collection is formatted for your eReader with a functional and detailed table of contents: Table of Contents: Poetry: Leaves of Grass (The Original 1855 Edition): Song of Myself A Song for Occupations To Think of Time The Sleepers I Sing the Body Electric Faces Song of the Answerer Europe the 72d and 73d Years of These States A Boston Ballad There Was a Child Went Forth Who Learns My Lesson Complete Great Are the Myths Leaves of Grass (The Final Edition): Inscriptions Starting from Paumanok Song of Myself Children of Adam Calamus Salut au Monde! Song of the Open Road Crossing Brooklyn Ferry Song of the Answerer Our Old Feuillage A Song of Joys Song of the Broad-Axe Song of the Exposition Song of the Redwood-Tree A Song for Occupations A Song of the Rolling Earth Birds of Passage A Broadway Pageant Sea-Drift By the Roadside Drum-Taps Memories of President Lincoln By Blue Ontario's Shore Autumn Rivulets Proud Music of the Storm Passage to India Prayer of Columbus The Sleepers To Think of Time Whispers of Heavenly Death Thou Mother with Thy Equal Brood From Noon to Starry Night Songs of Parting Sands at Seventy Good-Bye My Fancy Other Poems Novels: Franklin Evans Life and Adventures of Jack Engle Short Stories: The Half-Breed Bervance; or, Father and Son The Tomb-Blossoms The Last of the Sacred Army The Child-Ghost Reuben's Last Wish A Legend of Life and Love The Angel of Tears The Death of Wind-Foot The Madman Eris; A Spirit Record My Boys and Girls The Fireman's Dream The Little Sleighers Shirval: A Tale of Jerusalem Richard Parker's Widow Some Fact-Romances The Shadow and the Light of a Young Man's Soul Other Works: Manly Health and Training Specimen Days Collect Notes Left Over Pieces in Early Youth November Boughs Good-Bye My Fancy Some Laggards Yet Letters: The Wound Dresser The Letters of Anne Gilchrist and Walt Whitman
Author : Robert Ashmore Publisher : Walter de Gruyter GmbH & Co KG Page : 301 pages File Size : 40,5 Mb Release : 2023-06-19 Category : Language Arts & Disciplines ISBN : 9781501504693
Li He (790-816) holds a place in China's poetic history somewhat outside the mainstream, but in every generation of readers there have been those who have found his intense and often cryptic lyrical visions irresistibly fascinating and utterly without parallel. He is renowned particularly for his lyrical reimaginings of song traditions from the ancient past, and his premature death, along with the otherworldly quality of many of his works, led later readers to view him as the emblematic cursed poet, whose fascination with ancient history, with ghosts, and with celestial and demonic beings seemed to presage the brevity of his own existence. Li He's style and diction are often idiosyncratic and even hermetic, and his work presents daunting challenges to readers wishing to follow the flights of his imagination, or simply to construe the basic sense of his language. This volume presents close translations of all of Li He's poetry, in facing-page format with the original texts, with explanatory notes on literary and historical references and difficult points of interpretation, along with endnotes briefly discussing textual variants and other technical matters. Taken together, these features will be a welcome aid to readers wishing to explore Li He's poetic worlds first-hand.
The Lunar Light of Whitman's Poetry by M. Wynn Thomas Pdf
Thomas relates Whitman's work to American painting of the period; examines the poet's evocation of nature; documents the revisions and additions Whitman made to Leaves of Grass in order to demonstrate that "my Book and the War are One"; and pays sympathetic attention to the postwar poetry, usually slighted.
What is the public value of poetry? How do poets envisage their own role and function within society? How do we? Do poets seek to shape public opinion and behavior? Should they? Or do they offer alternatives--perhaps sacred alternatives--to political and religious ideologies? Are they what Shelley in 1821 called 'the unacknowledged legislators of the World'? And what might that mean? During the decades immediately preceding the Revolution of 1789 the status of contemporary poetry in France was at its lowest ebb. At the same time the perceived power of the writer to influence public events reached a high-water mark with Voltaire's triumphant return to Paris in 1778. In the course of the next century French poetry enjoyed an extraordinary renaissance and flowering, perhaps its greatest. But what of the poet's public influence? In 1881 the people of Paris processed for six hours past the home of Victor Hugo on the occasion of his 79th birthday, and in 1885 an estimated two million people witnessed his state funeral. But who or what were they acknowledging? Poetry or republicanism? Or perhaps their own power? For with each Revolution that passed--1789, 1830, 1848--French poets themselves felt increasingly marginalized. This study addresses the first part of this story and focuses on the role and function of the poet during the so-called Romantic Period. Beginning with an account of the literary climate in pre-revolutionary France it then maps the changes in that climate wrought by the events of the 1789 Revolution. It describes the new politico-literary agendas set by Chateaubriand and others on the monarchist Right, and by Stael and others on the liberal Left. Against this background it then analyzes in detail the poetic output and public exploits of the three major French poets of the period: Lamartine, Hugo, and Vigny. The Romantic figure of the poet as prophet and magus is habitually dismissed as a cliche. But by focusing on the role of the poet as lawgiver this book reveals the rich and complex terms in which the public function of poetry was debated in post-revolutionary France--and how amidst the centenary celebrations of 1889, as Romanticism gave way to Symbolism, the poet as lawgiver continued to play a central part in that debate.
