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Capturing a ninteenth-century Spanish world of political tumult and personal obsession, Benito Pérez Galdós's Fortunata and Jacinta tells of two women who love the same man unfailingly - one as his mistress, the other as his wife. In this new and complete translation, Agnes Moncy Gullón presents the detailed realism, the diversity of character and scene that have placed Fortunata and Jacinta alongside the voluminous works of Charles Dickens and Honoré de Balzac. Galdós's Madrid, recast from his youthful wanderings through the city's slums and cafés, includes the egg sellers and faded bullfighters surrounding Fortunata as well as the quieter, sequestered milieu of Jacinta's upbringing. Through Juanito, the lover of both women, the writer reveals Spain as a variegated fabric of delicate traditions and established vices, of shaky politics and rich intrigue. In this vast and colorful world, resonant of Dickens's London and Balzac's France, Galdós presents his characters with a depth, ambiguity, and humor born of the multiplicity of his scene.
Conflicts and Conciliations by Geoffrey Ribbans Pdf
Between 1881 and 1897, Benito P rez Gald s, generally acknowledged as Spain's greatest nineteenth-century novelist, composed some twenty "contemporary" novels, which Geoffrey Ribbans characterizes as the peak of his achievement. This monumental study traces the evolution of the many strands that make up one of them: the long and complex novel Fortunata y Jacinta. Ribbans examines the various stages of composition, not only the earlier, reconstructed Alpha version but also subsequent revisions in the much corrected handwritten text and in the printer's galleys. He treats these tentative drafts as part of the process of reaching out toward the coherent definitive text. Ribbans's analysis of such devices as the ambiguous role of the narrator, the use of free indirect style and direct dialogue, and the construction of distinctive ideolects leads to the heart of his study, the development of Gald s's characters.
Cervantes and Galdos in Fortunata Y Jacinta by Kevin S. Larsen Pdf
This study examines the profound impact of Cervantes and Don Quijote on the magnum opus of Benito Perez Galdos, Spain's pre-eminent novelist of the 19th century. It aims to demonstrate how he incorporates and rewrites aspects of the Quijote.
Although the three authors studied, Ana María Matute, Carmen Martín Gaite, and Esther Tusquets, are sophisticated intellectuals, they have chosen fairy tales and texts from other marginalized genres originally for female consumption (such as the novela rosa and the Hollywood women's picture) as the major intertexts in their novels for adults as well as in their fictions for children. Against the backdrop feminist theory and recent critical studies of fairy tales and children's literature, Soliño studies the works of these authors as "gendered texts." Soliño's book opens with a chapter that traces the historical development of the fairy tale genre, examines their didactic intent, and critiques the images of women in fairy tales. The second chapter explores the manners by which fairy tales were used as a tool for indoctrination during the formative years of the three authors under consideration. These introductory chapters are followed by individual chapters devoted to Martín Gaite, Matute, and Tusquets in which Soliño explores the connections between the literature these authors published for children and the novels they penned for an adult readership.
Benito Perez Galdos has been described as 'the greatest Spanish novelist since Cervantes.' His work constitutes a major contribution to the nineteenth-century novel, rivalling that of Dickens of Balzac and making him an essential candidate for any course on the fiction of the period. Jo Labanyi's study is supported by a wide-rangting introduction, a section of contemporary comment, headnotes to each piece and helpful appendix material.
Author : Julia H. Chang Publisher : University of Toronto Press Page : 184 pages File Size : 48,8 Mb Release : 2022-08-31 Category : Literary Criticism ISBN : 9781487543020
In the late nineteenth century, Spain’s most prominent writers – Juan Valera, Leopoldo Alas, and Benito Pérez Galdós – made blood a crucial feature of their fiction. Blood Novels examines the cultural and literary significance of blood, unsettling the dominant assumption of the period that blood no longer played a decisive role in social hierarchies. By examining fictional works through the rubric of "blood novels," Julia H. Chang identifies a shared fascination with blood that probes the limits of realism through blood’s dual nature of matter and metaphor. Situating the literature within broader cultural and theoretical debates, Blood Novels attends to the aesthetic contours of material blood and in particular how bleeding is inflected by gender, caste, and race. Critically engaging with feminist theory, theories of race and whiteness, literary criticism, and medical literature, this innovative study makes a case for treating blood as a critical analytic tool that not only sheds new light on Spanish realism but, more broadly, challenges our understanding of gendered and racialized embodiment in Spain.
Galdos and the Art of the European Novel by Stephen Gilman Pdf
Benito Perez Galdos (1843-1920) was one of Spain's outstanding novelists and the author of two vast cycles of novels and a number of plays. In this critical study of Galdos in English, Stephen Gilman relates the writer and his work to the nineteenth century novel as a genre and traces his artistic growth during a twenty-year period, from his initial historical fable, La Fontana de Oro, to his masterpiece, Fortunata y Jacinta. Originally published in 1981. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Fortunata y Jacinta is the magnum opus of Benito Perez Galdos, acknowledged in the field of Spanish letters as second only in importance to Cervantes. This study is an analysis of the different parts of the manuscript as "palimpsest," or layering of texts from the early manuscript drafts of the work to its printed edition, produced in successive stages to create a better version than the last. The analysis seeks to lay bare important aspects of the creative process of composition in the astounding cultural phenomenon that is the nineteenth-century realist novel, assessing in what ways any changes from earlier to later drafts may provide an understanding of the genius of creation in this particular literary form.