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Gandhari and Sree Krishna Most Important Scene by Kalki Pdf
Sree Krishna says “If the hand of the husband is amputated, then is it chastity for the wife also to self-amputate her hand to show respect to her husband? Is it an exemplary act?” Kalki Revealed in Kalki Bhagawan Yugadharma Magazine (R.N.E6 – 37523/98. Not currently being published.), Malayalam monthly, in the year 2000. Paperback published in 2008. Thereafter, published in Janmabhumi Daily on 21 Sep 2010. Translated by Sreekumari Ramachandran.
Hinduism is a very liberal religion. It is eternal and, despite having many deities in it, it is a supporter of monotheism. Hindus believe that God is one; only names are many. Hurting someone is the greatest sin, and charity is the greatest virtue. Service to the people is the service of God. Hinduism resides in the mind, rites, and traditions of Hindutva. In Hinduism, gods and goddesses are an integral part of the colorful Hindu culture. The main deities of the Vedic period are Indra, Agni, Soma, Varuna, Prajapati, Savita, and the goddesses Saraswati, Usha, Prithvi, etc. In later Hinduism, new gods and goddesses came in the form of many incarnations, such as Ganesha, Shri Rama, Shri Krishna, Hanuman, Kartikeya, Surya, Chandra, etc., and goddesses called mothers, such as Durga, Parvati, Lakshmi, Sheetla, Sita, Radha, Santoshi, Mahakali, etc. All these deities are mentioned in the Puranas and their total number is said to be 33 types. They are: 8 Vasu, 11 Rudra, 12 Aaditya, 1 Indra and 1 Prajaapati. According to the Puranas, Brahma, Vishnu, and Shiva are the supreme powers and members of the Trinity. They are the rulers of nature. Without their permission, not even a leaf moves here. One more special thing—all the deities' works are divided. No one interferes in any particular area. Everyone has also been given their respective powers for the performance of the work. Apart from all this, the cow is also worshipped as a mother in Hinduism. It is believed that the entire 33 categories of deities reside in the cow. Many trees, rivers, animals, birds, mountains, etc. are worshipped here as God. Hindu gods and goddesses have also taken many incarnations to protect religion and humanity. Among them, 10 incarnations of Lord Vishnu are considered prominent: Matsya, Kurma, Varaha, Vamana, Narasimha, Parashurama, Rama, Krishna, Buddha, and Kalki. The Kalki incarnation is the twenty-fourth incarnation of Lord Vishnu, which is set to take place at the end of the current Kali-yuga. His various forms are worshipped with full devotion and belief in the country and abroad. It is also said in religious texts that the deities may have different names, but all bless their devotees equally. The stories of the origins of various Hindu gods are given in the present book. There may be similarities in some of the stories. I have compiled these from the Vedas, Puranas, and Upanishads. I hope the readers will find it interesting and informative.
A vivid journey back to the time of Krishna, his holy city, and the Mahabharata War • Recounts ecstatic celebrations, Krishna’s love for his wives and sons, and events surrounding the Mahabharata War • Offers potent spiritual lessons from Krishna’s teachings and stresses Krishna’s ability to contain all opposites and stand above duality • Provides a historical timeline and real dates for the Mahabharata War and the sinking of Krishna’s city beneath the sea Located on the west coast of India in the state of Gujarat, the city of Dwaraka is considered one of the seven holy cities of India. Archaeological discoveries of ruins and artifacts off the city’s coast have now conclusively proven what many have long believed: Modern Dwaraka is built on the same site as the famed city of the same name from the Puranas and the Mahabharata, the “Golden City” of Lord Krishna. Transporting us back five thousand years to the time of Krishnavatara, the age in which Krishna lived, Vanamali leads us on a journey alongside Lord Krishna as he reigns over the ancient port city of Dwaraka and helps the Pandavas through the Mahabharata War. Recounting ecstatic celebrations, Krishna’s love for his wives and sons, and events surrounding the epic war, the author stresses Krishna’s ability to contain all opposites and stand above duality like a lotus leaf floating on a running stream. Offering potent spiritual lessons throughout her story, she shows how the truly spiritual individual is able to unreservedly accept all dimensions of life and rise above all dualities of existence, war and peace, love and hate, sex and abstinence, action and meditation. She also provides a historical timeline for the Mahabharata War and the sinking of Krishna’s city beneath the sea--3126 BCE and 3090 BCE, respectively--and shows how the Mahabharata War occurred under circumstances quite similar to those of the present day, both politically and astrologically. Through her vivid tale and her personal connection with Krishna across many lifetimes, Vanamali shows how the magic and mystery of Krishna’s ancient holy city live on through his spiritual teachings.
Gandhari, the blindfolded queen-mother of the Kauravas, sees through it all... Gandhari has one day left to live. As she stares death in the face, her memories travel back to the beginning of her story, to life's unfairness at every point: A fiercely intelligent princess who wilfully blindfolded herself for the sake of her peevish, visually-impaired husband; who underwent a horrible pregnancy to mother one hundred sons, each as unworthy as the other; whose stern tapasya never earned her a place in people's hearts, nor commanded the respect that Draupadi and Kunti attained; who even today is perceived either as an ingratiatingly self-sacrificing wife or a bad mother who was unable to control her sons and was, therefore, partly responsible for the great war of the Mahabharata... In this insightful and sensitive portrayal, Aditi Banerjee rescues Gandhari from being reduced to a mere symbol of her blindfold. She builds her up, as Ved Vyasa did, as an unconventional heroine of great strength and iron will – who, when crossed, embarked upon a complex relationship with Lord Krishna, and became the queen who cursed a God...
The Mahabharata like you’ve never known it before! In this contemporary retelling, Sarita Sharma narrates the story of India’s grandest epic from an insider perspective, in this case, from the perspective of the great warrior-hero, Arjuna. In the last years of their life, Arjuna, his siblings and wife set out to attain moksha. To his shock, Arjuna finds himself in hell, for reasons he cannot fathom. Alone in a numbing darkness, he has all the time to introspect on his life, relationships, accomplishments and failures. Arjuna’s narrative strings together a series of character profiles of his family members and other prominent characters from the epic. It’s a no-holds-barred, psychological interpretation of their personalities, motivation and behaviour, warts and all. Interspersed with these recollections are fascinating, little-known back stories from the epic, set against the backdrop of the cities and forests of Aryavarta. Courage and honour, dharma and power, love and sacrifice, anger and pride—the Mahabharata’s celebrated themes weave through Arjuna’s narrative as it goes back and forth in time, its ancient wisdom enlivened with modern touches.
The Mahabharata is the more recent of India's two great epics, and by far the longer. First composed by the Maharishi Vyasa in verse, it has come down the centuries in the timeless oral tradition of guru and sishya, profoundly influencing the history, culture, and art of not only the Indian subcontinent but most of south-east Asia. At 100,000 couplets, it is seven times as long as the Iliad and the Odyssey combined: far and away the greatest recorded epic known to man. The Mahabharata is the very Book of Life: in its variety, majesty and, also, in its violence and tragedy. It has been said that nothing exists that cannot be found within the pages of this awesome legend. The epic describes a great war of some 5000 years ago, and the events that led to it. The war on Kurukshetra sees ten million warriors slain, brings the dwapara yuga to an end, and ushers in a new and sinister age: this present kali yuga, modern times. At the heart of the Mahabharata nestles the Bhagavad Gita, the Song of God. Senayor ubhayor madhye, between two teeming armies, Krishna expounds the eternal dharma to his warrior of light, Arjuna. At one level, all the restless action of the Mahabharata is a quest for the Gita and its sacred stillness. After the carnage, it is the Gita that survives, immortal lotus floating upon the dark waters of desolation: the final secret! With its magnificent cast of characters, human, demonic, and divine, and its riveting narrative, the Mahabharata continues to enchant readers and scholars the world over. This new rendering brings the epic to the contemporary reader in sparkling modern prose. It brings alive all the excitement, magic, and grandeur of the original-for our times.
Untold Tales from the Mahabharata by Uday Shankar Pdf
Which Kaurava was inspired by the birds to commit one of the most grotesque murders in the Mahabharata? Why did King Muchkund sleep for a million years and wake up in the Dwaparyug? Whose soul had entered the dice of Shakuni? Why was Gandhari married to a goat before she wed Dhritarashtra? What was the secret behind Arjun's chariot being burnt to ashes after the war? Who instigated Janmejay to burn every snake in the universe? Who was the only Kaurava to cross over to the Pandavas before the battle? An epic that never dies and still remains relevant even thousands of years later-Vyasa's Mahabharata has always captured our imagination. The saga of two feuding families, the Mahabharata, with its various twists and turns, has been a compelling read across generations, inspiring many to dig deeper into the great poem. This collection of twenty short stories brings out characters and incidents that are largely unheard of and are buried in the vastness of the epic. Capturing every emotion from valour, lust, loyalty and treachery to goodness and ethics so relevant to the world we live in, these stories help us understand the epic better by bringing out a different dimension altogether.