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Invited to New York by his estranged daughter, Mari, seventy-something Japanese gardener Mas Arai discovers that Mari has taken off, leaving Mas alone with his new son-in-law Lloyd, who is planning to open a Japanese garden, only to find himself caught up in murder when Lloyd's boss is found dead and Mari is arrested for the crime. Reprint.
Depuis toujours, la fille de Mas Arai, Mari, est gasa-gasa - incapable de rester assise, toujours en mouvement. Et Mas, occupé à entretenir des pelouses et faire table rase de son passé de rescapé de Hiroshima, n'a jamais eu beaucoup de temps à lui consacrer. Mari est donc partie à New York et ne parle plus à son père. Un jour, pourtant, elle l'appelle à l'aide...
From the time she was a child, Mas Arai’s daughter, Mari, was completely gasa-gasa–never sitting still, always on the go, getting into everything. And Mas, busy tending lawns, gambling, and struggling to put his Hiroshima past behind him, never had much time for the family he was trying to support. For years now, his resentful daughter has lived a continent away in New York City, and had a life he knew little about. But an anxious phone call from Mari asking for his help plunges the usually obstinate Mas into a series of startling situations from maneuvering in an unfamiliar city to making nice with his tall, blond son-in-law, Lloyd, to taking care of a sickly child…to finding a dead body in the rubble of a former koi pond. The victim was Kazzy Ouchi, a half-Japanese millionaire who also happened to be Mari and Lloyd’s boss. Stumbling onto the scene, Mas sees more amiss than the detectives do, but his instinct is to keep his mouth shut. Only when the case threatens his daughter and her family does Mas take action: patiently, stubbornly tugging at the end of a tangled, dangerous mystery. And as he does, he begins to lay bare a tragic secret on the dark side of an American dream.… Both a riveting mystery and a powerful story of passionate relationships across a cultural divide, Gasa-Gasa Girl is a tale told with heart and wisdom: an unforgettable portrait of fathers, daughters, and other strangers.
"Des années plus tôt, Mas avait vu une quantité de morts à Hiroshima, juste après le bombardement, mais c'était des corps calcinés, pas gelés comme celui-ci. Mas comprit qui était ce mort, avant même que Becca s'approche et murmure : "K-san". " Depuis toujours, la fille de Mas Arai, Mari, est gasa-gasa - toujours en mouvement. Et Mas, occupé à entretenir des pelouses et faire table rase de son passé, n'a jamais eu beaucoup de temps à lui consacrer. Mari est donc partie à New York et ne parle plus à son père. Un jour, pourtant, elle l'appelle à l'aide. Mas est aussitôt entraîné dans une série de situations surprenantes, comme tomber sur un cadavre dans un ancien bassin à carpes. La victime est un millionnaire qui tentait de restaurer le jardin japonais d'une vieille propriété de Brooklyn. Rapidement, Mas repère les indices ignorés par la police, mais son instinct le pousse à se taire. Seulement, l'affaire finit par éclabousser sa famille... obligeant le vieux jardinier à passer à l'action.
Pt. 1. Topaz, a literary hotbed -- After the bombs: the experience of Toyo Suyemoto -- Writing as resistance in Topaz: TREK and All Aboard -- Toshio Mori: a literary life derailed -- Miné Okubo: an aesthetic life launched -- Pt. 2. Writing elsewhere -- The Pulse of Amache/Granada -- Dispatches from tumultuous Tule Lake -- Internment novels: Toshio Mori's the Brothers Murata and Hiroshi Nakamura's treadmill -- Jerome's magnet -- Humiliation and hope in Rohwer's the Pen.
From Summer of the Big Bachi to Gasa-Gasa Girl, Naomi Hirahara’s acclaimed novels have featured one of mystery fiction’s most unique heroes: Mas Arai, a curmudgeonly L.A. gardener, Hiroshima survivor, and inveterate gambler. Few things get Mas more excited than gambling, so when he hears about a $500,000 win–from a novelty slot machine!–he’s torn between admiration and derision. But the stakes are quickly raised when the winner, a friend of Mas’s pal G. I. Hasuike, is found stabbed to death just days later. The last thing Mas wants to do is stick his nose in someone else’s business, but at G.I.’s prodding he reluctantly agrees to follow the trail of a battered snakeskin shamisen (a traditional Okinawan musical instrument) left at the scene of the crime…and suddenly finds himself caught up in a dark mystery that reaches from the islands of Okinawa to the streets of L.A.–a world of heartbreaking memories, deception, and murder.
Mas Arai's best friend Haruo is getting married, and he has grudgingly agreed to serve as best man. But when an ancient Japanese doll display of Haruo's fiancée goes missing, the wedding is called off with fingers pointed at Haruo. To solve the mystery to save Haruo's life, Mas must untangle a web of secrecy, heart-breaking memories, and murder.
A new strawberry varietal has someone seeing red in this “intricate whodunit” featuring the curmudgeonly Japanese American gardener and reluctant sleuth (Kirkus Reviews). Hiroshima survivor Mas Arai first arrived in Watsonville, California in the 1940s. Now a semi-retired gardener living in an LA suburb, he returns for a cousin’s funeral only to get entangled in the mystery of a young woman’s murder. Was his cousin murdered, too? Mas has to figure out what happened, keep himself safe in the face of considerable peril, and uncover the mystery of a new strawberry varietal so important that someone just might be willing to kill for it. A skillfully plotted tale of family intrigue, revenge, and gardening that moves seamlessly between the past and the present, Strawberry Yellow is another outstanding chapter in an Edgar Award–winning series marked by “a shrewd sense of character and a formidable narrative engine” (Chicago Tribune). “Mas, less an amateur detective than a cranky, accidental one, is what makes the story work. His obdurance, his skill as a listener, and even his broken English are charming in a quirky, uncomplicated way.” —Booklist
In the foothills of Pasadena, Mas Arai is just another Japanese-American gardener, his lawnmower blades clean and sharp, his truck carefully tuned. But while Mas keeps lawns neatly trimmed, his own life has gone to seed. His wife is dead. And his livelihood is falling into the hands of the men he once hired by the day. For Mas, a life of sin is catching up to him. And now bachi—the spirit of retribution—is knocking on his door. It begins when a stranger comes around, asking questions about a nurseryman who once lived in Hiroshima, a man known as Joji Haneda. By the end of the summer, Joji will be dead and Mas’s own life will be in danger. For while Mas was building a life on the edge of the American dream, he has kept powerful secrets: about three friends long ago, about two lives entwined, and about what really happened when the bomb fell on Hiroshima in August 1945. A spellbinding mystery played out from war-torn Japan to the rich tidewaters of L.A.’s multicultural landscape, this stunning debut novel weaves a powerful tale of family, loyalty, and the price of both survival and forgiveness.
Historical Dictionary of Asian American Literature and Theater by Wenying Xu Pdf
A Library Journal Best Reference Book of 2022 This book represents the culmination of over 150 years of literary achievement by the most diverse ethnic group in the United States. Diverse because this group of ethnic Americans includes those whose ancestral roots branch out to East Asia, Southeast Asia, South Asia, and Western Asia. Even within each of these regions, there exist vast differences in languages, cultures, religions, political systems, and colonial histories. From the earliest publication in 1887 to the latest in 2021, this dictionary celebrates the incredibly rich body of fiction, poetry, memoirs, plays, and children’s literature. Historical Dictionary of Asian American Literature and Theater, Second Edition contains a chronology, an introduction, and an extensive bibliography. The dictionary section has more than 700 cross-referenced entries on genres, major terms, and authors. This book is an excellent resource for students, researchers, and anyone wanting to know more about this topic.
WHEN 12-YEAR-OLD ANGELA Kato arrives in L.A., the last thing she wants to do is spend the entire summer with her grandparents. But in the Kato family, one is never permitted to complain. Grandma Michi and Aunt Janet put Angela to work in their flower shop, folding origami and creating 1001 crane displays for newlyweds. At first, Angela learns the trade begrudgingly. But when her folding skills improve and her relationships with family and friends grow, Angela is able to cope with her troubles, especially her parents’ impending divorce.
This fun, engrossing book takes a look at the surprising influence that gardens and gardening have had on mystery novels and their authors. With their deadly plants, razor-sharp shears, shady corners, and ready-made burial sites, gardens make an ideal scene for the perfect murder. But the outsize influence that gardens and gardening have had on the mystery genre has been underappreciated. Now, Marta McDowell, a writer and gardener with a near-encyclopedic knowledge of the genre, illuminates the many ways in which our greatest mystery writers, from Edgar Allen Poe to authors on today’s bestseller lists, have found inspiration in the sinister side of gardens. From the cozy to the hardboiled, the literary to the pulp, and the classic to the contemporary, Gardening Can Be Murder is the first book to explore the mystery genre’s many surprising horticultural connections. Meet plant-obsessed detectives and spooky groundskeeper suspects, witness toxic teas served in foul play, and tour the gardens—both real and imagined—that have been the settings for fiction’s ghastliest misdeeds. A New York Times bestselling author herself, McDowell also introduces us to some of today’s top writers who consider gardening integral to their craft, assuring that horticultural themes will remain a staple of the genre for countless twisting plots to come. “This book is dangerous. A veritable cornucopia of crime fiction and gardening lore, it faces the reader with multiple temptations—books to seek out, plants to obtain, garden tours to book.” —Vicki Lane, author of the Elizabeth Goodweather Appalachian Mysteries
Heritage, Nationhood, and Language by Neriko Musha Doerr Pdf
The notion of "heritage" has become one of the global tropes in recent years. At the heart of heritage politics are three questions: what heritage is, who decides what it is, and for whom is the decision made. However, existing work on heritage language has rarely tackled these questions, assuming that teaching children of migrants their "heritage language" empowers them. This book challenges this assumption, situating the notion of heritage language in the host society’s involvement in social justice, nation-building efforts, (superficial) celebration of diversity, and investment on global links the migrants offer as well as the migrants’ fear of discrimination and desire for belonging, social status, and economic gain. Based on ethnographic research in Bolivia, Peru, the United States, and Japan, the book illuminates the complexity and political nature of determining what constitutes heritage language for migrants with connections to Japan. This volume opens up a new field of investigation in heritage language studies: the complex linkage between heritage language and social justice for migrants. This book was published as a special issue of Critical Asian Studies.
Melting Pots & Mosaics: Children of Immigrants in US-American Literature by Rüdiger Heinze Pdf
In the past decades, children of immigrants have drawn increased attention not only in press and media, but also in a number of academic fields, among them sociology, history, or ethnology. Surprisingly, literary and cultural studies have been somewhat more reluctant to approach the topic. While there is work on individual authors or, at the very most, particular ethnic groups, comparative approaches are rare. This monograph aims to amend this. It provides an extensive discussion of US-American literature about children of immigrants, comparing different authors, different ethnic groups and different literary and historical contexts.
