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Author : Jocelyn Nelson
Publisher : Cognella Academic Publishing
Page : 128 pages
File Size : 43,7 Mb
Release : 2011-09-14
Category : Electronic
ISBN : 1609274814
Author : Timothy Rice,Dave Wilson
Publisher : Routledge
Page : 450 pages
File Size : 53,9 Mb
Release : 2019-01-31
Category : Music
ISBN : 9781351708838
Gateways to Understanding Music explores music in all the categories that constitute contemporary musical experience: European classical music, popular music, jazz, and world music. Covering the oldest forms of human music making to the newest, the chronological narrative considers music from a global rather than a Eurocentric perspective. Each of sixty modular "gateways" covers a particular genre, style, or period of music. Every gateway opens with a guided listening example that unlocks a world of music through careful study of its structural elements. Based on their listening experience, students are asked to consider how the piece came to be composed or performed, how the piece or performance responded to the social and cultural issues at the time and place of its creation, and what that music means today. Students learn to listen to, explain, understand, and ultimately value all the music they may encounter in their world. FEATURES Global scope—Presents all music as worthy of study, including classical, world, popular, and jazz. Historical narrative—Begins with small-scale forager societies up to the present, with a shifting focus from global to European to American influences. Modular framework—60 gateways in 14 chapters allow flexibility to organize chronologically or by the seven recurring themes: aesthetics, emotion, social life, links to culture, politics, economics, and technology. Listening-guided learning—Leads to understanding the emotion, meaning, significance, and history of music. Introduction of musical concepts—Defined as needed and compiled into a Glossary for reference. Consistent structure—With the same step-by-step format, students learn through repeated practice how to listen and how to think about music. In addition to streamed audio examples, the companion website hosts essential instructors’ resources.
Author : Jocelyn Nelson
Publisher : Unknown
Page : 632 pages
File Size : 47,7 Mb
Release : 2017-12-27
Category : Music
ISBN : 1516571800
A fresh, balanced approach that transcends the exclusively classical music focus of most other music appreciation texts. Gateway to Music: An Introduction to American Vernacular, Western Art, and World Musical Traditions broadens standard notions of music appreciation with an introduction to local and global musical traditions, blended with social, cultural, and historical contexts. It is an ideal text for undergraduate music appreciation courses, a useful sup
Author : Jocelyn Nelson
Publisher : Cognella Academic Publishing
Page : 128 pages
File Size : 52,8 Mb
Release : 2013-01-30
Category : Music
ISBN : 1621319644
Author : Vivek Shraya
Publisher : ECW Press
Page : 189 pages
File Size : 42,8 Mb
Release : 2020-04-07
Category : Fiction
ISBN : 9781773055152
“Biting and beautiful.” — Jonny Sun, author of everyone’s a aliebn when ur a aliebn too Everyone talks about falling in love, but falling in friendship can be just as captivating. When Neela Devaki’s song is covered by internet-famous artist Rukmini, the two musicians meet and a transformative friendship begins. But as Rukmini’s star rises and Neela’s stagnates, jealousy and self-doubt creep in. With a single tweet, their friendship implodes, one career is destroyed, and the two women find themselves at the center of an internet firestorm. Celebrated multidisciplinary artist Vivek Shraya’s second novel is a stirring examination of making art in the modern era, a love letter to brown women, an authentic glimpse into the music industry, and a nuanced exploration of the promise and peril of being seen.
Author : Jocelyn Nelson
Publisher : Unknown
Page : 128 pages
File Size : 41,8 Mb
Release : 2011-05-06
Category : Electronic
ISBN : 1609272382
Author : Jocelyn Nelson
Publisher : Unknown
Page : 280 pages
File Size : 46,8 Mb
Release : 2013
Category : Music
ISBN : 162131054X
Author : Diana Raffman
Publisher : National Geographic Books
Page : 0 pages
File Size : 48,9 Mb
Release : 1993-02-12
Category : Psychology
ISBN : 9780262519359
The first cognitivist theory of the nature of ineffable, or verbally inexpressible, musical knowledge. Taking a novel approach to a longstanding problem in the philosophy of art, Diana Raffman provides the first cognitivist theory of the nature of ineffable, or verbally inexpressible, musical knowledge. In the process she also sheds light on central issues in the theory of mind. Raffman invokes recent theory in linguistics and cognitive psychology to provide an account of the content and etiology of musical knowledge that "can not be put into words." Within the framework of Lerdahl and Jackendoff's generative theory of music perception, she isolates three kinds of ineffability attending our conscious knowledge of music—access, feeling, and nuance ineffability—and shows how these arise. Raffman makes a detailed comparison of linguistic and musical understanding, culminating in an attack on the traditional idea that human emotions constitute the meaning or semantic content of music. She compares her account of musical ineffability to several traditional approaches to the problem, particularly those of Nelson Goodman and Stanley Cavell. In the concluding chapter, Raffman explores a significant obstacle that her theory poses to Daniel Dennett's propositional theory of consciousness.
Author : Jocelyn Nelson
Publisher : Cognella Academic Publishing
Page : 128 pages
File Size : 43,8 Mb
Release : 2015-12-31
Category : Electronic
ISBN : 1634879465
Author : Eric Braun
Publisher : Gateway Biographies
Page : 52 pages
File Size : 43,9 Mb
Release : 2017
Category : Juvenile Nonfiction
ISBN : 9781512434569
Profiles the life and career of the multitalented musician and songwriter, discussing his childhood, rise to fame, and contractual dispute with his record label.
Author : Samuel N. Dorf,Heather MacLachlan,Julia Randel
Publisher : Routledge
Page : 504 pages
File Size : 48,8 Mb
Release : 2020-12-31
Category : Music
ISBN : 9781000319989
This anthology to accompany Gateways to Understanding Music is comprised of musical "texts." These broadly defined texts—primarily musical scores—facilitate the integration of score study and music theory into the ethno/musicology curriculum, a necessary focus in the training of the professional musician. As posed by the textbook, the last question in each modular "gateway" is "Where do I go from here?" This resource provides one more opportunity to go beyond the textbook to examine music scores and texts in even greater depth. This anthology is a combination of primary sources for study: musical scores and music transcriptions, along with a few primary source documents and musical exercises.
Author : Charles O. Nussbaum
Publisher : MIT Press
Page : 401 pages
File Size : 54,8 Mb
Release : 2007
Category : Emotions in music
ISBN : 9780262140966
How human musical experience emerges from the audition of organized tones is a riddle of long standing. In The Musical Representation, Charles Nussbaum offers a philosophical naturalist's solution. Nussbaum founds his naturalistic theory of musical representation on the collusion between the physics of sound and the organization of the human mind-brain. He argues that important varieties of experience afforded by Western tonal art music since 1650 arise through the feeling of tone, the sense of movement in musical space, cognition, emotional arousal, and the engagement, by way of specific emotional responses, of deeply rooted human ideals. Construing the art music of the modern West as representational, as a symbolic system that carries extramusical content, Nussbaum attempts to make normative principles of musical representation explicit and bring them into reflective equilibrium with the intuitions of competent listeners. Nussbaum identifies three modes of musical representation, describes the basis of extramusical meaning, and analyzes musical works as created historical entities (performances of which are tokens or replicas). In addition, he explains how music gives rise to emotions and evokes states of mind that are religious in character. Nussbaum's argument proceeds from biology, psychology, and philosophy to music--and occasionally from music back to biology, psychology, and philosophy. The human mind-brain, writes Nussbaum, is a living record of its evolutionary history; relatively recent cognitive acquisitions derive from older representational functions of which we are hardly aware. Consideration of musical art can help bring to light the more ancient cognitive functions that underlie modern human cognition. The biology, psychology, and philosophy of musical representation, he argues, have something to tell us about what we are, based on what we have been.
Author : Kyle Devine
Publisher : MIT Press
Page : 329 pages
File Size : 45,9 Mb
Release : 2019-10-15
Category : Music
ISBN : 9780262537780
The hidden material histories of music. Music is seen as the most immaterial of the arts, and recorded music as a progress of dematerialization—an evolution from physical discs to invisible digits. In Decomposed, Kyle Devine offers another perspective. He shows that recorded music has always been a significant exploiter of both natural and human resources, and that its reliance on these resources is more problematic today than ever before. Devine uncovers the hidden history of recorded music—what recordings are made of and what happens to them when they are disposed of. Devine's story focuses on three forms of materiality. Before 1950, 78 rpm records were made of shellac, a bug-based resin. Between 1950 and 2000, formats such as LPs, cassettes, and CDs were all made of petroleum-based plastic. Today, recordings exist as data-based audio files. Devine describes the people who harvest and process these materials, from women and children in the Global South to scientists and industrialists in the Global North. He reminds us that vinyl records are oil products, and that the so-called vinyl revival is part of petrocapitalism. The supposed immateriality of music as data is belied by the energy required to power the internet and the devices required to access music online. We tend to think of the recordings we buy as finished products. Devine offers an essential backstory. He reveals how a range of apparently peripheral people and processes are actually central to what music is, how it works, and why it matters.
Author : Katherine Krohn
Publisher : Lerner Publications ™
Page : 48 pages
File Size : 46,7 Mb
Release : 2017-01-01
Category : Juvenile Nonfiction
ISBN : 9781512451849
Michael Jackson's journey to fame began in 1966 at age eight, when he started singing with his brothers in the Jackson 5. In the early 1970s, he launched a solo career, accumulating a dozen number-one singles. His record-breaking album, Thriller, has sold an estimated 110 million copies worldwide. He won seventeen Grammy awards and was introduced into the Rock and Roll Hall of Fame twice. In 2009, people of all ages mourned Michael's sudden death. Adored for his music, dancing, and performing—and known for his highly publicized personal life—Michael Jackson remains the ultimate music legend.
Author : David Cope
Publisher : MIT Press
Page : 600 pages
File Size : 47,6 Mb
Release : 2004-01-30
Category : Computers
ISBN : 0262532611
Virtual Music is about artificial creativity. Focusing on the author's Experiments in Musical Intelligence computer music composing program, the author and a distinguished group of experts discuss many of the issues surrounding the program, including artificial intelligence, music cognition, and aesthetics. The book is divided into four parts. The first part provides a historical background to Experiments in Musical Intelligence, including examples of historical antecedents, followed by an overview of the program by Douglas Hofstadter. The second part follows the composition of an Experiments in Musical Intelligence work, from the creation of a database to the completion of a new work in the style of Mozart. It includes, in sophisticated lay terms, relatively detailed explanations of how each step in the process contributes to the final composition. The third part consists of perspectives and analyses by Jonathan Berger, Daniel Dennett, Bernard Greenberg, Douglas R. Hofstadter, Steve Larson, and Eleanor Selfridge-Field. The fourth part presents the author's responses to these commentaries, as well as his thoughts on the implications of artificial creativity. The book (and corresponding Web site) includes an appendix providing extended musical examples referred to and discussed in the book, including composers such as Scarlatti, Bach, Mozart, Beethoven, Schubert, Chopin, Puccini, Rachmaninoff, Prokofiev, Debussy, Bartok, and others. It is also accompanied by a CD containing performances of the music in the text.