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Author : Martin Czernin
Publisher : Unknown
Page : 864 pages
File Size : 54,9 Mb
Release : 2002
Category : Music
ISBN : STANFORD:36105029720526
Author : Augusta Campagne,Markus Grassl
Publisher : Hollitzer Wissenschaftsverlag
Page : 262 pages
File Size : 50,5 Mb
Release : 2022-02-16
Category : Music
ISBN : 9783990129913
Dieser Band behandelt ein zentrales Moment der Entwicklung in der italienischen Musik um 1600, das gleichermaßen Geschichte des Komponierens, Notierens und der Aufführungspraxis betrifft: die Integration von Akkordinstrumenten in die musikalische Produktion (im weitesten Sinn). Dabei steht das Phänomen des Generalbasses im Mittelpunkt, das nicht nur zahlreiche aufführungspraktische, sondern auch diverse historiographische Fragen aufwirft. So ist der Generalbass nur eine Spielart innerhalb eines breiten Spektrums musikalischer Praktiekn, er resultiert aus vielfältigen historischen Voraussetzungen und steht in Wechselwirkung mit dem Komponieren, der (theoretischen) Konzeption des mehrstimmigen Satzes, aber auch dem musikkulturellen Kontext des späten 16. und frühen 17. Jahrhunderts.
Author : Stefano Mengozzi
Publisher : Cambridge University Press
Page : 305 pages
File Size : 46,5 Mb
Release : 2010-02-11
Category : Music
ISBN : 9780521884150
A detailed study of the sight-singing method introduced by the 11th-century monk Guido of Arezzo, in its intellectual context.
Author : Michel Huglo
Publisher : Taylor & Francis
Page : 323 pages
File Size : 52,8 Mb
Release : 2023-07-21
Category : History
ISBN : 9781000947861
The origin and development of Western plainchant, and of the genres of liturgical book in which it is recorded, have occupied Michel Huglo throughout his long career, which has taken him to libraries in every corner of Europe and the United States. This volume, the first in a set of four to appear in the Variorum series, brings together analyses of manuscripts dating from the 9th to the 13th century, including Huglo's pathbreaking studies of the antiphoner of Compiègne, the first troper-prosers, and of alleluia lists as clues to place of origin. The consequences of the Treaty of Verdun (843) for the diffusion of the plainchant repertory, research in medieval musicology in the 20th century, the utility of codicology for musicological manuscript studies, and the critical edition of the Gregorian antiphoner are addressed in other studies included here. Les origines et le développement du plain-chant en Occident et l'étude des genres de livres liturgiques qui le contiennent ont occupé Michel Huglo durant sa longue carrière et l'ont conduit à visiter des bibliothèques partout en Europe et aux Etats-Unis. Ce volume, le premier d'une série de quatre dans la collection Variorum, comprend des analyses de manuscrits du neuvième au treizième siècle, notamment des études novatrices relançant les recherches sur l'antiphonaire de Compiègne, les premiers tropaires-prosaires et les listes d'alleluias comme moyen d'identification des manuscrits de chant. Les conséquences du traité de Verdun (843) pour la diffusion du répertoire de plain-chant, les recherches en musicologie médiévale au XXe siècle, l'application des méthodes de la codicologie à l'étude des manuscrits notés, et l'édition critique de l'Antiphonaire grégorien forment les sujets d'autres études réunies dans ce volume.
Author : James Grier
Publisher : Cambridge University Press
Page : 287 pages
File Size : 48,9 Mb
Release : 2021-02-18
Category : Music
ISBN : 9780521898164
A detailed critical and historical investigation of the development of musical notation as a powerful system of symbolic communication.
Author : Somangshu Mukherji
Publisher : Routledge
Page : 225 pages
File Size : 46,8 Mb
Release : 2021-10-26
Category : Music
ISBN : 9781000384536
This book, authored by the late Princeton music scholar Harold Powers, discusses a single Indian rāga called Rītigaula. Rītigaula’s pitch structure, conventions surrounding its performance, and its treatment in historical Indian music treatises are comprehensively described. Powers’s unique approach to theorizing rāga examines rāga structure and meaning in this monograph too, from the perspective of musical communication and discourse. From within this perspective, Powers shares his thoughts about music’s connection to language, and the relationship between rāga expression and linguistic communication.
Author : Gerda Wolfram
Publisher : Peeters Publishers
Page : 328 pages
File Size : 48,8 Mb
Release : 2004
Category : History
ISBN : 9042914343
Der vorliegende Band als Ergebnis einer Tagung von Musikologen und Byzantinisten in Schloss Hernen/NL, beleuchtet verschiedene Aspekte des byzantinischen und des daraus entsprungenen slavischen Kirchengesangs. Zwei grosse Themenkreise stehen im Vordergrund: Notation und Melismatik, daneben beleuchten Beitrage zur Liturgie, zur Modalitat der Gesange und zur oralen Uberlieferung die byzantinische und slavische Tradition. Es ist wichtig, musikalische und liturgische Erscheinungsbilder der byzantinischen und slavischen Spatzeit nicht losgelost von der fruhen Tradition zu untersuchen, sondern die Wurzeln ihrer Entstehung stets im Auge zu behalten. Hierin stellt die Entwicklung der verschiedenen Notationssysteme die Basis fur jede weitere Untersuchung dar. In der liturgischen Musik der Hagia Sophia von Konstantinopel entstanden bereits im 8.-10. Jahrhundert melismatische Gesange, wahrend im monastischen Ritus einfache Melodien vorherrschten. Die Verschmelzung von Kathedral- und monastischer Tradition schuf eine neue Basis fur die Entstehung einer hochmelismatischen Gesangform, der Kalophonie. Basierend auf der byzantinischen Gesangtradition sind auch im slavischen Raum bereits ab dem 11. Jahrhundert melismatische Gesange uberliefert, die auf die ornamentierten Melodien der russischen Kirchenmusik des 15.-17. Jahrhunderts Einfluss hatten. Ein bedeutender Aspekt ist die Berucksichtigung der oralen Tradition, die durch alle Zeiten ein tragendes Element in der Uberlieferung der Gesange war.
Author : Katelijne Schiltz,Bonnie J. Blackburn
Publisher : Peeters Publishers
Page : 546 pages
File Size : 41,8 Mb
Release : 2007
Category : Art
ISBN : 9042916818
Although canons pervade music of the Middle Ages and the Renaissance, they have not received proportionate attention in the musicological literature. The contributions in this book shed light on canons and canonic techniques from a wide range of perspectives, such as music theory and analysis, compositional and performance practice, palaeography and notation, as well as listening expectations and strategies. Especially in the case of riddle canons, insights from other disciplines such as literature, theology, iconography, emblematics, and philosophy have proved crucial for a better understanding and interpretation of how such pieces were created. The essays extend from the early period of canonic writing to the seventeenth century, ending with three contributions concerned with the reception history of medieval and Renaissance canons in music and writings on music from the Age of Enlightenment to the present. This book was awarded the Special Citation by the Society for Music Theory in November 2008.
Author : Gunhild Oberzaucher-Schüller,Daniel Brandenburg,Monika Woitas
Publisher : Königshausen & Neumann
Page : 486 pages
File Size : 50,8 Mb
Release : 2004
Category : Ballet
ISBN : 382602771X
Author : David Russell Williams,C. Matthew Balensuela
Publisher : Unknown
Page : 398 pages
File Size : 52,9 Mb
Release : 2007
Category : Juvenile Nonfiction
ISBN : UOM:39015076166670
Music Theory from Boethius to Zarlino is a companion volume to Music Theory from Zarlino to Schenker: A Bibliography and Guide by David Damschroder and David Russell Williams (Harmonologia, No. 4, Pendragon Press). Like the previous work, the goal of the volume is to create a logically organized introduction to the major theorists of the time and a thorough review of the scholarly work about these writers. While specialists in the history of music theory may find new materials in these pages, this work is primarily designed for the non-specialist as a practical and basic introduction to the treatises, people, and scholarship of Medieval and Renaissance theory. BR> Winner of the Vincent H. Duckles Award from the Music Library Association, 2009.
Author : New York Public Library. Music Division
Publisher : Unknown
Page : 928 pages
File Size : 50,5 Mb
Release : 2004
Category : Music
ISBN : UOM:39015048284833
Author : Terence Bailey,László Dobszay
Publisher : Unknown
Page : 534 pages
File Size : 54,7 Mb
Release : 2007
Category : Church music
ISBN : OSU:32435080598238
Author : Mark Delaere,Pieter Bergé
Publisher : Leuven University Press
Page : 311 pages
File Size : 46,5 Mb
Release : 2008
Category : Music
ISBN : 9789058676504
This book deals with music from the later sixteenth century, the period on which Ignace Bossuyt, a professor at the Musicology Department of the University of Leuven who retured in 2007 and an internationally recognized leader in the field of later-sixteenth-century music, focused his research. Subjects discussed include newly discovered music by Philippe de Monte and Heinrich Isaac, humor in the motets of Orlando di Lasso, the beginnings of music history, compositional procedures in Renaissance music, and Tinctoris's art of listening. This book offers a wide range of methods including historiography, reception studies, source studies, music analysis, music theory, style studies, and aesthetics of music.
Author : Katharina Boll,Katrin Janz-Wenig
Publisher : Königshausen & Neumann
Page : 277 pages
File Size : 50,9 Mb
Release : 2011
Category : German literature
ISBN : 9783826046056
Author : Stefan Gasch,Birgit Lodes
Publisher : Unknown
Page : 428 pages
File Size : 55,9 Mb
Release : 2007
Category : Death in music
ISBN : STANFORD:36105122551380