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Genius, Illustrated: The Life and Art of Alex Toth by Dean Mullaney,Bruce Canwell Pdf
Dean Mullaney and Bruce Canwell continue their comprehensive review of the life and art of Alex Toth in Genius, Illustrated. Covering the years from the 1960s to Toth's poignant death in 2006, this oversized 9.5" v 13" book features artwork and complete stories from Toth's latter-day work at Warren, DC Comics, Red Circle, Marvel, and his own creator-owned properties, plus samples of his animation work for Hanna-Barbera, Ruby-Spears, and others, as well as sketchbook pages, doodles, advertising art, and other rarities provided through the cooperation of Toth's family and his legion of fans. Two of Toth's best stories are reproduced complete from the original artwork: "Burma Skies" and "White Devil…Yellow Devil." A full-length text biography will chart the path from Toth's increasingly-reclusive lifestyle to his touching re-connection to the world in his final years. Fans of comics, cartoons, and all-around great artwork revere Alex Toth. See why Genius, Illustrated — along with its companion volume, 2011's Genius, Isolated — are being praised as the definitive examination of the life and art of The Master, Alex Toth. Winner of the 2014 Eisner Awards for Best Comics-Related Book and Best Publication Design.
Genius, Isolated by Dean Mullaney,Bruce Canwell Pdf
Presents a biography of the artist's life and explores his career as a cartoonist and comic book illustrator with such publishing houses as Western, Dell, and National Periodicals, along with a compilation of some of his work.
Genius, Animated: The Cartoon Art of Alex Toth by Bruce Canwell Pdf
The third book in the series concludes the in-depth look into the life and art of one of the most significant comics and animation artists of all time. This companion volume to the award-winning Genius, Isolated and Genius, Illustrated zooms in to focus on Toth's groundbreaking contributions in the field of animation and features many rarely-seen or never-before-published pieces of art, much of it uncovered in the archives of Hanna-Barbera Studios! Featuring presentation illustrations for unsold series, character designs and storyboards for old favorites such as Space Ghost, SHAZZAN, and Superfriends, and work taken from both the beginning (Space Angel) and end (Bionic 6) of Toth's "Saturday kidvid" career, this oversized artbook features observations from animation professionals about his work, plus Alex's own commentary on the cartoon shows that shaped a generation. Genius, Animated is filled, cover-to-cover, with must-see material, making it essential reading for Toth-fans and animation enthusiasts alike. Winner of the 2015 Eisner Award for Best Comics-Related Book!
Alex Toth's magnum opus, collected in book form for the first time ever! This deluxe hardcover edition contains all three of The Genius's stories starring Jesse Bravo, knock-about pilot and reluctant swashbuckler, including the original graphic novel that's been out of print for 30 years. Also included are never-before-seen pencil roughs, preliminary drawings, and story fragments, as well as Toth's own coloring samples for an edition that never saw print, and-freed from storage after 40-some-years of the coloring for what was intended to be Bravo's original 1975 first printing in France! It's not just a comics collection, it's a capital "E" Event — the ultimate Bravo for Adventure, published by special arrangement with the Toth family!
Treasures Retold: the Lost Art of Alex Toth by Dean Mullaney Pdf
A companion to the three-time Eisner-winning Alex Toth: Genius series, this blockbuster collection is full of rarely seen stories and artwork by the legendary artist. Alex Toth's significance to comics and animation art cannot be overstated. During his career, he was the comic industry's foremost proponent of modern design and composition. Starting in 1950, his work influenced almost every one of his contemporaries, and has continued to work its magic on the generations that followed. In animation, his 1960s model sheets for Hanna-Barbera are still passed around as swipe sources from animator to young animator in the 21st Century. Included are complete stories from the 1950s and beyond, recently discovered color animation storyboards and presentation drawings, sketches and doodles, industrial comics, and individual pages from obscure comics and magazines. It's a treasure trove that makes a fitting companion to the Eisner Award-winning Alex Toth: Genius trilogy.
A celebration of the life of the acclaimed comic book storyteller through his work as well as interviews with fellow creators. Will Eisner (1917–2005) is universally considered the master of comics storytelling, best known for The Spirit, his iconic newspaper comic strip, and A Contract With God, the first significant graphic novel. This seminal work from 1978 ushered in a new era of personal stories in comics form that touched every adult topic from mortality to religion and sexuality, forever changing the way writers and artists approached comics storytelling. Noted historian Paul Levitz celebrates Eisner by showcasing his most famous work alongside unpublished and rare materials from the family archives. Also included are original interviews with creators such as Jules Feiffer, Art Spiegelman, Scott McCloud, Jeff Smith, Denis Kitchen, and Neil Gaiman—all of whom knew Eisner and were inspired by his work to create their own graphic novels for a new generation of readers. NOTE: The cover is a high-quality photographic reproduction of Eisner's original art. The design intentionally reveals tape and other stray markings that are part of the artist's process and reflect the age of the artifact that was photographed. “Eisner was not only ahead of his times; the present times are still catching up to him,” —John Updike “What Will did was and is timeless,” —Neil Gaiman “Will Eisner is, and remains, one of my precious idols,” —Frank Miller "He was the greatest,” —Harvey Kurtzman “Will Eisner is a national treasure,” —Jules Feiffer “Will Eisner is the heart and mind of American comics,” —Scott McCloud “Eisner is the single person most responsible for giving comics its brains,” —Alan Moore “Eisner was unique in feeling from the start that comic books were not necessarily this despised, bastard, crappy, lowbrow kind of art form, and that there was a potential for real art,” —Michael Chabon
Creepy Presents Alex Toth by Alex Toth,Various Pdf
A brilliant storyteller who wielded a dynamic, minimalist style, Alex Toth is considered a master in the fields of comic book storytelling, animation, and design. With Creepy Presents Alex Toth, all of his vibrant and thrilling stories from Creepy and Eerie are collected in a deluxe, magazine-sized hardcover for the first time ever! With an introduction by Darwyn Cooke (DC: The New Frontier, Richard Stark's Parker), this collection of timeless tales will thrill, educate, and excite fans of horror, comics, and stellar illustration work. Major collaborations with Archie Goodwin, Doug Moench, Carmine Infantino, and others are included!
Genius, Isolated: The Life and Art of Alex Toth by Dean Mullaney,Bruce Canwell Pdf
This lavishly illustrated biography documents the life and art of one of the most significant comics and animation artists of all time. In comic books, Alex Toth was the foremost proponent of modern design and composition. Starting in 1950, his work influenced almost every one of his contemporaries and has continued to work its magic on the generations that followed. In animation, his 1960s model sheets for Hanna-Barbera are still passed around as swipe sources from animator to young animator in the 21st Century. Now in paperback, this biography was compiled with complete access to the family archives and with the full cooperation of Toth's children, this biography features many rare comics pages, photographs, and drawings. It also reproduces 20 complete stories, including a previously unknown and unfinished story from 1950, most printed from the original artwork. Updates include clarification on Toth's early married life in the 1950s and the first appearance of the recently disovered final page that completes the special section collecting Jon Fury, the comic strip Toth created in the army, a prize long sought by even the most ardent Toth collectors. Winner of the Harvey Award for Best Biographical Book.
Toth’s influence on the art of comic books is incalculable. As his generation was the first to grow up with the new 10-cent full-color pamphlets, he came to the medium with a fresh eye, and enough talent and discipline to graphically strip it down its to its bare essentials. His efforts reached fruition at Standard Comics, creating an entire school of imitators and establishing Toth as the “comic book artist’s artist.” Setting the Standard collects this highly influential body of work in one substantial volume. Toth began his professional career at fifteen in 1945 for Heroic Comics, but quickly advanced to superhero work for DC. Responding to the endless criticism of editor Sheldon Mayer and production chief Sol Harrison, the young artist strove toward a technique free of “showoff surface tricks, clutter, and distracting picture elements.” Simply put, he learned “how to tell a story, to the exclusion of all else.” After falling out with DC in 1952, Toth moved west. He freelanced almost exclusively for Standard over the next two years, contributing classic work for its crime, horror, science fiction, and war titles. But perhaps most revelatory to the reader will be the romance collaborations with writer Kim Ammodt, Toth’s personal favorites. “I came to prefer them for the quieter, more credible, natural human equations they dealt with ― emotions, subtleties of gesture, expression, attitude.”
Sixty years before the comics entered the American newspaper press, Rodolphe Töpffer of Geneva (1799–1846), schoolmaster, university professor, polemical journalist, art critic, landscape draftsman, and writer of fiction, travel tales, and social criticism, invented a new art form: the comic strip, or “picture story,” that is now the graphic novel. At first he resisted publishing what he called his “little follies.” When he did, they became instantly popular, plagiarized, and imitated throughout Europe and the United States. Töpffer developed a graphic style suited to his poor eyesight: the doodle, which he systematized and also theorized. The drawings, with their “modernist” spontaneous, flickering, broken lines, forming figures in mad hyperactivity, run above deft, ironic captions and propel narratives of surreal absurdity. The artist's maniacal protagonists mix social satire with myth. By the mid-nineteenth century, Messrs. Jabot, Festus, Cryptogame, and other members of the crazy family, comprising eight picture stories in all, were instant folk heroes. In a biographical framework, Kunzle situates the comic strips in the Genevan and European culture of the time as well as in relation to Töpffer's other work, notably his hilarious travel tales, and recounts their curious genesis (with an initial imprimatur from Goethe, no less) and their controversial success. Kunzle's study, the first in English on the writer-artist, accompanies Rodolphe Töpffer: The Complete Comic Strips, a facsimile edition of the strips themselves, with the first-ever translation of these into English.
Ironwolf by Howard V. Chaykin,John Francis Moore Pdf
It is the 61st century and the malevolent Empire Galaktika wields its unholy power over the entire planet. Disgusted by the aristocratic tyrants that have ravaged his world, a nobleman renounces his birthright and becomes the gallant hero known as Ironwolf. Fighting against a drug-tainted conspiracy and the tyranny that pervades his existence, the swashbuckling champion of freedom is crippled and left for dead. But demonstrating the true depths of his strength and spirit, Ironwolf rises from the ashes to lead the revolution against the Empress and her vicious Blood Legions.
THE ART OF KATSUHIRO OTOMO by Jeremy Mark Robinson Pdf
THE ART OF KATSUHIRO OTOMO 3rd Edition by Jeremy Mark Robinson This is a book about the genius Japanese artist Katsuhiro Otomo (b. 1954). Best-known for the Akira manga of 1982-90 and the Akira movie of 1988, Otomo is also an all-round artist who writes fiction, writes and directs short and feature movies, produces commercial art, and design projects. Among Otomo's works are the movies Steam-Boy, Mushishi, Metropolis, Memories and Roujin Z, and manga such as Domu, The Legend of Mother Sarah, Hansel and Gretel and Sayonara Japan. The works of Otomo have been celebrated with awards - he won the Kodansha Comic-Strip Award in 1984 for Akira, and the Science Fiction Grand Prix Award in 1983 for Domu. There are very few genuine auteurs in Japanese animation: the animation industry, like all filmmaking on a large scale, is truly collaborative. However, you can definitely see elements in the films directed and written and supervised by Katsuhiro Otomo that are auteurist: Otomo has his own style, visually, but also his own concerns, thematically, politically and psychologically. Akira is a giant of a movie that opens at full blast: this movie rocks from shot one. It really rocks - at a far higher level of intensity than any comparable movie, including all of the classics regularly trotted out as hi-octane movie-making. Akira is clearly one of those movies where the filmmakers have thrown everything they can think of into the mix, and it's a movie in which the filmmakers have given their all. Meanwhile, the manga of Akira exceeds all expectations - about storytelling, about what a comicbook or manga is, about how an action-adventure-fantasy story can work in a contemporary setting, and how a story can be genuinely thrilling, genuinely political, genuinely wild and epic. In short, Akira ticks all of the boxes: (a) it has action and spectacle in spades, (b) it has fascinating characters and situations, (c) it is incredibly exciting, (d) it is very unusual, sometimes downright eccentric and out-there, (e) it is highly politicized, (f) it has plenty to say about living in the modern world, about contemporary, advanced capitalist societies, and (g) it establishes its own world, its own raison d'etre, its own philosophy with supreme self-confidence. Akira is the manga to top all manga, to end all manga. It is a manga designed to go further, louder and crazier than any other manga. And it does! Akira delivers on its promise: it really is every bit as great as everybody says it is. The Art of Katsuhiro Otomo includes chapters on: Katsuhiro Otomo's manga and movies; lengthy chapters on every aspect of the Akira movie (animation, sound, music, voices, story, themes, etc); the story of the Akira manga; Otomo's inspirations and inflfiuences; the contemporary anime industry; and a section of the views of critics and fans. This new edition has 70 pages of new material, has been completely rewritten, has an expanded chapter on the Legend of Mother Sarah, and includes new chapters on World Apartment Horror and Freedom, new illustrations, and expanded entries on Otomo's manga and movies. Fully illustrated, including many images from Otomo's whole output, the Akira movie, the Akira manga, Otomo's other works in comics and cinema, and Otomo's inspirations. Hardcover - full colour laminate cover. This edition is revised, and contains 15 pages of new illustrations. Bibliography, resources and notes. 724pp. www.crmoon.com
King of the Comics: One Hundred Years of King Features Syndicate by Dean Mullaney,Bruce Canwell,Brian Walker Pdf
Krazy Kat! Popeye! Flash Gordon! Beetle Bailey! Blondie! Prince Valiant! Hagar the Horrible! Barney Google and Snuffy Smith! Baby Blues! Mutt & Jeff! Zits! Juliet Jones! Buz Sawyer! Steve Canyon! Bizarro! Hi & Lois! Maggie & Jiggs! Johnny Hazard! There are simply too many to list because King Features has had a more illustrious and long-lasting history than any newspaper syndicate, even as it continues to lead the way into the digital age and beyond. This book is a centennial birthday bash hosted by Dean Mullaney, Bruce Canwell, and Brian Walker, with contributions by Brendan Burford, Lucy Shelton Caswell, Jared Gardner, Ron Goulart, Jeffrey Lindenblatt, Carl Linich, Paul Tumey, and Germund von Wowern. More than just comics, it’s a celebration of the profound impact that King Features has had on popular culture! From the earliest days when William Randolph Hearst first added cartoons to his newspapers, comic strips have had a profound impact on popular culture. With the consolidation of Hearst’s various distribution channels in November 1915, King Features was born. A century later the world’s largest syndicate leads the way in the 21st Century and beyond. NOMINATED FOR TWO 2016 EISNER AWARDS: BEST COMICS-RELATED BOOK and BEST PUBLICATION DESIGN
