Genre In Popular Music

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Genre in Popular Music

Author : Fabian Holt
Publisher : University of Chicago Press
Page : 224 pages
File Size : 44,9 Mb
Release : 2009-10-15
Category : Music
ISBN : 9780226350400

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Genre in Popular Music by Fabian Holt Pdf

The popularity of the motion picture soundtrack O Brother, Where Art Thou? brought an extraordinary amount of attention to bluegrass, but it also drew its share of criticism from some aficionados who felt the album’s inclusion of more modern tracks misrepresented the genre. This soundtrack, these purists argued, wasn’t bluegrass, but “roots music,” a new and, indeed, more overarching category concocted by journalists and marketers. Why is it that popular music genres like these and others are so passionately contested? And how is it that these genres emerge, coalesce, change, and die out? In Genre in Popular Music, Fabian Holt provides new understanding as to why we debate music categories, and why those terms are unstable and always shifting. To tackle the full complexity of genres in popular music, Holt embarks on a wide-ranging and ambitious collection of case studies. Here he examines not only the different reactions to O Brother, but also the impact of rock and roll’s explosion in the 1950s and 1960s on country music and jazz, and how the jazz and indie music scenes in Chicago have intermingled to expand the borders of their respective genres. Throughout, Holt finds that genres are an integral part of musical culture—fundamental both to musical practice and experience and to the social organization of musical life.

Genre in Popular Music

Author : Fabian Holt
Publisher : University of Chicago Press
Page : 238 pages
File Size : 47,8 Mb
Release : 2007-10
Category : Music
ISBN : 9780226350394

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Genre in Popular Music by Fabian Holt Pdf

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Genre in Popular Music

Author : Fabian Holt
Publisher : Unknown
Page : 248 pages
File Size : 44,8 Mb
Release : 2007-10
Category : Music
ISBN : UOM:39015070710424

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Genre in Popular Music by Fabian Holt Pdf

Publisher description

Popular Music Genres

Author : Stuart Borthwick,Ron Moy
Publisher : Routledge
Page : 244 pages
File Size : 54,6 Mb
Release : 2020-04-15
Category : Education
ISBN : 9781136733802

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Popular Music Genres by Stuart Borthwick,Ron Moy Pdf

An accessible introduction to the study of popular music, this book takes a schematic approach to a range of popular music genres, and examines them in terms of their antecedents, histories, visual aesthetics, and sociopolitical contexts. Within this interdisciplinary and genre-based focus, readers will gain insights into the relationships between popular music, cultural history, economics, politics, iconography, production techniques, technology, marketing, and musical structure.

Listen to Pop!

Author : James E. Perone
Publisher : Bloomsbury Publishing USA
Page : 266 pages
File Size : 55,8 Mb
Release : 2018-09-01
Category : Music
ISBN : 9781440863776

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Listen to Pop! by James E. Perone Pdf

Listen to Pop! discusses the evolution of pop music in America from the 1950s to the present, diving into its impact on American culture, particularly through its association with television, and its enduring legacy. Listen to Pop!: Exploring a Musical Genre provides readers with an overview and a history of the pop music genre. The bulk of the book is devoted to analysis of 50 must-hear musical examples, which include artists, songs, and albums. Additionally, the book contains chapters that analyze the impact of pop music on American popular culture and the legacy of pop music, including how the music is used today in film and television soundtracks and in television commercials. The book deals with all of the various subgenres of pop music from the 1950s to the present. The selection of material discussed reflects the artists, songs, and albums topping the pop music charts of the period, and while the volume examines these items individually, it also discusses how our definition of pop music has evolved over the decades. This combination of detailed examination of specific songs, albums, and artists and discussion of background, legacy, and impact distinguishes it from other books on the subject and make it a vital reference and interesting read for all readers and music aficionados.

Major Labels

Author : Kelefa Sanneh
Publisher : Penguin
Page : 497 pages
File Size : 53,8 Mb
Release : 2021-10-05
Category : Music
ISBN : 9780525559603

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Major Labels by Kelefa Sanneh Pdf

One of Oprah Daily's 20 Favorite Books of 2021 • Selected as one of Pitchfork's Best Music Books of the Year “One of the best books of its kind in decades.” —The Wall Street Journal An epic achievement and a huge delight, the entire history of popular music over the past fifty years refracted through the big genres that have defined and dominated it: rock, R&B, country, punk, hip-hop, dance music, and pop Kelefa Sanneh, one of the essential voices of our time on music and culture, has made a deep study of how popular music unites and divides us, charting the way genres become communities. In Major Labels, Sanneh distills a career’s worth of knowledge about music and musicians into a brilliant and omnivorous reckoning with popular music—as an art form (actually, a bunch of art forms), as a cultural and economic force, and as a tool that we use to build our identities. He explains the history of slow jams, the genius of Shania Twain, and why rappers are always getting in trouble. Sanneh shows how these genres have been defined by the tension between mainstream and outsider, between authenticity and phoniness, between good and bad, right and wrong. Throughout, race is a powerful touchstone: just as there have always been Black audiences and white audiences, with more or less overlap depending on the moment, there has been Black music and white music, constantly mixing and separating. Sanneh debunks cherished myths, reappraises beloved heroes, and upends familiar ideas of musical greatness, arguing that sometimes, the best popular music isn’t transcendent. Songs express our grudges as well as our hopes, and they are motivated by greed as well as idealism; music is a powerful tool for human connection, but also for human antagonism. This is a book about the music everyone loves, the music everyone hates, and the decades-long argument over which is which. The opposite of a modest proposal, Major Labels pays in full.

Genre Publics

Author : Emma Baulch
Publisher : Wesleyan University Press
Page : 0 pages
File Size : 42,6 Mb
Release : 2020-11-03
Category : Music
ISBN : 0819579637

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Genre Publics by Emma Baulch Pdf

How popular music structures Indonesians' social and political subjectivities Genre Publics is a cultural history showing how new notions of 'the local' were produced in context of the Indonesian 'local music boom' of the late 1990s. Drawing on industry records and interviews, media scholar Emma Baulch traces the institutional and technological conditions that enabled the boom, and their links with the expansion of consumerism in Asia, and the specific context of Indonesian democratization. Baulch shows how this music helped reshape distinct Indonesian senses of the modern, especially as 'Asia' plays an ever more influential role in defining what it means to be modern.

Categorizing Sound

Author : David Brackett
Publisher : Univ of California Press
Page : 376 pages
File Size : 43,9 Mb
Release : 2016-07-19
Category : Music
ISBN : 9780520965317

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Categorizing Sound by David Brackett Pdf

Categorizing Sound addresses the relationship between categories of music and categories of people, particularly how certain ways of organizing sounds becomes integral to how we perceive ourselves and how we feel connected to some people and disconnected from others. Presenting a series of case studies ranging from race music and old-time music of the 1920s through country and R&B of the 1980s, David Brackett explores the processes by which genres are produced. Using in-depth archival research and sophisticated theorizing about how musical categories are defined, Brackett has produced a markedly original work.

Banding Together

Author : Jennifer C. Lena
Publisher : Princeton University Press
Page : 258 pages
File Size : 52,9 Mb
Release : 2012-02-12
Category : Music
ISBN : 9780691150765

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Banding Together by Jennifer C. Lena Pdf

Covering the grown of twentieth-century American popular music, this work explores the question of why some music styles attain mass popularity while others thrive in small niches.

Musicology: The Key Concepts

Author : David Beard,Kenneth Gloag
Publisher : Routledge
Page : 402 pages
File Size : 49,5 Mb
Release : 2016-01-22
Category : Music
ISBN : 9781317298083

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Musicology: The Key Concepts by David Beard,Kenneth Gloag Pdf

Now in an updated 2nd edition, Musicology: The Key Concepts is a handy A-Z reference guide to the terms and concepts associated with contemporary musicology. Drawing on critical theory with a focus on new musicology, this updated edition contains over 35 new entries including: Autobiography Music and Conflict Deconstruction Postcolonialism Disability Music after 9/11 Masculinity Gay Musicology Aesthetics Ethnicity Interpretation Subjectivity With all entries updated, and suggestions for further reading throughout, this text is an essential resource for all students of music, musicology, and wider performance related humanities disciplines.

Performing Rites

Author : Simon Frith
Publisher : Harvard University Press
Page : 363 pages
File Size : 43,6 Mb
Release : 1998-02-06
Category : Music
ISBN : 9780674247314

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Performing Rites by Simon Frith Pdf

Who's better? Billie Holiday or P. J. Harvey? Blur or Oasis? Dylan or Keats? And how many friendships have ridden on the answer? Such questions aren't merely the stuff of fanzines and idle talk; they inform our most passionate arguments, distill our most deeply held values, make meaning of our ever-changing culture. In Performing Rites, one of the most influential writers on popular music asks what we talk about when we talk about music. What's good, what's bad? What's high, what's low? Why do such distinctions matter? Instead of dismissing emotional response and personal taste as inaccessible to the academic critic, Simon Frith takes these forms of engagement as his subject--and discloses their place at the very center of the aesthetics that structure our culture and color our lives. Taking up hundreds of songs and writers, Frith insists on acts of evaluation of popular music as music. Ranging through and beyond the twentieth century, Performing Rites puts the Pet Shop Boys and Puccini, rhythm and lyric, voice and technology, into a dialogue about the undeniable impact of popular aesthetics on our lives. How we nod our heads or tap our feet, grin or grimace or flip the dial; how we determine what's sublime and what's "for real"--these are part of the way we construct our social identities, and an essential response to the performance of all music. Frith argues that listening itself is a performance, both social gesture and bodily response. From how they are made to how they are received, popular songs appear here as not only meriting aesthetic judgments but also demanding them, and shaping our understanding of what all music means.

Music Genres and Corporate Cultures

Author : Keith Negus
Publisher : Routledge
Page : 219 pages
File Size : 52,5 Mb
Release : 2013-07-04
Category : Social Science
ISBN : 9781134688210

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Music Genres and Corporate Cultures by Keith Negus Pdf

Music Genres and Corporate Cultures explores the seemingly haphazard workings of the music industry, tracing the uneasy relationship between economics and culture; `entertainment corporations' and the artists they sign. Keith Negus examines the contrasting strategies of major labels like Sony and Polygram in managing different genres, artists and staff. How do takeovers affect the treatment of artists? Why has Polygram been perceived as too European to attract US artists? And how did Warner's wooden floors help them sign Green Day? Through in-depth case studies of three major genres; rap, country, and salsa, Negus explores the way in which the music industry recognises and rewards certain sounds, and how this influences both the creativity of musicians, and their audiences. He examines the tension between raps public image as the spontaneous `music of the streets' and the practicalities of the market, and asks why country labels and radio stations promote top-selling acts like Garth Brooks over hard-to-classify artists like Mary Chapin-Carpenter, and how the lack of soundscan systems in Puerto Rican record shops affects salsa music's position on the US Billboard chart. Drawing on over seventy interviews with music industry personnel in Britain and the United States, Music Genres and Corporate Cultures shows how the creation, circulation and consumption of popular music is shaped by record companies and corporate business styles while stressing that music production takes within a broader culture, not totally within the control of large corporations.

How The Beatles Destroyed Rock 'n' Roll

Author : Elijah Wald
Publisher : OUP USA
Page : 339 pages
File Size : 55,8 Mb
Release : 2011-10
Category : Music
ISBN : 9780199756971

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How The Beatles Destroyed Rock 'n' Roll by Elijah Wald Pdf

How the Beatles Destroyed Rock 'n' Roll is an alternative history of American music that, instead of recycling the familiar cliches of jazz and rock, looks at what people were playing, hearing and dancing to over the course of the 20th century, using a wealth of original research, curious quotations, and an irreverent fascination with the oft-despised commercial mainstream.

What Is Post-Punk?

Author : Mimi Haddon
Publisher : University of Michigan Press
Page : 237 pages
File Size : 47,6 Mb
Release : 2023-02-06
Category : Music
ISBN : 9780472039210

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What Is Post-Punk? by Mimi Haddon Pdf

Is post-punk a genre? Where did it come from? And what does it mean?

Understanding Popular Music Culture

Author : Roy Shuker
Publisher : Routledge
Page : 330 pages
File Size : 51,8 Mb
Release : 2012-11-12
Category : Music
ISBN : 9781136744730

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Understanding Popular Music Culture by Roy Shuker Pdf

Written specifically for students, this introductory textbook explores the history and meaning of rock and popular music. Roy Shuker's study provides an accessible and comprehensive introduction to the production, distribution, consumption and meaning of popular music and examines the difficulties and debates which surround the analysis of popular culture and popular music. This heavily revised and updated third edition includes: new case studies on the iPod, downloading, and copyright the impact of technologies, including on-line delivery and the debates over MP3 and Napster new chapters on music genres, cover songs and the album canon as well as music retail, radio and the charts case studies and lyrics of artists such as Robert Johnson, The Who, Fat Boy Slim and The Spice Girls a comprehensive discography, suggestions for further reading, listening and viewing and a directory of useful websites. With chapter related guides to further reading, listening and viewing, a glossary, and a timeline, this textbook is the ideal introduction for students.