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A biography of a homosexual writer by a gay literary historian, this book offers not only the first published life of Charles Warren Stoddard (1843-1909), but also a wealth of new material on the formation of gender roles in late 19th-century America.
In September 1897 Yone Noguchi (1875–1947) contemplated crafting a poem to his new love, western writer Charles Warren Stoddard. Recently arrived in California, Noguchi was in awe of the established writer and the two had struck up a passionate correspondence. Still, he viewed their relationship as doomed—not by the scandal of their same-sex affections, but their introverted dispositions and differences in background. In a poem dedicated to his “dearest Charlie,” Noguchi wrote: “Thou and I, O Charles, sit alone like two shy stars, east and west!” While confessing his love to Stoddard, Noguchi had a child (future sculptor Isamu Noguchi) with his editor, Léonie Gilmour; became engaged to Washington Post reporter Ethel Armes; and upon his return to Japan married Matsu Takeda—all within a span of seven years. According to author Amy Sueyoshi, Noguchi was not a dedicated polyamorist: He deliberately deceived the three women, to whom he either pretended or promised marriage while already married. She argues further that Noguchi’s intimacies point to little-known realities of race and sexuality in turn-of-the-century America and illuminate how Asian immigrants negotiated America’s literary and arts community. As Noguchi maneuvered through cultural and linguistic differences, his affairs additionally assert how Japanese in America could forge romantic fulfillment during a period historians describe as one of extreme sexual deprivation and discrimination for Asians, particularly in California. Moreover, Noguchi’s relationships reveal how individuals who engaged in seemingly defiant behavior could exist peaceably within prevailing moral mandates. His unexpected intimacies in fact relied upon existing social hierarchies of race, sexuality, gender, and nation that dictated appropriate and inappropriate behavior. In fact, Noguchi, Stoddard, Gilmour, and Armes at various points contributed to the ideological forces that compelled their intimate lives. Through the romantic life of Yone Noguchi, Queer Compulsions narrates how even the queerest of intimacies can more provocatively serve as a reflection of rather than a revolt from existing social inequality. In unveiling Noguchi’s interracial and same-sex affairs, it attests to the complex interaction between lived sexualities and socio-legal mores as it traces how one man negotiated affection across cultural, linguistic, and moral divides to find fulfillment in unconventional yet acceptable ways. Queer Compulsions will be a welcome contribution to Asian American, gender, and sexuality studies and the literature on male and female romantic friendships. It will also forge a provocative link between these disciplines and Asian studies.
Same-Sex Dynamics Among Nineteenth-Century Americans by D. Michael Quinn Pdf
Winner of the Herbert Feis Award from the American Historical Association and named one of the best religion books of the year by Publishers Weekly, D. Michael Quinn's Same-Sex Dynamics among Nineteenth-Century Americans has elicited critical acclaim as well as controversy. Using Mormonism as a case study of the extent of early America's acceptance of same-sex intimacy, Quinn examines several examples of long-term relationships among Mormon same-sex couples and the environment in which they flourished before the onset of homophobia in the late 1950s.
A new history of the queer novel shows its role in constructing gay and lesbian lives The gay and lesbian novel has long been a distinct literary genre with its own awards, shelving categories, bookstore spaces, and book reviews. But very little has been said about the remarkable history of its emergence in American literature, particularly the ways in which the novel about homosexuality did not just reflect but actively produced queer life. Drawing on Mikhail Bakhtin’s insight that the history of society is connected to the history of language, author Natasha Hurley charts the messy, complex movement by which the queer novel produced the very frames that made it legible as a distinct literature and central to the imagination of queer worlds. Her vision of the queer novel's development revolves around the bold argument that literary circulation is the key ingredient that has made the gay and lesbian novel and its queer forebears available to its audiences. Challenging the narrative that the gay and lesbian novel came into view in response to the emergence of homosexuality as a concept, Hurley posits a much longer history of this novelistic genre. In so doing, she revises our understanding of the history of sexuality, as well as of the processes of producing new concepts and the evolution of new categories of language.
Author : Jeffrey A. Geiger Publisher : University of Hawaii Press Page : 314 pages File Size : 55,5 Mb Release : 2007-04-30 Category : History ISBN : 9780824830663
The enduring popularity of Polynesia in western literature, art, and film attests to the pleasures that Pacific islands have, over the centuries, afforded the consuming gaze of the west—connoting solitude, release from cares, and, more recently, self-renewal away from urbanized modern life. Facing the Pacific is the first study to offer a detailed look at the United States’ intense engagement with the myth of the South Seas just after the First World War, when, at home, a popular vogue for all things Polynesian seemed to echo the expansion of U.S. imperialist activities abroad. Jeffrey Geiger looks at a variety of texts that helped to invent a vision of Polynesia for U.S. audiences, focusing on a group of writers and filmmakers whose mutual fascination with the South Pacific drew them together—and would eventually drive some of them apart. Key figures discussed in this volume are Frederick O’Brien, author of the bestseller White Shadows in the South Seas; filmmaker Robert Flaherty and his wife, Frances Hubbard Flaherty, who collaborated on Moana; director W. S. Van Dyke, who worked with Robert Flaherty on MGM’s adaptation of White Shadows; and Expressionist director F. W. Murnau, whose last film, Tabu, was co-directed with Flaherty.
For the Pleasure of His Company by Charles Warren Stoddard Pdf
Charles Warren Stoddard (1843–1909) was, during his life, an acclaimed and prolific writer in multiple genres: poetry, travel sketches, personal memoir, and conversion narrative. His most popular works were dispatches primarily from the South Sea Islands but also extended into Palestine, Egypt, and what would become known as Hawai‘i, most of which were published in the San Francisco Chronicle and then collected into books. For the Pleasure of His Company: An Affair of the Misty City, Thrice Told (1903) is Stoddard’s only novel. This new edition, as with other works in Penn Press’s series Q19: The Queer American Nineteenth Century, returns and reframes an important queer literary text to print. Set mostly in and around San Francisco in the late nineteenth century, the novel features a protagonist, Paul Clitheroe, who is an aspiring writer living among the Bohemian artistic circles of that place and time—the same circles Stoddard himself inhabited. The novel is both formally experimental and largely autobiographical. Thus Paul comes into contact, as Stoddard did, with writers, artists, actors, directors, priests, adventurers, and many others as he attempts to begin his career. Bohemian artistic life and erotic experimentation go hand in hand here: Paul has multiple relationships with other men even as he writes a novel that features similar liaisons. At the very end of the story, while on a cruise in the Pacific, Paul impulsively leaves his ship and disappears in a canoe with some young Hawaiian men. This parallels Stoddard’s life too: he spent many long periods of his life in Hawai‘i, where he found the local homoerotic customs to his liking. This Q19 volume also includes three of Stoddard’s Hawaiian travel sketches, which chronicle his intimate personal relationship with a Hawaiian youth he calls Kána-Aná. The volume contains a full critical introduction as well as extensive annotations explaining textual references of various kinds and identifying parallels with Stoddard’s own life.
Looking at a diverse series of authors--Herman Melville, Richard Henry Dana, Jr., Mark Twain, Charles Warren Stoddard, and Jack London--"The Colonizer Abroad" claims that as the U.S. emerged as a colonial power in the nineteenth and twentieth centuries, the literature of the sea became a literature of imperialism. This book applies postcolonial theory to the travel writing of some of America's best-known authors, revealing the ways in which America's travel fiction and nonfiction have both reflected and shaped society.
Embodying Asian/American Sexualities by Gina Masequesmay,Sean Metzger Pdf
This book is conceived as a reader for use in American studies, Asian American studies, ethnic studies, gender studies, lesbian/gay/bisexual/transgender studies, performance studies, and queer studies. It also contains new scholarship on Asian/American sexualities that would be useful for faculty and students. In particular, this volume highlights materials that receive little academic attention such as works on Southeast Asian migrants, mixed race cultural production, and Asian/American pornography. As an interdisciplinary anthology, this collection weaves together various forms of 'knowledge'_autobiographical accounts, humanistic research, community-based work, and artistic expression. Responsive to the imbrication of knowledge and power, the authors aspire to present a diverse sample of discourses that construct Asian/American bodies. They maintain that the body serves as the primary interface between the individual and the social, yet, as Elizabeth Grosz noted over a decade ago, feminist theory, and gender and sexuality studies more generally, 'has tended, with some notable exceptions, to remain uninterested in or unconvinced about the relevance of refocusing on bodies in accounts of subjectivity.' This volume attempts to address this concern.
Identities and Place by Katherine Crawford-Lackey,Megan E. Springate Pdf
With a focus on historic sites, this volume explores the recent history of non- heteronormative Americans from the early twentieth century onward and the places associated with these communities. Authors explore how queer identities are connected with specific places: places where people gather, socialize, protest, mourn, and celebrate. The focus is deeper look at how sexually variant and gender non-conforming Americans constructed identity, created communities, and fought to have rights recognized by the government. Each chapter is accompanied by prompts and activities that invite readers to think critically and immerse themselves in the subject matter while working collaboratively with others.
Throughout the twentieth century, Isamu Noguchi was a vital figure in modern art. From interlocking wooden sculptures to massive steel monuments to the elegant Akari lamps, Noguchi became a master of what he called the "sculpturing of space." But his constant struggle—as both an artist and a man—was to embrace his conflicted identity as the son of a single American woman and a famous yet reclusive Japanese father. "It's only in art," he insisted, "that it was ever possible for me to find any identity at all." In this remarkable biography of the elusive artist, Hayden Herrera observes this driving force of Noguchi's creativity as intimately tied to his deep appreciation of nature. As a boy in Japan, Noguchi would collect wild azaleas and blue mountain flowers for a little garden in front of his home. As Herrera writes, he also included a rock, "to give a feeling of weight and permanence." It was a sensual appreciation he never abandoned. When looking for stones in remote Japanese quarries for his zen-like Paris garden forty years later, he would spend hours actually listening to the stones, scrambling from one to another until he found one that "spoke to him." Constantly striving to "take the essence of nature and distill it," Noguchi moved from sculpture to furniture, and from playgrounds to sets for his friend the choreographer Martha Graham, and back again working in wood, iron, clay, steel, aluminum, and, of course, stone. Throughout his career, Noguchi traveled constantly, from New York to Paris to India to Japan, forever uprooting himself to reinvigorate what he called the "keen edge of originality." Wherever he went, his needy disposition and boyish charm drew women to him, yet he tended to push them away when things began to feel too settled. Only through his art—now seen as a powerful aesthetic link between the East and the West—did Noguchi ever seem to feel that he belonged. Combining the personal correspondence of and interviews with Noguchi and those closest to him—from artists, patrons, assistants, and lovers—Herrera has created an authoritative biography of one of the twentieth century's most important sculptors. She locates Noguchi in his friendships with such artists as Buckminster Fuller and Arshile Gorky, and in his affairs with women including Frida Kahlo and Anna Matta Clark. With the attention to detail and scholarship that made her biography of Gorky a finalist for the Pulitzer Prize, Herrera has written a rich meditation on art in a globalized milieu. Listening to Stone is a moving portrait of an artist compulsively driven to reinvent himself as he searched for his own "essence of sculpture."
This volume of Culture and Civilization focuses on cosmopolitanism, the global polity, and political ramifications of globalization. The introduction by Gabriel R. Ricci establishes context and provides an overview of the entire work. Topics include the history of globalization, climate change policy, ecological consequences of development, concepts of civilization, human rights, Eastern thought and economics, global citizenship, and travel writing. Within this collection, Carl J. Strikwerda argues that the first era of globalization in modern times was marked by global migrations patterns. Pablo Iannone's history of the Andean oil rush and its ecological consequences looks at the processes of development. Brett Bowden argues that civilization entails both progress and war. J. Baird Callicott provides a philosophical analysis of a moral theory that accommodates spatial and temporal scales of climate change, Sanjay Paul analyzes the United Nations Global Compact, and Ed Chung discusses the role of economic theory in business schools. Colin Butler reflects on E. F. Schumacher's "Buddhist Economics," while Taso Lagos relates parallel polis to the idea of global citizenship. Tony Burns examines the ways in which Aristotle, Hegel, and Kant have been interpreted. Finally, Adam Stauffer explores Charles Warren Stoddard's work South-Sea Idyls. This volume of Culture and Civilization, the first under Ricci's editorship, follows the tradition of the previous four volumes - developing critical ideas intended to produce a positive intellectual climate, one that is prepared to confront challenges and alert us to the opportunities, for people in all fields and of all faiths, of the twenty-first century.
Shepherd's Notes: City of God by Dana Gould,Terry L. Miethe Pdf
Shepherd's Notes- Christian Classics Series is designed to give readers a quick, step by step overview of some of the enduring treasures of the Christian faith. They are designed to be used along side the classic itself- either in individual study or in a study group. The faithful of all generations have found spiritual nourishment in the Scriptures and in the works of Christians of earlier generations. Martin Luther and John Calvin would not have become who they were apart from their reading Augustine. God used the writings of Martin Luther to move John Wesley from a religion of dead works to an experience at Aldersgate in which his "heart was strangely warmed." Shepherd's Notes will give pastors, laypersons, and students access to some of the treasures of Christian faith.
Ralph Adams Cram: Boston bohemia, 1881-1900 by Douglass Shand-Tucci Pdf
This biography of Ralph Adams Cram offers a portrait of America's avant garde, Boston's little known fin-de-siecle bohemia, in which Cram figured as leader, editor, art critic, poet and designer. It discloses the contribution of Boston's gay subculture to its intellectual and cultural history.