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The Illustrations of George Barbier in Full Color by George Barbier Pdf
George Barbier (1882-1932) is one of the great French illustrators of the early twentieth century. He is famous for his elegant art deco works that were heavily influenced by orientalism and Parisian couture. Born in Nantes, France in 1882, he skyrocketed to fame and notoriety after his first exhibition in 1911. Known as one of "the knights of the bracelet" for his luxurious and glamorous lifestyle and work, George Barbier also received renown for costumes and set designs he did for theater, film, and ballet. Even today, his modern and stylish illustrations are popular all over the world.
From modest beginnings in Paris to predominance in the world of high fashion, the rise of the house of Cartier is comprehensively chronicled in this lavish volume. In the 1980s Cartier granted Hans Nadelhoffer exclusive access to its archives in order to write the definitive history. Long out of print, Nadelhoffer's exhaustive research has been revived with lush new photography and design sketches of the world's most distinctive and finely crafted jewelry. Through charming and compelling anecdotes, these famed gemsand the elite clientele who don themare brought to life. This fully illustrated account is the essential complement to any jewelry lover's collection, and will satisfy the longings of all those who covet this legendary brand.
French Fashions of "good Taste", 1920-1922, from Pochoir Illustrations by Schiffer Publishing, Ltd.,George Barbier Pdf
The exclusive French periodical Gazette du Bon Ton was published in Paris to showcase the latest haute couture women's fashion. A selection of the original pochoir print illustrations made for this magazine between 1920 and 1922 are presented in this book. Fashion designers Charles Worth, Paul Poiret, and Madeleine Vionette are among the provocative creators of new 1920s clothing styles whose work is represented here. They revolutionized women's fashions by breaking with tradition to create an entirely new silhouette with short skirts, geometric patterns, new color combinations, and new fabric choices. The illustrations are done in the pochoir process with many stencils and subtle color tones to accurately duplicate delicate drawings by some of the leading French artists of the day. George Barbier, Pierre Brissaud, and Georges Lepape each made many of the drawings in this book Today's fashion designers, collectors, sellers, and artists all will pour over these pages for inspiration.
The first singular study of one of the key artists of the Art Deco movement, George Barbier (1882-1932) was a fashion illustrator to the leading stylists (Poiret, Lanvin, Paquin, Vionnet) of his time, as well as a set and costume designer for the theater, Russian ballet, and music hall. Barbier's work is also noted in the world of advertising, wallpaper design, and jewelry for Cartier, in albums, as well as in almanacs and precious illustrated books. This volume, with essays by Italian and French authors, marks the rediscovery of a very successful artist of 1920s Paris who was strangely forgotten after his death in 1932.
In this art coloring book, you will find 30 most beautiful art deco illustrations from a famous illustrator of the period, George Barbier, reproduced true to original in light grayscale, perfect for realistic coloring and art therapy relaxation. Illustrations are reproduced without hard outlines for the opportunity to color them as actual artwork and be proud to cut out and display after finishing. In addition to coloring, this book allows you to practice drawing, shading, and tracing based on the artwork of a master illustrator.
Perhaps no individual is more associated with the 20th century art deco revival than Russian-born French artist and designer, Erté. Although his talent spanned many creative fields, Erte is perhaps best-known for his theatre and fashion designs, which were often later translated into beautiful silkscreen prints. Few can fail to be charmed by Symphony in Black, one of his most famous designs depicting a slender figure walking her dog. Throughout his lifetime Erté designed over 200 covers for Harper's Bazaar and his works have been reproduced and copied countless times since, oozing a timeless air of class and sophistication. Combining fresh and thoughtful text and beautiful illustrations, including jewellery and sculpture inspired by his two-dimensional designs, this coffee-table book is the definitive Erté companion.
The lives and careers of Warner Brothers' screen legends Joan Blondell, Nancy Coleman, Bette Davis, Olivia de Havilland, Glenda Farrell, Kay Francis, Ruby Keeler, Andrea King, Priscilla Lane, Joan Leslie, Ida Lupino, Eleanor Parker, Ann Sheridan, Alexis Smith, and Jane Wyman are the topic of this book. Some achieved great success in film and other areas of show business, but others failed to get the breaks or became victims of the studio system's sometimes unpleasant brand of politics. The personal and professional obstacles that each actress encountered are here set out in detail, often with comments from the actresses who granted interviews with the author and from those people who knew them best on and off the movie set. A filmography is included for each of the fifteen.
This 240-page book, Aubrey Beardsley: The Decadent Magician of the Light and the Darkness, reveals the core of the artist Aubrey Beardsley through more than 180 of his art works, compiled under the supervision of Hiroshi Unno, a critic and a writer who has contributed to many books on the fin-de-siècle. Aubrey Beardsley was an illustrator who was best known for his drawings in black ink filled with erotic and decadent features. He was born in Brighton, England on August 21, 1872. The Victorian era in which Aubrey lived was gripped by a strict, rigid, conservative morality. The society was male dominated and forced women to be modest. However, in Brighton, which developed into a seaside resort for the upper classes full of entertainment, people were relieved from such strictness. Brighton was also a breeding ground of a sense of liberty in all things, and sexuality was no exception. In other words, it can be said that the Victorian era was a chaotic era during which open-minded thoughts on sexuality and strict, male-dominated morality coexist. Aubrey's mother, Ellen, was a person who embodied that Brighton atmosphere. Although she worried about raising her son in such an environment, she also taught literature and music to Aubrey. It was lucky for him to spend his youth with Ellen, and Brighton definitely became the basis of his talent for grasping the oddness of society in this era. Aubrey moved to London when he was 15 years old. When the Beardsley family left Brighton, Aubrey lost the feeling of liberty he had been raised with, but at the same time was able to develop his talent by interacting with Edward Burne-Jones, Oscar Wilde, and William Morris, the artists that colored this period. Aubrey, whose talent blossomed in London, began to offer his illustrations to many literary and theatrical outlets. The most famous examples are his illustrations for Oscar Wilde's Salome, Sir Thomas Malory's Le Morte d'Arthur, Edgar Allan Poe's Tales of Edgar Allan Poe, "Alibaba and the Forty Thieves" from One Thousand and One Nights, the French magazine Yellow Book, and the play Lysistrata. The illustrations for these literary and theatrical artworks had also been drawn by many other illustrators, but Aubrey's work was totally different from anyone else's. The seductive motifs that he drew, using only black ink, such as a woman with a fearless smile, a gentleman with disdainful contempt, and figures with extremely exaggerated genitals, all express Aubrey's incomparable talent for grasping the chaos and unsettled atmosphere of the period. The rebellious nature and imagery of his illustrations were often controversial. People even called him "the Devil's younger brother". But there is no doubt that he was a star of the age, which is evident from the many influential illustrators who came after him who were influenced by Aubrey's work, such as Harry Clarke, Alastair, John Austin, Kay Nielsen and George Barbier. Unfortunately Aubrey's genius illuminated the end of the nineteenth century, the era of fin-de-siècle decadence, only briefly before fading away, when his tragically short life ended after just twenty five years. How did the rebellious, yet refined, monochrome artworks drawn by "the Devil's younger brother" come about? Was his life simply the art itself? This book is a gem that presents the artwork that is most identified with "Beardsley" himself, revealing both the artist and the idea, through his life and his masterpieces.
La Vie Parisienne by Cheri Herouard,René Vincent Pdf
This large-format hardcover edition offers scores of sumptuous color and often risqué illustrations from the legendary French magazine La Vie Parisienne's early 20th century heyday, including cover designs and editorial cartoons, many not readily available for nearly a century.
Art Deco - Dragon - Journal - Notebook by Windsor Press Pdf
This unique journal features a Matte Cover with a gorgeous illustration by artist George Barbier (1882-1932) entitled Dogaresse, Robe Du Soir de Jenny, from the Paris fashion publication La Guirlande. Barbier's work was described as flamboyant, lavish and opulent because of the colors, materials and decorations he used to create his gowns and costumes for the theater as well as for stage shows such as the Folies Bergères. 6 x 9 inches (15.24 cm x 22.86 cm) 200 pages (100 Sheets) blank ruled journal. Medium sized journal/notebook/planner/diary to fit easily into a purse or tote. Delight your girlfriend, wife, friend or colleague with this gorgeous gift that is long lasting and better than a greeting card. Ideal for notes, appointments, To-do lists, recording dreams, plans and goals. Give a surprising and lovely memento that will really be appreciated. Or treat yourself and start your creative writing today. Keep your important information at your fingertips for easy access. No batteries or cables required! FIND OTHER BEAUTIFULLY ILLUSTRATED JOURNALS AND NOTEBOOKS AT WINDSOR PAGES PRESS
In the early 1930s, George Raft, an actor and dancer from New York City's Hell's Kitchen, gained a name for himself playing stylish and charismatic gangsters in films like 1932's original Scarface. Raft's own real-life connection to the New York mob added frightening authenticity to his portrayals, and his star quality coincided with the peak years of the Hollywood factory to produce a remarkable track record of successful movies. Highly regarded during his lifetime as a performer, his reputation as an actor suffered a steep decline after his death. This definitive study of all of Raft's films offers intimate insight into all of his productions, including casts, characters, technical credits, and story synopses, and dispels a number of myths surrounding his legendary career.
Characterized by grandiose song-and-dance numbers featuring ornate geometric patterns and mimicked in many modern films, Busby Berkeley's (1895–1976) unique artistry is as recognizable and striking as ever. From his years on Broadway to the director's chair, Berkeley was notable for his inventiveness and signature style. Through sensational films like 42nd Street (1933), Gold Diggers of 1933 (1933), Footlight Parade (1933), and Dames (1934), Berkeley sought to distract audiences from the troubles of the Great Depression. Although his bold technique is familiar to millions of moviegoers, Berkeley's life remains a mystery. Buzz: The Life and Art of Busby Berkeley is a telling portrait of the filmmaker who revolutionized the musical and changed the world of choreography. Employing personal letters, interviews, studio memoranda, and Berkeley's private memoirs, Jeffrey Spivak unveils the colorful life of one of cinema's greatest artists.
