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In Love with George Eliot by Kathy O'Shaughnessy Pdf
A TLSBOOK OF THE YEAR. Who was the real George Eliot? In Love with George Eliotis a glorious debut novel which tells the compelling story of England's greatest woman novelist as you've never read it before. Marian Evans has scandalised polite society. She lives in sin with a married man, George Henry Lewes, but writes in secret under the pseudonym George Eliot. Gradually, it becomes apparent that the genius Eliot is none other than Evans, the disgraced woman. Her tremendous celebrity begins, and prior indiscretions are forgiven. But when Lewes dies, Evans finds herself in danger of shocking the world all over again. Meanwhile, from one rudderless century to another, two women compete to interpret Eliot as writer and as woman ...
Rebecca Mead was a young woman in a coastal town of England when she first read George Eliot's Middlemarch. After gaining admission to Oxford, and moving to the United States to become a journalist, through several love affairs and then marriage and family, Rebecca Mead reread Middlemarch. The novel, which Virginia Woolf famously described as "one of the few English novels written for grown-up people," offered Mead something that modern life and literature did not. In this wise and revealing work of biography, reporting, and memoir, Rebecca Mead leads the reader into the life that her favorite book made for her, as well as the many lives the novel has led since it was written. Employing a structure that perfectly mirrors that of the novel, My Life in Middlemarch takes the themes of Eliot's novel and brings them into the world. Offering both a fascinating reading of Eliot's biography and an uncanny portrait of the ways in which Mead's life echoes that of the author herself, My Life in Middlemarch is a book for who wonders about the power of literature to shape our lives.
An extraordinary masterpiece written from personal experience, Middlemarch is a deep psychological observation of human nature that revolves around the issues of love, jealousy, and obligation. Eliot's feminist views are apparent through the novel: she stresses the fact that women should control their own lives.
George Eliot is one of the most celebrated novelists in history. Her books, including Middlemarch, Daniel Deronda, and Adam Bede, are as appreciated now as they were in the nineteenth century. Yet her nonconformist and captivating personal life—a compelling story in itself—is not well known. Ridiculed as an ugly duckling, Eliot violated strict social codes by living with a married man for most of her adult life. Soon after he died, she married a much younger man who attempted suicide during their honeymoon. The obstacles Eliot overcame in her life informed her work and have made her legacy an enduring one. Brenda Maddox brings her lively style to bear on the intersection of Eliot's life and novels. She delves into the human side of this larger-than-life figure, revealing the pleasure and pain behind the intellectual's public face. The result is a deeply personal biography that sheds new light on a woman who lived life on her own terms and altered the literary landscape in the process.
On April 10, 1994, PBS stations nationwide will air the first episode of a lavish six-part Masterpiece Theatre production of Eliot's brilliant work, Middlemarch, hosted by Russell Baker and produced by Louis Marks. The Modern Library is pleased to offer this official companion edition, complete with tie-in art and printed on acid-free paper. Unabridged.
Latimer is cursed with psychic abilities that allow him to see the future, yet he’s unable to avoid the dark turn of his own life. What many consider a gift, he sees as a curse that has destroyed his ability to have normal relationships. Latimer can hear people’s deepest thoughts and has visions of their impending future. It’s a power he acquired at a young age following a brief illness. Latimer loathes his ability, as it has made it nearly impossible for him to make genuine connections. He unknowingly uncovers dark secrets that reveal the worst of humanity. Despite this foresight, Latimer’s desire to control his own narrative blinds him to an inevitable outcome. The Lifted Veil is a unique entry in Eliot’s literary catalogue. It was released the same year as her debut novel, Adam Bede, and is a stark departure from her usual themes. It highlights a different point-of-view and Eliot’s diverse storytelling ability. With an eye-catching new cover, and professionally typeset manuscript, this edition of The Lifted Veil is both modern and readable.
Lacing cultural criticism, Victorian literature, and storytelling together, "TOO MUCH spills over: with intellect, with sparkling prose, and with the brainy arguments of Vorona Cote, who posits that women are all, in some way or another, still susceptible to being called too much." (Esmé Weijun Wang) A weeping woman is a monster. So too is a fat woman, a horny woman, a woman shrieking with laughter. Women who are one or more of these things have heard, or perhaps simply intuited, that we are repugnantly excessive, that we have taken illicit liberties to feel or fuck or eat with abandon. After bellowing like a barn animal in orgasm, hoovering a plate of mashed potatoes, or spraying out spit in the heat of expostulation, we've flinched-ugh, that was so gross. I am so gross. On rare occasions, we might revel in our excess--belting out anthems with our friends over karaoke, perhaps--but in the company of less sympathetic souls, our uncertainty always returns. A woman who is Too Much is a woman who reacts to the world with ardent intensity is a woman familiar to lashes of shame and disapproval, from within as well as without. Written in the tradition of Shrill, Dead Girls, Sex Object and other frank books about the female gaze, TOO MUCH encourages women to reconsider the beauty of their excesses-emotional, physical, and spiritual. Rachel Vorona Cote braids cultural criticism, theory, and storytelling together in her exploration of how culture grinds away our bodies, souls, and sexualities, forcing us into smaller lives than we desire. An erstwhile Victorian scholar, she sees many parallels between that era's fixation on women's "hysterical" behavior and our modern policing of the same; in the space of her writing, you're as likely to encounter Jane Eyre and Lizzie Bennet as you are Britney Spears and Lana Del Rey. This book will tell the story of how women, from then and now, have learned to draw power from their reservoirs of feeling, all that makes us "Too Much."
Spanning her entire life, the fully annotated selections in this volume include well known recollections of the great Victorian novelist plus a large assortment not found in her biographies. Altogether they provide a fresh, vivid, and sometimes startling portrait of a controversial genius.
One of The Economist's 2011 Books of the Year THE TRUE BUT UNLIKELY STORIES OF LIVES DEVOTED—ABSURDLY! MELANCHOLICALLY! BEAUTIFULLY!—TO THE RUSSIAN CLASSICS No one who read Elif Batuman's first article (in the journal n+1) will ever forget it. "Babel in California" told the true story of various human destinies intersecting at Stanford University during a conference about the enigmatic writer Isaac Babel. Over the course of several pages, Batuman managed to misplace Babel's last living relatives at the San Francisco airport, uncover Babel's secret influence on the making of King Kong, and introduce her readers to a new voice that was unpredictable, comic, humane, ironic, charming, poignant, and completely, unpretentiously full of love for literature. Batuman's subsequent pieces—for The New Yorker, Harper's Magazine, and the London Review of Books— have made her one of the most sought-after and admired writers of her generation, and its best traveling companion. In The Possessed we watch her investigate a possible murder at Tolstoy's ancestral estate. We go with her to Stanford, Switzerland, and St. Petersburg; retrace Pushkin's wanderings in the Caucasus; learn why Old Uzbek has one hundred different words for crying; and see an eighteenth-century ice palace reconstructed on the Neva. Love and the novel, the individual in history, the existential plight of the graduate student: all find their place in The Possessed. Literally and metaphorically following the footsteps of her favorite authors, Batuman searches for the answers to the big questions in the details of lived experience, combining fresh readings of the great Russians, from Pushkin to Platonov, with the sad and funny stories of the lives they continue to influence—including her own.
Mary Ann Evans (1819-1880), known by her pen name George Eliot, was an English novelist, poet, journalist, translator and one of the leading writers of the Victorian era. She is the author of seven novels, including Adam Bede (1859), The Mill on the Floss (1860), Silas Marner (1861), Felix Holt, the Radical (1866), Middlemarch (1871-72), and Daniel Deronda (1876), most of which are set in provincial England and known for their realism and psychological insight. She used a male pen name, she said, to ensure that her works would be taken seriously. Female authors were published under their own names during Eliot's life, but she wanted to escape the stereotype of women writing only lighthearted romances. She also wished to have her fiction judged separately from her already extensive and widely known work as an editor and critic.
This intensely engaging biography examines the extraordinary life of George Eliot from her childhood, through her scandalous liaison and social exile, to her hard-won status as one of Victorian England's literary elite.
Mr. Gilfil's Love-Story (Continued) by George Eliot Pdf
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