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George Oppen and the Fate of Modernism by Peter Nicholls Pdf
This study of 20th-century American poet George Oppen promises to become a key resource for those interested not only in Oppen himself, but in the history of literary modernism. Drawing extensively on largely unpublished papers and presenting material that has not yet appeared in print, Peter Nicholls gives a detailed account of Oppen's life and work, enriched by close readings of many of his poems.
George Oppen and the Fate of Modernism by Peter Nicholls Pdf
Regard for George Oppen's poetry has been growing steadily over the last decade. Peter Nicholls's study offers a timely opportunity to engage with a body of work which can be both luminously simple and intriguingly opaque. Nicholls charts Oppen's commitment to Marxism and his later explorations of a 'poetics of being' inspired by Heidegger and Existentialism, providing detailed accounts of each of the poet's books. He is the first critic to draw extensively on the Oppen archive, with its thousands of pages of largely unpublished notes and drafts for poems; in doing so, he is able to map the distinctive contours of Oppen's poetic thinking and to investigate the complex origins of many of his poems. Oppen emerges from this study as a writer of mercurial intensities for whom every poem constitutes a 'beginning again', a freeing of the mind from thoughts known in advance. A strikingly innovative and challenging poetics results from Oppen's attempt to avoid what he regards as the errors of the modernist avant-garde and to create instead a designedly 'impoverished' aesthetic which keeps poetry close to the grain of experience and to the political and ethical dilemmas it constantly poses.
The Cambridge Introduction to Modernist Poetry by Peter Howarth Pdf
Modernist poems are some of the twentieth-century's major cultural achievements, but they are also hard work to read. This wide-ranging introduction takes readers through modernism's most famous poems and some of its forgotten highlights to show why modernists thought difficulty and disorientation essential for poetry in the modern world. In-depth chapters on Pound, Eliot, Yeats and the American modernists outline how formal experiments take on the new world of mass media, democracies, total war and changing religious belief. Chapters on the avant-gardes and later modernism examine how their styles shift as they try to re-make the community of readers. Howarth explains in a clear and enjoyable way how to approach the forms, politics and cultural strategies of modernist poetry in English.
Expanding Authorship collects important essays by Peter Middleton that show the many ways in which, in a world of proliferating communications media, poetry-making is increasingly the work of agencies extending beyond that of a single, identifiable author. In four sections--Sound, Communities, Collaboration, and Complexity--Middleton demonstrates that this changing situation of poetry requires new understandings of the variations of authorship. He explores the internal divisions of lyric subjectivity, the vicissitudes of coauthorship and poetry networks, the creative role of editors and anthologists, and the ways in which the long poem can reveal the outer limits of authorship. Readers and scholars of Wallace Stevens, William Carlos Williams, George Oppen, Frank O'Hara, Robert Duncan, Robert Creeley, Jerome Rothenberg, Susan Howe, Lyn Hejinian, Nathaniel Mackey, and Rae Armantrout will find much to learn and enjoy in this groundbreaking volume.
Short Form American Poetry by Montgomery Will Montgomery Pdf
A ground-breaking analysis of the short form lineage in twentieth-century American poetry Proposes a new genealogy of 20th century and contemporary American verse Contains in-depth discussion of key American poets and movements Will appeal to graduates and scholars in both the modernist and contemporary fieldsReading a century of American poetry through the prism of short form, this book analyses the centrality of an aesthetic of brevity to American modernist verse. It begins with Imagism and devotes chapters to William Carlos Williams, George Oppen, Lorine Niedecker, Robert Creeley, Larry Eigner, Robert Grenier and Rae Armantrout. Montgomery combines his larger argument, which takes issue with epic-driven narratives of Modernist poetry, with sensitive and original readings of numerous short and short-lined poems. Suggesting a reappraisal of key movements as objectivism, Black Mountain poetry and Language Writing, he opens new lines of discussion around the major poets of the period
Late Style and Its Discontents by Gordon McMullan,Sam Smiles Pdf
"Late style" is a critical term routinely deployed to characterise the work of selected authors, composers, and creative artists as they enter their last phase of production--often, but not only, in old age. Taken at face value, this terminology merely points to a chronological division in the artist's oeuvre, "late" being the antonym of "early" or the third term in the triad "early-middle-late." However, almost from its inception, the idea of late style or late work has been freighted with aesthetic associations and expectations that promote it as a special episode in the artist's creative life. Late style is often characterized as the imaginative response made by exceptional talents to the imminence of their death. In their confrontation with death creative artists, critics claim, produce work that is by turns a determination to continue while strength remains, a summation of their life's work and a radical vision of the essence of their craft. And because this creative phenomenon is understood as primarily an existential response to a common fate, so late style is understood as something that transcends the particularities of place, time and medium. Critics seeking to understand late work regularly invoke the examples of Titian, Goethe, and Beethoven as exemplars of what constitutes late work, proposing that something unites the late style of authors, composers, and creative artists who otherwise would not be bracketed together and that lateness per se is a special order of creative work. The essays in this collection resist this position. Ranging across literature, the visual arts, music, and scientific work, the material assembled here looks closely at the material, biographical and other contexts in which the work was produced and seeks both to question the assumptions surrounding late style and to prompt a more critical understanding of the last works of writers, artists and composers.
The dial, The little review, and the dialogics of the modernist "new" -- The new American poetry revisisted again -- New, newer, and the newest American poetries -- Poetry anthologies and the idea of the "mainstream" -- Serial form in George Oppen and Robert Creeley -- Place, space, and "new syntax" in Oppen's Seascape: needle's eye -- Macro, micro, material : Rachel Blau DuPlessis's Drafts and the post-objectivist serial poem -- Drafts and fragments : Rachel Blau DuPlessis's (counter-)Poudian project -- "Drawings with words" : Susan Howe's visual feminist poetics -- Authority, marginality, England, and Ireland in the work of Susan Howe -- Bruce Andrews, writing, and "poetry" -- "What about all this writing?" : Williams and alternative poetics -- Language writing, digital poetics, and transitional materialities.
In this important new intervention, leading poet and critic John Wilkinson explores the material life of the lyric poem. How does the lyric – considered as an object, as an event – grapple with permanence and impermanence, the rhythms of change and the passing of time? Drawing on new insights from contemporary philosophy and object-oriented ontology, psychoanalysis and the visual arts, The Lyric in Its Times includes innovative and insightful new readings of work by a wide range of lyric poets, from Shakespeare, Blake and Shelley to Charles Baudelaire, Frank O'Hara and J.H. Prynne.
Charles Olson and American Modernism by Mark Byers Pdf
This volume situates the work of American poet Charles Olson (1910-1970) at the centre of the early post-war American avant-garde. It shows Olson to have been one of the major advocates and theorists of American modernism in the late 1940s and early 1950s; a poet who responded fully and variously to the political, ethical, and aesthetic urgencies driving innovation across contemporary American art. Reading Olson's work alongside that of contemporaries associated with the New York Schools of painting and music (as well as the exiled Frankfurt School), the book draws on Olson's published and unpublished writings to establish an original account of early post-war American modernism. The development of Olson's work is seen to illustrate two primary drivers of formal innovation in the period: the evolution of a new model of political action pivoting around the radical individual and, relatedly, a powerful new critique of instrumental reason and the Enlightenment tradition. Drawing on extensive archival research and featuring readings of a wide range of artists including, prominently, Barnett Newman, Mark Rothko, David Smith, Wolfgang Paalen, and John Cage, Charles Olson and American Modernism offers a new reading of a major American poet and an original account of the emergence of post-war American modernism.
The Oppens Remembered by Rachel Blau DuPlessis Pdf
Poet George Oppen (1908–1984) and artist and writer Mary Oppen (1908–1990) were striking, exemplary, and somewhat mysterious cultural figures of the last decades of the twentieth century. To a younger group of artists, George Oppen functioned as a mentor, an irritant, and a supporter. Together, because of their intense and unique union, the Oppens provided a model of the companionate artistic life. In this book the poets, editors, writers, composers, and teachers who knew the couple consider their encounters and relationships with George and Mary Oppen. Set at a politically crucial time in US history, from the Cold War through the Vietnam War and the women’s movement, the essays show how people tried to integrate art and politics in the spirit of the Oppens’ own debates and choices.
Modernist Legacies by David Nowell Smith,Abigail Lang Pdf
The first collection of essays dedicated to experimental practice in contemporary British poetry, Modernist Legacies provides an overview of the most notable trends in the past 50 years. Contributors discuss a wide range of poets including Caroline Bergvall and Barry MacSweeney, showing these poets' connections with their Modernist predecessors.
Edinburgh Dictionary of Modernism by Vassiliki Kolocotroni Pdf
This book examines how the productive interplay between nineteenth-century literary and visual media paralleled the emergence of a modern psychological understanding of the ways in which reading, viewing and dreaming generate moving images in the mind.
A History of Modernist Poetry by Alex Davis,Lee M. Jenkins Pdf
A History of Modernist Poetry examines innovative anglophone poetries from decadence to the post-war period. The first of its three parts considers formal and contextual issues, including myth, politics, gender, and race, while the second and third parts discuss a wide range of individual poets, including Ezra Pound, T.S. Eliot, W.B. Yeats, Mina Loy, Gertrude Stein, Wallace Stevens, William Carlos Williams, and Marianne Moore, as well as key movements such as Imagism, Objectivism, and the Harlem Renaissance. This book also addresses the impact of both World Wars on experimental poetries and the crucial role of magazines in disseminating and proselytizing on behalf of poetic modernism. The collection concludes with a wide-ranging discussion of the inheritance of modernism in recent writing on both sides of the Atlantic.