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George Steiner at The New Yorker by George Steiner Pdf
Collects fifty-three signature pieces as originally published between 1967 and 1997, in a wide-ranging anthology that shares the influential author's perspectives on such topics as paganism, the literature of the gulag, and the history of chess. Original.
George Steiner at The New Yorker by George Steiner Pdf
An education in a portmanteau: George Steiner at The New Yorker collects his best work from his more than 150 pieces for the magazine. Between 1967 and 1997, George Steiner wrote more than 130 pieces on a great range of topics for The New Yorker, making new books, difficult ideas, and unfamiliar subjects seem compelling not only to intellectuals but to “the common reader.” He possesses a famously dazzling mind: paganism, the Dutch Renaissance, children’s games, war-time Britain, Hitler’s bunker, and chivalry attract his interest as much as Levi-Strauss, Cellini, Bernhard, Chardin, Mandelstam, Kafka, Cardinal Newman, Verdi, Gogol, Borges, Brecht, Wittgenstein, Chomsky, and art historian/spy Anthony Blunt. Steiner makes an ideal guide from the Risorgimento in Italy to the literature of the Gulag, from the history of chess to the enduring importance of George Orwell. Again and again everything Steiner looks at in his New Yorker essays is made to bristle with some genuine prospect of turning out to be freshly thrilling or surprising.
George Steiner at The New Yorker by George Steiner Pdf
"George Steiner at The New Yorker collects fifty-three of his fascinating and wide-ranging essays from the more than one hundred and thirty he has contributed to the magazine. Steiner possesses a famously dazzling mind: paganism, the Dutch Renaissance, children's games, wartime Britain, and chivalry attract his interest as much as Levi-Strauss, Bernhard, Kafka, Beckett, Wittgenstein, Chomsky, and art historian/spy Anthony Blunt. Steiner makes an ideal guide, from the Risorgimento in Italy to the literature of the Gulag, from the history of chess to the enduring importance of Borges. Again and again in his New Yorker essays everything Steiner looks at is made to bristle with possibility, with the genuine prospect of becoming fresh and thrilling." --Book Jacket.
One of the worlds foremost literary critics meditates upon seven books he long had in mind to write but never did. Massively erudite, the essays are also brave, unflinching, and wholly personal.
Author : George Steiner Publisher : New York : Oxford University Press Page : 530 pages File Size : 40,9 Mb Release : 1976 Category : Language and languages ISBN : UCSC:32106018901618
When it first appeared in 1975, After Babel created a sensation, quickly establishing itself as both a controversial and seminal study of literary theory. In the original edition, Steiner provided readers with the first systematic investigation since the eighteenth century of the phenomenology and processes of translation both inside and between languages. Taking issue with the principal emphasis of modern linguistics, he finds the root of the "Babel problem" in our deep instinct for privacy and territory, noting that every people has in its language a unique body of shared secrecy. With this provocative thesis he analyzes every aspect of translation from fundamental conditions of interpretation to the most intricate of linguistic constructions.For the long-awaited second edition, Steiner entirely revised the text, added new and expanded notes, and wrote a new preface setting the work in the present context of hermeneutics, poetics, and translation studies. This new edition brings the bibliography up to the present with substantially updated references, including much Russian and Eastern European material. Like the towering figures of Derrida, Lacan, and Foucault, Steiner's work is central to current literary thought. After Babel, Third Edition is essential reading for anyone hoping to understand the debates raging in the academy today.
George Steiner has enjoyed international acclaim as a distinguished cultural critic for many years. The son of central European Jews, he was born in France, fled from the Nazis to New York in 1940, and became a naturalized U.S. citizen in 1944. Through his many books, voluminous literary criticism, and book review articles published in the New Yorker, the Times Literary Supplement, and the Guardian, Steiner has played a major role in introducing the works of prominent continental writers and thinkers to readers in North America and Great Britain. Having escaped the Nazis as a child, Steiner vowed that his work as an intellectual would attempt to understand the tragedy of the Shoah. In Disenchantment, Chatterley focuses on Steiner’s neglected writings on the Holocaust and antisemitism, and places this work at the center of her analysis of his criticism. She clearly demonstrates how Steiner’s family history and education, as well as the historical and cultural developments that surrounded him, are central to the evolution of his dominant intellectual concerns. It is during the 1950s and 1960s, in relation to unfolding discoveries about the Nazi murder of European Jewry, that Steiner begins to study the effects of the Holocaust on language and culture, and then questions the very purpose and meaning of the humanities. The first intellectual biography of George Steiner, Disenchantment provides an invaluable contribution to literary and cultural studies.
Renowned scholar George Steiner explores the power and presence of the unseen in art. “It takes someone of [his] stature to tackle this theme head-on” (The New York Times). There is a philosophical school of thought that believes the presence of God in art, literature, and music—in creativity in general—is a vacant metaphor, an eroded figure of speech, a ghost in humanity’s common parlance. George Steiner posits the opposite—that any coherent understanding of language and art, any capacity to communicate meaning and feeling, is premised on God. In doing so, he argues against the kind of criticism that obscures, instead of elucidates, meaning. From the power of language to vital philosophical tenets, Real Presences examines the role of meaning and of the spiritual in art throughout history and across cultures.
From a PEN/Faulkner award–winning author and acclaimed literary critic, three novellas exploring the psychological impact of WWII on its survivors. A German soldier returns to a French village hoping to assuage his guilt for atrocities committed there. A young American joins the French resistance. The relationship between friends is forever transformed by their wartime experiences. The three stories bundled in Anno Domini are tales about war and love, and the enduring impact of traumatic memories on the human spirit.
The Portage to San Cristobal of A. H. by George Steiner Pdf
Imagine, thirty years after the end of World War II, Israeli Nazi-hunters, some of whom lost relatives in the gas chambers of Nazi Germany, find a silent old man deep in the Amazon jungle. He is Adolph Hitler. The narrative that follows is a profound and disturbing exploration of the nature of guilt, vengeance, language, and the power of evil—each undiminished over time. George Steiner's stunning novel, now with a new afterword, will continue to provoke our thinking about Nazi Germany's unforgettable past. "Two readings have convinced me that this is a fiction of extraordinary power and thoughtfulness. . . . [A] remarkable novel."—Bernard Bergonzi, Times Literary Supplement "In this tour de force Mr. Steiner makes his reader re-examine, to whatever conclusions each may choose, a history from which we would prefer to avert our eyes."—Edmund Fuller, Wall Street Journal "Portage largely avoids both the satisfactions of the traditional novel and the horrifying details of Holocaust literature. Instead, Steiner has taken as his model the political imaginings of an Orwell or Koestler. . . . He has produced a philosophic fantasy of remarkable intensity."—Otto Friedrich, Time
A Pulitzer Prize Winner and landmark book from one of the truly original scholars of our time: a magnificent revelation of turn-of-the-century Vienna where out of a crisis of political and social disintegration so much of modern art and thought was born. "Not only is it a splendid exploration of several aspects of early modernism in their political context; it is an indicator of how the discipline of intellectual history is currently practiced by its most able and ambitious craftsmen. It is also a moving vindication of historical study itself, in the face of modernism's defiant suggestion that history is obsolete." -- David A. Hollinger, History Book Club Review "Each of [the seven separate studies] can be read separately....Yet they are so artfully designed and integrated that one who reads them in order is impressed by the book's wholeness and the momentum of its argument." -- Gordon A. Craig, The New Republic "A profound work...on one of the most important chapters of modern intellectual history" -- H.R. Trevor-Roper, front page, The New York Times Book Review "Invaluable to the social and political historian...as well as to those more concerned with the arts" -- John Willett, The New York Review of Books "A work of original synthesis and scholarship. Engrossing." -- Newsweek
The Deeps of the Sea and Other Fiction by George Steiner Pdf
George Steiner's fiction spans intimacy and politics, violence and calm. The settings include the deeps of the Pacific and the Amazonian forests, the Poland of the death-camps and Italy after the collapse of Marxism. They pivot, as do Steiner's philosophic and literary writings, on the enigma of language, and of its power to bless and destroy. Time and again, the underlying theme is that of the inhumanity at the heart of culture, of those nightmares that can come of reason. Apart from The Deeps of the Sea, the collection also includes The Portage to San Cristobal of A.H., Anno Domini and Proofs and Three Parables.
DIV“A fresh, revelatory, golden eagle’s eye-view of western literature.” —Financial Times/divDIV Early in Grammars of Creation, George Steiner references Plato’s maxim that in “all things natural and human, the origin is the most excellent.” Creation, he argues, is linguistically fundamental in theology, philosophy, art, music, literature—central, in fact, to our very humanity. Since the Holocaust, however, art has shown a tendency to linger on endings—on sundown instead of sunrise. Asserting that every use of the future tense of the verb “to be” is a negation of mortality, Steiner draws on everything from world wars and the Nazis to religion and the word of God to demonstrate how our grammar reveals our perceptions, reflections, and experiences. His study shows the twentieth century to be largely a failed one, but also offers a glimpse of hope for Western civilization, a new light peeking just over the horizon./div
The Poetry of Thought: From Hellenism to Celan by George Steiner Pdf
From the distinguished polymath George Steiner comes a profound and illuminating vision of the inseparability of Western philosophy and its living language. With his hallmark forceful discernment, George Steiner presents in The Poetry of Thought his magnum opus: an examination of more than two millennia of Western culture, staking out his claim for the essential oneness of great thought and great style. Sweeping yet precise, moving from essential detail to bracing illustration, Steiner spans the entire history of philosophy in the West as it entwines with literature, finding that, as Sartre stated, in all philosophy there is “a hidden literary prose.” “The poetic genius of abstract thought,” Steiner believes, “is lit, is made audible. Argument, even analytic, has its drumbeat. It is made ode. What voices the closing movements of Hegel’s Phenomenology better than Edith Piaf’s non de non, a twofold negation which Hegel would have prized? This essay is an attempt to listen more closely.”