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In the 1930s, Américo Paredes, the renowned folklorist, wrote a novel set to the background of the struggles of Texas Mexicans to preserve their property, culture and identity in the face of Anglo-American migration to and growing dominance over the Rio Grande Valley. Episodes of guerilla warfare, land grabs, racism, jingoism, and abuses by the Texas Rangers make this an adventure novel as well as one of reflection on the making of modern day Texas. George Washington GÑmez is a true precursor of the modern Chicano novel.
This classic novel about the struggles of Texas Mexicans to preserve their property, culture and identity in the face of Anglo-American migration to and dominance of the Rio Grande Valley is available for the first time in Spanish. Born in the early part of the twentieth century, George Washington Gómez is named after the American rebel and hero because his parents are certain their son will be a great man too. George, or Guálinto as he’s known, grows up in turbulent times. His family has lived for generations in what has become Texas. “I was born here. My father was born here and so was my grandfather and his father before him. And then they come, they come and take it, steal it and call it theirs,” his Uncle Feliciano rages. The Texas Mexicans’ attempts to take back their land from the Gringos and the rinches—the brutal Texas Rangers—fail. Guálinto’s father, who never participated in the seditionist violence, is murdered in cold blood, and Feliciano makes a death-bed promise to raise his nephew without hatred. Young Guálinto comes of age in a world where Mexicans are treated as second-class citizens. Teachers can beat and mistreat them with impunity, and most of his Mexican-American friends drop out of school at a young age. But the Gómez family insists that he continue his education, which he will need in order to do great things for his people. And so his school years create a terrible conflict within him: Guálinto alternately hates and admires the Gringo, loves and despises the Mexican. Written in the 1930s but not published until 1990, George Washington Gómez has become mandatory reading for anyone interested in Mexican-American literature, culture and history.
Several biographies of Américo Paredes have been published over the last decade, yet they generally overlook the paradoxical nature of his life’s work. Embarking on an in-depth, critical exploration of the significant body of work produced by Paredes, José E. Limón (one of Paredes’s students and now himself one of the world’s leading scholars in Mexican American studies) puts the spotlight on Paredes as a scholar/citizen who bridged multiple arenas of Mexican American cultural life during a time of intense social change and cultural renaissance. Serving as a counterpoint to hagiographic commentaries, Américo Paredes challenges and corrects prevailing readings by contemporary critics of Paredes’s Asian period and of such works as the novel George Washington Gómez, illuminating new facets in Paredes’s role as a folklorist and public intellectual. Limón also explores how the field of cultural studies has drifted away from folklore, or “the poetics of everyday life,” while he examines the traits of Mexican American expressive culture. He also investigates the scholarly paradigm of ethnography itself, a stimulating inquiry that enhances readings of Paredes’s best-known study, “With His Pistol in His Hand,” and other works. Underscoring Paredes’s place in folklore and Mexican American literary production, the book questions the shifting reception of Paredes throughout his academic career, ultimately providing a deep hermeneutics of widely varied work. Offering new conceptions, interpretations, and perspectives, Américo Paredes gives this pivotal literary figure and his legacy the critical analysis they deserve.
Since 1898, residents of Laredo, Texas, and Nuevo Laredo, Tamaulipas, have reached across the US-Mexico border to celebrate George Washington's birthday. The celebration can last a whole month, with parade goers reveling in American and Mexican symbols; George Washington saluting; and “Pocahontas” riding on horseback. An international bridge ceremony, the heart and soul of the festivities, features children from both sides of the border marching toward each other to link the cities with an embrace. ¡Viva George! offers an ethnography and a history of this celebration, which emerges as both symbol and substance of cross-border community life. Anthropologist and Laredo native Elaine A. Peña shows how generations of border officials, civil society organizers, and everyday people have used the bridge ritual to protect shared economic and security interests as well as negotiate tensions amid natural disasters, drug-war violence, and immigration debates. Drawing on previously unknown sources and extensive fieldwork, Peña finds that border enactments like Washington's birthday are more than goodwill gestures. From the Rio Grande to the 38th Parallel, they do the meaningful political work that partisan polemics cannot.
Uncovers the long history of how Latino manhood was integral to the formation of Latino identity In the first ever book-length study of Latino manhood before the Civil Rights Movement, Before Chicano examines Mexican American print culture to explore how conceptions of citizenship and manhood developed in the nineteenth and twentieth centuries. The year 1848 saw both the signing of the Treaty of Guadalupe Hidalgo that ended the U.S. Mexican War and the year of the Seneca Falls Convention, the first organized conference on women’s rights in the United States. These concurrent events signaled new ways of thinking about U.S. citizenship, and placing these historical moments into conversation with the archive of Mexican American print culture, Varon offers an expanded temporal frame for Mexican Americans as long-standing participants in U.S. national projects. Pulling from a wide-variety of familiar and lesser-known works—from fiction and newspapers to government documents, images, and travelogues—Varon illustrates how Mexican Americans during this period envisioned themselves as U.S. citizens through cultural depictions of manhood. Before Chicano reveals how manhood offered a strategy to disparate Latino communities across the nation to imagine themselves as a cohesive whole—as Mexican Americans—and as political agents in the U.S. Though the Civil Rights Movement is typically recognized as the origin point for the study of Latino culture, Varon pushes us to consider an intellectual history that far predates the late twentieth century, one that is both national and transnational. He expands our framework for imagining Latinos’ relationship to the U.S. and to a past that is often left behind.
With His Pistol in His Hand by Américo Paredes Pdf
Gregorio Cortez Lira, a ranchhand of Mexican parentage, was virtually unknown until one summer day in 1901 when he and a Texas sheriff, pistols in hand, blazed away at each other after a misunderstanding. The sheriff was killed and Gregorio fled immediately, realizing that in practice there was one law for Anglo-Texans, another for Texas-Mexicans. The chase, capture, and imprisonment of Cortez are high drama that cannot easily be forgotten. Even today, in the cantinas along both sides of the Rio Grande, Mexicans sing the praises of the great "sheriff-killer" in the ballad which they call "El Corrido de Gregorio Cortez." Américo Paredes tells the story of Cortez, the man and the legend, in vivid, fascinating detail in "With His Pistol in His Hand," which also presents a unique study of a ballad in the making. Deftly woven into the story are interpretations of the Border country, its history, its people, and their folkways.
This critically acclaimed play by Luis Valdez cracks open the depiction of Chicanos on stage, challenging viewers to revisit a troubled moment in our nationÕs history. From the moment the myth-infused character El Pachuco burst onto the stage, cutting his way through the drop curtain with a switchblade, Luis Valdez spurred a revolution in Chicano theater. Focusing on the events surrounding the Sleepy Lagoon Murder Trial of 1942 and the ensuing Zoot Suit Riots that turned Los Angeles into a bloody war zone, this is a gritty and vivid depiction of the horrifying violence and racism suffered by young Mexican Americans on the home front during World War II. ValdezÕs cadre of young urban characters struggle with the stereotypes and generalizations of AmericaÕs dominant culture, the questions of assimilation and patriotism, and a desire to rebel against the mainstream pressures that threaten to wipe them out. Experimenting with brash forms of narration, pop culture of the war era, and complex characterizations, this quintessential exploration of the Mexican-American experience in the United States during the 1940Õs was the first, and only, Chicano play to open on Broadway. This collection contains three of playwright and screenwriter Luis ValdezÕs most important and recognized plays: Zoot Suit, Bandido! and I DonÕt Have to Show You No Stinking Badges. The anthology also includes an introduction by noted theater critic Dr. Jorge Huerta of the University of California-San Diego. Luis Valdez, the most recognized and celebrated Hispanic playwright of our times, is the director of the famous farm-worker theater, El Teatro Campesino.
Just how many things can "one" be? One box of crayons. One batch of cookies. One world. One family. From veteran picture book author George Shannon and up-and-coming artist Blanca Gomez comes a playful, interactive book that shows how a family can be big or small and comprised of people of a range of genders and races.
Remember Who You Are by Frank Martin,Dave Sheinin,Tim Keown,Bruce Jenkins,Rachel Nichols,Mark Kreidler,Max Scherzer,Bob Ley,Pedro Gomez,Peter Gammons,Howard Bryant,Mike Barnicle,Brian Murphy,Chelsea Janes,Dusty Baker,Rob King,Rio Gomez,Ross Newhan,Jon Daniels,Ken Rosenthal,Buster Olney,Shelley M. Smith,T. J. Quinn,Scott Boras,Sandy Alderson,Dan Shaughnessy,Mike Swanson,Robin Carr,Tony La Russa,Jason La Canfora,Ray Ratto,Ron Washington,Chuck Culpepper,Tracy Ringolsby,Bud Black,Tim Kurkjian,Jack Curry,Michael Zagaris,Paul Begala,Brad Mangin,Jeremy Schaap,Jeff Passan,Bob Melvin,Scott Ostler,George A. King III,Terry Francona,Derrick Goold,Alex Coffey,Sean McAdam,Brian Snitker,Brett Kurland,Alden Gonzalez,Sarina Morales,Marcos Bretón,John D'Anna,Steve Fainaru,Orlando "El Duque" Hernandez,Dante Gomez,Bud Geracie,Dennis Eckersley,A. J. Hinch,Keith Olbermann Pdf
Pedro Gomez of ESPN was a beloved figure in the world of baseball and his death from sudden cardiac arrest on Feb. 7, 2021, unleashed an outpouring of heartfelt tributes. He was 58, both a hard-nosed reporter and a smiling ambassador of the sport. These 62 personal essays soar beyond sports to delve into life lessons. Pedro, a proud Cuban American, was known for his dramatic reporting from Havana. Fully and fluidly bilingual, he did as much as anyone to bridge the wide gap that had existed between U.S.-born players and the Latin Americans now so important to the game's vitality and future growth. He was also a family man who loved to talk about his three children, Sierra, Dante and Rio, a Boston Red Sox prospect.Pedro was universally known as a smiling presence who brought out the best in people. His humanity and generosity of spirit shaped countless lives, including one of his ESPN bosses, Rob King, who was so moved by Pedro's advice to him--"Remember who you are"--that he printed up the words and posted them on the wall of his office in Bristol. King is one of a diverse collection of contributors whose personal essays turn Pedro's shocking death into an occasion to reflect on the deeper truths of life we too often overlook. Part The Pride of Havana and part Tuesdays With Morrie, part The Tender Bar and part Ball Four, this is the rare essay collection that reads like a novel, full of achingly honest emotion and painful insights, a book about friendship, a book about standing for something, a book about joy and love. Former New York Times writer Jack Curry writes about Pedro's passion for live music, and former Sports Illustrated writer Tim Kurkjian brings alive spring-training basketball games with executives like Sandy Anderson and Billy Beane and Pedro right in the mix. Detroit manager AJ Hinch and formers Texas manager Ron Washington both reveal that in their darkest hours Pedro gave them some of the best advice of their lives. Hall of Famers Dennis Eckersley, Tony La Russa, Peter Gammons, Ross Newhan, Tracy Ringolsby and Dan Shaughnessy are among the contributors. So are likely future Hall of Famers Max Scherzer and Dusty Baker. Pulitzer-Prize-winning Washington Post war correspondent Steve Fainaru, award-winning writers from Howard Bryant and Mike Barnicle to Tim Keown, Ken Rosenthal and Dave Sheinin also contribute. Rounding out the mix are current and former ESPN stars including Rachel Nichols, Shelley M. Smith, Peter Gammons, Bob Ley and Keith Olbermann. This is a book to rekindle in any lapsed fan a love of going to the ballpark, but it's also a wakeup call that transcends sports. To any journalist, worn down by the demands of a punishing job, to anyone anywhere, pummeled by pandemic times and the dark mood of the country in recent years, these essays will light a spark to seize every opportunity to make a difference, in your work and in the lives of people who matter to you.
Tomàs Rivera quite possibly has been the most influential voice in Chicano literature. Besides his masterpiece, y no se lo tragÑ la tierra / And the Earth Did Not Devour Him, included here is the sum total of his published works, in English and Spanish, as well as many that never made print in his lifetime.
Caballero by Jovita González Mireles,Eve Raleigh Pdf
Written by a Mexican-American woman and her coauthor during the 1930s and 1940s, Caballero remained unprinted and unavailable to the public for over 50 years. The novel examines the impact of the 1846-48 war with Mexico on a tejano family and particularly on Mexican women. Paper edition (unseen), $19.95. Annotation copyright by Book News, Inc., Portland, OR
Mexican Americans in Texas History by Emilio Zamora (ed),Cynthia Orozco,Rodolfo Rocha Pdf
Old roads, new horizons: Texas history and the new world order / David Montejano -- Occupied Texas: Bexar and Goliad, 1835-1836 / Paul D. Lack -- Mexicanos in Texas during the Civil War / Miguel Gonzalez Quiroga -- Uni.
Poet, novelist, journalist, and ethnographer, Américo Paredes (1915–1999) was a pioneering figure in Mexican American border studies and a founder of Chicano studies. Paredes taught literature and anthropology at the University of Texas, Austin for decades, and his ethnographic and literary critical work laid the groundwork for subsequent scholarship on the folktales, legends, and riddles of Mexican Americans. In this beautifully written literary history, the distinguished scholar Ramón Saldívar establishes Paredes’s preeminent place in writing the contested cultural history of the south Texas borderlands. At the same time, Saldívar reveals Paredes as a precursor to the “new” American cultural studies by showing how he perceptively negotiated the contradictions between the national and transnational forces at work in the Americas in the nascent era of globalization. Saldívar demonstrates how Paredes’s poetry, prose, and journalism prefigured his later work as a folklorist and ethnographer. In song, story, and poetry, Paredes first developed the themes and issues that would be central to his celebrated later work on the “border studies” or “anthropology of the borderlands.” Saldívar describes how Paredes’s experiences as an American soldier, journalist, and humanitarian aid worker in Asia shaped his understanding of the relations between Anglos and Mexicans in the borderlands of south Texas and of national and ethnic identities more broadly. Saldívar was a friend of Paredes, and part of The Borderlands of Culture is told in Paredes’s own words. By explaining how Paredes’s work engaged with issues central to contemporary scholarship, Saldívar extends Paredes’s intellectual project and shows how it contributes to the remapping of the field of American studies from a transnational perspective.
