Georges Didi Huberman And Film

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Georges Didi-Huberman and Film

Alison Smith
Georges Didi Huberman and Film Book PDF

Author : Alison Smith
Publisher : Bloomsbury Publishing
Page : 183 pages
File Size : 54,9 Mb
Release : 2020-12-10
Category : Performing Arts
ISBN : 9781350160408

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Georges Didi-Huberman and Film by Alison Smith Pdf

Georges Didi-Huberman is a philosopher of images whose work is overdue for attention from English-language readers. Since the publication of his first book in 1982, he has published 46 essays, mostly with the prestigious Editions de Minuit, on topics ranging from monographs on individual artists to critical excursions into political philosophy. He is recognised in France and elsewhere in Europe as one of the foremost philosophers of the image writing today. In Georges Didi-Huberman and Film, Alison Smith concentrates on how Didi-Huberman's work has been informed by cinema, especially in his major (and ongoing) recent work L'Oeil de l'Histoire (The Eye of History). The book traces the development of Didi-Huberman's visual thought towards a cinematic sensibility already inherent in his early work on images in relationship to each other. After exploring his increasingly political understanding of the vital role of cinematic montage, it traces his growing understanding of cinema as a medium for expressing a dynamic representation of peoples' memory and experience, and documents his engagement with contemporary filmmakers such as Laura Waddington and Vincent Dieutre.

Invention of Hysteria

Georges Didi-Huberman
Invention of Hysteria Book PDF

Author : Georges Didi-Huberman
Publisher : MIT Press
Page : 387 pages
File Size : 46,9 Mb
Release : 2004-09-17
Category : Psychology
ISBN : 9780262541800

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Invention of Hysteria by Georges Didi-Huberman Pdf

The first English-language publication of a classic French book on the relationship between the development of photography and of the medical category of hysteria. In this classic of French cultural studies, Georges Didi-Huberman traces the intimate and reciprocal relationship between the disciplines of psychiatry and photography in the late nineteenth century. Focusing on the immense photographic output of the Salpetriere hospital, the notorious Parisian asylum for insane and incurable women, Didi-Huberman shows the crucial role played by photography in the invention of the category of hysteria. Under the direction of the medical teacher and clinician Jean-Martin Charcot, the inmates of Salpetriere identified as hysterics were methodically photographed, providing skeptical colleagues with visual proof of hysteria's specific form. These images, many of which appear in this book, provided the materials for the multivolume album Iconographie photographique de la Salpetriere. As Didi-Huberman shows, these photographs were far from simply objective documentation. The subjects were required to portray their hysterical "type"—they performed their own hysteria. Bribed by the special status they enjoyed in the purgatory of experimentation and threatened with transfer back to the inferno of the incurables, the women patiently posed for the photographs and submitted to presentations of hysterical attacks before the crowds that gathered for Charcot's "Tuesday Lectures." Charcot did not stop at voyeuristic observation. Through techniques such as hypnosis, electroshock therapy, and genital manipulation, he instigated the hysterical symptoms in his patients, eventually giving rise to hatred and resistance on their part. Didi-Huberman follows this path from complicity to antipathy in one of Charcot's favorite "cases," that of Augustine, whose image crops up again and again in the Iconographie. Augustine's virtuosic performance of hysteria ultimately became one of self-sacrifice, seen in pictures of ecstasy, crucifixion, and silent cries.

Images in Spite of All

Georges Didi-Huberman
Images in Spite of All Book PDF

Author : Georges Didi-Huberman
Publisher : University of Chicago Press
Page : 250 pages
File Size : 43,6 Mb
Release : 2008-10-15
Category : History
ISBN : 9780226148168

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Images in Spite of All by Georges Didi-Huberman Pdf

Of one and a half million surviving photographs related to Nazi concentration camps, only four depict the actual process of mass killing perpetrated at the gas chambers. Images in Spite of All reveals that these rare photos of Auschwitz, taken clandestinely by one of the Jewish prisoners forced to help carry out the atrocities there, were made as a potent act of resistance. Available today because they were smuggled out of the camp and into the hands of Polish resistance fighters, the photographs show a group of naked women being herded into the gas chambers and the cremation of corpses that have just been pulled out. Georges Didi-Huberman’s relentless consideration of these harrowing scenes demonstrates how Holocaust testimony can shift from texts and imaginations to irrefutable images that attempt to speak the unspeakable. Including a powerful response to those who have criticized his interest in these images as voyeuristic, Didi-Huberman’s eloquent reflections constitute an invaluable contribution to debates over the representability of the Holocaust and the status of archival photographs in an image-saturated world.

Aby Warburg and the Image in Motion

Philippe-Alain Michaud
Aby Warburg and the Image in Motion Book PDF

Author : Philippe-Alain Michaud
Publisher : Princeton University Press
Page : 408 pages
File Size : 42,5 Mb
Release : 2024-09-10
Category : Art
ISBN : 9781890951818

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Aby Warburg and the Image in Motion by Philippe-Alain Michaud Pdf

A compelling analysis of the work of art historian Aby Warburg and its radical implications for the study of visual images Aby Warburg (1866–1929) is best known as the originator of the discipline of iconology and as the founder of the institute that bears his name. His followers included some of the celebrated art historians of the twentieth century, such as Erwin Panofsky, Edgar Wind, and Fritz Saxl. But his heirs developed, for the most part, a domesticated iconology based on the decipherment and interpretation of symbolic material. As Philippe-Alain Michaud demonstrates in this important book, Warburg’s project was remote from any positivist or neo-Kantian ambitions. Nourished on the work of Friedrich Nietzsche and Jacob Burckhardt, Warburg fashioned a “critical iconology” to reveal the irrationality of the image in Western culture. Opposing the grand teleological narratives of art inaugurated by Giorgio Vasari, Warburg’s method operated through historical anachronisms and discontinuities. Using procedures of “montage-collision” he brought together pagan artifacts with masterpieces of Florentine Renaissance art, the astrology of the ancient Near East with the Lutheran Reformation, Mannerist festivals with the sacred dances of Native Americans. Michaud insists that for Warburg, the practice of art history was not only the recognition of the radical heterogeneity of objects but the discovery within the art work itself of lines of fracture, contradictions, tensions, and the energies of magic, empathy, totemism, and animism. Michaud provides us with a book that not only is about Warburg but also extends his intuitions and discoveries into analyses of other categories of imagery like the daguerreotype, the chronophotography of Étienne-Jules Marey, early cinema, and the dances of Loïe Fuller. This edition also includes a foreword by Georges Didi-Huberman and texts by Warburg not previously translated into English. Chosen as one of the best art books of 2004 by the Washington Post and Bookforum.

Georges Didi-Huberman and Film

Alison Smith
Georges Didi Huberman and Film Book PDF

Author : Alison Smith
Publisher : Bloomsbury Publishing
Page : 183 pages
File Size : 53,8 Mb
Release : 2020-12-10
Category : Performing Arts
ISBN : 9781350160415

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Georges Didi-Huberman and Film by Alison Smith Pdf

Georges Didi-Huberman is a philosopher of images whose work is overdue for attention from English-language readers. Since the publication of his first book in 1982, he has published 46 essays, mostly with the prestigious Editions de Minuit, on topics ranging from monographs on individual artists to critical excursions into political philosophy. He is recognised in France and elsewhere in Europe as one of the foremost philosophers of the image writing today. In Georges Didi-Huberman and Film, Alison Smith concentrates on how Didi-Huberman's work has been informed by cinema, especially in his major (and ongoing) recent work L'Oeil de l'Histoire (The Eye of History). The book traces the development of Didi-Huberman's visual thought towards a cinematic sensibility already inherent in his early work on images in relationship to each other. After exploring his increasingly political understanding of the vital role of cinematic montage, it traces his growing understanding of cinema as a medium for expressing a dynamic representation of peoples' memory and experience, and documents his engagement with contemporary filmmakers such as Laura Waddington and Vincent Dieutre.

Confronting Images

Georges Didi-Huberman
Confronting Images Book PDF

Author : Georges Didi-Huberman
Publisher : Penn State Press
Page : 354 pages
File Size : 55,6 Mb
Release : 2005
Category : Philosophy
ISBN : 0271024712

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Confronting Images by Georges Didi-Huberman Pdf

According to Didi-Huberman, visual representation has an "underside" in which intelligible forms lose clarity and defy rational understanding. Art historians, he contends, fail to engage this underside, and he suggests that art historians look to Freud's concept of the "dreamwork", a mobile process that often involves substitution and contradiction.

The Man who Walked in Color

Georges Didi-Huberman
The Man who Walked in Color Book PDF

Author : Georges Didi-Huberman
Publisher : Univocal Publishing
Page : 0 pages
File Size : 48,8 Mb
Release : 2017
Category : Light in art
ISBN : 1945414014

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The Man who Walked in Color by Georges Didi-Huberman Pdf

For Georges Didi-Huberman, artist James Turrell is an inventor of impossible spaces and unthinkable sites, of aporias, of fables. Creator of some of the most fascinating works of the late twentieth and early twenty-first century, Turrell uses as his medium the most elemental material of sight and art: light. One crucial aspect of his work is the fabulation of place and vision with its foundation deep in history. Didi-Huberman takes the reader on a journey between the impossible limit of the horizon and the arrival into a site of reverie and light, from the story of Exodus to the Pala d'Oro of San Marco's Basilica in Venice, through art history and the origins of religious worship, finally plunging into Turrell's cadmium dust and light, into the Painted Desert of his installation Roden Crater. For the esteemed art historian, Turrell's artistic practice becomes the equivalent of walking along endless pathways in the desert, in "minuscule cathedrals where man discovers himself walking in color."

Contact Zones

Justin Carville,Sigrid Lien
Contact Zones Book PDF

Author : Justin Carville,Sigrid Lien
Publisher : Leuven University Press
Page : 362 pages
File Size : 50,5 Mb
Release : 2021-06-17
Category : Photography
ISBN : 9789462702523

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Contact Zones by Justin Carville,Sigrid Lien Pdf

Since the mid-nineteenth century photography has played a central role in cultural encounters within and between migrant communities in the United States. Migrant histories have been mediated through the photographic image, and the cultural practices of photography have themselves been transformed as migrant communities mobilise the photographic image to navigate experiences of cultural dislocation and the forging of new identities. Exploring photographic images and the cultural practices of photography as ‘contact zones’ through which cultural exchange and transformation takes place, this volume addresses the role of photography in migrant histories in the United States from the mid-nineteenth century to today. Taking as its focal point photography’s role in shaping migrant experiences of cultural transformation, and how migrant experiences have re-configured culturally differentiated practices of photography, case studies on migration from Europe, Central America, and North America position photography as entwined with cultural histories of migration and cultural transformation in the United States.

Uprisings

Georges Didi-Huberman
Uprisings Book PDF

Author : Georges Didi-Huberman
Publisher : Editions Gallimard
Page : 0 pages
File Size : 44,8 Mb
Release : 2016
Category : Art
ISBN : 2072697298

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Uprisings by Georges Didi-Huberman Pdf

"Thousands of representations of the gesture to say "NO," to shout "STOP," or to raise the banner "THEY SHALL NOT PASS" exist. They are known by women, men, and children, by workers, artists, and poets, by those who cry out and those who are silent, by those who weep, who mourn and those who make them. 'Uprisings' is a montage of these words, gestures, and actions, which defy submission to absolute power"--Page 8.

Being a Skull

Georges Didi-Huberman
Being a Skull Book PDF

Author : Georges Didi-Huberman
Publisher : U of Minnesota Press
Page : 70 pages
File Size : 44,9 Mb
Release : 2016-11-22
Category : Philosophy
ISBN : 9781945414091

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Being a Skull by Georges Didi-Huberman Pdf

What would a sculpture look like that has as its task to touch thought? For the French philosopher and Art Historian, Georges Didi-Huberman, this is the central question that permeates throughout the work of Italian artist Giuseppe Penone. Through a careful study of Penone’s work regarding a sculptural and haptic process of contact with place, thought, and artistic practice, Didi-Huberman takes the reader on a journey through various modes of thinking by way of being. Taking Penone’s artwork “Being the river” as a thematic starting point, Didi-Huberman sketches a sweeping view of how artists through the centuries have worked with conceptions of the skull, that is, the mind, and ruminates on where thought is indeed located. From Leonardo da Vinci to Albrecht Dürer, Didi-Huberman guides us to the work of Penone and from there, into the attempts of a sculptor whose works strives to touch thought. What we uncover is a sculptor whose work becomes a series of traces of the site of thought. Attempting to trace, by way of a series of frottages, reports, and developments, this imperceptible zone of contact. The result is a kind of fossil of the brain: the site of thought, namely, the site for getting lost and for disproving space. Sculpting at the same time what inhabits as well as what incorporates us.

The Work of Fire

Maurice Blanchot
The Work of Fire Book PDF

Author : Maurice Blanchot
Publisher : Stanford University Press
Page : 366 pages
File Size : 48,5 Mb
Release : 1995
Category : Literary Collections
ISBN : 0804724938

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The Work of Fire by Maurice Blanchot Pdf

Maurice Blanchot is arguably the key figure after Sartre in exploring the relation between literature and philosophy. Blanchot developed a distinctive, limpid form of essay writing; these essays, in form and substance, left their imprint on the work of the most influential French theorists. The writings of Barthes, Foucault, and Derrida are unimaginable without Blanchot. Published in French in 1949, The Work of Fire is a collection of twenty-two essays originally published in literary journals. Certain themes recur repeatedly: the relation of literature and language to death; the significance of repetition; the historical, personal, and social function of literature; and simply the question what is at stake in the fact that something such as art or literature exists? Among the authors discussed are Kafka, Mallarme;, Hölderlin, Baudelaire, Rimbaud, Sartre, Gide, Pascal, Vale;ry, Hemingway, and Henry Miller.

Figures of History

Jacques Rancière
Figures of History Book PDF

Author : Jacques Rancière
Publisher : John Wiley & Sons
Page : 112 pages
File Size : 47,5 Mb
Release : 2014-10-10
Category : Social Science
ISBN : 9780745681405

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Figures of History by Jacques Rancière Pdf

In this important new book the leading philosopher Jacques Rancière continues his reflections on the representative power of works of art. How does art render events that have spanned an era? What roles does it assign to those who enacted them or those who were the victims of such events? Rancière considers these questions in relation to the works of Claude Lanzmann, Goya, Manet, Kandinsky and Barnett Newman, among others, and demonstrates that these issues are not only confined to the spectator but have greater ramifications for the history of art itself. For Rancière, every image, in what it shows and what it hides, says something about what it is permissible to show and what must be hidden in any given place and time. Indeed the image, in its act of showing and hiding, can reopen debates that the official historical record had supposedly determined once and for all. He argues that representing the past can imprison history, but it can also liberate its true meaning.

The Surviving Image

Georges Didi-Huberman
The Surviving Image Book PDF

Author : Georges Didi-Huberman
Publisher : Penn State University Press
Page : 0 pages
File Size : 48,6 Mb
Release : 2018-01-09
Category : Art
ISBN : 0271072091

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The Surviving Image by Georges Didi-Huberman Pdf

Originally published in French in 2002, examines the life and work of art historian Aby Warburg. Demonstrates the complexity and importance of Warburg's ideas, addressing broader questions regarding art historians' conceptions of time, memory, symbols, and the relationship between art and the rational and irrational forces of the psyche.

Critical Image Configurations

Stijn De Cauwer,Laura Katherine Smith
Critical Image Configurations Book PDF

Author : Stijn De Cauwer,Laura Katherine Smith
Publisher : Routledge
Page : 156 pages
File Size : 48,8 Mb
Release : 2019-10-08
Category : Art
ISBN : 0367199793

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Critical Image Configurations by Stijn De Cauwer,Laura Katherine Smith Pdf

This book illuminates a variety of the key themes and positions that are developed in the work of art historian and philosopher Georges Didi-Huberman, one of the most influential image-theorists of our time. Beginning with a translated exchange on the politics of images between Jacques Rancière and Georges Didi-Huberman, the volume further contains a translation of Didi-Huberman's essay on Georges Bataille's writings on art. The articles in this book explore the influence of Theodor Adorno and Aby Warburg on Didi-Huberman's work, the relationship between 'image' and 'people', his insights on witnessing and memory, the theme of phasmids and his reflections on aura, pathos and the imagination. Taken as a whole, the book will give readers an insight into the rich and expansive work of Didi-Huberman, beyond the books that are currently available in English. This book was originally published as a special issue of Angelaki: Journal of the Theoretical Humanities.

Bark

Georges Didi-Huberman
Bark Book PDF

Author : Georges Didi-Huberman
Publisher : MIT Press
Page : 132 pages
File Size : 47,9 Mb
Release : 2017-10-20
Category : Biography & Autobiography
ISBN : 9780262036849

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Bark by Georges Didi-Huberman Pdf

A noted French thinker's poignant reflections, in words and photographs, on his visit to Auschwitz-Birkenau. On a visit to Auschwitz-Birkenau, Georges Didi-Huberman tears three pieces of bark from birch trees on the edge of the site. Looking at these pieces after his return home, he sees them as letters, a flood, a path, time, memory, flesh. The bark serves as a springboard to Didi-Huberman's meditations on his visit, recorded in this spare, poetic, and powerful book. Bark is a personal account, drawing not on the theoretical apparatus of scholarship but on Didi-Huberman's own history, memory, and knowledge. The text proceeds as a series of reflections, accompanied by Didi-Huberman's photographs of the visit. The photographs are not meant to be art—Didi-Huberman confesses that he “photographed practically everything without looking”—but approach it nevertheless. Didi-Huberman tells us that his grandparents died at Auschwitz, but his account is more universal than biographical. As he walks from place to place, he observes that in German birches are birken; Birkenau designates the meadow where the birches grow. Didi-Huberman sees and photographs the “reconstructed” execution wall; the floors of the crematorium, forgotten witnesses to killing; and the birch trees, lovely but also resembling prison bars. Taking his own photographs, he thinks of the famous photographs taken in 1944 by a member of the Sonderkommando, the only photographic documentation of the camp before the Germans destroyed it, hoping to hide the evidence of their crimes. Didi-Huberman notices a “bizarre proliferation of white flowers on the exact spot of the cremation pits.” The dead are not departed.