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With images ranging from the sweeping Sonoran Desert studded with the saguaro cactus to the ornate Santa Cruz Catholic Church to the contemporary Rattlesnake Bridge, award-winning photographer James Randklev takes you on a photographic journey through the cityscapes and countryside of Tucson, one of the nation's oldest cities. A master landscape photographer, Randklev captures rich color images of Tucson, old and new, including the sun-washed Historico Barrio, the Old Tucson Studios, the Arivaipa Canyon Wilderness, and desert flora.
One of the Sierra Club's most widely published photographers, James Randklev captures a vivid and varied portrait of the Monterey Peninsula, from the old-world charm of Carmel to the rocky beaches of the Big Sur coastline, from expansive Monterey Bay Aquarium to historic Cannery Row. Randklev uses a large-format camera to capture images of Point Lobos State Reserve, Pebble Beach, and Big Sur so powerful you can almost hear the waves pound the shores.
Rich, full-color landscape photographs made all around Washington's Olympic National Park make this an excellent souvenir or remembrance. Rainforest, Pacific beaches and their creatures, misty landscapes, rushing cascades - Randklev's camera has captured it all.
Georgia resident Robb Helfrick tours Georgia's first city, presenting color photographs of historic buildings and squares from the Colonial, antebellum, and Victorian eras. Here, too, is the modern city, with its harbor and restored waterfront, Tybee Island, Fort Jackson, and Fort Pulaski National Monument.
Helfrick has captured the essence of Atlanta, including brilliant architectural gems, Civil War battlefields, lush Southern gardens, and the city's unique downtown skyline.
Rich color photographs of Florida's natural beauties— rom delicate to exuberant—along with cityscapes and open waters, historical sites and intriguing architecture, portray the many facets of the Sunshine State.
Annual Report of the Superintendent of Public Printing, Showing the Condition of the Public Printing and Binding by United States. Government Printing Office Pdf
Author : Academy of Natural Sciences of Philadelphia Publisher : Unknown Page : 450 pages File Size : 42,6 Mb Release : 1854 Category : Natural history ISBN : UOM:39015035489965
Impressionism captured the world's imagination in the late nineteenth century and remains with us today. Portraying the dynamic effects of modernity, impressionist artists revolutionized the arts and the wider culture. Impressionism transformed the very pattern of reality, introducing new ways to look at and think about the world and our experience of it. Its legacy has been felt in many major contributions to popular and high culture, from cubism and early cinema to the works of Zadie Smith and W. G. Sebald, from advertisements for Pepsi to the observations of Oliver Sacks and Malcolm Gladwell. Yet impressionism's persistence has also been a problem, a matter of inauthenticity, superficiality, and complicity in what is merely "impressionistic" about culture today. Jesse Matz considers these two legacies—the positive and the negative—to explain impressionism's true contemporary significance. As Lasting Impressions moves through contemporary literature, painting, and popular culture, Matz explains how the perceptual role, cultural effects, and social implications of impressionism continue to generate meaning and foster new forms of creativity, understanding, and public engagement.
Scenic Impressions by Estill Curtis Pennington,Martha R. Severens Pdf
The radical changes wrought by the rise of the salon system in nineteenth-century Europe provoked an interesting response from painters in the American South. Painterly trends emanating from Barbizon and Giverny emphasized the subtle textures of nature through warm color and broken brush stroke. Artists' subject matter tended to represent a prosperous middle class at play, with the subtle suggestion that painting was indeed art for art's sake and not an evocation of the heroic manner. Many painters in the South took up the stylistics of Tonalism, Impressionism, and naturalism to create works of a very evocative nature, works which celebrated the Southern scene as an exotic other, a locale offering refuge from an increasingly mechanized urban environment. Scenic Impressions offers an insight into a particular period of American art history as borne out in seminal paintings from the holdings of the Johnson Collection of Spartanburg, South Carolina. By consolidating academic information on a disparate group of objects under a common theme and important global artistic umbrella, Scenic Impressions will underscore the Johnsons' commitment to illuminating the rich cultural history of the American South and advancing scholarship in the field, specifically examining some forty paintings created between 1880 and 1940, including landscapes and genre scenes. A foreword, written by Kevin Sharp, director of the Dixon Gallery and Gardens in Memphis, Tennessee, introduces the topic. Two lead essays, written by noted art historians Estill Curtis Pennington and Martha R. Severens, discuss the history and import of the Impressionist movement—abroad and domestically—and specifically address the school's influence on art created in and about the American South. The featured works of art are presented in full color plates and delineated in complementary entries written by Pennington and Severens. Also included are detailed artist biographies illustrated by photographs of the artists, extensive documentation, and indices. Featured artists include Wayman Adams, Colin Campbell Cooper, Elliott Daingerfield, G. Ruger Donoho, Harvey Joiner, John Ross Key, Blondelle Malone, Lawrence Mazzanovich, Paul Plaschke, Hattie Saussy, Alice Ravenel, Huger Smith, Anthony Thieme, and Helen Turner.
Managing Impressions with Information Technology by Jon W. Beard Pdf
The contributors to this volume demonstrate the evolving ways in which impression management is conducted through the use of information technology. Whether consciously or unconsciously, individuals create and manage impressions of themselves when they use or interact with IT or in an IT environment. How? By managing the symbolism embedded in the technology. For example, technology is often the primary medium in interactions between a client and a work team, or virtual team, dedicated to servicing the needs of that client. The team itself may be geographically dispersed, lending a deeper layer to the management of impressions among members of the team via their use of technology, including e-mail, groupware, videoconferencing, and Intranet development. Researchers in the behavioral effects and consequences of information technology will find much of value here. This book is also of interest to information technology practitioners and professors alike who work with or study the broader organizational and individual signals, perceptions, and effects of IT-related decisions. Graduate students will find it appropriate as supplemental reading for courses on the organizational implications of IT, the behavioral effects of IT, the impact of IT on corporate strategy, and the impact of organizational design decisions.
