Georgian Trick Riders In American Wild West Shows 1890s 1920s
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Georgian Trick Riders in American Wild West Shows, 1890s-1920s by Irakli Makharadze Pdf
In 1893, Georgian horsemen from the Caucasus immigrated to the United States where for more than 30 years they performed in circuses and Wild West shows under the billing of "Russian Cossacks." The connection between Buffalo Bill Cody and the Georgian trick riders represents one of the earliest relationships between Georgia and the United States. Western historian Dee Brown wrote, "Trick riding came to rodeo by way of a troupe of Cossack daredevils imported by the 101 Ranch. Intrigued by the Cossacks' stunts on their galloping horses, western cowboys soon introduced variations to American rodeo." This is the story of the men who came in search of financial support for their families in Georgia and, without knowing it, influenced an essential fixture of American culture.
Art and Advertising in Buffalo Bill's Wild West by Michelle Delaney Pdf
William F. “Buffalo Bill” Cody, star of the American West, began his journey to fame at age twenty-three, when he met writer Ned Buntline. The pulp novels Buntline later penned were loosely based on Cody’s scouting and bison-hunting adventures and sparked a national sensation. Other writers picked up the living legend of “Buffalo Bill” for their own pulp novels, and in 1872 Buntline produced a theatrical show starring Cody himself. In 1883, Cody opened his own show, Buffalo Bill’s Wild West, which ultimately became the foundation for the world’s image of the American frontier. After the Civil War, new transcontinental railroads aided rapid westward expansion, fostering Americans’ long-held fascination with their western frontier. The railroads enabled traveling shows to move farther and faster, and improved printing technologies allowed those shows to print in large sizes and quantities lively color posters and advertisements. Cody’s show team partnered with printers, lithographers, photographers, and iconic western American artists, such as Frederic Remington and Charles Schreyvogel, to create posters and advertisements for Buffalo Bill’s Wild West. Circuses and other shows used similar techniques, but Cody’s team perfected them, creating unique posters that branded Buffalo Bill’s Wild West as the true Wild West experience. They helped attract patrons from across the nation and ultimately from around the world at every stop the traveling show made. In Art and Advertising in Buffalo Bill’s Wild West, Michelle Delaney showcases these numerous posters in full color, many of which have never before been reproduced, pairing them with new research into previously inaccessible manuscript and photograph collections. Her study also includes Cody’s correspondence with his staff, revealing the showman’s friendships with notable American and European artists and his show’s complex, modern publicity model. Beautifully designed, Art and Advertising in Buffalo Bill’s Wild West presents a new perspective on the art, innovation, and advertising acumen that created the international frontier experience of Buffalo Bill’s Wild West.
The American West and the World by Janne Lahti Pdf
The American West and the World provides a synthetic introduction to the transnational history of the American West. Drawing from the insights of recent scholarship, Janne Lahti recenters the history of the U.S. West in the global contexts of empires and settler colonialism, discussing exploration, expansion, migration, violence, intimacies, and ideas. Lahti examines established subfields of Western scholarship, such as borderlands studies and transnational histories of empire, as well as relatively unexplored connections between the West and geographically nonadjacent spaces. Lucid and incisive, The American West and the World firmly situates the historical West in its proper global context.
Georgian Rider Chronicles by Richard Alexis Georgian Pdf
Follow the adventures, romances, and tragedies of Georgian men and women who were seduced by the promise and opportunity of making a living in America. Their thrilling feats of horsemanship captured the imagination of the American cowboys to become the gold standard of trick riding through today. Join us as we pull back the canvas and peek behind the scenes into the lives of those who felt both honored and cursed.
Fifty popular Yo-Yo tricks along with an illustrated history of the toy and its variations plus tips for keeping your Yo-Yo in top condition. Helpful diagrams accompany the easy instructions.
Describes the rise and fall of Wild West shows and discusses the entertainment's legendary characters, including Buffalo Bill, Annie Oakley, and Pawnee Bill.
The Cambridge Companion to the Circus by Gillian Arrighi,Jim Davis Pdf
An authoritative introduction to the specialised histories of the modern circus, its unique aesthetics, and its contemporary manifestations and scholarship, from its origins in commercial equestrian performance, to contemporary inflections of circus arts in major international festivals, educational environments, and social justice settings.
Ladies' Book of Etiquette, and Manual of Politéness by Florence Hartley Pdf
Do unto others as you would others should do to you. You can never be rude if you bear the rule always in mind, for what lady likes to be treated rudely? True Christian politeness will always be the result of an unselfish regard for the feelings of others, and though you may err in the ceremonious points of etiquette, you will never be im polite. Politeness, founded upon such a rule, becomes the expression, in graceful manner, of social virtues. The spirit of politeness consists in a certain attention to forms and ceremonies, which are meant both to please others and ourselves, and to make others pleased with us ;a still clearer definition may be given by saying that politeness is goodness of heart put into daily practice; the.re can be no true, politeness without kindness, purity, singleness of heart, and sensibility. Many believe that politeness is but a mask worn in the world to conceal bad passions and impulses, and to make a show of possessing virtues not really existing in the heart; thus, that politeness is merely hypocrisy and dissimulation. Do not believe this; be certain that those who profess such a doctrine are practising themselves the deceit they condemn so much.
Historically Canadians have considered themselves to be more or less free of racial prejudice. Although this conception has been challenged in recent years, it has not been completely dispelled. In Colour-Coded, Constance Backhouse illustrates the tenacious hold that white supremacy had on our legal system in the first half of this century, and underscores the damaging legacy of inequality that continues today. Backhouse presents detailed narratives of six court cases, each giving evidence of blatant racism created and enforced through law. The cases focus on Aboriginal, Inuit, Chinese-Canadian, and African-Canadian individuals, taking us from the criminal prosecution of traditional Aboriginal dance to the trial of members of the 'Ku Klux Klan of Kanada.' From thousands of possibilities, Backhouse has selected studies that constitute central moments in the legal history of race in Canada. Her selection also considers a wide range of legal forums, including administrative rulings by municipal councils, criminal trials before police magistrates, and criminal and civil cases heard by the highest courts in the provinces and by the Supreme Court of Canada. The extensive and detailed documentation presented here leaves no doubt that the Canadian legal system played a dominant role in creating and preserving racial discrimination. A central message of this book is that racism is deeply embedded in Canadian history despite Canada's reputation as a raceless society. Winner of the Joseph Brant Award, presented by the Ontario Historical Society
Author : William F. Cody Publisher : U of Nebraska Press Page : 253 pages File Size : 51,5 Mb Release : 2012-10-01 Category : History ISBN : 9780803244665
Army scout, frontiersman, and hero of the American West, William F. “Buffalo Bill” Cody was also a shrewd self-promoter, showman, and entrepreneur. In 1888 he published The Story of the Wild West, a collection of biographies of four well-known American frontier figures: Daniel Boone, Davy Crockett, Kit Carson, and himself. Cody contributed an abridged version of his 1879 autobiography with an addendum titled The Wild West in England, now available in this stand-alone annotated edition, including all the illustrations from the original text along with photographs of Cody and promotional materials. Here Cody describes his Wild West exhibition, the show that offered audiences a mythic experience of the American frontier. Focusing on the show’s first season of performances in England, Cody includes excerpts of numerous laudatory descriptions of his show from the English press as well as stories of his time spent with British nobility—from private performances for Queen Victoria and the Prince and Princess of Wales to dinners and teas with the elite of London society. He depicts himself as an ambassador of American culture, proclaiming that he and his Wild West show prompted the British to “know more of the mighty nation beyond the Atlantic and . . . to esteem us better than at any time within the limits of modern history.”
Author : Black Elk,John G. Neihardt Publisher : U of Nebraska Press Page : 409 pages File Size : 55,9 Mb Release : 2014-03-01 Category : History ISBN : 9780803283916
Black Elk Speaks by Black Elk,John G. Neihardt Pdf
Reveals the life of Lakota healer Nicholas Black Elk as he led his tribe's battle against white settlers who threatened their homes and buffalo herds, and describes the victories and tragedies at Little Bighorn and Wounded Knee. Reprint.
This book tells the story of Walter Chrysler, who established the Chrysler Corporation and founded Dodge Brothers Motor Co. It contains many delightful anecdotes about his childhood, his work on the railroads, and his turn-around of American Locomotive, Buick, and then Maxwell-Chambers.