German Film After Germany

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German Film after Germany

Randall Halle
German Film after Germany Book PDF

Author : Randall Halle
Publisher : University of Illinois Press
Page : 258 pages
File Size : 49,9 Mb
Release : 2010-10-01
Category : Performing Arts
ISBN : 9780252091445

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German Film after Germany by Randall Halle Pdf

What is the work of film in the age of transnational production? To answer that question, Randall Halle focuses on the film industry of Germany, one of Europe's largest film markets and one of the world's largest film-producing nations. In the 1990s Germany experienced an extreme transition from a state-subsidized mode of film production that was free of anxious concerns about profit and audience entertainment to a mode dominated by private interest and big capital. At the same time, the European Union began actively drawing together the national markets of Germany and other European nations, sublating their individual significances into a synergistic whole. This book studies these changes broadly, but also focuses on the transformations in their particular national context. It balances film politics and film aesthetics, tracing transformations in financing along with analyses of particular films to describe the effects on the film object itself. Halle concludes that we witness currently the emergence of a new transnational aesthetic, a fundamental shift in cultural production with ramifications for communal identifications, state cohesion, and national economies.

DEFA After East Germany

Brigitta B. Wagner
DEFA After East Germany Book PDF

Author : Brigitta B. Wagner
Publisher : Boydell & Brewer
Page : 367 pages
File Size : 40,5 Mb
Release : 2014
Category : Business & Economics
ISBN : 9781571135827

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DEFA After East Germany by Brigitta B. Wagner Pdf

Paints a complex portrait of East German film art and representation through examining eighteen key DEFA films following the fall of the Berlin Wall. In the late 1980s and early 1990s, East Germany's DEFA filmmakers had a brief window in which to critique GDR society on either side of the Wende, the sweeping political turn that surrounded the fall of the Berlin Wall andthe opening of the border. Building on the DEFA Film Library's retrospective Wende Flicks series and Indiana University's DEFA Project, this study examines the newly rediscovered filmic artifacts of this transitional cinema, introducing eighteen key films from 1988 to 1994 in essays by German scholars, film professionals, and cultural figures. Accompanying interviews and historical film reviews present a complex portrait of East German film art, itscommunist bloc influences, and its legacy for contemporary German film culture. The resulting anthology combines historical, autobiographical, cultural-political, and journalistic discourses to explore the tension between the hopes and frustrations these films express, the historical exigencies that overshadowed their production and reception, and the politics of their revival. Contributors: Skyler J. Arndt-Briggs, Peter Blank, Claudia Breger, Barton Byg, Knut Elstermann, Peter Kahane, Jennifer M. Kapczynski, Wolfgang Kohlhaase, Thomas Krüger, Helmut Morsbach, Benjamin Robinson, Katrin Schlösser and Frank Löprich, Nicholas Sveholm, Johannes von Moltke, Brigitta B. Wagner. Brigitta B. Wagner is an Alexander von Humboldt Fellow in Film Studies at the Freie Universität and in Time-Based Media at the Universität der Künste in Berlin.

Hitler - Films from Germany

K. Machtans,M. Ruehl
Hitler Films from Germany Book PDF

Author : K. Machtans,M. Ruehl
Publisher : Springer
Page : 300 pages
File Size : 54,9 Mb
Release : 2012-11-30
Category : History
ISBN : 9781137032386

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Hitler - Films from Germany by K. Machtans,M. Ruehl Pdf

The first book-length study to critically examine the recent wave of Hitler biopics in German cinema and television. A group of international experts discuss films like Downfall in the context of earlier portrayals of Hitler and draw out their implications for the changing place of the Third Reich in the national historical imagination.

Cinema in Democratizing Germany

Heide Fehrenbach
Cinema in Democratizing Germany Book PDF

Author : Heide Fehrenbach
Publisher : Univ of North Carolina Press
Page : 381 pages
File Size : 55,5 Mb
Release : 2000-11-09
Category : History
ISBN : 9780807861370

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Cinema in Democratizing Germany by Heide Fehrenbach Pdf

Heide Fehrenbach analyzes the important role cinema played in the reconstruction of German cultural and political identity between 1945 and 1962. Concentrating on the former West Germany, she explores the complex political uses of film--and the meanings attributed to film representation and spectatorship--during a period of abrupt transition to democracy. According to Fehrenbach, the process of national redefinition made cinema and cinematic control a focus of heated ideological debate. Moving beyond a narrow political examination of Allied-German negotiations, she investigates the broader social nexus of popular moviegoing, public demonstrations, film clubs, and municipal festivals. She also draws on work in gender and film studies to probe the ways filmmakers, students, church leaders, local politicians, and the general public articulated national identity in relation to the challenges posed by military occupation, American commercial culture, and redefined gender roles. Thus highlighting the links between national identity and cultural practice, this book provides a richer picture of what German reconstruction entailed for both women and men.

Look Who's Back

Timur Vermes
Look Who s Back Book PDF

Author : Timur Vermes
Publisher : MacLehose Press
Page : 305 pages
File Size : 55,7 Mb
Release : 2015-05-05
Category : Fiction
ISBN : 9781623653347

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Look Who's Back by Timur Vermes Pdf

HE'S BACK AND HE'S FUHRIOUS! "Desperately funny . . . An ingenious comedy of errors." --Janet Maslin, The New York Times "Satire at its best." --Newsweek "Thrillingly transgressive." --The Guardian A NEW YORK TIMES SUMMER READING PICK In this record-breaking bestseller, Timur Vermes imagines what would happen if Adolf Hilter reawakened in present-day Germany: YouTube stardom. Adolf Hitler wakes up on a patch of open ground, alive and well. It's the summer of 2011 and things have changed--no Eva Braun, no Nazi party, no war. Hitler barely recognizes his beloved Fatherland, filled with immigrants and run by a woman. People certainly recognize him--as a flawless impersonator who refuses to break character. The unthinkable happens, and the ranting Hitler goes viral, becomes a YouTube star, gets his own TV show, and people begin to listen. But the Fuhrer has another program with even greater ambition in mind--to set the country he finds in shambles back to rights. With daring humor, Look Who's Back is a perceptive study of the cult of personality and of how individuals rise to fame and power in spite of what they preach.

A Second Life

Thomas Elsaesser,Michael Wedel
A Second Life Book PDF

Author : Thomas Elsaesser,Michael Wedel
Publisher : Amsterdam University Press
Page : 356 pages
File Size : 43,8 Mb
Release : 1996
Category : Performing Arts
ISBN : 9053561838

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A Second Life by Thomas Elsaesser,Michael Wedel Pdf

In the Beginning: Recollections of Software Pioneers records the stories of computing's past, enabling today's professionals to improve on the realities of yesterday. The stories in this book clearly show that modern concepts, such as data abstraction, modularity, and structured approaches, date much earlier in the field than their appearance in academic literature. These stories help capture the true evolution. The book illustrates human experiences and industry turning points through personal recollections by the pioneers ... people like Barry Boehm, Peter Denning, Watts Humphrey, Frank Land, and a dozen others.

The Nazi Past in Contemporary German Film

Axel Bangert
The Nazi Past in Contemporary German Film Book PDF

Author : Axel Bangert
Publisher : Boydell & Brewer
Page : 216 pages
File Size : 50,8 Mb
Release : 2014
Category : History
ISBN : 9781571139054

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The Nazi Past in Contemporary German Film by Axel Bangert Pdf

From intimate portrayals of ordinary Germans and Nazi leaders to immersive spectacles of war and defeat, this study argues that, since 1990, German film has focused on portraying the Nazi past from within.

Film and Memory in East Germany

Anke Pinkert
Film and Memory in East Germany Book PDF

Author : Anke Pinkert
Publisher : Indiana University Press
Page : 578 pages
File Size : 41,6 Mb
Release : 2008
Category : Performing Arts
ISBN : 9780253351036

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Film and Memory in East Germany by Anke Pinkert Pdf

Rethinks the politics of public memory in East German film

German Cinema

David Clarke
German Cinema Book PDF

Author : David Clarke
Publisher : A&C Black
Page : 252 pages
File Size : 54,5 Mb
Release : 2006-01-01
Category : Performing Arts
ISBN : 0826491065

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German Cinema by David Clarke Pdf

Edited book offering a survey of recent German cinema >

The Collapse of the Conventional

Jaimey Fisher,Brad Prager
The Collapse of the Conventional Book PDF

Author : Jaimey Fisher,Brad Prager
Publisher : Wayne State University Press
Page : 444 pages
File Size : 49,7 Mb
Release : 2010
Category : Motion pictures
ISBN : 081433377X

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The Collapse of the Conventional by Jaimey Fisher,Brad Prager Pdf

Analyzes a diverse body of films and investigates the renaissance that has taken place in German cinema since the turn of the twenty-first century.

German Culture through Film

Robert C. Reimer,Reinhard Zachau
German Culture through Film Book PDF

Author : Robert C. Reimer,Reinhard Zachau
Publisher : Hackett Publishing
Page : 371 pages
File Size : 41,9 Mb
Release : 2017-09-01
Category : Performing Arts
ISBN : 9781585108572

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German Culture through Film by Robert C. Reimer,Reinhard Zachau Pdf

German Culture through Film: An Introduction to German Cinema is an English-language text that serves equally well in courses on modern German film, in courses on general film studies, in courses that incorporate film as a way to study culture, and as an engaging resource for scholars, students, and devotees of cinema and film history. In its second edition, German Culture through Film expands on the first edition, providing additional chapters with context for understanding the era in which the featured films were produced. Thirty-three notable German films are arranged in seven chronological chapters, spanning key moments in German film history, from the silent era to the present. Each chapter begins with an introduction that focuses on the history and culture surrounding films of the relevant period. Sections within chapters are each devoted to one particular film, providing film credits, a summary of the story, background information, an evaluation, questions and activities to encourage diverse interpretations, a list of related films, and bibliographical information on the films discussed.

A New History of German Cinema

Jennifer M. Kapczynski,Michael David Richardson
A New History of German Cinema Book PDF

Author : Jennifer M. Kapczynski,Michael David Richardson
Publisher : Boydell & Brewer
Page : 694 pages
File Size : 54,9 Mb
Release : 2012
Category : History
ISBN : 9781571135957

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A New History of German Cinema by Jennifer M. Kapczynski,Michael David Richardson Pdf

A dynamic, event-centered exploration of the hundred-year history of German-language film. This dynamic, event-centered anthology offers a new understanding of the hundred-year history of German-language film, from the earliest days of the Kintopp to contemporary productions like The Lives of Others. Eachof the more than eighty essays takes a key date as its starting point and explores its significance for German film history, pursuing its relationship with its social, political, and aesthetic moment. While the essays offer ampletemporal and topical spread, this book emphasizes the juxtaposition of famous and unknown stories, granting attention to a wide range of cinematic events. Brief section introductions provide a larger historical and film-historicalframework that illuminates the essays within it, offering both scholars and the general reader a setting for the individual texts and figures under investigation. Cross-references to other essays in the book are included at the close of each entry, encouraging readers not only to pursue familiar trajectories in the development of German film, but also to trace particular figures and motifs across genres and historical periods. Together, the contributionsoffer a new view of the multiple, intersecting narratives that make up German-language cinema. The constellation that is thus established challenges unidirectional narratives of German film history and charts new ways of thinkingabout film historiography more broadly. Jennifer Kapczynski is Associate Professor of German at Washington University, St. Louis, and Michael Richardson is Associate Professor of German at Ithaca College.

Screening War

Paul Cooke,Paul Cooke - see C80107,Marc Silberman
Screening War Book PDF

Author : Paul Cooke,Paul Cooke - see C80107,Marc Silberman
Publisher : Camden House
Page : 314 pages
File Size : 41,8 Mb
Release : 2010
Category : History
ISBN : 9781571134370

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Screening War by Paul Cooke,Paul Cooke - see C80107,Marc Silberman Pdf

Re-examines German cinema's representation of the Germans as victims during the Second World War and its aftermath.

The A to Z of German Cinema

Robert C. Reimer,Carol J. Reimer
The A to Z of German Cinema Book PDF

Author : Robert C. Reimer,Carol J. Reimer
Publisher : Scarecrow Press
Page : 524 pages
File Size : 43,6 Mb
Release : 2010-04-01
Category : History
ISBN : 9781461731863

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The A to Z of German Cinema by Robert C. Reimer,Carol J. Reimer Pdf

German film is diverse and multi-faceted; its history includes five distinct German governments (Wilhelmine Germany, the Weimar Republic, the Third Reich, the Federal Republic of Germany, and the German Democratic Republic), two national industries (Germany and Austria), and a myriad of styles and production methods. Paradoxically, the political disruptions that have produced these distinct film eras, as well as the natural inclination of artists to rebel and create new styles, allow for the construction of a narrative of German film. While the disjuncture generates distinct points of separation, it also highlights continuities between the ruptures. Outlining the richness of German film, The A to Z of German Cinema covers mainstream, alternative, and experimental film from 1895 to the present through a chronology, introductory essay, appendix of the 100 most significant German films, a bibliography, and hundreds of cross-referenced dictionary entries on directors, actors, films, cinematographers, composers, producers, and major historical events that greatly affected the direction and development of German cinema. The book's broad canvas will lead students and scholars of cinema to appreciate the complex nature of German film.

Weimar Cinema and After

Thomas Elsaesser
Weimar Cinema and After Book PDF

Author : Thomas Elsaesser
Publisher : Routledge
Page : 486 pages
File Size : 51,6 Mb
Release : 2013-04-15
Category : Performing Arts
ISBN : 9781135078591

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Weimar Cinema and After by Thomas Elsaesser Pdf

German cinema of the 1920s is still regarded as one of the 'golden ages' of world cinema. Films such as The Cabinet of Dr Caligari, Dr Mabuse the Gambler, Nosferatu, Metropolis, Pandora's Box and The Blue Angel have long been canonised as classics, but they are also among the key films defining an image of Germany as a nation uneasy with itself. The work of directors like Fritz Lang, F.W. Murnau and G.W. Pabst, which having apparently announced the horrors of fascism, while testifying to the traumas of a defeated nation, still casts a long shadow over cinema in Germany, leaving film history and political history permanently intertwined. Weimar Cinema and After offers a fresh perspective on this most 'national' of national cinemas, re-evaluating the arguments which view genres and movements such as 'films of the fantastic', 'Nazi Cinema', 'film noir' and 'New German Cinema' as typically German contributions to twentieth century visual culture. Thomas Elsaesser questions conventional readings which link these genres to romanticism and expressionism, and offers new approaches to analysing the function of national cinema in an advanced 'culture industry' and in a Germany constantly reinventing itself both geographically and politically. Elsaesser argues that German cinema's significance lies less in its ability to promote democracy or predict fascism than in its contribution to the creation of a community sharing a 'historical imaginary' rather than a 'national identity'. In this respect, he argues, German cinema anticipated some of the problems facing contemporary nations in reconstituting their identities by means of media images, memory, and invented traditions.