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German Literature Under National Socialism by James MacPherson Ritchie Pdf
Beginning with an exploration of proto-Nazi literature in the late nineteenth century and pursuing later developments up to the arrival of fully fledged National Socialist literature, the author shows the Nazi reaction against big city decadence, Marxism and pacifism.
German Literature Under National Socialism by J. M Ritchie Pdf
Originally published in 1983, this study starts with an exploration of proto-Nazi literature in the early 20th Century and pursues later developments up to the arrival of fully-fledged National Socialism. Not only literature within Germany is covered; after 1933 republican writers forced into exile for racial as well as political reasons rejected the anti-Semitic 'barbarism' of National Socialism and developed a powerful brand of anti-fascist literature in countries around the world. This 'exile' literature is covered in depth, both for its outstanding individual figures like Brecht and Mann as well as for the general phenomenon of exile. Attention is particularly focused on those non-Nazis who remained in Germany as 'inner émigrés' forming a resistance literature. One area of resistance also highlighted in the book is the Spanish Civil War in which many writers fought.
German Culture and the Uncomfortable Past by Helmut Schmitz Pdf
Beginning with the question of the role of the past in the shaping of a contemporary identity, this volumes spans three generations of German and Austrian writers and explores changes and shifts in the aesthetics of Vergangenheitsbewältigung (coming to terms with the past). The purpose of the book is to assess contemporary German literary representations of National Socialism in a wider context of these current debates. The contributors address questions arising from a shift over the last decade, triggered by a generation change-questions of personal and national identity in Germany and Austria, and the aesthetics of memory. One of the central questions that emerges in relation to the Hitler youth generation is that of biography, as examined through Günter Grass' and Martin Walser's conflicting views on the subject of National Socialism. Other themes explored here are the conflict between the post-war generations and the contributions of that conflict to (West)-German mentality, and the growing historical distance and its influence on the aesthetics of representation.
Women and National Socialism in Postwar German Literature by Katherine Stone Pdf
In recent years, historians have revealed the many ways in which German women supported National Socialism-as teachers, frontline auxiliaries, and nurses, as well as in political organizations. In mainstream culture, however, the women of the period are still predominantly depicted as the victims of a violent twentieth century whose atrocities were committed by men. They are frequently imagined as post hoc redeemers of the nation, as the "rubble women" who spiritually and literally rebuilt Germany. This book investigates why the question of women's complicity in the Third Reich has struggled to capture the historical imagination in the same way. It explores how female authors from across the political and generational spectrum (Ingeborg Bachmann, Christa Wolf, Elisabeth Plessen, Gisela Elsner, Tanja D ckers, Jenny Erpenbeck) conceptualize the role of women in the Third Reich. As well as offering innovative re-readings of celebrated works, this book provides instructive interpretations of lesser-known texts that nonetheless enrich our understanding of German memory culture. Katherine Stone is Assistant Professor in German Studies at the University of Warwick.
Völkisch Writers and National Socialism by Guy Tourlamain Pdf
This book follows the work of a group of right-wing nationalist writers from 1890 to 1960, whose writings both paved the way for the rise of Nazism and continued to stimulate debate about German cultural and political identity after 1945. The volume features studies of Hans Grimm, Kolbenheyer, Schäfer, Strauß, von Münchhausen and Binding.
Nonconformist Writing in Nazi Germany by John Klapper Pdf
An innovative, critical, historically informed, yet accessible reassessment of writers who remained in Nazi Germany and Austria yet expressed nonconformity - even dissent - through their fiction.
An examination of the narrative strategies employed in the most dangerous book of the twentieth century and a reflection on totalitarian literature. Hitler's Mein Kampf was banned in Germany for almost seventy years, kept from being reprinted by the accidental copyright holder, the Bavarian Ministry of Finance. In December 2015, the first German edition of Mein Kampf since 1946 appeared, with Hitler's text surrounded by scholarly commentary apparently meant to act as a kind of cordon sanitaire. And yet the dominant critical assessment (in Germany and elsewhere) of the most dangerous book of the twentieth century is that it is boring, unoriginal, jargon-laden, badly written, embarrassingly rabid, and altogether ludicrous. (Even in the 1920s, the consensus was that the author of such a book had no future in politics.) How did the unreadable Mein Kampf manage to become so historically significant? In this book, German literary scholar Albrecht Koschorke attempts to explain the power of Hitler's book by examining its narrative strategies. Koschorke argues that Mein Kampf cannot be reduced to an ideological message directed to all readers. By examining the text and the signals that it sends, he shows that we can discover for whom Hitler strikes his propagandistic poses and who is excluded. Koschorke parses the borrowings from the right-wing press, the autobiographical details concocted to make political points, the attack on the Social Democrats that bleeds into an anti-Semitic conspiracy theory, the contempt for science, and the conscious attempt to trigger outrage. A close reading of National Socialism's definitive text, Koschorke concludes, can shed light on the dynamics of fanaticism. This lesson of Mein Kampf still needs to be learned.
New Literary and Linguistic Perspectives on the German Language, National Socialism, and the Shoah by Peter Davies,Peter J. Davies,Andrea Hammel Pdf
New perspectives on the relationship - or the perceived relationship - between the German language and the causes, nature, and legacy of National Socialism and the Shoah.
The Politics of Literature in Nazi Germany by Jan-Pieter Barbian Pdf
This is the most comprehensive account to date of literary politics in Nazi Germany and of the institutions, organizations and people who controlled German literature during the Third Reich. Barbian details a media dictatorship-involving the persecution and control of writers, publishers and libraries, but also voluntary assimilation and pre-emptive self-censorship-that began almost immediately under the National Socialists, leading to authors' forced declarations of loyalty, literary propaganda, censorship, and book burnings. Special attention is given to Nazi regulation of the publishing industry and command over all forms of publication and dissemination, from the most presitigious publishing houses to the smallest municipal and school libraries. Barbian also shows that, although the Nazis censored books not in line with Party aims, many publishers and writers took advantage of loopholes in their system of control. Supporting his work with exhaustive research of original sources, Barbian describes a society in which everybody who was not openly opposed to it, participated in the system, whether as a writer, an editor, or even as an ordinary visitor to a library.
Literature and Film in the Third Reich by Karl-Heinz Schoeps Pdf
This book is the first survey in English of literature and film in Nazi Germany. It treats not only works sympathetic to National Socialism, but also works of the so-called Inner Emigration, of the resistance, and those written in prisons and concentration camps. Much of this literature is not easily accessible in German, and not available at all in English translation. Historical and ideological context is provided in chapters covering influential works of the time such as Alfred Rosenberg's The Myth of the Twentieth Century and Houston Stewart Chamberlain's The Foundations of the Nineteenth Century. Schoeps also analyzes Nazi cultural policies, fascist histories of literature, and the role of German studies and Germanists in the Nazi movement. A major section of the book is devoted to film, then a relatively new medium of communication whose propaganda value was clearly recognized by Goebbels, the minister for propaganda and president of the Reich's Chamber of Culture. One of the most interesting areas of research in recent years is the relationship between Hitler's cultural commissars, in particular Goebbels, and the literature and film production of the Nazi years. This book is based on the revised and expanded second German edition, Literatur im Dritten Reich (1933-1945), but has again been revised and expanded, especially the chapter on film and Nazi policies toward the film industry. The chapter on cultural policies has also been expanded to include Himmler's efforts to meddle in this area. New also are sections dealing with Jewish entertainers in concentration camps (for example, Kurt Gerron) and activities of the Jewish Cultural League. Karl-Heinz Schoeps is professor of German at the University of Illinois at Urbana-Champaign.
Children's Literature in Hitler's Germany by Christa Kamenetsky Pdf
Kamenetsky shows how Nazis used children's literature to shape a "Nordic Germanic" worldview, intended to strengthen the German folk community, the Führer, and the fatherland by imposing a racial perspective on mankind. Their thus corroded the last remnants of the Weimar Republic's liberal education, while promoting a following for Hitler.
'It's like being in a dream', commented Joseph Goebbels when he visited Nazi-occupied Paris in the summer of 1940. Dream and reality did indeed intermingle in the culture of the Third Reich, racialist fantasies and spectacular propaganda set-pieces contributing to this atmosphere alongside more benign cultural offerings such as performances of classical music or popular film comedies. A cultural palette that catered to the tastes of the majority helped encourage acceptance of the regime. The Third Reich was therefore eager to associate itself with comfortable middle-brow conventionality, while at the same time exploiting the latest trends that modern mass culture had to offer. And it was precisely because the culture of the Nazi period accommodated such a range of different needs and aspirations that it was so successfully able to legitimize war, imperial domination, and destruction. Moritz F�llmer turns the spotlight on this fundamental aspect of the Third Reich's successful cultural appeal in this ground-breaking new study, investigating what 'culture' meant for people in the years between 1933 and 1945: for convinced National Socialists at one end of the spectrum, via the legions of the apparently 'unpolitical', right through to anti-fascist activists, Jewish people, and other victims of the regime at the other end of the spectrum. Relating the everyday experience of people living under Nazism, he is able to give us a privileged insight into the question of why so many Germans enthusiastically embraced the regime and identified so closely with it.
The Third Reich: Germany Under National Socialism by Henri Lichtenberger Pdf
First published in French in 1936, The Third Reich is Professor Henri Lichtenberger's analysis of the then-current developments in Germany since the takeover of the National Socialists three years before. He gives in-depth discussions of the rise of National Socialism, their foreign policy, economics, and the underlying philosophy and ideals of the movement, including their views on race, religion, and on youth training and education. With numerous appendices featuring source documents in translation, this rare attempt at an objective view of Hitler's Germany, written before the outbreak of war by a scholar of German history and culture who was not a partisan of National Socialism, is a document of great historical value. Henri Lichtenberger (1864-1941) was a French scholar of German literature and history who taught at the Sorbonne and at Harvard. He was among the first to write on the philosophy of Friedrich Nietzsche, about whom he published widely throughout his life. He also wrote books on Heinrich Heine, Richard Wagner and Novalis, and translated the works of Goethe and the Nibelungenlied.
