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Dublin 1907, a city of whispered rumours. A young actress begins an affair with a damaged older man. Rebellious and flirtatious, Molly Allgood is a girl of the inner city tenements, dreaming of stardom in America. She has dozens of admirers but in the backstage of her life there is a secret.
In the blood of the innocent burns the flame of evil… Tiny but talented, five-year-old Bonnie Jackson had all the stage world clamoring to shine a spotlight on her. But one fateful night at Winston Theater, Bonnie was left alone with evil, in a darkness broken only by the flames that would take her life. After sixty years, Bonnie is more than ready for her second act. And what she has planned is sure to cause a scene. Come opening night Bonnie will astound the audience with the talent she’s been perfecting all these years: vengeance. Clare McNally, author of the bestselling Ghost House and Ghost House Revenge, stirs up even more terror in Ghost Light. Innocence has never been so deadly! PRAISE FOR CLARE MCNALLY: “A macabre imagination and a tight rein on your nerves are required for McNally's latest release.” —Publishers Weekly on Goodnight, Sweet Angel “You won’t sleep after you read this one!” —The West Orange Times on Somebody Come and Play “For those who can’t get enough of a good scare!” —Library Journal on Hear the Children Calling
Since its release in 2010, Ghost Light: An Introductory Handbook for Dramaturgy has become the international standard for dramaturgy training and practice. As the field of dramaturgy continues to shift and change, this new edition prepares theatre students and practitioners to create powerful, relevant performances of all types.
Things that go bump in the night are just the beginning when a summer film project becomes a real-life ghost story! Avery is looking forward to another summer at Grandma’s farm, at least until her brother says he’s too old for “Kingdom,” the imaginary world they’d spent years creating. Lucky for her, there’s a new kid staying in the cottage down the road: a city boy with a famous dad, Julian’s more than a little full of himself, but he’s also a storyteller like Avery. So when he announces his plan to film a ghost story, Avery is eager to join in. Unfortunately, Julian wants to film at Hilliard House, a looming, empty mansion that Grandma has absolutely forbidden her to enter. As terrified as Avery is of Grandma’s wrath, the allure of filmmaking is impossible to resist. As the kids explore the secrets of Hilliard house, eerie things begin to happen, and the “imaginary” dangers in their movie threaten to become very real. Have Avery and Julian awakened a menacing presence? Can they turn back before they go too far?
Jack's dad is the new caretaker for the Dareville Community Theater. Jack is not looking forward to living in the rundown theater. To make matters worse, a ghost visits him on the very first day. The ghost promises to haunt Jack until he helps solve the mystery of his disappearance. What will Jack discover is the answer to the ghost's disappearance? The ending is Up2U. Aligned to Common Core Standards and correlated to state standards. Calico is an imprint of Magic Wagon, a division of ABDO.
A funny and haunting new novel from "one of the most acclaimed novelists of her generation" (Los Angeles Times). Hal is a mild-mannered IRS bureaucrat who suspects that his wife is cheating with her younger, more virile coworker. At a drunken dinner party, Hal volunteers to fly to Belize in search of Susan's employer, T.—the protagonist of Lydia Millet's much-lauded novel How the Dead Dream—who has vanished in a tropical jungle, initiating a darkly humorous descent into strange and unpredictable terrain. Salon raved that Millet's "writing is always flawlessly beautiful, reaching for an experience that precedes language itself." In Ghost Lights, she combines her characteristic wit and a sharp eye for the weirdness that governs human (and nonhuman) interactions. With the scathing satire and tender honesty of Sam Lipsyte and a dark, quirky, absurdist style reminiscent of Joy Williams, Millet has created a comic, startling, and surprisingly philosophical story about idealism and disillusionment, home and not home, and the singular, heartbreaking devotion of parenthood.
There is a superstition that if an emptied theater is ever left completely dark, a ghost will take up residence. To prevent this, a single "ghost light" is left burning at center stage after the audience and all of the actors and musicians have gone home. Frank Rich's eloquent and moving boyhood memoir reveals how theater itself became a ghost light and a beacon of security for a child finding his way in a tumultuous world. Rich grew up in the small-townish Washington, D.C., of the 1950s and early '60s, a place where conformity seemed the key to happiness for a young boy who always felt different. When Rich was seven years old, his parents separated--at a time when divorce was still tantamount to scandal--and thereafter he and his younger sister were labeled "children from a broken home." Bouncing from school to school and increasingly lonely, Rich became terrified of the dark and the uncertainty of his future. But there was one thing in his life that made him sublimely happy: the Broadway theater. Rich's parents were avid theatergoers, and in happier times they would listen to the brand-new recordings of South Pacific, Damn Yankees, and The Pajama Game over and over in their living room. When his mother's remarriage brought about turbulent changes, Rich took refuge in these same records, re-creating the shows in his imagination, scene by scene. He started collecting Playbills, studied fanatically the theater listings in The New York Times and Variety, and cut out ads to create his own miniature marquees. He never imagined that one day he would be the Times's chief theater critic. Eventually Rich found a second home at Wash-ington's National Theatre, where as a teenager he was a ticket-taker and was introduced not only to the backstage magic he had dreamed of for so long but to a real-life cast of charismatic and eccentric players who would become his mentors and friends. With humor and eloquence, Rich tells the triumphant story of how the aspirations of a stagestruck young boy became a lifeline, propelling him toward the itinerant family of theater, whose romantic denizens welcomed him into the colorful fringes of Broadway during its last glamorous era. Every once in a while, a grand spectacle comes along that introduces its audiences to characters and scenes that will resound in their memories long after the curtain has gone down. Ghost Light, Frank Rich's beautifully crafted childhood memoir, is just such an event.
From one of Canada’s most beloved performing artists comes an audacious work of non-fiction that explores the stories that shape us and the reach that the past can have across generations. Growing up north of Toronto, R.H. Thomson’s imagination was captured by romantic notions of war. He spent his days playing with toy soldiers on the carpet of his grandmother’s house, recreating the Battle of Britain with model planes in his bedroom, or sitting at the local theatre watching World War II B movies—ones that offered a very clear perspective on who were the heroes and who the villains; which side were the victors and which the vanquished. Yet Thomson’s childhood was also shaped by the spirits of real-life warriors in his family, their fates a brutal and more complicated reminder of the true human cost of war. Eight of Robert’s great uncles—George, Joe, Jack, Harold, Arthur, Warren, Wildy, and Fred—fought in the First World War, while his great Aunt Margaret served as a wartime surgical nurse in Europe. Five of the great uncles—George, Joe, Fred, Wildy, and Warren—were killed in battle while two others—Jack and Harold—would return home greatly diminished, spending the rest of their lives in and out of sanitariums, their lungs scarred by disease and poison gas. Throughout their lives, the great uncles, as well as great aunts and cousins, were faithful letter writers, their correspondence offering profound insights into their experiences on the front lines to their loved ones back home, a somber record of the sacrifice the family paid. In By the Ghost Light, R.H. Thomson offers an extraordinary look at his family’s history while providing a powerful examination of how we understand war and its aftermath. Using his family letters as a starting point, Thomson roams through a century of folly, touching on areas of military history, art, literature, and science, to express the tragic human cost of war behind the order and calm of ceremonial parades, memorials, and monuments. In an urgent call for new ways to acknowledge the dead, R.H. has created “The World Remembers,” an ambitious international project to individually name each of the millions killed in the First World War. Epic in its scope and incredibly intimate in its exploration of lives touched by the tragedy of war, By the Ghost Light is a truly original book that will challenge the way we approach our history.
The Backstagers and the Ghost Light (Backstagers #1) by Andy Mientus Pdf
The stage crew at St. Genesius Prep—or Backstagers, as they like to call themselves—are ready for whatever the theater world can throw their way: the madness of tech week, inevitable prop malfunctions, and all the paranormal activity that goes on behind the scenes. Luckily Jory, Hunter, Sasha, Beckett, and Aziz are up for the job! But lately, someone—or something—seems set on ruining their production of Phantasm. It all started when an actor brought a Spirit Board to the cast party, and the ghost light blew out. Every good theater kid knows that a ghost light must be left on to keep ghosts from moving in the shadows of an empty theater. To figure out what’s haunting the theater and save the show, the Backstagers will have to use their smarts, bravery, and a little bit of magic!
Thorne Blackburn claimed to have magickal powers, to be able to tap into ancient wisdom. Others claimed he was a fake, cheating his many followers out of their money and destroying their free well. The truth may never be known . . . one dark, climactic night thirty years ago, Blackburn's most powerful ritual went horribly awry, leaving his flock shattered and one woman dead. Blackburn himself vanished. Now the scattered remains of Blackburn's followers have rallied around a new leader, the charismatic Justin Pilgrim. Hearing this, Thorne Blackburn's daughter, Truth, returns to the site of her mother's death and father's disappearance. Truth has many unanswered questions. Where are her long-lost half-siblings? Was her mother's death accident or murder? Is Pilgrim a charlatan, or are his claimed powers real? If he completes Thorn's ritual, will someone else die? The answers will lead Truth to deeply powerful truth of her own, one that will change her life forever. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
Old refurbished theatre, the Beryl, is re-opening. Days before opening night, the ghost light – left on at night to appease the ghosts of actors – is extinguished. Alice digs into the Beryl’s past, sleuthing in a network of dark back-stage corridors and cobwebby storage rooms. Gradually, she starts to uncover the hundred-year-old secret of the theatre: a stolen diamond. Is the Beryl haunted by a ghost – or a living thief? The sequel to the critically acclaimed Alice Jones: The Impossible Clue – a perfect middle-grade detective story for fans of Robin Stevens or Trenton Lee Stewart’s Mysterious Benedict Society.
This isn't your ordinary bread book. From artisan bread making, to savory breakfasts and brunch (hello, ultimate cinnamon roll!), to decadent but simple desserts, Baking with The Bread Lady takes you on a journey through recipes and stories, inviting you to come together to create community and memories around food. In Baking with The Bread Lady, popular baker and gifted teacher Sarah Gonzalez—lovingly known as "The Bread Lady"—shares her love for the art of baking that grew from family tradition and the popularity of her Spring Hill, Tennessee, bakery. Sarah has discovered that while people crave comfort food, it’s their greater longing for community and belonging that serve as the magic ingredients that give these recipes a greater purpose. Beginners and seasoned bakers alike will salivate over: 100 original recipes with beautiful photos Practical tips to learn to love baking from scratch New and creative baking concepts built on centuries of tradition Classic recipes and tricks to pass on to the next generation Baking "hacks" such as how to store, thaw, and reheat bread Baking with The Bread Lady is approachable for first-time bakers but also includes more advanced recipes for those looking for a challenge, making it a great gift for budding bakers, makers, and anyone eager to develop their baking skills. Whether your gathering place is your kitchen, your neighborhood, or a video call with family far away, connecting over food creates wonderful (and tasty) memories and lasting relationships. Baking with The Bread Lady will entertain you through inspiring and fun stories such as: "The Care and Feeding of Neighbors" "Happy Eggs” "The Process of Invention" How her 170-year-old gingerbread recipe came to be Fall in love with baking for yourself, for your family, and for others with these creative and tasty recipes, photos, and stories.
With the help of a demented Alaska Native elder, Chukchi police chief Nathan Active hunts for the killer who left a woman's expertly dismembered body in the ice cellar of an abandoned Inupiat Eskimo fish camp. The investigation pulls Active into a dark tangle of love and jealousy, even as he struggles to recover from the PTSD that has haunted him since being wounded in a shootout in an earlier case. "Ghost Light" is the seventh installment in the critically acclaimed Nathan Active series: "Painterly descriptions of ALaska's natural beauty and the lives of the native people are fascinating." - USA Today. " "An enchanting series" - People. "You can feel the bite of the west wind that comes screaming across the Alaska tundra and sense the isolation of the Inupiat Eskimos who live in this desolate part of the world." - New York Times Review of Books