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Picking up corpses was not about the crematorium collecting corpses. It referred to the people who were drunk at the entrance of the nightclub. It was commonly known as Picking up corpses. I was a part-time nightclub waiter, but picking up corpses was another job for me, though not every time I picked up "corpses" they were drunk living people. Sometimes they really were.
Picking up corpses was not about the crematorium collecting corpses. It referred to the people who were drunk at the entrance of the nightclub. It was commonly known as Picking up corpses. I was a part-time nightclub waiter, but picking up corpses was another job for me, though not every time I picked up "corpses" they were drunk living people. Sometimes they really were.
"You love me, don't you, Jonnie?" The Industrial Revolution blackens the countryside. Women and children hack at coal underground and drag loaded tubs like animals. "You'd better love me." Rattle is a dirty, pipe-smoking, swearing collier-wench who dresses and swaggers like a boy. She's in love with Jonathan Turner, a young farmer and a prim, God-fearing Methodist. "I love you, Jonnie. I'll never let you go." Rattle is determined to have Jonathan. But he's already married. To a vengeful ghost. "I love you to death."
My name is Chen Fei, a forensic doctor! In order to pay respects to my grandparents and burn paper to sweep the tomb, I rushed back to my hometown. He had actually committed a taboo, attracting a beautiful ghost girl ...
She had been killed by others in her previous life and had been reborn with a mysterious bloodline. She was able to see all sorts of different spirits and was prepared to take revenge. However, she always met a perverted man who liked to knock her out and roll in bed with him alone ...
He was born with a pair of dark and positive eyes. His Yin ability allowed him to understand the world's ghosts while his Yang ability allowed him to understand the evils of the human heart.
Michelle Dicinoski has found the love of her life, and now she just wants to get married and live happily ever after. The only problem is, she’s in love with an American woman, Heather, and neither Australia nor America recognises same-sex marriage. What to do when love and the law collide? For Michelle, the answer is clear: go to Canada and get hitched there. Ghost Wife is the deep, funny, heartwarming and brave story of that trip. Along the way, Michelle reflects on why anyone would want to get married anyway, on the power of acceptance, and on the startling stories she uncovers in her family’s past. She investigates the hidden worlds of people who live their lives outside social norms, sometimes illegally. Michelle doesn’t want to disappear, not from her family and not from society. But living in Australia, will she always be a ghost wife? ‘The story of two young women who love each other, Ghost Wife makes their love visible and uncovers the lives of hidden lovers on the two continents over which they travel. Moving, irresistible and new, this memoir will inspire readers to honour all that is hidden in the past – and within ourselves.’ —Gloria Steinem ‘Ghost Wife is a revelation in every sense of the word. It not only illuminates the struggle for equal marriage in the most intimate possible way, but also tenderly examines the meaning of love and commitment. Insightful, supple and gorgeously written, this book left me humbled and moved.’ —Benjamin Law ‘A powerful and deeply moving book.’ —Australian Book Review ‘Ghost Wife is a contemplative memoir, but it is also funny and warm-hearted. A paean to the ritual of marriage, Ghost Wife goes to the heart of what it is to be human: love and commitment, friendship and intimacy, shared values and shared struggle.’ —Australian ‘Resonant and engaging’ —Big Issue ‘Poignant and moving, the prose clear-eyed and affecting all at once.’ —Age Michelle Dicinoski’s poetry collection Electricity for Beginners was published in 2011. Her poems and essays have appeared in the Australian Literary Review, The Best Australian Poems, Meanjin, the Australian and Cultural Studies Review.
Traditional Chinese Stories by Yau-Woon Ma,Joseph S. M. Lau Pdf
For centuries the Chinese referred to their fiction as xiaoshuo, etymologically meaning roadside gossip or small talk, and held it in relative disregard.
Joseph Moore is looking for a fresh start for himself and his son River after the recent death of his wife. With the ink already dry on the purchase of a rambling rural Victorian-era home in St. Augustine prior to her death, and family in close proximity, he decides that the property will be the perfect place for him and his son to heal. However, almost as soon as they arrive, Joseph realizes that they aren't proud new homeowners, but unwanted visitors. Carolina Braun knows that she's dead... she just doesn't want to accept it. Free-spirited in life, her family always held her back from living the way she wanted. Now, more than a hundred years after her death, Carolina is still holding on to the fact that she never got to really live and wants to make sure that everyone around her knows it -- especially the awful man that is trying to make an absolute spectacle of her home. When he discovers the cantankerous ghost's hidden stash of paintings in the attic, her unfinished business becomes clear. With Joseph's help, Carolina's artwork can be released into the world and her spirit can be set free as her home is restored to its former glory. Only now after meeting Joseph and his son, Carolina has a whole new reason to stay.
Katie Hartsock’s Bed of Impatiens is astir in myths and mythmaking in the backdrop of the grit, waters, scenes and atmospheres of the Midwest. While its tributes to Saint Augustine’s Confessions are by turns meditative and daring, its travelogue of “Hotels, Motels, and Extended Stays” is quirky, irreverent and, yes, delightful. In Bed of Impatiens you can feel “the bliss/ and the burning too.” Little wonder it is a finalist in the 2015 Able Muse Book Award. PRAISE FOR BED OF IMPATIENS: Has American poetry ever produced a fresher, savvier, grittier, more elegant, and drop-dead formally exhilarating sequence than Katie Hartsock’s “Hotels, Motels, and Extended Stays”? If so, I’ve yet to see it. Hartsock is as deft (and loving) with the vulgarities of truck stop rent-by-the-hour as with the secret wit of rhyme, or the venerables of Homeric epic: her range and her inventiveness appear to know no limit. And this is just a fraction of what bursts to life in Bed of Impatiens. I’m dazzled by the sheer bounty of it. -Linda Gregerson Like René Magritte I want to paint “This is not a first book” under this first book. It is Lolita all grown up and taking us on a cross-country tour of the motels she stayed in with Humbert. It’s St. Augustine as Dennis Rodman, elbowing us out of position underneath God’s basket. But it’s not a cacophony of surrealism. Ms. Hartsock’s classical training-her knowledge and powerful rhythms-is the ground, the spine of this book (pun intended); but the excitement is watching the ancient and the contemporary meet in an explosion of true Form. -James Cummins Katie Hartsock’s Bed of Impatiens characteristic vantage includes landscapes derelict and macabre, like the flooded grave in the first poem, and the endless highways of the US, with their extended-stay motels and the ghosts that inhabit them. Hartsock is a sharp and clever reader of the books of nature and of art, yet writes in nobody’s shadow. -Mary Kinzie What truth to find in a world whose rivers “we cannot swim in and no/ cannot drink the water/ cannot imagine that,” a land of “seedless sweetness” and dank motels that are its monuments to transience? Katie Hartsock’s answer in her ambitious first collection, Bed of Impatiens, is to wander and “let the weather in,” to keep recalibrating her position in an ever-shifting poetic landscape. -Lee Sharkey Katie Hartsock is attracted to “beauty in otherwise unlovely place.” An often amused and goodhearted spirit sets the tone of some of Hartsock’s poems, but the long historical and literary view of this poet also encompasses the tragic. Open to encounter, memory, feeling, avid for them, eloquent about them, these poems. -Reginald Gibbons (from the foreword)
Boo! Watch out for this rollicking, cumulative counting book for a Hallowe'en treat that's more playful than scary. Features an audio read-along! When a little ghost goes slip-sliding down the hallway, he suddenly hears ... a groan! Turns out it's only a friendly mummy, who shuffles along with the ghost, until they encounter ... a monster! As the cautious explorers continue, they find a surprise at every turn - and add another adorably ghoulish friend to their tally. But you'll never guess who is the scariest creature in the house!
The Dragon Daughter and Other Lin Lan Fairy Tales by Juwen Zhang Pdf
A delightful collection of modern Chinese tales The Dragon Daughter and Other Lin Lan Fairy Tales brings together forty-two magical Chinese tales, most appearing for the first time in English. These stories have been carefully selected from more than a thousand originally published in the early twentieth century under the pseudonyms Lin Lan and Lady Lin Lan—previously unknown in the West, and now acclaimed as the Brothers Grimm of China. The birth of the tales began in 1924, when one author, Li Xiaofeng, published a set of literary stories under the Lin Lan pen name, an alias that would eventually be shared by an editorial team. Together, this group gathered fairy tales (tonghua) from rural regions across China. Combining traditional oral Chinese narratives with elements from the West, the selections in this collection represent different themes and genres—from folk legends to comic tales. Characters fall for fairies, experience predestined love, and have love/hate relationships with siblings. Garden snails and snakes transform into cooking girls, and dragon daughters construct houses. An introduction offers historical and social context for understanding the role that the Lin Lan stories played in modern China. Appendixes include information on tale types and biographies of the writers and contributors. The Dragon Daughter and Other Lin Lan Fairy Tales is a captivating testament to the power of storytelling.
This book explores representations of girlhood and young womanhood in recent English language children's fantasy by focusing on two fantastic body transformation types: invisibility and age-shifting. Drawing on recent feminist and queer theory, the study discusses the tropes of invisibility and age-shifting as narrative devices representing gendered experiences. The transformations offer various perspectives on a girl's changing body and identity and provide links between real-life and fantastic discourses of gender, power, invisibility and aging. The main focus is on English-language fantasy published since the 1970s but the motifs of invisibility and age-shifting in earlier tales and children's books is reviewed; this is the first study of children's fantasy literature that considers these tropes at length. Novels discussed are from both critically acclaimed authors and the less well known. Most of the novels depicting invisible or age-shifting girls are neither thoroughly conventional nor radically subversive but present a range of styles. In terms of gender, children's fantasy novels can be more complex than they are often interpreted to be.
