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Michael R. Taylor,Giorgio De Chirico,Guigone Rolland,Matthew Gale,Max Ernst,Gerard Francis Tempest,Philadelphia Museum of Art
Author : Michael R. Taylor,Giorgio De Chirico,Guigone Rolland,Matthew Gale,Max Ernst,Gerard Francis Tempest,Philadelphia Museum of Art Publisher : Unknown Page : 226 pages File Size : 45,9 Mb Release : 2002 Category : Art ISBN : UOM:39015056685731
Giorgio de Chirico and the Myth of Ariadne by Michael R. Taylor,Giorgio De Chirico,Guigone Rolland,Matthew Gale,Max Ernst,Gerard Francis Tempest,Philadelphia Museum of Art Pdf
De Chirico's mysterious paintings had a profound influence on modern art but one key to understanding them is an early series of eight paintings on the mythical Greek princess Ariadne. This volume provides an overall account of De Chirico's career.
Michael Taylor,Giorgio De Chirico,Guigone Rolland,Matthew Gale,Max Ernst,Gerard Francis Tempest,Philadelphia Museum of Art,Estorick Collection
Author : Michael Taylor,Giorgio De Chirico,Guigone Rolland,Matthew Gale,Max Ernst,Gerard Francis Tempest,Philadelphia Museum of Art,Estorick Collection Publisher : Philadelphia Museum of Art Page : 216 pages File Size : 55,7 Mb Release : 2002-01-01 Category : Art ISBN : 0876331630
Giorgio de Chirico and the Myth of Ariadne by Michael Taylor,Giorgio De Chirico,Guigone Rolland,Matthew Gale,Max Ernst,Gerard Francis Tempest,Philadelphia Museum of Art,Estorick Collection Pdf
A key to understanding De Chirico's uvre is an early series of eight paintings of the mythical Greek princess Ariadne, which had a powerful impact on such Surrealist painters as Salvador Dali, Max Ernst, Rene Magritte and Yves Tanguy. Including an unpublished text by Max Ernst, this is a landmark publication.
Knossos and the Prophets of Modernism by Cathy Gere Pdf
In the spring of 1900, British archaeologist Arthur Evans began to excavate the palace of Knossos on Crete, bringing ancient Greek legends to life just as a new century dawned amid far-reaching questions about human history, art, and culture. With Knossos and the Prophets of Modernism, Cathy Gere relates the fascinating story of Evans’s excavation and its long-term effects on Western culture. After the World War I left the Enlightenment dream in tatters, the lost paradise that Evans offered in the concrete labyrinth—pacifist and matriarchal, pagan and cosmic—seemed to offer a new way forward for writers, artists, and thinkers such as Sigmund Freud, James Joyce, Giorgio de Chirico, Robert Graves, and Hilda Doolittle. Assembling a brilliant, talented, and eccentric cast at a moment of tremendous intellectual vitality and wrenching change, Cathy Gere paints an unforgettable portrait of the age of concrete and the birth of modernism.
Recent years have seen an increase of interest in classicism and the reception and survival of antiquity. Classical Reception Studies is a rapidly developing field of research and teaching, and a growing number of new scholars are investigating issues of reception of classical texts, ideas, performance, and material culture across different cultural contexts and in different media. This volume adds new perspectives in this growing field of scholarship. This collection of essays explores the uses of the past from a wide range of perspectives. The papers are drawn from a spectrum of cultures and chronological periods; from medieval to modern times, from Italian to Byzantine, from French to British. The characters involved in each case study accessed the past through different means, employing varying combinations of texts, oral traditions, iconographic representations, and visible remains of the landscape. It is a snapshot of a field in movement, illustrative of current directions and hopeful of producing new ones. The legacy of antiquity is omnipresent, and is as multifaceted as suggested by the wide range of the papers. This volume presents new perspectives, dealing with ever-elusive enigmas and opening the way for future research and investigation to all those who seek to explore the constant fascination with the antique.
Adualism between man and nature has been a persistent feature of Western thought and spirituality from ancient times to the present. The opposition of mind and body, consciousness and world has tended to obscure the ways in which humans are ecologically part of interconnected systems, some of which are obvious while others operate in hidden but life-sustaining ways. Cultural Landscapes explores the physical ways in which we are intimately linked to the land and the intellectual and aesthetic connections human consciousness has with the landscape. Following the editor's introductory essay, the lead article by Jame Schaeffer, "Quest for the Common Good: A Collaborative Public Theology for a Life-Sustaining Climate," assesses the lightning rod issue of global warming in the context of a public and ecumenical theology and sets the tone for this normative assessment of our relationship with nature. Likewise, David Kenley's essay, "Three Gorges be Dammed: The Philosophical Roots of Environmentalism in China," reveals the traditional philosophical and cultural values that can sustain a vital environmentalism in the East. David Brown's historical insights into the use of the American landscape to define historical writing complement Patricia Likos-Ricci's historical treatment of nineteenth-century landscape painting and the first call to preserve wilderness in the United States. Matt Willen, "An Feochszn," and David Martinez, "What Worlds are Made of: The Lakota Sense of Place," both demonstrate how space is transformed into place through song and mythic tales. On a metaphysical note, Andreas Philippopoulos-Mihalopolos' essay "On the Line of the Horizon, Anxiety in de Chirico's Metaphysical Spaces," provides the reader with psychological and existential insights into the disorienting paintings of de Chirico, and Gabriel Ricci's concluding essay tours the landscape that underpins Heidegger's ontological speculations. The contributions to this volume are posited on the belief that culture, society, and human history are ultimately rooted in the natural world. This integration may explain why humanity has always looked to nature for moral and ethical guidelines. Gabriel R. Ricci is associate professor of humanities and the chair of the Department of History at Elizabethtown College in Pennsylvania. He is the author of Time Consciousness: The Philosophical Uses of History, published by Transaction.
Consumerism, Waste, and Re-Use in Twentieth-Century Fiction by Rachele Dini Pdf
This book examines manufactured waste and remaindered humans in literary critiques of capitalism by twentieth-century writers associated with the historical avant-garde and their descendants. Building on recent work in new materialism and waste studies, Rachele Dini reads waste as a process or phase amenable to interruption. From an initial exploration of waste and re-use in three Surrealist texts by Giorgio de Chirico, André Breton, and Mina Loy, Dini traces the conceptualization of waste in the writing of Samuel Beckett, Donald Barthelme, J.G. Ballard, William Gaddis, and Don DeLillo. In exploring the relationship between waste, capitalism, and literary experimentation, this book shows that the legacy of the historical avant-garde is bound up with an enduring faith in the radical potential of waste. The first study to focus specifically on waste in the twentieth-century imagination, this is a valuable contribution to the expanding field of waste studies.
Neurological Disorders in Famous Artists by Julien Bogousslavsky,M. G. Hennerici,H. Baezner,C. Bassetti Pdf
The third part of Neurological Disorders in Famous Artists presents painters, musicians, and writers who had to fight against an acute or chronic neurological disease. Sometimes this fight was without success (e.g. Shostakovich, Schumann, Wolf, Pascal), but often a dynamic and paradoxical creativity of the clinical disorder was integrated into their artistic production (e.g. Klee, Ramuz). Occasionally, some even wrote the first report of a medical condition they observed in themselves, like Stendhal who made a detailed report of aphasic transient ischemic attacks before dying of stroke shortly thereafter. In rarer instances, a neurological disease was inaccurately attributed to an artist in order to explain certain features of his work (de Chirico, Schiele). Some chapters in this publication focus on neurological conditions reported in artistic work, including descriptions by Shakespeare and Dumas. Bringing new light to both artists and neurological conditions, this book serves as a valuable and entertaining read for neurologists, psychiatrists, physicians, and anybody interested in arts, literature and music.
Minos and the Moderns considers three mythological complexes that enjoyed a unique surge of interest in early twentieth-century European art and literature: Europa and the bull, the minotaur and the labyrinth, and Daedalus and Icarus. All three are situated on the island of Crete and are linked by the figure of King Minos. Drawing examples from fiction, poetry, drama, painting, sculpture, opera, and ballet, Minos and the Moderns is the first book of its kind to treat the role of the Cretan myths in the modern imagination. Beginning with the resurgence of Crete in the modern consciousness in 1900 following the excavations of Sir Arthur Evans, Theodore Ziolkowski shows how the tale of Europa-in poetry, drama, and art, but also in cartoons, advertising, and currency-was initially seized upon as a story of sexual awakening, then as a vehicle for social and political satire, and finally as a symbol of European unity. In contast, the minotaur provided artists ranging from Picasso to Dürrenmatt with an image of the artist's sense of alienation, while the labyrinth suggested to many writers the threatening sociopolitical world of the twentieth century. Ziolkowski also considers the roles of such modern figures as Marx, Nietzsche, and Freud; of travelers to Greece and Crete from Isadora Duncan to Henry Miller; and of the theorists and writers, including T. S. Eliot and Thomas Mann, who hailed the use of myth in modern literature. Minos and the Moderns concludes with a summary of the manners in which the economic, aesthetic, psychological, and anthropological revisions enabled precisely these myths to be taken up as a mirror of modern consciousness. The book will appeal to all readers interested in the classical tradition and its continuing relevance and especially to scholars of Classics and modern literatures.
"The reasons for the conspicuous popularity of Ovid--his life as well as his works--at the turn of the new millennium bear investigation.... This book speaks of the new bodies assumed in the twentieth century by the poems and tales to which Ovid gave their classic form--including prominently the account of his own life, which has been hailed by many writers of our time as the archetype of exile.... I intend to suggest some of the reasons for Ovid's appeal to different writers and different generations."--from the PrefaceTheodore Ziolkowski approaches Ovid's Latin poetry as a comparatist, not as a classicist, and maintains that the contextualization of individual works helps place them in a larger tradition. Covering the period 1912-2002, Ovid and the Moderns deals with the reception of Ovid and of Ovid's works in literature. After beginning with a discussion of Giorgio de Chirico's Ariadne paintings of 1912 and the Hofmannsthal-Strauss opera Ariadne auf Naxos, Ziolkowski considers European literary landmarks from the High Modernism of Joyce, Kafka, Mandelstam, and Pound, by way of the mid-century exiles, to postmodernism and the century's end, when a surge of interest in Ovid was fueled by a new generation of translations. One of Ziolkowski's conclusions is that the popularity of Ovid alternates in a regular rhythm and for definable reasons with that of Virgil.
In engaging with the full range of 'the arts', contributors to this volume consider the relationship between law, justice, the ethical and the aesthetic. Art continually informs the ethics of a legal theory concerned to address how theoretical abstractions and concrete oppressions overlook singularity and spontaneity. Indeed, the exercise of the legal role and the scholarly understanding of legal texts were classically defined as ars iuris - an art of law - which drew on the panoply of humanist disciplines, from philology to fine art. That tradition has fallen by the wayside, particularly in the wake of modernism. But approaching art in that way risks distorting the very inexpressibility to which art is attentive and responsive, whilst remaining a custodian of its mystery. The novelty and ambition of this book, then, is to elicit, in very different ways, styles and orientations, the importance of the relationship between law and art. What can law and art bring to one another, and what can their relationship tell us about how truth relates to power? The insights presented in this collection disturb and supplement conventional accounts of justice; inaugurating new possibilities for addressing the origin of violence in our world.
A History of the Surrealist Novel by Anna Watz Pdf
A History of the Surrealist Novel offers a rich, long, and elastic historiography of the surrealist novel, taking into consideration an abundance of texts previously left out of critical accounts. Its twenty thematically organized chapters examine surrealist prose texts written in French, English, Spanish, German, Greek, and Japanese, from the emergence of the surrealist movement in the 1920s and 1930s, through the post-war and postmodern periods, and up to the contemporary moment. This approach extends received narratives regarding surrealism's geographical locations and considers its transnational movement and modes of circulation. Moreover, it challenges critical biases that have defined surrealism in predominantly masculine terms, and which tie the movement to the interwar or early post-war years. This book will appeal both to scholars and students of surrealism and its legacies, modernist literature, and the history of the novel.
In the Archive of Longing by Mitrano Mena Mitrano Pdf
Reads modernism and theory through Susan Sontag's archiveThis adventurous critical inquiry into Sontag's archive illuminates the intimate link between modernism and theory while also providing a fascinating reintroduction to these two movements and concepts. Mena Mitrano explores three core ideas in this study: the confusion of terms between modernism and theory; the concept of an 'unwritten theory' suggested by Sontag's subterranean engagement with the foremost theorists of our time (Derrida, Foucault, Deleuze, Lacan, Jameson and others) in the rawness of her journals and notebooks; and Sontag's identity as a non-traditional philosopher, through the extraordinary discipleship to Walter Benjamin. The book is driven by new archival research and will have a multi-layered impact, changing our perception of Sontag as a post-Cold War public intellectual as well as interrogating key concepts in the Humanities. Key Features Original study of Susan Sontag's contribution to the development of critical thoughtOpens new avenues for research in the expanding field of new modernist studies and in the field of criticismDiscusses Sontag's collaboration with Walter Benjamin which reopens the question of the author and encourages an understanding of this concept from a psychoanalytic perspective, as a transgenerational phenomenonIncludes a discussion of the role of the American avant-garde in Sontag's abandonment of philosophy and in her turn to a pioneering, more theoretical literary criticism
