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I Love You More Than You Know by Jonathan Ames Pdf
“Utterly delightful” essays from the creator of the HBO’s Bored to Death reveal intimate details of his life as a famously neurotic New York writer (Brendan Halpin, Los Angeles Times). Jonathan Ames has drawn comparisons across the literary spectrum, from David Sedaris to F. Scott Fitzgerald to P.G. Wodehouse, and his books, as well as his abilities as a performer, have made him a favorite on the Late Show with David Letterman. Whether he’s chasing deranged cockroaches around his apartment, kissing a beautiful actress on the set of an avant-garde film, finding himself stuck perilously on top of a fence in the middle of the night in Memphis, or provoking fights with huge German men, Jonathan Ames has an uncanny knack for getting himself into outlandish situations. In I Love You More Than You Know, Ames once again turns his own adventures, neuroses, joys, heartaches, and insights into profound and hilarious tales. Alive with love and tenderness for his son, his parents, his great-aunt—and even strangers in bars—Ames looks beneath the surface of our world to find the beauty in the perverse, the sweetness in loneliness, and the humor in pain in essays that are “both poignant and silly—an irresistible mix” (John Dicker, Philadelphia Weekly).
Author : Arthur C. Danto Publisher : Univ of California Press Page : 484 pages File Size : 50,9 Mb Release : 2001-09-04 Category : Art ISBN : 0520230027
Danto writes about the contemporary art to be seen in museums and galleries, placing it in the context of the history of modern art and of current debates about essential ideas in our society.
Glen Seator took the simple materials and circumstances of everyday life and with them created monumental dramas of human consciousness. Rebuilding the places that surrounded him and the terrain under his feet, he gave form to a collection of architectural reconstructions that undermined the statement, I am here. These large-scale masterpieces inspired a generation of artists in the 1990s to rethink architecture as a material and subject of sculpture. Before that, Seator realized approximately 120 works that are virtually unknown to the public. Glen Seator: Making Things Moving Places reveals for the first time the entire body of sculptural work produced from 1980 to 2002. The volumes are organized into fourteen workbooks that reconstruct Seators work process, step by step, using the raw materials of the artists archive, including his notes, plans, drawings, photographs, and personal statements. Together the volumes form a portable version of the archive and give a lively and personal view into the process of making objects. Glen Seator was born in 1956 in Beardstown, Illinois, and died in Brooklyn at the age of 46. During the 1990s he realized a body of influential and widely acclaimed full-scale architectural reconstructions at many of the worlds leading galleries and institutions. His few surviving works are part of the permanent collections of the Whitney Museum and the Guggenheim Museum.
These days artists like Damien Hirst and Tracey Emin are major celebrities. But Gregor Muir knew them at the start; his unique memoir chronicles the birth of Young British Art. Muir, YBA’s ‘embedded journalist’, happened to be in Shoreditch and Hoxton before Jay Jopling arrived with his White Cube Gallery, when this was still a semi-derelict landscape of grotty pubs and squats. There he witnessed, amid a whirl of drunkenness, scrapes and riotous hedonism, the coming-together of a remarkable array of young artists – Hirst, the Chapman brothers, Rachel Whiteread, Sam Taylor-Wood, Angus Fairhurst - who went on to produce a fresh, irreverent, often notorious form of art - Hirst’s shark, Sarah Lucas’s two fried eggs and a kebab. By the time of the seminal Sensation show at the Royal Academy YBA had changed the art world for ever.
The Critic's Daughter: A Memoir by Priscilla Gilman Pdf
“Beautiful: honest, raw, careful, soulful, brave, and incredibly readable.” —Nick Hornby An exquisitely rendered portrait of a unique father-daughter relationship and a moving memoir of family and identity. Growing up on the Upper West Side of New York City in the 1970s, in an apartment filled with dazzling literary and artistic characters, Priscilla Gilman worshiped her brilliant, adoring, and mercurial father, the writer, theater critic, and Yale School of Drama professor Richard Gilman. But when Priscilla was ten years old, her mother, renowned literary agent Lynn Nesbit, abruptly announced that she was ending the marriage. The resulting cascade of disturbing revelations—about her parents’ hollow marriage, her father’s double life and tortured sexual identity—fundamentally changed Priscilla’s perception of her father, as she attempted to protect him from the depression that had long shadowed him. A wrenching story about what it means to be the daughter of a demanding parent, a revelatory window into the impact of divorce, and a searching reflection on the nature of art and criticism, The Critic’s Daughter is an unflinching account of loss and grief—and a radiant testament of forgiveness and love.
Author : Giuliana Bruno Publisher : University of Chicago Press Page : 312 pages File Size : 48,6 Mb Release : 2014-06-09 Category : Art ISBN : 9780226114835
What is the place of materiality—the expression or condition of physical substance—in our visual age of rapidly changing materials and media? How is it fashioned in the arts or manifested in virtual forms? In Surface, cultural critic and theorist Giuliana Bruno deftly explores these questions, seeking to understand materiality in the contemporary world. Arguing that materiality is not a question of the materials themselves but rather the substance of material relations, Bruno investigates the space of those relations, examining how they appear on the surface of different media—on film and video screens, in gallery installations, or on the skins of buildings and people. The object of visual studies, she contends, goes well beyond the image and engages the surface as a place of contact between people and art objects. As Bruno threads through these surface encounters, she unveils the fabrics of the visual—the textural qualities of works of art, whether manifested on canvas, wall, or screen. Illuminating the modern surface condition, she notes how façades are becoming virtual screens and the art of projection is reinvented on gallery walls. She traverses the light spaces of artists Robert Irwin, James Turrell, Tacita Dean, and Anthony McCall; touches on the textured surfaces of Isaac Julien’s and Wong Kar-wai’s filmic screens; and travels across the surface materiality in the architectural practices of Diller Scofidio + Renfro and Herzog & de Meuron to the art of Doris Salcedo and Rachel Whiteread, where the surface tension of media becomes concrete. In performing these critical operations on the surface, she articulates it as a site in which different forms of mediation, memory, and transformation can take place. Surveying object relations across art, architecture, fashion, design, film, and new media, Surface is a magisterial account of contemporary visual culture.
The Routledge Companion to Criticality in Art, Architecture, and Design by Chris Brisbin,Myra Thiessen Pdf
The Routledge Companion to Criticality in Art, Architecture, and Design presents an in-depth exploration of criticism and criticality in theory and practice across the disciplines of art, architecture, and design. Professional criticism is a vital part of understanding the cultural significance of designed objects and environments that we engage with on a daily basis, yet there is evidence to show that this practice is changing. This edited volume investigates how practitioners, researchers, educators, and professionals engage with, think about, and value the practice of critique. With contributions from a multi-disciplinary authorship from nine countries - the UK, USA, Australia, India, Netherlands, Switzerland, South Africa, Belgium, and Denmark - this companion provides a wide range of leading perspectives evaluating the landscape of criticality and how it is being shaped by technological and social advances. Illustrated with over 60 black and white images and structured into five sections, The Routledge Companion to Criticality in Art, Architecture, and Design is a comprehensive volume for researchers, educators, and students exploring the changing role of criticism through interdisciplinary perspectives.
New York City is the undisputed centre of the North American art world, and its public art is one of the most evident signs of its cultural wealth. For more than 30 years, Creative Time has been an avatar of public art in the city, working to engage art and the environment, artists and the public.