Global Mexican Cinema

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Global Mexican Cinema

Author : Maricruz Ricalde,Robert McKee Irwin
Publisher : Bloomsbury Publishing
Page : 426 pages
File Size : 44,6 Mb
Release : 2019-07-25
Category : Foreign Language Study
ISBN : 9781838715960

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Global Mexican Cinema by Maricruz Ricalde,Robert McKee Irwin Pdf

The golden age of Mexican cinema, which spanned the 1930s through to the 1950s, saw Mexico's film industry become one of the most productive in the world, exercising a decisive influence on national culture and identity. In the first major study of the global reception and impact of Mexican Golden Age cinema, this book captures the key aspects of its international success, from its role in forming a nostalgic cultural landscape for Mexican emigrants working in the United States, to its economic and cultural influence on Latin America, Spain and Yugoslavia. Challenging existing perceptions, the authors reveal how its film industry helped establish Mexico as a long standing centre of cultural influence for the Spanish-speaking world and beyond.

Global Mexican Cinema

Author : Robert McKee Irwin,Maricruz Castro,Mónica Szurmuk,Inmaculada Gordillo Alvarez,Dubravka Suznjevic
Publisher : Unknown
Page : 228 pages
File Size : 44,8 Mb
Release : 2013
Category : Motion pictures
ISBN : 1838711813

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Global Mexican Cinema by Robert McKee Irwin,Maricruz Castro,Mónica Szurmuk,Inmaculada Gordillo Alvarez,Dubravka Suznjevic Pdf

"The golden age of Mexican cinema, which spanned the 1930s through to the 1950s, saw Mexico's film industry become one of the most productive in the world, exercising a decisive influence on national culture and identity. In the first major study of the global reception and impact of Mexican Golden Age cinema, this book captures the key aspects of its international success, from its role in forming a nostalgic cultural landscape for Mexican emigrants working in the United States, to its economic and cultural influence on Latin America, Spain and Yugoslavia. Challenging existing perceptions, the authors reveal how its film industry helped establish Mexico as a long standing centre of cultural influence for the Spanish-speaking world and beyond."--Bloomsbury Publishing.

The Mexican Revolution on the World Stage

Author : Adela Pineda Franco
Publisher : State University of New York Press
Page : 288 pages
File Size : 54,7 Mb
Release : 2019-07-23
Category : History
ISBN : 9781438475622

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The Mexican Revolution on the World Stage by Adela Pineda Franco Pdf

Explores the wide-ranging impact of the Mexican Revolution on global cinema and Western intellectual thought. The first major social revolution of the twentieth century, the Mexican Revolution was visually documented in technologically novel ways and to an unprecedented degree during its initial armed phase (1910–21) and the subsequent years of reconstruction (1921–40). Offering a sweeping and compelling new account of this iconic revolution, The Mexican Revolution on the World Stage reveals its profound impact on both global cinema and intellectual thought in and beyond Mexico. Focusing on the period from 1940 to 1970, Adela Pineda Franco examines a group of North American, European, and Latin American filmmakers and intellectuals who mined this extensive visual archive to produce politically engaged cinematic works that also reflect and respond to their own sociohistorical contexts. The author weaves together multilayered analysis of individual films, the history of their production and reception, and broader intellectual developments to illuminate the complex relationship between culture and revolution at the onset of World War II, during the Cold War, and amid the anti-systemic movements agitating Latin America in the 1960s. Ambitious in scope, this book charts an innovative transnational history of not only the visual representation but also the very idea of revolution. Adela Pineda Franco is Professor of Latin American Literature and Film at Boston University. She is the coeditor (with Jaime Marroquin Arredondo and Magdalena Mieri) of Open Borders to a Revolution: Culture, Politics, and Migration.

The Faber Book of Mexican Cinema

Author : Jason Wood
Publisher : Faber & Faber
Page : 359 pages
File Size : 53,9 Mb
Release : 2021-06-01
Category : Performing Arts
ISBN : 9780571353781

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The Faber Book of Mexican Cinema by Jason Wood Pdf

Twelve years ago, Amores Perros erupted in the cinemas across the world and announced the arrival of Mexican film-makers. The film-makers profiled in that book have now come of age and have made a decisive impact on the international cinema scene The last few years Mexican film-makers winning the Best Director Oscars 5 times, and Best Picture 4 times: Alfonso Cuaron with Gravity and Roma. Alejandro Inarritu with Birdman and The RevenantGuillermo del Toro with The Shape of WaterThis revised edition of The Faber Book of Mexican Cinema brings this astounding story up to date, as well as profiling the next generation, waiting in the wings.

The Classical Mexican Cinema

Author : Charles Ramírez Berg
Publisher : University of Texas Press
Page : 254 pages
File Size : 42,6 Mb
Release : 2015-09-01
Category : Performing Arts
ISBN : 9781477308073

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The Classical Mexican Cinema by Charles Ramírez Berg Pdf

From the mid-1930s to the late 1950s, Mexican cinema became the most successful Latin American cinema and the leading Spanish-language film industry in the world. Many Cine de Oro (Golden Age cinema) films adhered to the dominant Hollywood model, but a small yet formidable filmmaking faction rejected Hollywood’s paradigm outright. Directors Fernando de Fuentes, Emilio Fernández, Luis Buñuel, Juan Bustillo Oro, Adolfo Best Maugard, and Julio Bracho sought to create a unique national cinema that, through the stories it told and the ways it told them, was wholly Mexican. The Classical Mexican Cinema traces the emergence and evolution of this Mexican cinematic aesthetic, a distinctive film form designed to express lo mexicano. Charles Ramírez Berg begins by locating the classical style’s pre-cinematic roots in the work of popular Mexican artist José Guadalupe Posada at the turn of the twentieth century. He also looks at the dawning of Mexican classicism in the poetics of Enrique Rosas’ El Automóvil Gris, the crowning achievement of Mexico’s silent filmmaking era and the film that set the stage for the Golden Age films. Berg then analyzes mature examples of classical Mexican filmmaking by the predominant Golden Age auteurs of three successive decades. Drawing on neoformalism and neoauteurism within a cultural studies framework, he brilliantly reveals how the poetics of Classical Mexican Cinema deviated from the formal norms of the Golden Age to express a uniquely Mexican sensibility thematically, stylistically, and ideologically.

Mexican Cinema

Author : Carl J. Mora
Publisher : McFarland
Page : 337 pages
File Size : 41,5 Mb
Release : 2015-05-07
Category : Performing Arts
ISBN : 9780786491872

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Mexican Cinema by Carl J. Mora Pdf

Mexican filmmaking is traced from its early beginnings in 1896 to the present in this book. Of particular interest are the great changes from 1990 to 2004: the confluence of talented and dedicated filmmakers, important changes in Mexican cinematic infrastructure and significant social and cultural transformations. From Nicolas Echevarria's Cabeza de Vaca (1991), to the 1992 releases of Hellboy director Guillermo del Toro's Cronos and Alfonso Arau's Como agua para chocolate, to Alfonso Cuaron's Y tu mama tambien (2001), this work provides a close look at Mexican films that received international commercial success and critical acclaim and put Mexico on the cinematic world map. Arranged chronologically, this edition (originally published in 2005) covers the entire scope of Mexican cinema. The main films and their directors are discussed, together with the political, social and economic contexts of the times.

Mexico's Cinema

Author : Joanne Hershfield,David R. Maciel
Publisher : Rowman & Littlefield Publishers
Page : 334 pages
File Size : 51,7 Mb
Release : 1999-11-01
Category : Social Science
ISBN : 9780585241104

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Mexico's Cinema by Joanne Hershfield,David R. Maciel Pdf

In recent years, Mexican films have received high acclaim and impressive box-office returns. Moreover, Mexico has the most advanced movie industry in the Spanish-speaking world, and its impact on Mexican culture and society cannot be overstated. Mexico's Cinema: A Century of Film and Filmmakers is a collection of fourteen essays that encompass the first 100 years of the cinema of Mexico. Included are original contributions written specifically for this title, plus a few classic pieces in the field of Mexican cinema studies never before available in English. These essays explore a variety of themes including race and ethnicity, gender issues, personalities, and the historical development of a national cinematic style. Each of the book's three sections-The Silent Cinema, The Golden Age, and The Contemporary Era-is preceded by a short introduction to the period and a presentation of the major themes addressed in the section. This insightful anthology is the first published study that includes pieces by Mexican and North American scholars, including a piece by the internationally acclaimed essayist Carlos Monsivais. Contributors include other acclaimed scholars and critics as well as young scholars who are currently making their mark in the area of film studies of Mexico. These authors represent various fields-community studies, film studies, cultural history, ethnic studies, and gender studies-making this volume an interdisciplinary resource, important for courses in Latin America and Third World cinema, Mexican history and culture, and Chicana/o and ethnic studies.

The Faber Book of Mexican Cinema

Author : Jason Wood
Publisher : Unknown
Page : 196 pages
File Size : 40,7 Mb
Release : 2006
Category : Motion pictures
ISBN : 057121732X

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The Faber Book of Mexican Cinema by Jason Wood Pdf

The international successes of Amores Perros and Y tu mamá también alerted the eyes of the world to the riches to be found in Mexican cinema, from the talents of directors Alejandro González Iñárritu and Alfonso Cuarón to the poster-boy looks and electrifying screen presence of Gael García Bernal. Their rise to prominence, abetted by a new entrepreneurial spirit amongst Mexican financiers and producers, coincided with an emerging generation of Mexican cinemagoers thirsting for intelligent, identity-affirming, locally-made product. Having endured a period of relative famine throughout the eighties and nineties, Mexican audiences once more had a national cinema to shout about, and the global audience and Hollywood too have had to sit up and take notice. Jason Wood's book, featuring extensive interviews with all the key figures of the buena onda, offers a hugely insightful look at Mexico's colourful film culture, tracing its recent successes back to key historical films, and to the social, political, individual and collective creative forces that helped give birth to it.

Mexican Cinema

Author : Paulo Antonio Paranaguá,Consejo Nacional para la Cultura y las Artes (Mexico),British Film Institute
Publisher : Unknown
Page : 344 pages
File Size : 43,5 Mb
Release : 1995
Category : History
ISBN : UTEXAS:059173003570270

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Mexican Cinema by Paulo Antonio Paranaguá,Consejo Nacional para la Cultura y las Artes (Mexico),British Film Institute Pdf

With essays by the most authoritative scholars, this unique study and reference work is the first English-language survey and analysis of Mexican cinema. The book provides extensive coverage of the delirious melodramas (of 'El Indio' Emilio Fernandez and Roberto Gavaldon, many shot by the supremely romantic cinematographer Gabriel Figueroa) and the contemporary successes of Jaime Humberto Hermosillo. It also includes the Mexican work of Luis Bunuel, the surreal, intense dramas of Felipe Cazals and Arturo Ripstein, the innovative work of Paul Leduc, and much more. This lavishly illustrated book also contains notes on over 150 individual films, an extensive dictionary of directors and other personalities, together with filmographies and an extensive chronicle of Mexico's political, cultural and cinematic history in the twentieth century.

Mexican National Cinema

Author : Andrea Noble
Publisher : Psychology Press
Page : 248 pages
File Size : 46,7 Mb
Release : 2005
Category : History
ISBN : 0415230098

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Mexican National Cinema by Andrea Noble Pdf

Examining key film texts and genres, and set in a broad historical and theoretical context, this student-friendly study provides a thorough and detailed account of the vital and complex relationship between cinema and national identity in Mexico.

Screening Neoliberalism

Author : Ignacio M. Sánchez Prado
Publisher : Vanderbilt University Press
Page : 462 pages
File Size : 47,9 Mb
Release : 2014-06-30
Category : History
ISBN : 9780826503527

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Screening Neoliberalism by Ignacio M. Sánchez Prado Pdf

Cavernous, often cold, always dark, with the lingering smell of popcorn in the air: the experience of movie-going is universal. The cinematic experience in Mexico is no less profound, and has evolved in complex ways in recent years. Films like Y Tu Mama Tambien, El Mariachi, Amores Perros, and the work of icons like Guillermo del Toro and Salma Hayek represent much more than resurgent interest in the cinema of Mexico. In Screening Neoliberalism, Ignacio Sanchez Prado explores precisely what happened to Mexico's film industry in recent decades. Far from just a history of the period, Screening Neoliberalism explores four deep transformations in the Mexican film industry: the decline of nationalism, the new focus on middle-class audiences, the redefinition of political cinema, and the impact of globalization. This analysis considers the directors and films that have found international notoriety as well as those that have been instrumental in building a domestic market. Screening Neoliberalism exposes the consequences of a film industry forced to find new audiences in Mexico's middle-class in order to achieve economic and cultural viability.

Mexican Screen Fiction

Author : Paul Julian Smith
Publisher : John Wiley & Sons
Page : 285 pages
File Size : 55,5 Mb
Release : 2014-01-27
Category : Performing Arts
ISBN : 9780745681252

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Mexican Screen Fiction by Paul Julian Smith Pdf

Mexican cinema is booming today, a decade after the international successes of Amores perros and Y tu mamá también. Mexican films now display a wider range than any comparable country, from art films to popular genre movies, and boasting internationally renowned directors like Alfonso Cuarón, Alejandro González Iñárritu, and Guillermo del Toro. At the same time, television has broadened its output, moving beyond telenovelas to produce higher-value series and mini-series. Mexican TV now stakes a claim to being the most dynamic and pervasive national narrative. This new book by Paul Julian Smith is the first to examine the flourishing of audiovisual fiction in Mexico since 2000, considering cinema and TV together. It covers much material previously unexplored and engages with emerging themes, including violence, youth culture, and film festivals. The book includes reviews of ten films released between 2001 and 2012 by directors who are both established (Maryse Sistach, Carlos Reygadas) and new (Jorge Michel Grau, Michael Rowe, Paula Markovitch). There is also an appendix that includes interviews carried out by the author in 2012 with five audiovisual professionals: a feature director, a festival director, an exhibitor, a producer, and a TV screenwriter. Mexican Screen Fiction will be an invaluable resource for students and scholars and essential reading for anyone interested in one of the most vibrant audiovisual industries in the world today.

The Lost Cinema of Mexico

Author : Olivia Cosentino,Brian Price
Publisher : University Press of Florida
Page : 181 pages
File Size : 47,6 Mb
Release : 2022-02-08
Category : Performing Arts
ISBN : 9781683403395

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The Lost Cinema of Mexico by Olivia Cosentino,Brian Price Pdf

The Lost Cinema of Mexico is the first volume to challenge the dismissal of Mexican filmmaking during the 1960s through 1980s, an era long considered a low-budget departure from the artistic quality and international acclaim of the nation’s earlier Golden Age. This pivotal collection examines the critical implications of discovering, uncovering, and recovering forgotten or ignored films. This largely unexamined era of film reveals shifts in Mexican culture, economics, and societal norms as state-sponsored revolutionary nationalism faltered. During this time, movies were widely embraced by the public as a way to make sense of the rapidly changing realities and values connected to Mexico’s modernization. These essays shine a light on many genres that thrived in these decades: rock churros, campy luchador movies, countercultural superocheros, Black melodramas, family films, and Chili Westerns. Redefining a time usually seen as a cinematic “crisis,” this volume offers a new model of the film auteur shaped by productive tension between highbrow aesthetics, industry shortages, and national audiences. It also traces connections from these Mexican films to Latinx, Latin American, and Hollywood cinema at large. A volume in the series Reframing Media, Technology, and Culture in Latin/o America, edited by Héctor Fernández L’Hoeste and Juan Carlos Rodríguez Contributors: Brian Price | Carolyn Fornoff | David S. Dalton | Christopher B. Conway | Iván Eusebio Aguirre Darancou | Ignacio Sánchez Prado | Dolores Tierney | Dr. Olivia Cosentino Publication of this work made possible by a Sustaining the Humanities through the American Rescue Plan grant from the National Endowment for the Humanities.

Cinemachismo

Author : Sergio de la Mora
Publisher : University of Texas Press
Page : 257 pages
File Size : 45,6 Mb
Release : 2009-01-27
Category : Performing Arts
ISBN : 9780292782310

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Cinemachismo by Sergio de la Mora Pdf

After the modern Mexican state came into being following the Revolution of 1910, hyper-masculine machismo came to be a defining characteristic of "mexicanidad," or Mexican national identity. Virile men (pelados and charros), virtuous prostitutes as mother figures, and minstrel-like gay men were held out as desired and/or abject models not only in governmental rhetoric and propaganda, but also in literature and popular culture, particularly in the cinema. Indeed, cinema provided an especially effective staging ground for the construction of a gendered and sexualized national identity. In this book, Sergio de la Mora offers the first extended analysis of how Mexican cinema has represented masculinities and sexualities and their relationship to national identity from 1950 to 2004. He focuses on three traditional genres (the revolutionary melodrama, the cabaretera [dancehall] prostitution melodrama, and the musical comedy "buddy movie") and one subgenre (the fichera brothel-cabaret comedy) of classic and contemporary cinema. By concentrating on the changing conventions of these genres, de la Mora reveals how Mexican films have both supported and subverted traditional heterosexual norms of Mexican national identity. In particular, his analyses of Mexican cinematic icons Pedro Infante and Gael García Bernal and of Arturo Ripstein's cult film El lugar sin límites illuminate cinema's role in fostering distinct figurations of masculinity, queer spectatorship, and gay male representations. De la Mora completes this exciting interdisciplinary study with an in-depth look at how the Mexican state brought about structural changes in the film industry between 1989 and 1994 through the work of the Mexican Film Institute (IMCINE), paving the way for a renaissance in the national cinema.

Making Cinelandia

Author : Laura Isabel Serna
Publisher : Duke University Press Books
Page : 0 pages
File Size : 47,7 Mb
Release : 2014-03-28
Category : Performing Arts
ISBN : 0822356538

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Making Cinelandia by Laura Isabel Serna Pdf

In the 1920s, as American films came to dominate Mexico's cinemas, many of its cultural and political elites feared that this "Yanqui invasion" would turn Mexico into a cultural vassal of the United States. In Making Cinelandia, Laura Isabel Serna contends that Hollywood films were not simply tools of cultural imperialism. Instead, they offered Mexicans on both sides of the border an imaginative and crucial means of participating in global modernity, even as these films and their producers and distributors frequently displayed anti-Mexican bias. Before the Golden Age of Mexican cinema, Mexican audiences used their encounters with American films to construct a national film culture. Drawing on extensive archival research, Serna explores the popular experience of cinemagoing from the perspective of exhibitors, cinema workers, journalists, censors, and fans, showing how Mexican audiences actively engaged with American films to identify more deeply with Mexico.