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#1 NEW YORK TIMES BESTSELLER More than ONE MILLION copies sold A TODAY Show Read with Jenna Book Club Pick A New York Times Notable Book, and Chosen by Oprah Daily, Time, NPR, The Washington Post, Bill Gates and Barack Obama as a Best Book of the Year “Wise and wildly entertaining . . . permeated with light, wit, youth.” —The New York Times Book Review “A classic that we will read for years to come.” —Jenna Bush Hager, Read with Jenna book club “Fantastic. Set in 1954, Towles uses the story of two brothers to show that our personal journeys are never as linear or predictable as we might hope.” —Bill Gates “A real joyride . . . elegantly constructed and compulsively readable.” —NPR The bestselling author of A Gentleman in Moscow and Rules of Civility and master of absorbing, sophisticated fiction returns with a stylish and propulsive novel set in 1950s America In June, 1954, eighteen-year-old Emmett Watson is driven home to Nebraska by the warden of the juvenile work farm where he has just served fifteen months for involuntary manslaughter. His mother long gone, his father recently deceased, and the family farm foreclosed upon by the bank, Emmett's intention is to pick up his eight-year-old brother, Billy, and head to California where they can start their lives anew. But when the warden drives away, Emmett discovers that two friends from the work farm have hidden themselves in the trunk of the warden's car. Together, they have hatched an altogether different plan for Emmett's future, one that will take them all on a fateful journey in the opposite direction—to the City of New York. Spanning just ten days and told from multiple points of view, Towles's third novel will satisfy fans of his multi-layered literary styling while providing them an array of new and richly imagined settings, characters, and themes. “Once again, I was wowed by Towles’s writing—especially because The Lincoln Highway is so different from A Gentleman in Moscow in terms of setting, plot, and themes. Towles is not a one-trick pony. Like all the best storytellers, he has range. He takes inspiration from famous hero’s journeys, including The Iliad, The Odyssey, Hamlet, Huckleberry Finn, and Of Mice and Men. He seems to be saying that our personal journeys are never as linear or predictable as an interstate highway. But, he suggests, when something (or someone) tries to steer us off course, it is possible to take the wheel.” – Bill Gates
Such a Lonely, Lovely Road by Kagiso Lesego Molope Pdf
All his life Kabelo Mosala has been the perfect child to his doting absent parents, who show him off every chance they get. A few weeks before he leaves for university, Kabelo forms a close bond with Sediba, one of his childhood friends, confirming his long-held suspicion that he is gay. Their relationship is thrown into turmoil by social pressures and conflicting desires, and it starts to look as if they can't be together. But against all odds the two young men make their way back to each other, risking scorn from the community that raised them.
First performed at Edinburgh's Royal Lyceum Theatre, the first stage play from the SUNDAY TIMES No.1 bestselling author of A SONG FOR THE DARK TIMES It's been 25 years since Alfred Chalmers was convicted of the gruesome murder of four young women in Edinburgh. Isobel McArthur, Scotland's first Chief Constable, was the woman responsible for putting him behind bars, but the case has haunted her ever since. Now, with her retirement approaching, McArthur decides the time has come for answers. To uncover the truth, she revisits the case and interviews Chalmers for the first time in decades. But her decision rips opens old wounds and McArthur is soon caught up in a web of corruption, psychological mind-games and deceit that threatens not only her own life, but those of her fellow officers and even her own daughter. Tense, gritty and hard-hitting, DARK ROAD is the first ever stage play from bestselling crime writer Ian Rankin, co-written by the Royal Lyceum's Artistic Director Mark Thomson.
C.G. Jung’s psychology provides a unique understanding of the seven tales in this volume. The archetypal images therein are many-layered. We can see them from the mythological viewpoint as dragons, demons and witches; we find them in rivers of fire, in kingdoms at the bottom of the sea, in talking animals, and in endless transformations that defy human experience. The same images mirror situations of everyday life: the joys of love, success in one’s endeavors; but also, abandonment, yearning for offspring, loss of a sheltered existence, as well as the many insurmountable tasks which confront us in life. But the most significant of Jung’s insights into the psyche is the realization that all such experiences rest upon an inner reality which needs to be understood symbolically. This is where the archetypal nature of fairy tales is most relevant, for it explains why people of all ages and all levels of society have been fascinated by them; people, often without much formal education, gathered around a fire at the end of a hard day and, gazing into the flames, followed the images arising from the storyteller’s words. Today, many have by and large lost the capacity for such experiences. Children still do; adults are often distracted by the demands of outer life. And yet, fairy tales retell fundamental experiences of life which are timeless.
It may be the Roaring Twenties, but no one has told Fishguard about it. This little town, sitting with its sibling Goodwick at the far end of the Great Western railway line and the trunk road from London, is a remote little community, carving a living through fishing, farming and whatever local ingenuity can conjure up. This is a book about lines – lines on a map but also family lines and how they meet, cross and meet again. It is a tale of a time when make-do and mend keep grown-up minds occupied and make-believe keeps the young entertained; when oddballs, down-and-outs and even prisoners-of-war are made welcome; when religion battles – often in vain – for prominence over the silver screen and the demon drink; when extended family not only provides a much-needed social safety net but yields many and often amusing eccentricities. It is a narrative set against a quintessentially Welsh backdrop – of language, music and song, coal-mining and Chapel, socialism and nationalism. But most of all it is a love story between Les and Mair who meet briefly as young teenagers but will follow different paths for almost a decade and half as work, war and other loves separate them. It is a story of lines, but not the end of the line… A tale of life, love and larking about in Fishguard 1921-1951
180 Masterpieces You Should Read Before You Die (Vol.2) by Johann Wolfgang von Goethe,Stendhal,Jules Verne,Gustave Flaubert,Theodor Storm,Henrik Ibsen,Charles Dickens,Honoré de Balzac,Harriet Beecher Stowe,Rabindranath Tagore,Fyodor Dostoyevsky,James Fenimore Cooper,Edgar Allan Poe,John Buchan,Confucius,,George MacDonald,Bram Stoker,Henry James,Victor Hugo,Joseph Conrad,Jane Austen,Walter Scott,Laurence Sterne,Thomas Hardy,Jonathan Swift,Edith Wharton,Benito Pérez Galdós,Daniel Defoe,Henry Fielding,Sinclair Lewis,Anthony Trollope,Alexandre Dumas,William Dean Howells,Virginia Woolf,William Walker Atkinson,Kenneth Grahame,Washington Irving,Willa Cather,Nathaniel Hawthorne,Homer,Gaston Leroux,Ford Madox Ford,Benjamin Franklin,Kate Chopin,John Milton,Edgar Wallace,Laozi,James Joyce,Ann Ward Radcliffe,Kakuzo Okakura,H. G. Wells,W. B. Yeats,J. M. Barrie,G. K. Chesterton,Jerome K. Jerome,L. M. Montgomery,W. Somerset Maugham,E. M. Forster,F. Scott Fitzgerald,Lewis Wallace,Ivan Turgenev,Leo Tolstoy,Nikolai Gogol,George Bernard Shaw,Cao Xueqin,Emile Zola,Bankim Chandra Chatterjee,P. B. Shelley,Elizabeth von Arnim,Dante,Pedro Calderon de la Barca,Émile Coué,George Weedon Grossmith,Willkie Collins,D.H. Lawrence,Machiavelli Pdf
Invest your time in reading the true masterpieces of world literature, the great works of the greatest masters of their craft, the revolutionary works, the timeless classics and the eternally moving poetry of words and storylines every person should experience in their lifetime: Strange Case of Dr Jekyll and Mr Hyde (Robert Louis Stevenson) A Doll's House (Henrik Ibsen) A Tale of Two Cities (Charles Dickens) Dubliners (James Joyce) A Portrait of the Artist as a Young Man (James Joyce) War and Peace (Leo Tolstoy) Howards End (E. M. Forster) Le Père Goriot (Honoré de Balzac) Sense and Sensibility (Jane Austen) Anne of Green Gables Series (L. M. Montgomery) The Wind in the Willows (Kenneth Grahame) Gitanjali (Rabindranath Tagore) Diary of a Nobody (Grossmith) The Beautiful and Damned (F. Scott Fitzgerald) Moll Flanders (Daniel Defoe) 20,000 Leagues Under the Sea (Jules Verne) Gulliver's Travels (Jonathan Swift) The Last of the Mohicans (James Fenimore Cooper) Peter and Wendy (J. M. Barrie) The Three Musketeers (Alexandre Dumas) Iliad & Odyssey (Homer) Kama Sutra Dona Perfecta (Benito Pérez Galdós) The Divine Comedy (Dante) The Rise of Silas Lapham (William Dean Howells) The Book of Tea (Kakuzo Okakura) Madame Bovary (Gustave Flaubert) The Hunchback of Notre Dame (Victor Hugo) Red and the Black (Stendhal) Rob Roy (Walter Scott) Barchester Towers (Anthony Trollope) Uncle Tom's Cabin (Harriet Beecher Stowe) Three Men in a Boat (Jerome K. Jerome) Tristram Shandy (Laurence Sterne) Tess of the d'Urbervilles (Thomas Hardy) My Antonia (Willa Cather) The Age of Innocence (Edith Wharton) The Awakening (Kate Chopin) Babbitt (Sinclair Lewis) The Four Just Men (Edgar Wallace) Of Human Bondage (W. Somerset Maugham) The Portrait of a Lady (Henry James) Fathers and Sons (Ivan Turgenev) The Voyage Out (Virginia Woolf) Life is a Dream (Pedro Calderon de la Barca) Faust (Goethe) Thus Spoke Zarathustra (Friedrich Nietzsche) Autobiography (Benjamin Franklin) The Yellow Wallpaper (Charlotte Perkins Gilman)
