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Popular music in the twenty-first century is increasingly divided into niche markets. How do fans, musicians, and music industry executives define their markets’ boundaries? What happens when musicians cross those boundaries? What can Christian music teach us about commercial popular music? In God Rock, Inc., Andrew Mall considers the aesthetic, commercial, ethical, and social boundaries of Christian popular music, from the late 1960s, when it emerged, through the 2010s. Drawing on ethnographic research, historical archives, interviews with music industry executives, and critical analyses of recordings, concerts, and music festival performances, Mall explores the tensions that have shaped this evolving market and frames broader questions about commerce, ethics, resistance, and crossover in music that defines itself as outside the mainstream.
Author : Andrew Mall Publisher : University of California Press Page : 322 pages File Size : 42,9 Mb Release : 2020-12-01 Category : Music ISBN : 9780520343412
Popular music in the twenty-first century is increasingly divided into niche markets. How do fans, musicians, and music industry executives define their markets’ boundaries? What happens when musicians cross those boundaries? What can Christian music teach us about commercial popular music? In God Rock, Inc., Andrew Mall considers the aesthetic, commercial, ethical, and social boundaries of Christian popular music, from the late 1960s, when it emerged, through the 2010s. Drawing on ethnographic research, historical archives, interviews with music industry executives, and critical analyses of recordings, concerts, and music festival performances, Mall explores the tensions that have shaped this evolving market and frames broader questions about commerce, ethics, resistance, and crossover in music that defines itself as outside the mainstream.
An entertaining history of the soundtrack of American evangelical Christianity Few things frightened conservative white Protestant parents of the 1950s and the 1960s more than thought of their children falling prey to the "menace to Christendom" known as rock and roll. The raucous sounds of Elvis Presley and Little Richard seemed tailor-made to destroy the faith of their young and, in the process, undermine the moral foundations of the United States. Parents and pastors launched a crusade against rock music, but they were fighting an uphill battle. Salvation came in a most unlikely form. Well, maybe not that unlikely--the long hair, the beards, the sandals--but still a far cry from the buttoned-up, conservative Protestantism they were striving to preserve. Yet when a revival swept through counterculture hippie communities of the West Coast in the 1960s and 1970s a new alternative emerged. Known as the Jesus Movement--and its members, more colloquially, as "Jesus freaks"--the revival was short-lived. But by combining the rock and folk music of the counterculture with religious ideas and aims of conservative white evangelicals, Jesus freaks and evangelical media moguls gave birth to an entire genre known as Contemporary Christian Music (CCM). By the 1980s and 1990s, CCM had grown into a massive, multimillion-dollar industry. Contemporary Christian artists were appearing on Top 40 radio, and some, most famously Amy Grant, crossed over into the mainstream. And yet, today, the industry is a shadow of what it once was. In this book, Leah Payne traces the history and trajectory of CCM in America and, in the process, demonstrates how the industry, its artists, and its fans shaped--and continue to shape--conservative, (mostly) white, evangelical Protestantism. For many outside observers, evangelical pop stars, interpretive dancers, puppeteers, mimes, and bodybuilders are silly expressions of kitsch. Yet Payne argues that these cultural products were sources of power, meaning, and political activism. Throughout, she draws on in-depth interviews with CCM journalists, publishers, producers, and artists, as well as archives, sales and marketing data, fan magazines, merchandise--everything that went into making CCM a thriving subculture. Ultimately, Payne argues, CCM spurred evangelical activism in more potent and lasting ways than any particular doctrine, denomination, culture war, or legislative agenda had before.
Rock and Roll legend Ted Nugent contends that a lot of what is wrong with this country could be remedied by a simple, but controversial concept: gun ownership.
Rock Stars on God is a collection of hard-hitting interviews about spirituality, the afterlife, and our purpose here on earth with some of rock's biggest names. Not only will you discover insights about each artist's spirituality, but you'll find a training ground for engaging others in conversations about Jesus. Book jacket.
Includes Bonus Content not included in the print edition! Unlikely tales are the most fun to tell. The long strange trip Eddie DeGarmo has experienced over a half century in the music business is full of such stories. From playing keyboards at 10 years old in his first 1960s Memphis rock and roll band in the shadow of Graceland and Johnny Cash, to his own massive tours filling auditoriums and stadiums around the world with DeGarmo and Key, one of the first Christian Rock bands. He successfully transitioned from his pioneering artist career to accomplished music executive co-founding trendsetting Forefront Records and discovered many ground breaking artists. Eddie then ascended to his role as president of the largest and most successful Gospel and Christian music publisher in the world, Capitol CMG Publishing. DeGarmo’s ride has been one for the ages. He has embraced the changes life sent his way. He has shifted gears, changed the key, and kept rocking. Along the way, you will be inspired, motivated, laugh out loud, and maybe even be a little challenged in your walk of faith and life.
Me, Inc. features a black simulated-leather cover with gold foil stamping and a black ribbon bookmark. The fact that KISS is one of the most successful rock bands in the world is no accident. From the beginning Gene Simmons and Paul Stanley had a clear-cut vision of what they wanted to do and how they wanted to operate KISS as a business well before they ever first took the stage. Since deciding with Paul to manage the band themselves, Simmons has proved himself to be a formidable businessman, having sold over 100 million CDs and DVDs worldwide, overseen over 3,000 licensed merchandise items, and starred in the longest running celebrity reality show to date. More impressive is that he handles all of his business ventures on his own—no personal assistant, few handlers, and as little red tape as possible. In Me, Inc., Simmons shares a lifetime of field-tested and hard-won business advice that will provide readers with the tools needed to build a solid business strategy, harness the countless tools available in the digital age, network like hell, and be the architect for the business entity that is you. Inspired by The Art of War, the book dispenses Simmons’ in-depth insights via thirteen specific principles for success based on his own experience, triumphs, and instructional failures in business—from finding the confidence within yourself that’s necessary to get started, to surrounding yourself with the right people to partner with and learn from, to knowing when to pull the plug and when to double-down. These thirteen principles are a skeleton key into a world of success, freedom, peace of mind and, most importantly, financial success.
Author : Rob Fitzpatrick,Mark Roland Publisher : Sterling Publishing Company, Inc. Page : 150 pages File Size : 42,9 Mb Release : 2006 Category : Rock music ISBN : 1402736738
Each of us experience moments that shift the axis of our lives, nudging us into new perspectives and sometimes altering our course completely. These are thread--threads that seem mundane, silly, or even trite but, woven together over the course of a life, bring us to places we never imagined. Sex, God, and Rock 'n' Roll is a story of such threads in one extraordinary life. Barry Taylor began adulthood on the road with a world-famous rock band, and there he found religion. He then became a theologian, priest, teacher, and a theist-non-theist-post-theist. Some of his stories will shock and others will provoke laughter and tears. Taken together, they will show just how poignantly the sacred moves in all of our lives.
"Musical activity is one of the most ubiquitous and highly valued forms of social interaction in North America-from sporting events to political rallies, concerts to churches. Its use as an affective agent for political and religious programs suggests that it has ethical significance, but it is one of the most undertheorized aspects of both theological ethics and music scholarship. Music for Others: Care, Justice, and Relational Ethics in Christian Music fills part of this scholarly gap by focusing on the religious aspects of musical activity, particularly on the practices of Christian communities. It is based on ethnomusicological fieldwork at three Protestant churches and interviews with a group of seminary students, combined with theories of discourse, formation, response, and care ethics oriented toward restorative justice. The book argues that relationships are ontological for both human beings and musical activity. It further argues that musical meaning and emotion converge in human bodies such that music participates in personal and communal identity construction in affective ways-yet these constructions are not always just. Thus, Music for Others argues that music is ethical when it preserves people in and restores people to just relationships with each other, and thereby with God"--
More than 200,000 copies sold Feel God’s love more personally. Do you realize that the God of the universe speaks your love language, and your expressions of love for Him are shaped by your love language? Learn how you can give and receive God’s love through the five love languages: words of affirmation, quality time, gifts, acts of service, and physical touch. Gary Chapman writes, “As we respond to the love of God and begin to identify the variety of languages He uses to speak to us, we soon learn to speak those languages ourselves. Whatever love language you prefer, may you find ever deeper satisfaction in using that language in your relationship with God and with other people.” The book includes a brand new chapter on “Getting Out of Your Comfort Zone” which will teach you the joys of speaking a love language you’re not used to with God. No matter what love language you prefer, you will become more deeply connected with God and watch this bond transform all of your relationships. Contains personal reflection questions and a study guide for groups
