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An invaluable collection of vivid conversion narratives and autobiographies by illiterate but powerfully articulate ex-slaves, God Struck Me Dead is a window into the soul of America and its religious history. Gathered from the Fisk Social Science Institute's massive study during the 1930s on race relations, and originally published by the Pilgrim Press in 1969, this volume is a rich resource of liberation from those whose faith was borne and tested by the cruelest of human degradations - slavery. Includes a preface by Paul Radin, author and expert on primal religion.
God Struck Me Dead by Fisk University. Social Science Institute Pdf
Scholars who are today engaged in reinterpreting and reevaluating American history in terms of the contributions of minority groups recognize a heavy indebtedness to Charles S. Johnson, Paul Radin, and other members of the Fisk University Social Science Institute for their pioneer research in the field of Negro life and culture. Under Dr. Johnson's direction, the Institute, in the 1930's, became one of the leading research centers for the social sciences in the nation. While pioneering in research methods and areas of study, the Institute was also preserving for future scholars documentary evidence of the contemporary scene: of the South in general and of the Negro in particular. -- Preface.
Foundations of Theological Study by Richard Viladesau,Mark Stephen Massa Pdf
This is a collection of readings in theology, classical and contemporary, intended for college level students. It covers the major themes of an introductory course in theology, the experience of the sacred, the notion of God, Revelation, Jesus Christ, and the Christian life. +
The Chance of Salvation offers a history of conversions in the United States which shows how religious identity came to be a matter of choice. Shortly after the American Revolution, people in the United States increasingly encountered an expanded array of religious options. Evangelical Protestants began an effort to convert Americans, while developing new practices that emphasized conversion as an immediate choice. Their missionary effort extended to Native American nations such as the Cherokee in the Southeast, who received Christianity on their own terms. Enslaved and newly freed African Americans likewise created a variety of Christian conversion that was centered on religious hope and eschatological expectation. Mormons, drawing on earlier Protestant practices and beliefs, enthusiastically proselytized for a new tradition that emphasized individual choice and free will. By uncovering the way that religious identity is structured as an obligatory decision, this book explains why Americans change their religions so much, and why the United States is both highly religious in terms of religious affiliation and very secular in the sense that no religion is an unquestioned default.--
The southern women's reform movement emerged late in the nineteenth century, several decades behind the formation of the northern feminist movement. The Enclosed Garden explains this delay by examining the subtle and complex roots of women's identity to disclose the structures that defined -- and limited -- female autonomy in the South. Jean Friedman demonstrates how the evangelical communities, a church-directed, kin-dominated society, linked plantation, farm, and town in the predominantly rural South. Family networks and the rural church were the princple influences on social relationships defining sexual, domestic, marital, and work roles. Friedman argues that the church and family, more than the institution of slavery, inhibited the formation of an antebellum feminist movement. The Civil War had little effect on the role of southern women because the family system regrouped and returned to the traditional social structure. Only with the onset of modernization in the late nineteenth century did conditions allow for the beginnings of feminist reform, and it began as an urban movement that did not challenge the family system. Friedman arrives at a new understanding of the evolution of Victorian southern women's identity by comparing the experiences of black women and white women as revealed in church records, personal letters, and slave narratives. Through a unique use of dream analysis, Friedman also shows that the dreams women described in their diaries reveal their struggle to resolve internal conflicts about their families and the church community. This original study provides a new perspective on nineteenth-century southern social structure, its consequences for women's identity and role, and the ways in which the rural evangelical kinship system resisted change.
The arson attacks in 2006 on a number of small Baptist churches in rural Alabama recall the rash of burnings at predominantly black houses of worship that damaged or destroyed dozens of southern churches in the mid-1990s. One of the churches struck by pro
Twenty-five years after its original publication, Slave Religion remains a classic in the study of African American history and religion. In a new chapter in this anniversary edition, author Albert J. Raboteau reflects upon the origins of the book, the reactions to it over the past twenty-five years, and how he would write it differently today. Using a variety of first and second-hand sources-- some objective, some personal, all riveting-- Raboteau analyzes the transformation of the African religions into evangelical Christianity. He presents the narratives of the slaves themselves, as well as missionary reports, travel accounts, folklore, black autobiographies, and the journals of white observers to describe the day-to-day religious life in the slave communities. Slave Religion is a must-read for anyone wanting a full picture of this "invisible institution."
Genre and White Supremacy in the Postemancipation United States by Travis M. Foster Pdf
How are we to comprehend, diagnose, and counter a system of racist subjugation so ordinary it has become utterly asymptomatic? Challenging the prevailing literary critical inclination toward what makes texts exceptional or distinctive, Genre and White Supremacy in the Postemancipation United States underscores the urgent importance of genre for tracking conventionality as it enters into, constitutes, and reproduces ordinary life. In the wake of emancipation's failed promise, two developments unfolded: white supremacy amassed new mechanisms and procedures for reproducing racial hierarchy; and black freedom developed new practices for collective expression and experimentation. This new racial ordinary came into being through new literary and cultural genres—including campus novels, the Ladies' Home Journal, Civil War elegies, and gospel sermons. Through the postemancipation interplay between aesthetic conventions and social norms, genre became a major influence in how Americans understood their social and political affiliations, their citizenship, and their race. Travis M. Foster traces this thick history through four decades following the Civil War, equipping us to understand ordinary practices of resistance more fully and to resist ordinary procedures of subjugation more effectively. In the process, he provides a model for how the study of popular genre can reinvigorate our methods for historicizing the everyday.
Author : the late Lawrence W. Levine Publisher : Oxford University Press Page : 557 pages File Size : 43,5 Mb Release : 2007-04-27 Category : History ISBN : 9780199763474
Black Culture and Black Consciousness by the late Lawrence W. Levine Pdf
When Black Culture and Black Consciousness first appeared thirty years ago, it marked a revolution in our understanding of African American history. Contrary to prevailing ideas at the time, which held that African culture disappeared quickly under slavery and that black Americans had little group pride, history, or cohesiveness, Levine uncovered a cultural treasure trove, illuminating a rich and complex African American oral tradition, including songs, proverbs, jokes, folktales, and long narrative poems called toasts--work that dated from before and after emancipation. The fact that these ideas and sources seem so commonplace now is in large part due this book and the scholarship that followed in its wake. A landmark work that was part of the "cultural turn" in American history, Black Culture and Black Consciousness profoundly influenced an entire generation of historians and continues to be read and taught. For this anniversary reissue, Levine wrote a new preface reflecting on the writing of the book and its place within intellectual trends in African American and American cultural history.
Enslaved Women and the Art of Resistance in Antebellum America by R. Harrison Pdf
Draws on mid-seventeenth to nineteenth-century slave narratives to describe oppression in the lives of enslaved African women. Investigates pre-colonial West and West Central African women's lives prior to European arrival to recover the cultural traditions and religious practices that helped enslaved women combat violence and oppression.
Abraham Lincoln and the Virtues of War by Jean E. Friedman Pdf
This study introduces a new perspective on Lincoln and the Civil War through an examination of his declaration of our national values and the subsequent interpretation of those values by families during the war. This volume is a completely new approach to Civil War history. Historians rightly regard Abraham Lincoln as a moral exemplar, a president who gave new life to the national values that defined America. While some previous studies attest to Lincoln's identification with family virtues, this is the first to link Lincoln's personal biography with actual histories of families at war. It analyzes the relationship that existed between Lincoln and these families and assesses the moral struggles that validated the families' decision for or against the conflict. Written to be accessible to students and the general reader alike, the book examines Lincoln's presidency as measured against the stories of families, North and South, that struggled with his definition of Union virtues. It looks at Lincoln's compelling case for democratic values—among them, justice, patriotism, honor, and commitment—first stated in his 1861 speech before Independence Hall. The work also uses case studies to demonstrate how virtue, as practiced in families, illuminated, contested, adapted, and even transformed his concept, giving new meaning to the "virtues of war."
In the late 1920s, Reverend A. W. Nix (1880–1949), an African American Baptist minister born in Texas, made fifty-four commercial recordings of his sermons on phonographs in Chicago. On these recordings, Nix presented vocal traditions and styles long associated with the southern, rural Black church as he preached about self-help, racial uplift, thrift, and Christian values. As southerners like Nix fled into cities in the North to escape the rampant racism in the South, they contested whether or not African American vocal styles of singing and preaching that had emerged during the slavery era were appropriate for uplifting the race. Specific vocal characteristics, like those on Nix’s recordings, were linked to the image of the “Old Negro” by many African American leaders who favored adopting Europeanized vocal characteristics and musical repertoires into African American churches in order to uplift the modern “New Negro” citizen. Through interviews with family members, musical analyses of the sounds on Nix’s recordings, and examination of historical documents and relevant scholarship, Terri Brinegar argues that the development of the phonograph in the 1920s afforded preachers like Nix the opportunity to present traditional Black vocal styles of the southern Black church as modern Black voices. These vocal styles also influenced musical styles. The “moaning voice” used by Nix and other ministers was a direct connection to the “blues moan” employed by many blues singers including Blind Willie, Blind Lemon, and Ma Rainey. Both Reverend A. W. Nix and his brother, W. M. Nix, were an influence on the “Father of Gospel Music,” Thomas A. Dorsey. The success of Nix’s recorded sermons demonstrates the enduring values African Americans placed on traditional vocal practices.
