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As an undercover police officer with the drugs squad Neil Woods regularly risked his life on the streets dealing with some of the most violent and unpredictable criminals in Britain. 'Good Cop, Bad War' is a unique story about a man with a striking ability to infiltrate and extinguish drug gangs, but who, as the success of his operations grows, becomes disillusioned with the 'War on Drugs', as he sees how it demonises those who need help while empowering 'the very worst elements in society'. This action-packed book is a narrative-driven true crime read and a fascinating story of a character under pressure.
'Undercover, you're never just acting; you're only ever a different version of yourself.' Neil Woods spent fourteen years (1993-2007) infiltrating drug gangs as an undercover policeman, befriending and gaining the trust of some of the most violent, unpredictable criminals in Britain. But Neil was never your stereotypical gung-ho, tough-guy copper. This is the story of how a thoughtful, idealistic character learned to use his empathetic nature to master some of the roughest, most dangerous work in law enforcement. There was no training, no manual and no plan for when things went wrong; he was just dropped at a corner and told to make connections. But, inevitably, having swords thrust against his jugular, witnessing beatings, stabbings, and gangsters burning suspected rats with acid took its toll. Drawing on Neil’s experiences, with the insight that can only come from having fought on the front lines, GOOD COP, BAD WAR is at once a narrative-driven true crime read and a fascinating story of a character under pressure.
TO KNOW THE TRUE STORY BEHIND A WAR, ASK THE PEOPLE WHO FOUGHT IT 'An observation van is running surveillance on a high-level Bradford gangster. Suddenly the van is surrounded by men in balaclavas and tied shut. Out comes the can of petrol. It is set alight and the two cops inside barely escape with their lives. This incident is never reported. The gangsters clearly have informants inside the police and alerting the public would undermine the force. Everyone shrugs it off - with so much money in the drugs game, corruption is part and parcel of the whole deal' The Drug Wars have been fought on British streets for decades, bringing destruction, corruption and violence in their wake. Yet it is a story that remains fundamentally untold. Until now. In this groundbreaking book, former undercover police officer Neil Woods, who risked his life infiltrating some of the UK's most vicious gangs, pieces together the complex and terrifying reality of the drug war in Britain. Calling upon gripping first-hand accounts from those on both sides of the battle, Drug Wars is told by those who are fighting it.
'Undercover, you're never just acting; you're only ever a different version of yourself.' Neil Woods spent fourteen years (1993-2007) infiltrating drug gangs as an undercover policeman, befriending and gaining the trust of some of the most violent, unpredictable criminals in Britain. But Neil was never your stereotypical gung-ho, tough-guy copper. This is the story of how a thoughtful, idealistic character learned to use his empathetic nature to master some of the roughest, most dangerous work in law enforcement. There was no training, no manual and no plan for when things went wrong; he was just dropped at a corner and told to make connections. But, inevitably, having swords thrust against his jugular, witnessing beatings, stabbings, and gangsters burning suspected rats with acid took its toll. Drawing on Neil's experiences, with the insight that can only come from having fought on the front lines, GOOD COP, BAD WAR is at once a narrative-driven true crime read and a fascinating story of a character under pressure.
This groundbreaking history of how American police forces have been militarized is now revised and updated. Newly added material brings the story through 2020, including analysis of the Ferguson protests, the Obama and Trump administrations, and the George Floyd protests. The last days of colonialism taught America’s revolutionaries that soldiers in the streets bring conflict and tyranny. As a result, our country has generally worked to keep the military out of law enforcement. But over the last two centuries, America’s cops have increasingly come to resemble ground troops. The consequences have been dire: the home is no longer a place of sanctuary, the Fourth Amendment has been gutted, and police today have been conditioned to see the citizens they serve as enemies. In Rise of the Warrior Cop, Balko shows how politicians’ ill-considered policies and relentless declarations of war against vague enemies like crime, drugs, and terror have blurred the distinction between cop and soldier. His fascinating, frightening narrative that spans from America’s earliest days through today shows how a creeping battlefield mentality has isolated and alienated American police officers and put them on a collision course with the values of a free society.
Violent crime has been rising sharply in many American cities after two decades of decline. Homicides jumped nearly 17 percent in 2015 in the largest 50 cities, the biggest one-year increase since 1993. The reason is what Heather Mac Donald first identified nationally as the “Ferguson effect”: Since the 2014 police shooting death of Michael Brown in Ferguson, Missouri, officers have been backing off of proactive policing, and criminals are becoming emboldened. This book expands on Mac Donald’s groundbreaking and controversial reporting on the Ferguson effect and the criminal-justice system. It deconstructs the central narrative of the Black Lives Matter movement: that racist cops are the greatest threat to young black males. On the contrary, it is criminals and gangbangers who are responsible for the high black homicide death rate. The War on Cops exposes the truth about officer use of force and explodes the conceit of “mass incarceration.” A rigorous analysis of data shows that crime, not race, drives police actions and prison rates. The growth of proactive policing in the 1990s, along with lengthened sentences for violent crime, saved thousands of minority lives. In fact, Mac Donald argues, no government agency is more dedicated to the proposition that “black lives matter” than today’s data-driven, accountable police department. Mac Donald gives voice to the many residents of high-crime neighborhoods who want proactive policing. She warns that race-based attacks on the criminal-justice system, from the White House on down, are eroding the authority of law and putting lives at risk. This book is a call for a more honest and informed debate about policing, crime, and race.
From the Keystones Kops of early cinema to brodcast news coverage of the beating of Rodney King, the media's capacity to amplify police misconduct contributes to police reform. Good Cop/Bad Cop offers the first extended review of the influence of the mass media on local and federal law enforcement. Adopting an interdisciplinary approach and drawing upon popular characterizations of law enforcement from movies, the press, television, and literature, this book argues that police reform is inextricably linked to the rise and technological development of the mass media. It illustrates how new forms of media communication generate new forms of information about police practices while revealing this information to the public for the first time. Periodically, this new information portrays law enforcement in a less-than-favorable light, ushering in public demands for police reform.But while the mass media exert an influence upon police practices, law enforcement officials also exert a powerful influence upon media coverage of crime and justice policies and practices. This book documents law enforcement's close monitoring of the police image as well as attempts by government officials to utilize mass media to further their crime control objectives. It also uses data garnered from a national study on police-media relations to provide a comprehensive discussion of the public relations skills performed daily by police media spokespersons. Unique in its coverage of the history of policing, Good Cop/Bad Cop casts the mass media as central to police reform and argues that a free and independent press is a prerequisite to innovations and improvements in policing.
Impressive ... A precisely written, carefully plotted novel, all the more dramatic for its understated tone Booklist In a world of growing nationalism, a quiet few are determined to resist. This gripping historical mystery explores the darkest days of the early 20th century. Munich, 1920. Detective Willi Geismeier has a problem: how do you uphold the law when the law goes bad? The First World War has been lost and Germany is in turmoil. The new government in Berlin is weak. The police and courts are corrupt. Fascists and Communists are fighting in the streets. People want a savior, someone who can make Germany great again. To many, Adolf Hitler seems perfect for the job. When the offices of a Munich newspaper are bombed, Willi Geismeier investigates, but as it gets political, he is taken off the case. Willi continues to ask questions, but when his pursuit of the truth itself becomes a crime, his career – and his life – are in grave danger.
BRAVE HERO OR CRIMINAL MASTERMIND? TONIGHT WE FIND OUT 'Simon Kernick writes with his foot pressed hard on the pedal. Hang on tight!' HARLAN COBEN 'Great plots, great characters, great action' LEE CHILD 'Heaven for readers who love ruthless, full-throttle thrillers' SUNDAY TIMES Undercover cop Chris Sketty became a hero when he almost died trying to stop the most brutal terror attack in UK history. With the suspects either dead or missing, the real motive remains a mystery. But someone is convinced Sketty is a liar. A criminal mastermind. A murderer. Blackmailed into revealing the truth, Sketty will share a twisting tale of betrayal, deception and murder...with a revelation so shocking that nothing will be the same again. 'That thud you hear is Kernick whipping the rug from under your feet again.' THE TIMES 'An absolute master of the adrenaline-fuelled ride' PETER JAMES 'One of Britain's top thriller writers' THE SUN 'Simon Kernick is one of the most reliable purveyors of the edge-of-your-seat thriller... gives a more powerful adrenaline rush than an EpiPen' SUNDAY EXPRESS 'Pace, pace, pace is what Simon Kernick does best' DAILY MIRROR
'Undercover lays bare the deceit, betrayal and cold-blooded violation practised again and again by undercover police officers - troubling, timely and brilliantly executed.' Henry Porter The gripping stories of a group of police spies - written by the award-winning investigative journalists who exposed the Mark Kennedy scandal - and the uncovering of forty years of state espionage. This was an undercover operation so secret that some of our most senior police officers had no idea it existed. The job of the clandestine unit was to monitor British 'subversives' - environmental activists, anti-racist groups, animal rights campaigners. Police stole the identities of dead people to create fake passports, driving licences and bank accounts. They then went deep undercover for years, inventing whole new lives so that they could live incognito among the people they were spying on. They used sex, intimate relationships and drugs to build their credibility. They betrayed friends, deceived lovers, even fathered children. And their operations continue today. Undercover reveals the truth about secret police operations - the emotional turmoil, the psychological challenges and the human cost of a lifetime of deception - and asks whether such tactics can ever be justified.
In one of the most illuminating portraits of police work ever, Chief Charles Campisi describes the inner workings of the world’s largest police force and his unprecedented career putting bad cops behind bars. “Compelling, educational, memorable…this superb memoir can be read for its sheer entertainment or as a primer on police work—or both” (Kirkus Reviews, starred review). From 1996 to 2014 Charles Campisi headed NYPD’s Internal Affairs Bureau, working under four police commissioners and gaining a reputation as hard-nosed and incorruptible. During Campisi’s IAB tenure, the number of New Yorkers shot, wounded, or killed by cops every year declined by ninety percent, and the number of cops failing integrity tests shrank to an equally startling low. But to achieve those exemplary results, Campisi had to triple IAB’s staff, hire the very best detectives, and put the word out that corruption wouldn’t be tolerated. Blue on Blue provides “a rare glimpse inside one of the most secretive branches of policing…and a compelling, behind-the-scenes account of what it takes to investigate police officers who cross the line between guardians of the public to criminals. It’s a mesmerizing exposé on the harsh realities and complexities of being a cop on the mean streets of New York City and the challenges of enforcing the law while at the same time obeying it” (The New York Journal of Books). Campisi allows us to listen in on wiretaps and feel the adrenaline rush of drawing in the net. It also reveals new threats to the force, such as the possibility of infiltration by terrorists. “A lively memoir [told with] verve, intriguing detail, and a generous heart” (The Wall Street Journal) and “an expose of the NYPD’s Internal Affairs Bureaus [that is] enlightening and entertaining” (The New York Times Book Review), Blue on Blue will forever change the way you view police work.
HIP-HOP (AND OTHER THINGS) is about, as it were, rap, but also some other things. It's a smart, fun, funny, insightful book that spends the entirety of its time celebrating what has become the most dominant form of music these past two and a half decades. Tupac is in there. Jay Z is in there. Missy Elliott is in there. Drake is in there. Pretty much all of the big names are in there, as are a bunch of the smaller names, too. There's art from acclaimed illustrator Arturo Torres, there are infographics and footnotes; there's all kinds of stuff in there. Some of the chapters are serious, and some of the chapters are silly, and some of the chapters are a combination of both things. All of them, though, are treated with the care and respect that they deserve. HIP-HOP (AND OTHER THINGS) is the third book in the (And Other Things) series. The first two—Basketball (And Other Things) and Movies (And Other Things)—were both #1 New York Times bestsellers.
Takedown: A Small-Town Cop's Battle Against the Hells Angels and the Nation's Biggest Drug Gang by Jeff Buck,Jon Land,Lindsay Preston Pdf
Takedown is the story of heroic undercover cop Jeff Buck's battle with Hells Angels and drug-smugglers on the American border with help from Jon Land and Lindsay Preston. Twenty years working undercover in the netherworld of drugs had left Jeff Buck burned out and grateful to assume the quiet job of police chief in the small town of Reminderville, Ohio. That is, until a simple domestic assault case turns out to have links to the murder of a drug runner in upstate New York and a syndicate smuggling billions of dollars in drugs across the U.S.-Canada border. Buck uncovers a complex chain linking the Hells Angels to the Russian Mafia in a plot to use Native American tribal land to smuggle their deadly wares into the United States. From grow houses set ablaze in Quebec to the insular St. Regis Mohawk Indian Reservation, from board rooms and biker wars to the frozen rivers that serve as private turnpikes for the drug gangs, Buck opposes a serpentine criminal enterprise that has every reason to want to end his crusade in violence and bloodshed. Ultimately, his efforts lead to an unprecedented slew of indictments on both sides of the border and prison terms for even the kingpins, toppling an empire once deemed invincible. Takedown spans the period of December 2007 to June 2009.
The Mongol Conquests in World History by Timothy May Pdf
The Mongol Empire can be seen as marking the beginning of the modern age, and of globalization as well. While communications between the extremes of Eurasia existed prior to the Mongols, they were infrequent and often through intermediaries. As this new book by Timothy May shows, the rise of the Mongol Empire changed everything—through their conquests the Mongols swept away dozens of empires and kingdoms and replaced them with the largest contiguous empire in history. While the Mongols were an extremely destructive force in the premodern world, the Mongol Empire had stabilizing effects on the social, cultural and economic life of the inhabitants of the vast territory, allowing merchants and missionaries to transverse Eurasia. The Mongol Conquests in World History examines the many ways in which the conquests were a catalyst for change, including changes and advancements in warfare, food, culture, and scientific knowledge. Even as Mongol power declined, the memory of the Empire fired the collective imagination of the region into far-reaching endeavors, such as the desire for luxury goods and spices that launched Columbus’s voyage and the innovations in art that were manifested in the masterpieces of the Renaissance. This fascinating book offers comprehensive coverage of the entire empire, rather than a more regional approach, and provides an extensive survey of the legacy of the Mongol Empire.
"Karen Lynch was an unlikely person to become one of the first female cops in San Francisco. Raised by a counter-culture tribe in summer of love Haight-Ashbury, she was taught to despise "The Man." But when the San Francisco Police Department was forced by court order to hire women, she found herself compelled to prove to the world that women could cut it as cops, a betrayal that caused her police-loathing mother to brand her a Nazi. Good Cop, Bad Daughter is an often humorous, poignant adventure story of Karen's journey from pot-smoking Cal student, to Renaissance bar serving wench, to street cop. Recounting the story of the first women cops, she reflects on life with her bi-polar mother, and comes to realize her chaotic past unwittingly provided the perfect foundation for her chosen career. As she finds family and acceptance in a men's club that never wanted her as a member, she fears she will one day face her mother, not as a daughter but as an arresting officer. When that day came, and it did, her private life and her career would collide dramatically"--P. [4] of cover.