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The World of Edward Gorey by Clifford Ross,Karen Wilkin Pdf
A look at the artist and his work, including his illustrations for T.S. Eliot's Old Possum's Book of Practical Cats and the animated credits for the Mystery! series on public television.
Edward Gorey and Peter Neumeyer met in the summer of 1968. Gorey had been contracted by Addison-Wesley to illustrate "Donald and the...," a childrens story written by Neumeyer. On their first encounter, Neumeyer managed to dislocate Goreys shoulder when he grabbed his arm to keep him from falling into the ocean. In a hospital waiting room, they pored over Goreys drawings for the first time together, and Gorey infused the situation with much hilarity. This was the beginning of an invigorating friendship, fueled by a wealth of letters and postcards that sped between the two men through the fall of 1969. Those letters, published here for the first time, are remarkable in their quantity and their content. While the creative collaborations of Gorey and Neumeyer centered on illustrated books, they held wide-ranging interests; both were erudite, voracious readers, and they sent each other many volumes. Reading their discussions of these books, one marvels at the beauty of thoughtful (and merry) discourse driven by intellectual curiosity. The letters also paint an intimate portrait of Edward Gorey, a man often mischaracterized as macabre or even ghoulish. His gentleness, humility, and brilliance--interwoven with his distinctive humor--shine in these letters; his deft artistic hand is evident on the decorated envelopes addressed to Neumeyer, 38 of which are reproduced here. During the time of their correspondence, Peter Neumeyer was teaching at Harvard University and at SUNY Stony Brook, on Long Island. His acumen and compassion, expressed in his discerning, often provocative missives, reveal him to be an ideal creative and intellectual ally for Gorey. More than anything else, "Floating Worlds" is the moving memoir of an extraordinary friendship. Gorey wrote that he felt they were part of the same family, and I dont mean just metaphorically. I guess that even more than I think of you as a friend,
Poignant remembrances and sharp observations from the “most able and witty” Pulitzer Prize–winning author of Foreign Affairs (The New York Times). This engaging new collection of essays from the New York Times–bestselling novelist gathers together her reflections on the writing life; fond recollections of inspiring friends; and perceptive, playful commentary on preoccupations ranging from children’s literature to fashion and feminism. Citing her husband’s comment to her that “Nobody asked you to write a novel,” Lurie goes on to eloquently explain why there was never another choice for her. She looks back on attending Radcliffe in the 1940s—an era of wartime rations and a wall of sexism where it was understood that Harvard was only for the men. From offering a gleeful glimpse into Jonathan Miller’s production of Hamlet to memorializing mentors and intimate friends such as poet James Merrill, illustrator Edward Gorey, and New York Times Book Review coeditor Barbara Epstein, Lurie celebrates the creative artists who encouraged and inspired her. A lifelong devotee of children’s literature, she suggests saying no to Narnia, revisits the phenomenon of Harry Potter, and tells the truth about the ultimate good bad boy, Pinocchio. Returning to a favorite subject, fashion, Lurie explores the symbolic meaning of aprons, enthuses on how the zipper made dressing and undressing faster—and sexier—and tells how, feeling abandoned by Vogue at age sixty, she finally found herself freed from fashion’s restrictions on women. Always spirited no matter the subject, Lurie ultimately conveys a joie de vivre that comes from a lifetime of never abandoning her “childish impulse to play with words, to reimagine the world.”
Born to Be Posthumous: The Eccentric Life and Mysterious Genius of Edward Gorey by Mark Dery Pdf
The definitive biography of Edward Gorey, the eccentric master of macabre nonsense. ’A genius book about a bookish genius’ Daniel Handler, author of A Series of Unfortunate Events
Edward Gorey (1925–2000) was a fascinating and prolific author and artist. Of the one hundred delightful and fascinating books that Gorey wrote and illustrated, he rarely revealed their specific inspirations or their meanings. Where did his intriguing ideas come from? In Gorey Secrets: Artistic and Literary Inspirations behind Divers Books by Edward Gorey, Malcolm Whyte utilizes years of thorough research to tell an engrossing, revealing story about Gorey’s unique works. Exploring a sampling of Gorey’s eclectic writings, from The Beastly Baby and The Iron Tonic to The Curious Sofa and Dracula, Whyte uncovers influences of Herman Melville, Agatha Christie, Edward Lear, the I Ching, William Hogarth, Rene Magritte, Hokusai, French cinema, early toy books, eighteenth-century religious tracts for children, and much more. With an enlightening preface by Gorey collaborator and scholar Peter F. Neumeyer, Gorey Secrets brings important, uncharted insight into the genius of Edward Gorey and is a welcome addition to collections of both the seasoned Gorey reader and those who are just discovering his captivating books.
Being a tale--perhaps an allegory--of deceptive simplicity, with universal meaning for all civilized men and women, Gorey's "The Doubtful Guest" is republished here in a deluxe hardcover edition at an eerily low price.
Item is derived from the artist's sets and Tony Award winning costumes for the 1977 Broadway revival production of Hamilton Deane's 1927 dramatization as a play of Bram Stoker's "Dracula."
Miss D. Awdrey-Gore, renowned 97-year-old writer of detective stories, is found murdered; then a mysterious hidden packet is discovered. Addressed to her publisher, it contains what appear to be notes and drawings related to a literary work in progress. The contents "in their entirety—though certain things are patently missing" comprise clues about the who, what, when, where, and how of Awdrey-Gore's demise. Or do they? Edward Gorey takes us on a rollicking ride in this merry murder mystery, but whether or not the killer is revealed is open to speculation. As one scrap of paper in the packet states, "The smallest clue may be (or not) / The one to give away the plot."Like his fictional dame novelist, Gorey (1925–2000) was a prolific author. Creator of more than one hundred works, he was also an artist, playwright, award-winning set and costume designer, and creator of the animated introduction to the PBS series Mystery! First published in 1972, The Awdrey-Gore Legacy remains one of Gorey's most treasured tales, satisfying the sleuth in each of us.
The definitive biography of Edward Gorey, the eccentric master of macabre nonsense. From The Gashlycrumb Tinies to The Doubtful Guest, Edward Gorey's wickedly funny and deliciously sinister little books have influenced our culture in innumerable ways, from the works of Tim Burton and Neil Gaiman to Lemony Snicket. Some even call him the Grandfather of Goth. But who was this man, who lived with over twenty thousand books and six cats, who roomed with Frank O'Hara at Harvard, and was known--in the late 1940s, no less--to traipse around in full-length fur coats, clanking bracelets, and an Edwardian beard? An eccentric, a gregarious recluse, an enigmatic auteur of whimsically morbid masterpieces, yes--but who was the real Edward Gorey behind the Oscar Wildean pose? He published over a hundred books and illustrated works by Samuel Beckett, T.S. Eliot, Edward Lear, John Updike, Charles Dickens, Hilaire Belloc, Muriel Spark, Bram Stoker, Gilbert & Sullivan, and others. At the same time, he was a deeply complicated and conflicted individual, a man whose art reflected his obsessions with the disquieting and the darkly hilarious. Based on newly uncovered correspondence and interviews with personalities as diverse as John Ashbery, Donald Hall, Lemony Snicket, Neil Gaiman, and Anna Sui, BORN TO BE POSTHUMOUS draws back the curtain on the eccentric genius and mysterious life of Edward Gorey.
Twenty-six curious creatures—from the fastidious Ampoo to the world's one and only Zote—fill the pages of The Utter Zoo, an alphabet from the untamed imagination of Edward Gorey. The Boggerslosh, the Crunk, and the Dawbis; the Ippagoggy, the Jelbislup, and the Kwongdzu; the Scrug, the Twibbit, and the Ulp—each strange and wonderful zoomate displays its own primary characteristic, described in Gorey's inimitable, droll, rhyming couplets.A writer and artist with an instantly recognizable style, Gorey (American, 1925–2000) created over one hundred works and was also a playwright, an award-winning set and costume designer, and the creator of the animated introduction to the PBS series Mystery! First published in 1967, The Utter Zoo is a favorite of Gorey fans, young and old alike—no matter how well they know their ABCs.
In this enigmatic, surreal, wonderfully entertaining tale, three mysterious figures set out from Willowdale, traveling by handcar. At once deeply vexing and utterly hilarious, darkly mysterious and amusingly absurd, "The Willowdale Handcar" is vintage Gorey.
On a long trip abroad, Gorey's young Drusilla is introduced to high art and gourmet meals. She gamely tries to appreciate the museums, rich food, and architectural wonders that delight her parents, only to find herself drifting along in a puzzling world. But then Miss Skrim-Pshaw takes her for tea with Mr Crague, a sockless, elderly man with a notable past, and their brief encounter is what will haunt Drusilla years later. Her casual promise to the old man has led to sudden recollection, then sad regret. curious coming-of-age tale, Edward Gorey employs his signature dark humor and exquisite illustrations to deftly portray the precociousness of a child on the brink of adulthood. One of the most enigmatic of Gorey's many books, The Remembered Visit has been a favorite of Gorey fans, young and old, since its original release in 1965.