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In 1973, graffiti ran rampant in NYC, reaching its peak that summer. The work of black writers from the Bronx like SUPER COOL 223, RIFF 70 (WORM/CASH), and PHASE 2 defined the art which the kids called Top-to- Bottom or T-to-B, as it vertically covered a full subway car. Some T-to-B pieces were so elaborate and complex that the NYT hypothesized that they were a collaboration between professional artists and the graffiti writers. Here are photos from that heady era.
Ranging from the birth of simple signature tags to today's vibrant murals, and covering the ups and downs of the movement, the culture's value system, and its social framework, "Graffiti New York" provides an essential history of this art form. Illustrated.
"Getting Up" is the term used by graffiti "artists" to describe their success in making their mark on the New York subway system. Through candid interviews, New Yorker Craig Castleman documents the inside story of the lives and activities of these young graffitists.
Surveys New York's current graffiti scene, with artist profiles, a historical overview, and discussions about the myths associated with the art form, concerns about its appearance in public spaces, and career possibilities beyond the streets.
Sutherland captures the gritty glory and glamour of this controversial art form in New York, presenting a unique portrait of the graf scene in the metropolis. He features the work of 53 artists, from the present and past generations.
This true story and retrospective documents the life and times of members of The Destiny Children (TDC) graffiti crew from 1985 to 2000. From Long Island, New York, The Destiny Children/Unlimited Styled Artists commemorate the 25-year history of the crew and their impact on the New York City subway graffiti era. This large collector's book is loaded with 500 color images of original art ranging from burners on hand ball courts to pieces on tractor trailers to works throughout the New York City subway system. Works by many established NYC graffiti artists are featured, including founding members DC3 and SHO. Other original members featured are ZOO, SHOROZ, BEAVER, LAE, LAC2, ROE, DOOJ, SHIM, and ONE2. Works by affiliated writers, ZEUS TDC, CEOS, ROZ One, SHARE 37, POKE IBM, EPIC, RECK, SKETCH, KARL TCM, DEON, BOM 5 MW, SACE RIP, MIRAGE RIP, and others are documented. Alongside the visual accounts of these artistic exploits are dozens of true stories and recollections that uncover the reality of painting in yards, lay ups, racking spray paint, fights, graffiti beefs, and police raids. See what made TDC take extraordinary risks so their street art could be seen by the public in their never-ending quest for fame. An ideal history for artists, art historians, street art enthusiasts, anthropologists, and urban dwellers.
Craig Costello, aka KR, grew up in Queens, New York, where graffiti was part of the landscape and a symbol of the city. While living in San Francisco, he quickly garnered attention when his signature "KR" tag popped up throughout the city. As he became one of the more prominent figures on the streets on NYC and San Francisco, he began to hone his craft by creating better tools launching his own line of homemade markers and mops, combining his moniker KR with the word INK. In KRINK: GRAFFITI, ART, AND INVENTION, Costello has compiled a visual memoir: from his early days of the '80s and '90s and launch with the hip New York City retailer Alife, which put his brand on the map, to his evolution as an artist and high-fashion collaborator. The book showcases Costello's seminal style and his extensive body of work, including site specific installations around the world. It also chronicles his myriad collaborations with Alife, Nike, Coach, Moncler, Modernica, Marc Jacobs, Levi Strauss & Co., Mini (BMW), Casio, Smith Optics, Carhartt, Kidrobot, Medicom Toy, agnès b., and Colette, among many others. Today, Costello's reach and influence goes far beyond urban street culture. Krink has grown exponentially into a global artist materials brand with expanding collections of apparel, tools, and accessories, while Costello's unique aesthetic can be seen on objects from sneakers to luxury goods to cars. KRINK is both stylish and informative, capturing the ethos of punk and hip-hop culture, and is sure to appeal to the fans of high/low cultural crossovers, as well as die-hard fans of street art and fashion.
Urban Styles chronicles the under the radar phenomenon of Punk Hardcore music blending with Graffiti in the metropolis known as New York City. This tale is told through the eyes of band members that were adept at wielding spray cans and writers that represented New York Hardcore on the streets as well as related iconography that reinforced the connection between these two subcultures. The conventional notion of what a graffiti writer is supposed to look and be into, is challenged, as stated on this quote from the book's jacket: "When you hear the term Graffiti Artist most people think of B-Boys in Kangol hats parachute pants and break dancing. No one thinks shaved heads, Doc Martens and CBGB mosh pits! But there was and is a strong connection between the NYC graffiti scene and the NY Hardcore scene..." Lou Koller from Sick Of It All A vital component of this synthesis was, the native to NYC, inclusion of Hardcore fans within traditional Graffiti crews, sometimes at odd with one another, but always united in spreading the aesthetic of this music onto a wider visual medium. Inside the book you'll find interviews with key crew members as well as the first writers who played in bands; the ones that followed them and the modern day practitioners that are still upholding this tradition. There is also a plethora of iconic images within, culled from record/demo tape covers, flyers, t-shirts and paintings that celebrate the union of these two street cultures, most of them never seen or done specifically for the book. Underground movements, art, music, sociology, urban cultures; all of these disparate yet related topics are a piece of the puzzle. They collectively shine a spotlight on subcultures that have gone on to have a far reaching influence onto the world-at-large and it all can be traced back to this concrete jungle known as the big apple.
The definitive book on New York's subway graffiti movement, "Graffiti Kings" features personal interviews with the artists and more than 275 full-color, previously unpublished photographs that bring the movement's origins to life.
Ride back in time on the colorful New York City subway line of the 1970s to 1990s; the graffiti years, when subway cars became rolling metal canvases for some of the most notorious and influential graffiti "writers" of all time. Explore the amazing array of art work from the 1970s, '80s and '90s transit system "graveyards," including the work of graffiti artists BLADE, GHOST, SENT, REAS, VEN, WOLF, and STRIDER, as well as many other talented "underdogs." The era is richly illustrated with over 235 rare, never-before-published photographs accompanied by personal accounts from the writers talking about their art and recalling their wild antics. This is an informative, nostalgic look at New York subway graffiti.
Burning New York by James T. Murray,Karla L. Murray Pdf
A sequal to the best-selling Broken Windows, Burning New York is sure to please an eager audience clamoring for more. New York is the undisputed graffiti capital of the world, the epicenter of a vibrant international scene that attracts artists from all over the globe. Some make the pilgrimage to study old school forms, others to make their own individual contribution to the evolution of the craft. All leave their mark. Burning New York features the latest and most exciting graffiti art being created today. In the same vein as Broken Windows it is a collection of interviews, intimate portraits of the artists working in the streets and hundreds of stunning large scale paintings. Burning New York features contemporary works by genre defying graffiti writers, an interesting combination of those who are just beginning to achieve prominence and others who have been honing their skills for decades.
This book is the most extensive contribution to our understanding of the graffiti subculture to date. Using insights from ethnographic research conducted in London and New York, the author explores the varying ways young men use graffiti to construct masculinity, claim power and establish independence from the institutions which define and often limit them as young people. Forging a link between subcultural practice and identity construction, this book will be essential reading for anyone interested in new understandings of youth and their subcultures.
Every graffiti writer began his or her writing career with a tag. For those who learn to read tags, a world of aesthetic expression and communication opens up. Tags are a universal language - the jazz of lettering. The photos in Tag Town, dating back to the 1960s, introduce readers to the origins of New York style graffiti, containing rare photos of work on the street by Jean-Michel Basquiat, Keith Haring and Kenny Scharf. Accompanying text is based on interviews with New York graffiti pioneers Blade, Part I and Snake I.
Among the famous graffiti artists from New York City's 1970s subway era was an unassuming talent from the unassuming borough of Queens. The Italian-American rock and roller who wrote "DON 1 MAFIA" blasted onto the scene like a meteorite out of nowhere. His influence on this art form transcended the inner city and he became a legend and a household name. But his descent from the top of this name game, a result of the hedonistic lifestyle of New York City at the time, was just as swift, and for years DON1 has lived in obscurity. Fortunately, as a photographer studying at the prestigious school of Art and Design, DON1 documented his iconic work, along with that of his well known contemporaries, using his trusted 35mm camera. This penetrating work takes the reader inside the supernova that was DON1's creative life with nearly 200 never before seen graffiti photos of the most undocumented NYC train lines and an even rarer glimpse at work from his black book.