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Graham Greene’s Conradian Masterplot by Robert Pendleton Pdf
From The Man Within (1929) to The Captain and the Enemy (1988), Graham Greene engaged in a lifelong dialogue with Joseph Conrad's political, psychological and melodramatic fictions. Repressing Conrad's political anxieties, his early work displaces the protagonist's existential dilemma into the form of the thriller or - alternatively -the 'Catholic' novel. After The Quiet American (1955), however, Greene's novels return to politics, introducing comic variations which transform Conrad's 'masterplot' into a mixed genre uniquely his own, a process charted in this book, the first full-length study of the subject.
The Conradian Legacy in the Novels of Graham Greene by Malika Rebai Maamri Pdf
Thesis (M.A.) from the year 1999 in the subject Literature - Comparative Literature, , language: English, abstract: Joseph Conrad – a Pole by birth – is a writer who has exercised a very potent influence on his generation, but his impact has expanded well beyond. He has inspired English, American, African and Polish novelists and poets. One of his staunch admirers was the young English novelist, Graham Greene (1904-1991). However if Conrad’s integrity as a writer with a strong moral sense won the attention of both the reading public and many reviewers, the positive response that welcomed Greene’s first published novel The Man Within (1929) almost died out with the novels that came next, The Name of Action (1930) and Rumour at Nightfall (1931). Greene himself attributed the failure of these novels to Conrad’s ‘too great and too disastrous influence.’ Although Greene recaptured some of that praise by the remarkable craftsmanship of Stamboul Train (1932), many critics contested any claim to Greene being a leading writer of his generation, hence excluded him from the literary arena for many years. Critics were reluctant to recognize Greene’s literary worth first because they believed that he was not exactly an original writer; second, because the inclusion of religious themes in his works, while it arrested the attention of some Catholic writers, disconcerted many others. In this comparative study of Conrad’s The Secret Agent and Greene’s It’s A Battlefield, and Conrad’s Heart of Darkness and Greene’s A Burnt-Out-Case, I shall attempt to investigate and elucidate what in Conrad exercised such power and fascination on Greene. The focus of interest is to try and find answers to these questions: has Greene’s vow ‘never again’ to read a novel by Conrad ‘which he kept for more than a quarter of a century’ been successful? Has Greene succeeded in writing off the ghost of Conrad? If not, do the borrowings from Conrad undermine Greene’s writings in any way? Such study should take into account what qualities have been absorbed, what have been transmuted, what rejected. Such analysis is necessary for an understanding and evaluation of Greene’s art, not only within the English literary tradition, but also within today’s world literature. Key Words: Joseph Conrad, Graham Greene, Realism, Modernism, Civilisation, Legacy, Influence, Intertextuality, Human Nature
The Language of Ethics and Community in Graham Greene’s Fiction by Paula Martín Salvan Pdf
A study of Graham Greene's fiction from the perspective of ethics and community, focusing on the narrative pattern that emerges from the author's idiosyncratic use of keywords like peace, despair, compassion or commitment. This book explores their potential for the textual articulation of narrative conflict and the dramatization of the ethical.
The first comprehensive study on the pattern of guilt and wandering in literature, this book examines the relationship between the two complex concepts as they appear in twentieth-century novels, positing its methodological premises on archetypal criticism and both close and distant reading, but also drawing on psychology, anthropology, mythology, and religion. This research deciphers a common paradigm and literary representation whose archetype within Western literature is found in the biblical figure of Cain, while presenting a critical framework valid for boundary-crossing comparative approaches. From Graham Greene’s The Power and the Glory and Malcolm Lowry’s Under the Volcano, to Wolfgang Koeppen’s Death in Rome and Ōoka Shōhei’s Fires on the Plain, this book is not merely a thematic study, but an analysis of the literary phenomena that appear in those novels where the sense of guilt is controversially subjective, or so collective as to be perceived as universal, as is often the case with war and postwar literature. Di Gennaro goes beyond the analysis of explicit rewritings of the story of Cain, in order to uncover the monomyth through its rhetorical structures and mythical methods. The wasteland with no religion; the lost, abandoned garden; the classical and religiously-corrupted city; and the tropical, cannibalistic island at war are the respective settings of these narratives, where the issue is neither homelessness nor journeying, but, rather, the desperate and futile movement toward self-consciousness, or self-destruction. After the Second World War, much was silenced rather than left unsaid. This study retraces those silent cries over history through the powerful literary marks of myths.
Mood Spectrum in Graham Greene by Brian Edwards Pdf
Mood Spectrum in Graham Greene examines the pathology of bipolar disorder through symptoms uniquely expressed in the writer’s novels. It explains and illustrates how mutated genes endow him with artistic genius, even as they engender a mental illness that too often results in a life barren of intimacy, and in an unquiet mind that can lead to psychosis and suicide if untreated. Critics have generally either ignored his illness in his novels or ascribed agency based on false psychological models, despite Greene often projecting his illness into character-constructs that share his condition and that provide the reader with a virtual case study of manic depression.
The Art of Indirection in British Espionage Fiction by Robert Lance Snyder Pdf
In contrast to the classical detective story, the spy novel tends to be considered a suspect, somewhat subversive genre. While previous studies have focused on its historical, thematic, and ideological dimensions, this critical work examines British espionage fiction's unique narrative form, which is typically elliptical, oblique, and recursive. Featured works include eighteen novels by Eric Ambler, Graham Greene, Len Deighton, John le Carre, Stella Rimington, and Charles Cumming, most of which exemplify the existential or serious spy thriller. Half of these texts pertain to the Cold War era and the other half to its aftermath in the so-called "Age of Terrorism."
British Fiction and the Cold War by A. Hammond Pdf
This book offers a unique analysis of the wide-ranging responses of British novelists to the East-West conflict. Hammond analyses the treatment of such geopolitical currents as communism, nuclearism, clandestinity, decolonisation and US superpowerdom, and explores the literary forms which writers developed to capture the complexities of the age.
In this widely acclaimed modern classic, Graham Greene delves deep into character to tell the dramatic, suspenseful story of a good man's conflict between passion and faith. A police commissioner in a British-governed, war-torn West African state, Scobie is bound by the strictest integrity and sense of duty both for his Colonial responsibilities and for his wife, whom he deeply pities but no longer loves. Passed over for a promotion, he is forced to borrow money in order to send his despairing wife away on a holiday. When in her absence he develops a passion for a young widow, the scrupulously honest Catholic finds himself giving way to deceit and dishonor. Enmeshed in love and intrigue, he will betray everything he believes in, with tragic consequences. The Heart of the Matter is one of Graham Greene's most enduring and tragic novels.