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Great Exodus, Great Wall, Great Party by Chessy Normile Pdf
Great Exodus, Great Wall, Great Party is the 2020 winner of The American Poetry Review/Honickman First Book Prize. This year's judge, Li-Young Lee, says: "Choosing Great Exodus, Great Wall, Great Party, I single out for attention a mind that is not only smart, curious, and original, but one that I feel is genuinely daemonized, "touched," and authentically weird. I choose a voice that is heartbroken, vulnerable, enraged, tender, and hilarious." Book jacket.
This impressive debut has established Hera Lindsay Bird as a good girl with many beneficial thoughts and feelings. With themes as varied as snow and tears, the poems in this collection shine with the fantastic cream of who she is, juxtaposing many classical and modern breezes. Bird turns her prescient eye on love and loss, and what emerges is like a helicopter in fog or a bejewelled Christmas sleigh, gliding triumphantly through the contemporary aesthetic desert. This is at once an intelligent and compelling fantasy of tenderness, heartbreaking and charged with trees without once sacrificing the forest.
Copper Canyon Press celebrates its first 50 years of poetry publishing in anticipation of the next 50 years. Poetry is vital to language and living. This anthology celebrates 50 years of Copper Canyon Press publications, one extraordinary poem at a time. Since its founding, Copper Canyon has been entirely dedicated to publishing poetry books; here Editor in Chief Michael Wiegers invites press staff and board—past and present—to help curate a retrospective. The result is a collection of beloved poems from books spanning half a century: representing Pulitzer Prize-winning books, debut collections, works in translation, and rare books from Copper Canyon’s early days. This book is a tribute to Copper Canyon poets and readers everywhere, because, as Gregory Orr writes, “Certain poems / In an uncertain world— / The ones we cling to: // They bring us back.”
Why Great Teachers Quit and How We Might Stop the Exodus by Katy Farber Pdf
Learn why today’s best teachers are leaving—from the teachers themselves. Low pay, increased responsibilities, and high-stakes standardized testing—these are just some of the reasons why more talented teachers are leaving the profession than ever before. Drawing on in-depth interviews with teachers all over the country, Katy Farber presents an in-the-trenches view of the classroom exodus and uncovers ways that schools can turn the tide. Farber's findings, which have been featured on Education Talk Radio, Vermont Public Radio, and in the Huffington Post, paint a sometimes shocking picture of life in today's schools, taking a frank look at • Challenges to teacher endurance, including tight budgets, difficult parents, standardized testing, unsafe schools, inadequate pay, and lack of respect • Strategies veteran teachers use to make sure the joys of teaching outweigh the frustrations • Success stories from individual schools and districts that have found solutions to these challenges • Recommendations for creating a school environment that fosters teacher retention Featuring clear analysis and concrete suggestions for administrators and policy makers, Why Great Teachers Quit takes you to the front lines of the fight to keep great teachers where they belong: in the classroom.
Winner of the Seamus Heaney First Collection Poetry Prize 2021 Shortlisted for the Michael Murphy Memorial Poetry Prize 2021 Arrow is a debut volume extraordinary in ambition, range and achievement. At its centre is 'Dear, beloved', a more-than-elegy for her younger sister who died suddenly: in the two years she took to write the poem, much else came into play: 'it was my hope to write the mood of elegy rather than an elegy proper,' following the example of the great elegists including Milton, to whose Paradise Lost she listened during the period of composition, also hearing the strains of Brigit Pegeen Kelly's Song, of Alice Oswald and Marie Howe. The poem becomes a kind of kingdom, 'one that is at once evil, or blighted, and beautiful, not to mention everything in between'. As well as elegy, Chakraborty composes invocations, verse essays, and the strange extended miracle of the title poem, in which ancient and modern history, memory and the lived moment, are held in a directed balance. It celebrates the natural forces of the world and the rapt experience of balance, form and - love. She declares a marked admiration for poems that 'will write into being a world that already in some way exists'. This is what her poems achieve.
For centuries, the United States has been a magnet for human capital - ambitious, talented immigrants came to make their fortunes and stayed to pump wealth into the U.S. economy. Today America relies more than ever on immigrant brainpower: over half the PhDs working here are foreign born, as are nearly half the physicists, computer scientists, and mathematicians, and many of Silicon Valley's high-tech leaders. But, David Heenan warns, they may not be here long. In Flight Capital, Heenan describes how, within the past decade, America has gone from being the top importer of brainpower to a net exporter. Empowered by the globalization of technology, emerging economies from Iceland to India are using aggressive initiatives to attract top knowledge workers. In a reverse brain drain, hundreds of thousands of the best and brightest in America are returning to their native lands to pursue new opportunities. Heenan recounts the stories of dozens of emigrating professionals in an engaging way to explore the various factors - personal, cultural, economic, and political - that are fueling the exodus. human capital and its consequences for America, at a time when a shortage of talented labor is exacerbated by post-9/11 immigration restrictions. The outflow of brainpower, Heenan argues, threatens U.S. technological and economic preeminence, and even our security, unless quick action is taken. He proposes a dozen hard-hitting measures to correct the situation, both short and long term. Timely and compelling, Flight Capital focuses attention on whether America will continue as a world leader, and on the new forces at play in the global economic community.
Impassioned, erudite, thoroughly researched, and beautifully reasoned, The Great Partnership argues not only that science and religion are compatible, but that they complement each other—and that the world needs both. “Atheism deserves better than the new atheists,” states Rabbi Jonathan Sacks, “whose methodology consists of criticizing religion without understanding it, quoting texts without contexts, taking exceptions as the rule, confusing folk belief with reflective theology, abusing, ridiculing, and demonizing religious faith and holding it responsible for the great crimes against humanity. Religion has done harm; I acknowledge that. But the cure for bad religion is good religion, not no religion, just as the cure for bad science is good science, not the abandonment of science.” Rabbi Sacks’s counterargument is that religion and science are the two essential perspectives that allow us to see the universe in its three-dimensional depth. Science teaches us where we come from. Religion explains to us why we are here. Science is the search for explanation. Religion is the search for meaning. There have been times when religion tried to dominate science. And there have been times, including our own, when it is believed that we can learn all we need to know about meaning and relationships through biochemistry, neuroscience, and evolutionary psychology. In this fascinating look at the interdependence of religion and science, Rabbi Sacks explains why both views are tragically wrong. ***National Jewish Book Awards 2012, Finalist*** Dorot Foundation Award for Modern Jewish Thought and Experience
A NEW YORK TIMES BOOK REVIEW EDITORS' CHOICE A SAN FRANCISCO CHRONICLE BESTSELLER In AD 70, when the Second Temple was destroyed, a handful of visionaries saved Judaism by reinventing it, taking what had been a national religion and turning it into an idea. Whenever a Jew studied—wherever he was—he would be in the holy city, and his faith preserved. But in our own time, Zionists have turned the book back into a temple, and unlike an idea, a temple can be destroyed. With exuberance, humor, and real scholarship, Rich Cohen's Israel is Real offers "a serious attempt by a gifted storyteller to enliven and elucidate Jewish religious, cultural, and political history . . . A powerful narrative" (Los Angeles Times).
“Timely and highly readable . . . provides a valuable backdrop to Donald Trump’s insistence on a barrier across America’s southern border.” —Robert Dallek, presidential historian During his campaign for the presidency, one of Donald Trump’s signature promises was that he would build a “great great wall” on the border between the US and Mexico, and Mexico was going to pay for it. Now, with only a few prototype segments erected, the wall is the 2,000-mile, multibillion-dollar elephant in the room of contemporary American life. In The Great Great Wall, architectural historian and critic Ian Volner takes a fascinating look at the barriers that we have built over millennia. Traveling far afield, to China, the Middle East, Europe, and along the U.S. Mexico border, Volner examines famous, contentious, and illuminating structures, and explores key questions: Why do we build walls? What do they reveal about human history? What happens after they go up? With special attention to Trump’s wall and the walls that exist along the US border already, this is an absorbing, smart, and timely book on an incredibly contentious and newsworthy topic. “A work of literary alchemy that transmutes the wall, a simple architectural structure, and of late, political metaphor, into a prism through which to view the panorama of human history . . . this book will amaze, delight, and enchant even the most jaded nonfiction aficionado.” —William J. Bernstein, award-winning author of The Delusions of Crowds “A global journey to some of history’s most significant walls—China, Berlin, and even Jericho—weaving together a fascinating account of their foundational myths and current realities.” —Carrie Gibson, author of El Norte
The Sunflower Cast a Spell to Save Us from the Void by Jackie Wang Pdf
Jackie Wang's magnetic and spellbinding debut collection of poetry that attempts to speak in the language of dreams.In The Sunflower, Wang follows the sunflower's many dream guises-its evolving symbolism in literature, society, and the author's own dream life using a mathopoetic technique to generate poems using the Fibonacci sequence (a pattern found in the seed spirals of sunflower). The Sunflower Cast a Spell to Save Us from the Void embodies what Wang calls oneiric poetry: a poetry that attempts to speak in the language of dreams. Although dreams, in psychoanalytic discourse, have been conceptualized as a window into the unconscious, Wang's poetry emphasizes the social dimension of dreams, particularly the use of dreams to index historical trauma and social processes.
Winner of a "Discovery"/The Nation Award Winner of the 1999 PEN/Joyce Osterweil Award for Poetry Some Ether is one of the more remarkable debut collections of poetry to appear in America in recent memory. As Mark Doty has noted, "these poems are more than testimony; in lyrics of ringing clarity and strange precision, Flynn conjures a will to survive, the buoyant motion toward love which is sometimes all that saves us. Some Ether resonates in the imagination long after the final poem; this is a startling, moving debut."
Author : James C. Scott Publisher : Yale University Press Page : 462 pages File Size : 49,8 Mb Release : 2020-03-17 Category : Political Science ISBN : 9780300252989
“One of the most profound and illuminating studies of this century to have been published in recent decades.”—John Gray, New York Times Book Review Hailed as “a magisterial critique of top-down social planning” by the New York Times, this essential work analyzes disasters from Russia to Tanzania to uncover why states so often fail—sometimes catastrophically—in grand efforts to engineer their society or their environment, and uncovers the conditions common to all such planning disasters. “Beautifully written, this book calls into sharp relief the nature of the world we now inhabit.”—New Yorker “A tour de force.”— Charles Tilly, Columbia University
In an era of rising nationalism and geopolitical instability, Megan Fernandes’s Good Boys offers a complex portrait of messy feminist rage, negotiations with race and travel, and existential dread in the Anthropocene. The collection follows a restless, nervy, cosmically abandoned speaker failing at the aspirational markers of adulthood as she flips from city to city, from enchantment to disgust, always reemerging—just barely—on the trains and bridges and bar stools of New York City. A child of the Indian Ocean diaspora, Fernandes enacts the humor and devastation of what it means to exist as a body of contradictions. Her interpretations are muddied. Her feminism is accusatory, messy. Her homelands are theoretical and rootless. The poet converses with goats and throws a fit at a tarot reading; she loves the intimacy of strangers during turbulent plane rides and has dark fantasies about the “hydrogen fruit” of nuclear fallout. Ultimately, these poems possess an affection for the doomed: false beloveds, the hounded earth, civilizations intent on their own ruin. Fernandes skillfully interrogates where to put our fury and, more importantly, where to direct our mercy.
Shaping the debate on how to save the military from itself. The first part recognizes what the military has done well in attracting and developing leadership talent. The book then examines the causes and consequences of the modern military's stifling personnel system and offers solutions for attracting and retaining top talent.
