Greek Interjections Book in PDF, ePub and Kindle version is available to download in english. Read online anytime anywhere directly from your device. Click on the download button below to get a free pdf file of Greek Interjections book. This book definitely worth reading, it is an incredibly well-written.
Author : Lars Nordgren Publisher : Walter de Gruyter GmbH & Co KG Page : 282 pages File Size : 52,6 Mb Release : 2015-10-16 Category : Language Arts & Disciplines ISBN : 9783110339444
Interjections in Ancient Greek have long lacked a comprehensive account, despite their frequent occurrence in major texts. The present study of their semantics and pragmatics, encompassing all items encountered in Greek drama from the 5th century BC, applies a moderate minimalism, theory-driven method. Readers are offered a thorough and detailed study of this elusive, and in several respects deviant, class of linguistic items.
Author : Lars Nordgren Publisher : Walter de Gruyter GmbH & Co KG Page : 282 pages File Size : 43,8 Mb Release : 2015-10-16 Category : Language Arts & Disciplines ISBN : 9783110394009
Interjections in Ancient Greek have long lacked a comprehensive account, despite their frequent occurrence in major texts. The present study of their semantics and pragmatics, encompassing all items encountered in Greek drama from the 5th century BC, applies a moderate minimalism, theory-driven method. Readers are offered a thorough and detailed study of this elusive, and in several respects deviant, class of linguistic items.
A Student Handbook of Greek and English Grammar by Robert Mondi,Peter L. Corrigan Pdf
The study of classical languages by earlier generations of English-speaking students was greatly facilitated by the study of English grammar in the schools, a tradition now out of favor but one that emphasized precisely the concepts, terms, and constructions needed for the study of Greek and Latin. Recent classical language textbooks, while presuming little or no grammatical sophistication on the part of their students, often provide little more by way of remediation than definitions of grammatical terminology. A Student Handbook of Greek and English Grammar offers a student-friendly comparative exposition of English and ancient Greek grammatical principles that will prove a valuable supplement to a wide range of beginning Greek textbooks as well as a handy reference for those continuing on to upper-level courses.
The East Face of Helicon : West Asiatic Elements in Greek Poetry and Myth by M. L. West Pdf
Over the last sixty years scholars have increasingly become aware of links connecting early Greek poetry with the literatures of the ancient Near East. Martin West's new book far surpasses previous studies in comprehensiveness, demonstrating these links with massive and detailed documentation and showing they are much more fundamental and pervasive than has hitherto been acknowledged. - ;Ever since Neolithic times Greek lands lay open to cultural imports from western Asia: agriculture, metal-working, writing, religious institutions, artistic fashions, musical instruments, and much more. Over the last sixty years scholars have increasingly become aware of links connecting early Greek poetry with the literatures of Mesopotamia, Anatolia, Canaan, and Israel. Martin West's new book far surpasses previous studies in comprehensiveness, demonstrating these links with massive and detailed documentation and showing that they are much more fundamental and pervasive than has hitherto been acknowledged. His survey embraces Hesiod, the Homeric epics, the lyric poets, and Aeschylus, and concludes with an illuminating discussion of possible avenues of transmission between the orient and Greece. He believes that an age has dawned in which Hellenists will no more be able to ignore Near Eastern literature than Latinists can ignore Greek. -
The Biblical Greek Companion for Bible Software Users by Mark L. Strauss Pdf
Provides students with simple and clear explanations of the grammatical terms they're likely to encounter in their Bible software of choice. While Bible language and exegetical programs provide users with lots of useful information, most of them unfortunately don't explain the basic meaning of the grammatical terminology or why that information is significant for understanding biblical texts. For most of us, it's been a long time since we've had any formal training in English grammar. So if you're using a Greek language program, and you come across grammatical terms like vocative, genitive, subjunctive, or middle voice--this is your quick index! To make this book as user-friendly as possible, each entry provides: A description of what the form looks like. A summary of what it does--its main functions (with examples from the Greek New Testament). An "Exegetical Insight" to show how understanding the grammar helps you interpret the text. The Biblical Greek Companion for Bible Software Users is ideally suited for: Pastors and ministry leaders who may have learned Greek at one time but have experienced the loss of much of that learning. College and seminary students who are learning Greek and need a guide to help understand the significance of the grammatical terminology. Bible software users who never formally learned Greek in the classroom and need help understanding the meaning of the terms they encounter. Any users of programs like Logos Bible Software, Accordance Bible Software, Olive Tree, or other Bible software programs who want a quick and easy reference. With grammatical terms laid out and discussed in an intuitive and user-friendly format, readers can now spend time focusing on exegesis and applying their findings to their preaching, teachings, study, and writing instead of puzzling over the significance of grammatical terminology and how to apply it.
Brill's Companion to the Reception of Aeschylus by Rebecca Futo Kennedy Pdf
Brill’s Companion to the Reception of Aeschylus explores the various ways Aeschylus’ tragedies have been revisioned and adapted over the last 2500 years, focusing both on his theatrical reception and his reception in other media and genres.
Author : Stuart Douglas Olson,Oliver Taplin,Piero Totaro Publisher : Walter de Gruyter GmbH & Co KG Page : 194 pages File Size : 52,6 Mb Release : 2023-06-19 Category : Literary Criticism ISBN : 9783111248028
Page and Stage by Stuart Douglas Olson,Oliver Taplin,Piero Totaro Pdf
Our knowledge of the ancient theatre is limited by the textual and iconographic character of the evidence available to us: we cannot watch or otherwise experience an Athenian tragedy or comedy. These essays, by a distinguished group of international scholars, bridge the gap between the surviving literary and iconographic evidence and the realities of performance on the ancient Greek stage. This ambitious goal is reached by means of a detailed examination of several case-studies: the construction of dramatic space in Sophocles’ Antigone; the significance of the use of deictic pronouns in Sophocles’ Trachiniae; the theatrical and religious dynamics of the appearance of divine figures on stage; the relationship between the victory celebrations at the end of Aristophanic comedies and their counterparts in the after-performance real world; the investigation of nude or semi-nude female characters in Aristophanes; the staging of Clouds and the opening scene of Acharnians; the meditation on the metapoetics of the use of props in 5th-century comedy; the relationship between performance context and text through a close reading of a number of Aristophanic fragments; the way the scholia vetera on Frogs imagine and use questions of staging practice; and the potential Aeschylean authorship of some of stage-direction traceable in Aeschylus’ Eumenides and Diktoulkoi.
"Sophocles stands as one of the greatest dramatists of all time, influencing a vast array of artists and thinkers over the centuries. Disturbing and unrelenting, his tragedies portray what Matthew Arnold referred to as the turbid ebb and flow of human misery, allowing the audience to stand on the verge of the abyss and confront the waste and disorder of human existence. The heroic myths reinterpreted in the plays explore the extremes of human emotion. Yettheir unflinching engagement with heart-rending suffering does not descend into unbridled chaos or despair because of the way it is transformed into highly crafted poetry, and movement. There is, as Taplin writes, no blinking, no evasion, no palliative ... and yet ... out of apparently meaningless sufferingcomes meaning and form. This original and distinctive verse translation of four of Sophocles plays conveys the vitality of his poetry and the vigour of the plays as performed showpieces, encouraging the reader to relish the sound of the spoken verse and the potential for song within the lyrics. Each play is accompanied by an introduction and substantial notes on points of fact and interpretation, drawing on the translators many years of lecturing on Sophocles at the University of Oxford. Oedipus the King, often regarded as the archetypal tragedy, follows Oedipus, the man of sorrow, who has unwittingly chosen to enact his prophesied course by murdering his father and marrying his mother. Aias (or Ajax) tells the story of the warrior whose larger-than-life greatness brings him to harrowing humiliation and then to honourable burial. Philoctetes sees a once-noble hero, nursing his resentment during ten years in marooned isolation, eventually restored to glory at Troy. Oedipus at Colonus depicts the blind Oedipus towards the end of his life wandering as a beggar, but rewarded finally with revenge and a sublime death."--
Sophocles stands as one of the greatest dramatists of all time, and one of the most influential on artists and thinkers over the centuries. His plays are deeply disturbing and unpredictable, unrelenting and open-ended, refusing to present firm answers to the questions of human existence, or to provide a redemptive justification of the ways of gods to men or women. These three tragedies portray the extremes of human suffering and emotion, turning the heroic myths into supreme works of poetry and dramatic action. Antigone's obsession with the dead, Creon's crushing inflexibility, Deianeira's jealous desperation, the injustice of the gods witnessed by Hyllus, Electra's obsessive vindictiveness, the threatening of insoluble dynastic contamination... Such are the pains and distortions and instabilities of Sophoclean tragedy. And yet they do not deteriorate into cacophony or disgust or incoherence or silence: they face the music, and through that the suffering is itself turned into the coherence of music and poetry. These original and distinctive verse translations convey the vitality of Sophocles' poetry and the vigour of the plays in performance, doing justice to both the sound of the poetry and the theatricality of the tragedies. Each play is accompanied by an introduction and substantial notes on topographical and mythical references and interpretation.
Sophocles: Antigone and Other Tragedies by Oliver Taplin Pdf
These original and distinctive verse translations convey the vitality of Sophocles' poetry and the vigour of the plays in performance, doing justice to both the sound of the poetry and the theatricality of the tragedies.
Drawing on proverbs and proverb-like sentences found in Ancient Egyptian and Greek wisdom collections, this book offers an original insight into the literary production of these two Mediterranean civilizations, comparing their manner of conveying timeless wisdom and reconsidering the status of their cultural contact.
Terence and the Language of Roman Comedy by Evangelos Karakasis Pdf
This book offers a comprehensive examination of the language of Roman comedy in general and that of Terence in particular. The study explores Terence's use of language to differentiate his characters and his language in relation to the language of the comic fragments of the palliata, the togata and the atellana. Linguistic categories in the Terentian corpus explored include colloquialisms, archaisms, hellenisms and idiolectal features. Terence is shown to give his old men an old-fashioned and verbose tone, while low characters are represented as using colloquial diction. An examination of Eunuchus' language shows it to be closer to the Plautine linguistic tradition. The book also provides a thorough linguistic/stylistic commentary on all the fragments of the palliata, the togata and the atellana. It shows that Terence, except in the case of his Eunuchus, consciously distances himself from the linguistic/stylistic tradition of Plautus followed by all other comic poets.